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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 96 104 it is the complementary color RGB 130 159 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 96 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 96 104 shade: RGB 130 96 99, RGB 147 114 118, RGB 164 132 137, RGB 181 150 156 and RGB 198 168 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 96 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 96 104 shade: RGB 125 96 104, RGB 108 78 85, RGB 91 60 66, RGB 74 42 47 and RGB 57 24 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 96 104 shade: RGB 123 95 103, RGB 123 95 95 and RGB 123 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 96 104 shade: RGB 123 95 103, RGB 123 95 110, RGB 123 95 118, RGB 121 95 123 and RGB 113 95 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 96 104 shade matches the following richer shades: RGB 123 95 103, RGB 141 77 95, RGB 159 59 87, RGB 177 42 79 and RGB 194 24 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 96 104 shade: RGB 123 95 103, RGB 106 113 111, RGB 88 130 119, RGB 70 148 127 and RGB 52 166 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 96 104 shade: RGB 123 95 118, RGB 123 95 111, RGB 123 95 103, RGB 123 95 95 and RGB 123 102 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 96 104 shade: RGB 77 59 64, RGB 100 77 83, RGB 123 95 103, RGB 146 114 123 and RGB 164 137 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 96 104 shade: RGB 125 96 104, RGB 123 121 95 and RGB 95 114 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 96 104 shade: RGB 125 96 104, RGB 103 123 95 and RGB 95 103 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 96 104 shade: RGB 125 96 104, RGB 123 121 95, RGB 95 123 115 and RGB 95 97 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 96 104 shade: RGB 125 96 104, RGB 117 123 95, RGB 95 123 115 and RGB 101 95 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 17 / 51

HEX #7D6068

RGB 125 96 104

HSL 343.45, 0.13%, 0.43%

LAB 43.84, 13.12, -0.01

 

Complementary color

CMYK 18 / 0 / 5 / 38

HEX #829F97

RGB 130 159 151

HSL 163.45, 0.13%, 0.57%

LAB 63.16, -11.74, 0.82

 

CMYK 0 / 26 / 24 / 49

HEX #826063

RGB 130 96 99

HSL 354.71, 0.15%, 0.44%

LAB 44.25, 14.29, 3.7

 

CMYK 0 / 22 / 20 / 42

HEX #937276

RGB 147 114 118

HSL 352.73, 0.13%, 0.51%

LAB 51.32, 13.63, 2.78

 

CMYK 0 / 20 / 16 / 36

HEX #A48489

RGB 164 132 137

HSL 350.63, 0.15%, 0.58%

LAB 58.23, 13.05, 1.95

 

CMYK 0 / 17 / 14 / 29

HEX #B5969C

RGB 181 150 156

HSL 348.39, 0.17%, 0.65%

LAB 64.99, 12.54, 1.18

 

CMYK 0 / 15 / 12 / 22

HEX #C6A8AF

RGB 198 168 175

HSL 346, 0.21%, 0.72%

LAB 71.63, 12.08, 0.46

 

CMYK 0 / 23 / 17 / 51

HEX #7D6068

RGB 125 96 104

HSL 343.45, 0.13%, 0.43%

LAB 43.84, 13.12, -0.01

 

CMYK 0 / 28 / 21 / 58

HEX #6C4E55

RGB 108 78 85

HSL 346, 0.16%, 0.36%

LAB 36.54, 13.81, 0.86

 

CMYK 0 / 34 / 27 / 64

HEX #5B3C42

RGB 91 60 66

HSL 348.39, 0.21%, 0.3%

LAB 29.03, 14.63, 1.87

 

CMYK 0 / 43 / 36 / 71

HEX #4A2A2F

RGB 74 42 47

HSL 350.63, 0.28%, 0.23%

LAB 21.27, 15.63, 3.12

 

CMYK 0 / 58 / 51 / 78

HEX #39181C

RGB 57 24 28

HSL 352.73, 0.41%, 0.16%

LAB 13.27, 16.83, 4.86

 

CMYK 0 / 23 / 16 / 52

HEX #7B5F67

RGB 123 95 103

HSL 342.86, 0.13%, 0.43%

LAB 43.32, 12.74, -0.18

 

