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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 25 139 it is the complementary color RGB 130 230 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 25 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 25 139 shade: RGB 130 25 134, RGB 147 43 153, RGB 164 61 172, RGB 181 79 191 and RGB 198 97 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 25 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 25 139 shade: RGB 125 25 139, RGB 108 7 120, RGB 91 0 101, RGB 74 0 82 and RGB 57 0 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 25 139 shade: RGB 124 24 138, RGB 138 24 121, RGB 138 24 91, RGB 138 24 60 and RGB 138 24 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 25 139 shade: RGB 124 24 138, RGB 93 24 138, RGB 63 24 138, RGB 32 24 138 and RGB 24 24 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 25 139 shade matches the following richer shades: RGB 124 24 138 and RGB 134 11 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 25 139 shade: RGB 124 24 138, RGB 114 37 125, RGB 104 50 112, RGB 94 64 99 and RGB 84 77 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 25 139 shade: RGB 62 24 138, RGB 93 24 138, RGB 123 24 138, RGB 138 24 123 and RGB 138 24 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 25 139 shade: RGB 61 12 68, RGB 93 18 103, RGB 124 24 138, RGB 156 30 173 and RGB 187 36 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 25 139 shade: RGB 125 25 139, RGB 138 32 24 and RGB 24 138 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 25 139 shade: RGB 125 25 139, RGB 138 123 24 and RGB 24 138 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 25 139 shade: RGB 125 25 139, RGB 138 32 24, RGB 39 138 24 and RGB 24 131 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 25 139 shade: RGB 125 25 139, RGB 138 66 24, RGB 39 138 24 and RGB 24 96 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 82 / 0 / 45

HEX #7D198B

RGB 125 25 139

HSL 292.63, 0.7%, 0.32%

LAB 31.62, 55.38, -40.45

 

Complementary color

CMYK 43 / 0 / 50 / 10

HEX #82E674

RGB 130 230 116

HSL 112.63, 0.7%, 0.68%

LAB 83.23, -50.99, 46.28

 

CMYK 3 / 81 / 0 / 47

HEX #821986

RGB 130 25 134

HSL 297.8, 0.69%, 0.31%

LAB 32.17, 55.51, -36.41

 

CMYK 4 / 72 / 0 / 40

HEX #932B99

RGB 147 43 153

HSL 296.73, 0.56%, 0.38%

LAB 38.25, 56.68, -38.21

 

CMYK 5 / 65 / 0 / 33

HEX #A43DAC

RGB 164 61 172

HSL 295.68, 0.48%, 0.46%

LAB 44.53, 56.98, -39.45

 

CMYK 5 / 59 / 0 / 25

HEX #B54FBF

RGB 181 79 191

HSL 294.64, 0.47%, 0.53%

LAB 50.89, 56.78, -40.34

 

CMYK 6 / 54 / 0 / 18

HEX #C661D2

RGB 198 97 210

HSL 293.63, 0.56%, 0.6%

LAB 57.28, 56.32, -40.99

 

CMYK 10 / 82 / 0 / 45

HEX #7D198B

RGB 125 25 139

HSL 292.63, 0.7%, 0.32%

LAB 31.62, 55.38, -40.45

 

CMYK 10 / 94 / 0 / 53

HEX #6C0778

RGB 108 7 120

HSL 293.63, 0.89%, 0.25%

LAB 25.85, 52.87, -37.95

 

CMYK 10 / 100 / 0 / 60

HEX #5B0065

RGB 91 0 101

HSL 294.06, 1%, 0.2%

LAB 20.69, 48.03, -34.13

 

CMYK 10 / 100 / 0 / 68

HEX #4A0052

RGB 74 0 82

HSL 294.15, 1%, 0.16%

LAB 15.82, 41.63, -29.42

 

CMYK 10 / 100 / 0 / 75

HEX #39003F

RGB 57 0 63

HSL 294.29, 1%, 0.12%

LAB 10.77, 34.98, -24.52

 

