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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 69 210 it is the complementary color RGB 130 186 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 69 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 69 210 shade: RGB 130 69 205, RGB 147 87 224, RGB 164 105 243, RGB 181 123 255 and RGB 198 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 69 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 69 210 shade: RGB 125 69 210, RGB 108 51 191, RGB 91 33 172, RGB 74 15 153 and RGB 57 0 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 69 210 shade: RGB 125 70 210, RGB 163 70 210, RGB 201 70 210, RGB 210 70 181 and RGB 210 70 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 69 210 shade: RGB 125 70 210, RGB 88 70 210 and RGB 70 70 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 69 210 shade matches the following richer shades: RGB 125 70 210, RGB 122 51 228 and RGB 118 33 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 69 210 shade: RGB 125 70 210, RGB 129 88 191, RGB 133 107 173, RGB 137 125 154 and RGB 141 144 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 69 210 shade: RGB 70 91 210, RGB 86 70 210, RGB 123 70 210, RGB 161 70 210 and RGB 198 70 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 69 210 shade: RGB 86 38 159, RGB 104 46 192, RGB 125 70 210, RGB 149 103 218 and RGB 172 136 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 69 210 shade: RGB 125 69 210, RGB 210 70 128 and RGB 72 210 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 69 210 shade: RGB 125 69 210, RGB 210 123 70 and RGB 70 210 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 69 210 shade: RGB 125 69 210, RGB 210 70 128, RGB 156 210 70 and RGB 70 210 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 69 210 shade: RGB 125 69 210, RGB 210 70 86, RGB 156 210 70 and RGB 70 210 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 67 / 0 / 18

HEX #7D45D2

RGB 125 69 210

HSL 263.83, 0.61%, 0.55%

LAB 43.17, 52.98, -64.08

 

Complementary color

CMYK 30 / 0 / 76 / 27

HEX #82BA2D

RGB 130 186 45

HSL 83.83, 0.61%, 0.45%

LAB 69.51, -38.92, 61.03

 

CMYK 37 / 66 / 0 / 20

HEX #8245CD

RGB 130 69 205

HSL 266.91, 0.58%, 0.54%

LAB 43.37, 52.71, -60.84

 

CMYK 34 / 61 / 0 / 12

HEX #9357E0

RGB 147 87 224

HSL 266.28, 0.69%, 0.61%

LAB 49.98, 51.81, -60.93

 

CMYK 33 / 57 / 0 / 5

HEX #A469F3

RGB 164 105 243

HSL 265.65, 0.85%, 0.68%

LAB 56.55, 50.84, -60.92

 

CMYK 29 / 52 / 0 / 0

HEX #B57BFF

RGB 181 123 255

HSL 266.36, 1%, 0.74%

LAB 62.68, 48.19, -57.64

 

CMYK 22 / 45 / 0 / 0

HEX #C68DFF

RGB 198 141 255

HSL 270, 1%, 0.78%

LAB 68.22, 42.91, -48.75

 

CMYK 40 / 67 / 0 / 18

HEX #7D45D2

RGB 125 69 210

HSL 263.83, 0.61%, 0.55%

LAB 43.17, 52.98, -64.08

 

CMYK 43 / 73 / 0 / 25

HEX #6C33BF

RGB 108 51 191

HSL 264.43, 0.58%, 0.47%

LAB 36.59, 53.77, -63.84

 

CMYK 47 / 81 / 0 / 33

HEX #5B21AC

RGB 91 33 172

HSL 265.04, 0.68%, 0.4%

LAB 30.13, 54.09, -63.21

 

CMYK 52 / 90 / 0 / 40

HEX #4A0F99

RGB 74 15 153

HSL 265.65, 0.82%, 0.33%

LAB 23.99, 53.35, -61.86

 

CMYK 57 / 100 / 0 / 47

HEX #390086

RGB 57 0 134

HSL 265.52, 1%, 0.26%

LAB 18.33, 51.02, -59.48

 