CMYK 0 / 23 / 23 / 52

HEX #7B5F5F

RGB 123 95 95

HSL 0, 0.13%, 0.43%

LAB 43.1, 11.37, 4.37

 

CMYK 0 / 23 / 23 / 52

HEX #7B5F5F

RGB 123 95 95

HSL 0, 0.13%, 0.43%

LAB 43.1, 11.37, 4.37

 

CMYK 0 / 23 / 16 / 52

HEX #7B5F67

RGB 123 95 103

HSL 342.86, 0.13%, 0.43%

LAB 43.32, 12.74, -0.18

 

CMYK 0 / 23 / 11 / 52

HEX #7B5F6E

RGB 123 95 110

HSL 327.86, 0.13%, 0.43%

LAB 43.54, 14.02, -4.12

 

CMYK 0 / 23 / 4 / 52

HEX #7B5F76

RGB 123 95 118

HSL 310.71, 0.13%, 0.43%

LAB 43.8, 15.57, -8.58

 

CMYK 2 / 23 / 0 / 52

HEX #795F7B

RGB 121 95 123

HSL 295.71, 0.13%, 0.43%

LAB 43.77, 15.85, -11.69

 

CMYK 8 / 23 / 0 / 52

HEX #715F7B

RGB 113 95 123

HSL 278.57, 0.13%, 0.43%

LAB 42.95, 12.93, -13.01

 

CMYK 0 / 23 / 16 / 52

HEX #7B5F67

RGB 123 95 103

HSL 342.86, 0.13%, 0.43%

LAB 43.32, 12.74, -0.18

 

CMYK 0 / 45 / 33 / 45

HEX #8D4D5F

RGB 141 77 95

HSL 343.13, 0.29%, 0.43%

LAB 40.89, 29.14, 1.47

 

CMYK 0 / 63 / 45 / 38

HEX #9F3B57

RGB 159 59 87

HSL 343.2, 0.46%, 0.43%

LAB 39.89, 43.97, 5.39

 

CMYK 0 / 76 / 55 / 31

HEX #B12A4F

RGB 177 42 79

HSL 343.56, 0.62%, 0.43%

LAB 40.52, 55.6, 11.78

 

CMYK 0 / 88 / 63 / 24

HEX #C21847

RGB 194 24 71

HSL 343.41, 0.78%, 0.43%

LAB 42.12, 64.24, 19.56

 

CMYK 0 / 23 / 16 / 52

HEX #7B5F67

RGB 123 95 103

HSL 342.86, 0.13%, 0.43%

LAB 43.32, 12.74, -0.18

 

CMYK 6 / 0 / 2 / 56

HEX #6A716F

RGB 106 113 111

HSL 162.86, 0.03%, 0.43%

LAB 47, -3.07, 0.19

 

CMYK 32 / 0 / 8 / 49

HEX #588277

RGB 88 130 119

HSL 164.29, 0.19%, 0.43%

LAB 51.12, -17.1, 1.31

 

CMYK 53 / 0 / 14 / 42

HEX #46947F

RGB 70 148 127

HSL 163.85, 0.36%, 0.43%

LAB 56.1, -29.37, 3.8

 

CMYK 69 / 0 / 19 / 35

HEX #34A687

RGB 52 166 135

HSL 163.68, 0.52%, 0.43%

LAB 61.44, -39.27, 6.88

 

CMYK 0 / 23 / 4 / 52

HEX #7B5F76

RGB 123 95 118

HSL 310.71, 0.13%, 0.43%

LAB 43.8, 15.57, -8.58

 

CMYK 0 / 23 / 10 / 52

HEX #7B5F6F

RGB 123 95 111

HSL 325.71, 0.13%, 0.43%

LAB 43.57, 14.21, -4.68

 

CMYK 0 / 23 / 16 / 52

HEX #7B5F67

RGB 123 95 103

HSL 342.86, 0.13%, 0.43%

LAB 43.32, 12.74, -0.18

 

CMYK 0 / 23 / 23 / 52

HEX #7B5F5F

RGB 123 95 95

HSL 0, 0.13%, 0.43%

LAB 43.1, 11.37, 4.37

 