CMYK 10 / 83 / 0 / 46

HEX #7C188A

RGB 124 24 138

HSL 292.63, 0.7%, 0.32%

LAB 31.29, 55.29, -40.38

 

CMYK 0 / 83 / 12 / 46

HEX #8A1879

RGB 138 24 121

HSL 308.95, 0.7%, 0.32%

LAB 32.78, 55.41, -27.21

 

CMYK 0 / 83 / 34 / 46

HEX #8A185B

RGB 138 24 91

HSL 324.74, 0.7%, 0.32%

LAB 31.37, 51.39, -10.16

 

CMYK 0 / 83 / 57 / 46

HEX #8A183C

RGB 138 24 60

HSL 341.05, 0.7%, 0.32%

LAB 30.36, 48.36, 8.82

 

CMYK 0 / 83 / 79 / 46

HEX #8A181D

RGB 138 24 29

HSL 357.37, 0.7%, 0.32%

LAB 29.78, 46.57, 28.29

 

CMYK 10 / 83 / 0 / 46

HEX #7C188A

RGB 124 24 138

HSL 292.63, 0.7%, 0.32%

LAB 31.29, 55.29, -40.38

 

CMYK 33 / 83 / 0 / 46

HEX #5D188A

RGB 93 24 138

HSL 276.32, 0.7%, 0.32%

LAB 26.2, 49.55, -48.85

 

CMYK 54 / 83 / 0 / 46

HEX #3F188A

RGB 63 24 138

HSL 260.53, 0.7%, 0.32%

LAB 22.11, 44.97, -55.72

 

CMYK 77 / 83 / 0 / 46

HEX #20188A

RGB 32 24 138

HSL 244.21, 0.7%, 0.32%

LAB 19.2, 41.76, -60.61

 

CMYK 83 / 83 / 0 / 46

HEX #18188A

RGB 24 24 138

HSL 240, 0.7%, 0.32%

LAB 18.72, 41.24, -61.42

 

CMYK 10 / 83 / 0 / 46

HEX #7C188A

RGB 124 24 138

HSL 292.63, 0.7%, 0.32%

LAB 31.29, 55.29, -40.38

 

CMYK 11 / 93 / 0 / 41

HEX #860B97

RGB 134 11 151

HSL 292.71, 0.86%, 0.32%

LAB 33.01, 62.14, -45.52

 

CMYK 10 / 83 / 0 / 46

HEX #7C188A

RGB 124 24 138

HSL 292.63, 0.7%, 0.32%

LAB 31.29, 55.29, -40.38

 

CMYK 9 / 70 / 0 / 51

HEX #72257D

RGB 114 37 125

HSL 292.5, 0.54%, 0.32%

LAB 30.35, 46.07, -33.84

 

CMYK 7 / 55 / 0 / 56

HEX #683270

RGB 104 50 112

HSL 292.26, 0.38%, 0.32%

LAB 30.39, 34.31, -25.67

 

CMYK 5 / 35 / 0 / 61

HEX #5E4063

RGB 94 64 99

HSL 291.43, 0.21%, 0.32%

LAB 31.69, 19.8, -15.47

 

CMYK 1 / 9 / 0 / 67

HEX #544D55

RGB 84 77 85

HSL 292.5, 0.05%, 0.32%

LAB 33.67, 4.59, -3.66

 

CMYK 55 / 83 / 0 / 46

HEX #3E188A

RGB 62 24 138

HSL 260, 0.7%, 0.32%

LAB 21.99, 44.84, -55.91

 

CMYK 33 / 83 / 0 / 46

HEX #5D188A

RGB 93 24 138

HSL 276.32, 0.7%, 0.32%

LAB 26.2, 49.55, -48.85

 

CMYK 11 / 83 / 0 / 46

HEX #7B188A

RGB 123 24 138

HSL 292.11, 0.7%, 0.32%

LAB 31.11, 55.09, -40.66

 

CMYK 0 / 83 / 11 / 46

HEX #8A187B

RGB 138 24 123

HSL 307.89, 0.7%, 0.32%

LAB 32.89, 55.71, -28.3

 

