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Color name
RGB 125 76 152

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 76 152 it is the complementary color RGB 130 179 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 76 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 76 152 shade: RGB 130 76 147, RGB 147 94 166, RGB 164 112 185, RGB 181 130 204 and RGB 198 148 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 76 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 108 58 133, RGB 91 40 114, RGB 74 22 95 and RGB 57 4 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 146 76 152, RGB 152 76 138, RGB 152 76 118 and RGB 152 76 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 105 76 152, RGB 84 76 152 and RGB 76 76 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 76 152 shade matches the following richer shades: RGB 125 76 152, RGB 131 58 171, RGB 136 39 189, RGB 141 21 208 and RGB 147 2 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 120 95 134, RGB 114 114 115, RGB 109 132 96 and RGB 104 151 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 76 152 shade: RGB 84 76 152, RGB 104 76 152, RGB 124 76 152, RGB 145 76 152 and RGB 152 76 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 76 152 shade: RGB 80 49 97, RGB 103 63 125, RGB 125 76 152, RGB 146 95 174 and RGB 165 123 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 152 76 89 and RGB 76 152 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 152 124 76 and RGB 76 152 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 152 76 89, RGB 104 152 76 and RGB 76 152 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 76 152 shade: RGB 125 76 152, RGB 152 86 76, RGB 104 152 76 and RGB 76 142 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

Complementary color

CMYK 27 / 0 / 42 / 30

HEX #82B367

RGB 130 179 103

HSL 98.68, 0.33%, 0.55%

LAB 68, -30.25, 33.66

 

CMYK 12 / 48 / 0 / 42

HEX #824C93

RGB 130 76 147

HSL 285.63, 0.32%, 0.44%

LAB 41.25, 35.26, -30.01

 

CMYK 11 / 43 / 0 / 35

HEX #935EA6

RGB 147 94 166

HSL 284.17, 0.29%, 0.51%

LAB 48.21, 34.43, -30.28

 

CMYK 11 / 39 / 0 / 27

HEX #A470B9

RGB 164 112 185

HSL 282.74, 0.34%, 0.58%

LAB 55.06, 33.63, -30.51

 

CMYK 11 / 36 / 0 / 20

HEX #B582CC

RGB 181 130 204

HSL 281.35, 0.42%, 0.65%

LAB 61.78, 32.87, -30.72

 

CMYK 11 / 34 / 0 / 13

HEX #C694DF

RGB 198 148 223

HSL 280, 0.54%, 0.73%

LAB 68.4, 32.16, -30.93

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 19 / 56 / 0 / 48

HEX #6C3A85

RGB 108 58 133

HSL 280, 0.39%, 0.37%

LAB 33.79, 35.74, -33.42

 

CMYK 20 / 65 / 0 / 55

HEX #5B2872

RGB 91 40 114

HSL 281.35, 0.48%, 0.3%

LAB 26.61, 36.46, -33.05

 

CMYK 22 / 77 / 0 / 63

HEX #4A165F

RGB 74 22 95

HSL 282.74, 0.62%, 0.23%

LAB 19.46, 36.69, -32.31

 

CMYK 25 / 95 / 0 / 70

HEX #39044C

RGB 57 4 76

HSL 284.17, 0.9%, 0.16%

LAB 12.47, 35.91, -30.89

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 4 / 50 / 0 / 40

HEX #924C98

RGB 146 76 152

HSL 295.26, 0.33%, 0.45%

LAB 43.58, 41.13, -29.22

 

CMYK 0 / 50 / 9 / 40

HEX #984C8A

RGB 152 76 138

HSL 311.05, 0.33%, 0.45%

LAB 43.77, 40.37, -20.43

 

CMYK 0 / 50 / 22 / 40

HEX #984C76

RGB 152 76 118

HSL 326.84, 0.33%, 0.45%

LAB 42.99, 37.07, -9.44

 

CMYK 0 / 50 / 36 / 40

HEX #984C61

RGB 152 76 97

HSL 343.42, 0.33%, 0.45%

LAB 42.32, 34.1, 2.5

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 31 / 50 / 0 / 40

HEX #694C98

RGB 105 76 152

HSL 262.89, 0.33%, 0.45%

LAB 38.62, 29.12, -37.37

 

CMYK 45 / 50 / 0 / 40

HEX #544C98

RGB 84 76 152

HSL 246.32, 0.33%, 0.45%

LAB 36.59, 23.49, -40.72

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C98

RGB 76 76 152

HSL 240, 0.33%, 0.45%

LAB 35.93, 21.53, -41.82

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 23 / 66 / 0 / 33

HEX #833AAB

RGB 131 58 171

HSL 278.76, 0.49%, 0.45%

LAB 39.23, 50.27, -47.6

 

CMYK 28 / 79 / 0 / 26

HEX #8827BD

RGB 136 39 189

HSL 278.8, 0.66%, 0.45%

LAB 38.48, 62.89, -59.42

 