CMYK 0 / 17 / 23 / 52

HEX #7B665F

RGB 123 102 95

HSL 15, 0.13%, 0.43%

LAB 45, 7.19, 7.08

 

CMYK 0 / 23 / 17 / 70

HEX #4D3B40

RGB 77 59 64

HSL 343.33, 0.13%, 0.27%

LAB 26.95, 8.85, -0.05

 

CMYK 0 / 23 / 17 / 61

HEX #644D53

RGB 100 77 83

HSL 344.35, 0.13%, 0.35%

LAB 35.28, 10.75, 0.18

 

CMYK 0 / 23 / 16 / 52

HEX #7B5F67

RGB 123 95 103

HSL 342.86, 0.13%, 0.43%

LAB 43.32, 12.74, -0.18

 

CMYK 0 / 22 / 16 / 43

HEX #92727B

RGB 146 114 123

HSL 343.13, 0.13%, 0.51%

LAB 51.35, 14.08, -0.13

 

CMYK 0 / 16 / 12 / 36

HEX #A48990

RGB 164 137 144

HSL 344.44, 0.13%, 0.59%

LAB 59.71, 11.41, 0.09

 

CMYK 0 / 23 / 17 / 51

HEX #7D6068

RGB 125 96 104

HSL 343.45, 0.13%, 0.43%

LAB 43.84, 13.12, -0.01

 

CMYK 0 / 2 / 23 / 52

HEX #7B795F

RGB 123 121 95

HSL 55.71, 0.13%, 0.43%

LAB 50.35, -3.88, 14.57

 

CMYK 23 / 7 / 0 / 52

HEX #5F727B

RGB 95 114 123

HSL 199.29, 0.13%, 0.43%

LAB 46.84, -4.86, -7.31

 

CMYK 0 / 23 / 17 / 51

HEX #7D6068

RGB 125 96 104

HSL 343.45, 0.13%, 0.43%

LAB 43.84, 13.12, -0.01

 

CMYK 16 / 0 / 23 / 52

HEX #677B5F

RGB 103 123 95

HSL 102.86, 0.13%, 0.43%

LAB 49.35, -13.02, 12.94

 

CMYK 23 / 16 / 0 / 52

HEX #5F677B

RGB 95 103 123

HSL 222.86, 0.13%, 0.43%

LAB 43.6, 1.67, -12.18

 

CMYK 0 / 23 / 17 / 51

HEX #7D6068

RGB 125 96 104

HSL 343.45, 0.13%, 0.43%

LAB 43.84, 13.12, -0.01

 

CMYK 0 / 2 / 23 / 52

HEX #7B795F

RGB 123 121 95

HSL 55.71, 0.13%, 0.43%

LAB 50.35, -3.88, 14.57

 

CMYK 23 / 0 / 7 / 52

HEX #5F7B73

RGB 95 123 115

HSL 162.86, 0.13%, 0.43%

LAB 49.3, -11.87, 1.06

 

CMYK 23 / 21 / 0 / 52

HEX #5F617B

RGB 95 97 123

HSL 235.71, 0.13%, 0.43%

LAB 41.86, 5.32, -14.81

 

CMYK 0 / 23 / 17 / 51

HEX #7D6068

RGB 125 96 104

HSL 343.45, 0.13%, 0.43%

LAB 43.84, 13.12, -0.01

 

CMYK 5 / 0 / 23 / 52

HEX #757B5F

RGB 117 123 95

HSL 72.86, 0.13%, 0.43%

LAB 50.42, -7.46, 14.59

 

CMYK 23 / 0 / 7 / 52

HEX #5F7B73

RGB 95 123 115

HSL 162.86, 0.13%, 0.43%

LAB 49.3, -11.87, 1.06

 

CMYK 18 / 23 / 0 / 52

HEX #655F7B

RGB 101 95 123

HSL 252.86, 0.13%, 0.43%

LAB 41.82, 8.64, -14.84

 

Description

Color code: RGB 125 96 104 | qconv.com Color code: RGB 125 96 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 96 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 96 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 17 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 17% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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