CMYK 40 / 67 / 0 / 18

HEX #7D46D2

RGB 125 70 210

HSL 263.57, 0.61%, 0.55%

LAB 43.35, 52.47, -63.78

 

CMYK 22 / 67 / 0 / 18

HEX #A346D2

RGB 163 70 210

HSL 279.86, 0.61%, 0.55%

LAB 48.03, 60.32, -55.99

 

CMYK 4 / 67 / 0 / 18

HEX #C946D2

RGB 201 70 210

HSL 296.14, 0.61%, 0.55%

LAB 53.44, 68.74, -47.04

 

CMYK 0 / 67 / 14 / 18

HEX #D246B5

RGB 210 70 181

HSL 312.43, 0.61%, 0.55%

LAB 53.4, 66.28, -30.29

 

CMYK 0 / 67 / 32 / 18

HEX #D2468F

RGB 210 70 143

HSL 328.71, 0.61%, 0.55%

LAB 51.91, 61.26, -10.22

 

CMYK 40 / 67 / 0 / 18

HEX #7D46D2

RGB 125 70 210

HSL 263.57, 0.61%, 0.55%

LAB 43.35, 52.47, -63.78

 

CMYK 58 / 67 / 0 / 18

HEX #5846D2

RGB 88 70 210

HSL 247.71, 0.61%, 0.55%

LAB 39.76, 45.97, -69.79

 

CMYK 67 / 67 / 0 / 18

HEX #4646D2

RGB 70 70 210

HSL 240, 0.61%, 0.55%

LAB 38.44, 43.42, -72.01

 

CMYK 40 / 67 / 0 / 18

HEX #7D46D2

RGB 125 70 210

HSL 263.57, 0.61%, 0.55%

LAB 43.35, 52.47, -63.78

 

CMYK 46 / 78 / 0 / 11

HEX #7A33E4

RGB 122 51 228

HSL 264.07, 0.77%, 0.55%

LAB 41.39, 65.19, -77.31

 

CMYK 52 / 87 / 0 / 3

HEX #7621F7

RGB 118 33 247

HSL 263.83, 0.93%, 0.55%

LAB 40.66, 75.29, -89.26

 

CMYK 40 / 67 / 0 / 18

HEX #7D46D2

RGB 125 70 210

HSL 263.57, 0.61%, 0.55%

LAB 43.35, 52.47, -63.78

 

CMYK 32 / 54 / 0 / 25

HEX #8158BF

RGB 129 88 191

HSL 263.88, 0.45%, 0.55%

LAB 46.19, 38.7, -48.21

 

CMYK 23 / 38 / 0 / 32

HEX #856BAD

RGB 133 107 173

HSL 263.64, 0.29%, 0.55%

LAB 50.12, 24.18, -31.5

 

CMYK 11 / 19 / 0 / 40

HEX #897D9A

RGB 137 125 154

HSL 264.83, 0.13%, 0.55%

LAB 54.36, 10.45, -13.89

 

CMYK 2 / 0 / 6 / 44

HEX #8D9087

RGB 141 144 135

HSL 80, 0.04%, 0.55%

LAB 59.3, -2.82, 4.39

 

CMYK 67 / 57 / 0 / 18

HEX #465BD2

RGB 70 91 210

HSL 231, 0.61%, 0.55%

LAB 43.42, 30.5, -63.88

 

CMYK 59 / 67 / 0 / 18

HEX #5646D2

RGB 86 70 210

HSL 246.86, 0.61%, 0.55%

LAB 39.6, 45.66, -70.06

 

CMYK 41 / 67 / 0 / 18

HEX #7B46D2

RGB 123 70 210

HSL 262.71, 0.61%, 0.55%

LAB 43.13, 52.09, -64.15

 

CMYK 23 / 67 / 0 / 18

HEX #A146D2

RGB 161 70 210

HSL 279, 0.61%, 0.55%

LAB 47.77, 59.89, -56.43

 