CMYK 0 / 83 / 33 / 46

HEX #8A185D

RGB 138 24 93

HSL 323.68, 0.7%, 0.32%

LAB 31.46, 51.63, -11.34

 

CMYK 10 / 82 / 0 / 73

HEX #3D0C44

RGB 61 12 68

HSL 292.5, 0.7%, 0.16%

LAB 13.66, 31.88, -23.36

 

CMYK 10 / 83 / 0 / 60

HEX #5D1267

RGB 93 18 103

HSL 292.94, 0.7%, 0.24%

LAB 22.79, 44.16, -32.04

 

CMYK 10 / 83 / 0 / 46

HEX #7C188A

RGB 124 24 138

HSL 292.63, 0.7%, 0.32%

LAB 31.29, 55.29, -40.38

 

CMYK 10 / 83 / 0 / 32

HEX #9C1EAD

RGB 156 30 173

HSL 292.87, 0.7%, 0.4%

LAB 39.6, 66.01, -47.99

 

CMYK 10 / 83 / 0 / 18

HEX #BB24D0

RGB 187 36 208

HSL 292.67, 0.7%, 0.48%

LAB 47.47, 76.09, -55.55

 

CMYK 10 / 82 / 0 / 45

HEX #7D198B

RGB 125 25 139

HSL 292.63, 0.7%, 0.32%

LAB 31.62, 55.38, -40.45

 

CMYK 0 / 77 / 83 / 46

HEX #8A2018

RGB 138 32 24

HSL 4.21, 0.7%, 0.32%

LAB 30.65, 43.8, 32.15

 

CMYK 83 / 0 / 44 / 46

HEX #188A4D

RGB 24 138 77

HSL 147.89, 0.7%, 0.32%

LAB 50.58, -44.76, 24.25

 

CMYK 10 / 82 / 0 / 45

HEX #7D198B

RGB 125 25 139

HSL 292.63, 0.7%, 0.32%

LAB 31.62, 55.38, -40.45

 

CMYK 0 / 11 / 83 / 46

HEX #8A7B18

RGB 138 123 24

HSL 52.11, 0.7%, 0.32%

LAB 51.42, -4.93, 51.35

 

CMYK 83 / 0 / 11 / 46

HEX #188A7B

RGB 24 138 123

HSL 172.11, 0.7%, 0.32%

LAB 51.61, -33.55, -0.56

 

CMYK 10 / 82 / 0 / 45

HEX #7D198B

RGB 125 25 139

HSL 292.63, 0.7%, 0.32%

LAB 31.62, 55.38, -40.45

 

CMYK 0 / 77 / 83 / 46

HEX #8A2018

RGB 138 32 24

HSL 4.21, 0.7%, 0.32%

LAB 30.65, 43.8, 32.15

 

CMYK 72 / 0 / 83 / 46

HEX #278A18

RGB 39 138 24

HSL 112.11, 0.7%, 0.32%

LAB 50.3, -49.04, 48.18

 

CMYK 83 / 5 / 0 / 46

HEX #18838A

RGB 24 131 138

HSL 183.68, 0.7%, 0.32%

LAB 49.81, -25.53, -12

 

CMYK 10 / 82 / 0 / 45

HEX #7D198B

RGB 125 25 139

HSL 292.63, 0.7%, 0.32%

LAB 31.62, 55.38, -40.45

 

CMYK 0 / 52 / 83 / 46

HEX #8A4218

RGB 138 66 24

HSL 22.11, 0.7%, 0.32%

LAB 36.68, 27.84, 37.98

 

CMYK 72 / 0 / 83 / 46

HEX #278A18

RGB 39 138 24

HSL 112.11, 0.7%, 0.32%

LAB 50.3, -49.04, 48.18

 

CMYK 83 / 30 / 0 / 46

HEX #18608A

RGB 24 96 138

HSL 202.11, 0.7%, 0.32%

LAB 38.54, -5.96, -29.35

 

Description

Color code: RGB 125 25 139 | qconv.com Color code: RGB 125 25 139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 25 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 25 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 82 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 82% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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