CMYK 32 / 90 / 0 / 18

HEX #8D15D0

RGB 141 21 208

HSL 278.5, 0.82%, 0.45%

LAB 39.16, 72.17, -69.37

 

CMYK 35 / 99 / 0 / 11

HEX #9302E2

RGB 147 2 226

HSL 278.84, 0.98%, 0.45%

LAB 40.8, 78.86, -77.01

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 10 / 29 / 0 / 47

HEX #785F86

RGB 120 95 134

HSL 278.46, 0.17%, 0.45%

LAB 44.09, 17.89, -17.86

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 17 / 0 / 27 / 48

HEX #6D8460

RGB 109 132 96

HSL 98.33, 0.16%, 0.45%

LAB 52.51, -15.41, 16.78

 

CMYK 31 / 0 / 48 / 41

HEX #68974E

RGB 104 151 78

HSL 98.63, 0.32%, 0.45%

LAB 57.68, -29.66, 33.33

 

CMYK 45 / 50 / 0 / 40

HEX #544C98

RGB 84 76 152

HSL 246.32, 0.33%, 0.45%

LAB 36.59, 23.49, -40.72

 

CMYK 32 / 50 / 0 / 40

HEX #684C98

RGB 104 76 152

HSL 262.11, 0.33%, 0.45%

LAB 38.51, 28.84, -37.54

 

CMYK 18 / 50 / 0 / 40

HEX #7C4C98

RGB 124 76 152

HSL 277.89, 0.33%, 0.45%

LAB 40.77, 34.59, -33.83

 

CMYK 5 / 50 / 0 / 40

HEX #914C98

RGB 145 76 152

HSL 294.47, 0.33%, 0.45%

LAB 43.44, 40.83, -29.44

 

CMYK 0 / 50 / 9 / 40

HEX #984C8B

RGB 152 76 139

HSL 310.26, 0.33%, 0.45%

LAB 43.81, 40.54, -20.97

 

CMYK 18 / 49 / 0 / 62

HEX #503161

RGB 80 49 97

HSL 278.75, 0.33%, 0.29%

LAB 26.05, 23.87, -23.07

 

CMYK 18 / 50 / 0 / 51

HEX #673F7D

RGB 103 63 125

HSL 278.71, 0.33%, 0.37%

LAB 33.81, 29.48, -28.46

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 16 / 45 / 0 / 32

HEX #925FAE

RGB 146 95 174

HSL 278.73, 0.33%, 0.53%

LAB 48.7, 35.32, -34.21

 

CMYK 12 / 35 / 0 / 26

HEX #A57BBC

RGB 165 123 188

HSL 278.77, 0.33%, 0.61%

LAB 57.84, 28.37, -27.89

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 0 / 50 / 41 / 40

HEX #984C59

RGB 152 76 89

HSL 349.74, 0.33%, 0.45%

LAB 42.1, 33.12, 7.13

 

CMYK 50 / 0 / 38 / 40

HEX #4C985E

RGB 76 152 94

HSL 134.21, 0.33%, 0.45%

LAB 56.88, -36.75, 23.47

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 0 / 18 / 50 / 40

HEX #987C4C

RGB 152 124 76

HSL 37.89, 0.33%, 0.45%

LAB 53.61, 4.41, 30.16

 

CMYK 50 / 0 / 18 / 40

HEX #4C987C

RGB 76 152 124

HSL 157.89, 0.33%, 0.45%

LAB 57.51, -30.54, 7.56

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 0 / 50 / 41 / 40

HEX #984C59

RGB 152 76 89

HSL 349.74, 0.33%, 0.45%

LAB 42.1, 33.12, 7.13

 

CMYK 32 / 0 / 50 / 40

HEX #68984C

RGB 104 152 76

HSL 97.89, 0.33%, 0.45%

LAB 57.96, -30.39, 34.71

 

CMYK 50 / 0 / 9 / 40

HEX #4C988B

RGB 76 152 139

HSL 169.74, 0.33%, 0.45%

LAB 57.9, -26.86, -0.4

 

CMYK 18 / 50 / 0 / 40

HEX #7D4C98

RGB 125 76 152

HSL 278.68, 0.33%, 0.45%

LAB 40.89, 34.88, -33.63

 

CMYK 0 / 43 / 50 / 40

HEX #98564C

RGB 152 86 76

HSL 7.89, 0.33%, 0.45%

LAB 44.02, 26.18, 17.72

 

CMYK 32 / 0 / 50 / 40

HEX #68984C

RGB 104 152 76

HSL 97.89, 0.33%, 0.45%

LAB 57.96, -30.39, 34.71

 

CMYK 50 / 7 / 0 / 40

HEX #4C8E98

RGB 76 142 152

HSL 187.89, 0.33%, 0.45%

LAB 55.23, -18.18, -11.82

 

Description

Color code: RGB 125 76 152 | qconv.com Color code: RGB 125 76 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 76 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 76 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 50 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 50% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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