CMYK 6 / 67 / 0 / 18

HEX #C646D2

RGB 198 70 210

HSL 294.86, 0.61%, 0.55%

LAB 52.99, 68.07, -47.77

 

CMYK 46 / 76 / 0 / 38

HEX #56269F

RGB 86 38 159

HSL 263.8, 0.61%, 0.39%

LAB 29.08, 47.8, -57.12

 

CMYK 46 / 76 / 0 / 25

HEX #682EC0

RGB 104 46 192

HSL 263.84, 0.61%, 0.47%

LAB 35.41, 55.65, -66.38

 

CMYK 40 / 67 / 0 / 18

HEX #7D46D2

RGB 125 70 210

HSL 263.57, 0.61%, 0.55%

LAB 43.35, 52.47, -63.78

 

CMYK 32 / 53 / 0 / 15

HEX #9567DA

RGB 149 103 218

HSL 264, 0.61%, 0.63%

LAB 53.12, 42.14, -52.49

 

CMYK 24 / 40 / 0 / 11

HEX #AC88E2

RGB 172 136 226

HSL 264, 0.61%, 0.71%

LAB 63.24, 31.74, -40.81

 

CMYK 40 / 67 / 0 / 18

HEX #7D45D2

RGB 125 69 210

HSL 263.83, 0.61%, 0.55%

LAB 43.17, 52.98, -64.08

 

CMYK 0 / 67 / 39 / 18

HEX #D24680

RGB 210 70 128

HSL 335.14, 0.61%, 0.55%

LAB 51.43, 59.59, -1.97

 

CMYK 66 / 0 / 67 / 18

HEX #48D246

RGB 72 210 70

HSL 119.14, 0.61%, 0.55%

LAB 74.77, -63.28, 56.46

 

CMYK 40 / 67 / 0 / 18

HEX #7D45D2

RGB 125 69 210

HSL 263.83, 0.61%, 0.55%

LAB 43.17, 52.98, -64.08

 

CMYK 0 / 41 / 67 / 18

HEX #D27B46

RGB 210 123 70

HSL 22.71, 0.61%, 0.55%

LAB 60.17, 29.28, 42.85

 

CMYK 67 / 0 / 41 / 18

HEX #46D27B

RGB 70 210 123

HSL 142.71, 0.61%, 0.55%

LAB 75.34, -56.54, 32.42

 

CMYK 40 / 67 / 0 / 18

HEX #7D45D2

RGB 125 69 210

HSL 263.83, 0.61%, 0.55%

LAB 43.17, 52.98, -64.08

 

CMYK 0 / 67 / 39 / 18

HEX #D24680

RGB 210 70 128

HSL 335.14, 0.61%, 0.55%

LAB 51.43, 59.59, -1.97

 

CMYK 26 / 0 / 67 / 18

HEX #9CD246

RGB 156 210 70

HSL 83.14, 0.61%, 0.55%

LAB 78.23, -38.27, 61.17

 

CMYK 67 / 0 / 28 / 18

HEX #46D297

RGB 70 210 151

HSL 154.71, 0.61%, 0.55%

LAB 75.84, -51.11, 18.51

 

CMYK 40 / 67 / 0 / 18

HEX #7D45D2

RGB 125 69 210

HSL 263.83, 0.61%, 0.55%

LAB 43.17, 52.98, -64.08

 

CMYK 0 / 67 / 59 / 18

HEX #D24656

RGB 210 70 86

HSL 353.14, 0.61%, 0.55%

LAB 50.4, 55.92, 21.84

 

CMYK 26 / 0 / 67 / 18

HEX #9CD246

RGB 156 210 70

HSL 83.14, 0.61%, 0.55%

LAB 78.23, -38.27, 61.17

 

CMYK 67 / 0 / 8 / 18

HEX #46D2C1

RGB 70 210 193

HSL 172.71, 0.61%, 0.55%

LAB 76.83, -41.06, -2.53

 

Description

Color code: RGB 125 69 210 | qconv.com Color code: RGB 125 69 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 69 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 69 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 67 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 67% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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