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Color name
RGB 125 216 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 216 22 it is the complementary color RGB 130 39 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 216 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 216 22 shade: RGB 130 216 17, RGB 147 234 36, RGB 164 252 55, RGB 181 255 74 and RGB 198 255 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 216 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 216 22 shade: RGB 125 216 22, RGB 108 198 3, RGB 91 180 0, RGB 74 162 0 and RGB 57 144 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 216 22 shade: RGB 125 218 21, RGB 178 218 21, RGB 218 204 21, RGB 218 151 21 and RGB 218 98 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 216 22 shade: RGB 125 218 21, RGB 72 218 21, RGB 21 218 23, RGB 21 218 76 and RGB 21 218 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 216 22 shade matches the following richer shades: RGB 125 218 21 and RGB 127 237 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 216 22 shade: RGB 125 218 21, RGB 124 198 40, RGB 123 179 60, RGB 122 159 79 and RGB 121 140 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 216 22 shade: RGB 218 205 21, RGB 178 218 21, RGB 126 218 21, RGB 73 218 21 and RGB 21 218 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 216 22 shade: RGB 82 143 14, RGB 104 180 17, RGB 125 218 21, RGB 146 234 46 and RGB 165 238 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 216 22 shade: RGB 125 216 22, RGB 21 218 152 and RGB 218 21 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 216 22 shade: RGB 125 216 22, RGB 21 126 218 and RGB 218 21 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 216 22 shade: RGB 125 216 22, RGB 21 218 152, RGB 113 21 218 and RGB 218 21 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 216 22 shade: RGB 125 216 22, RGB 21 218 211, RGB 113 21 218 and RGB 218 21 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 90 / 15

HEX #7DD816

RGB 125 216 22

HSL 88.14, 0.82%, 0.47%

LAB 78.19, -53.99, 74.17

 

Complementary color

CMYK 44 / 83 / 0 / 9

HEX #8227E9

RGB 130 39 233

HSL 268.14, 0.82%, 0.53%

LAB 41.34, 71.64, -80.18

 

CMYK 40 / 0 / 92 / 15

HEX #82D811

RGB 130 216 17

HSL 85.93, 0.85%, 0.46%

LAB 78.4, -52.45, 75.16

 

CMYK 37 / 0 / 85 / 8

HEX #93EA24

RGB 147 234 36

HSL 86.36, 0.83%, 0.53%

LAB 84.57, -53.36, 77.39

 

CMYK 35 / 0 / 78 / 1

HEX #A4FC37

RGB 164 252 55

HSL 86.8, 0.97%, 0.6%

LAB 90.68, -54.05, 78.5

 

CMYK 29 / 0 / 71 / 0

HEX #B5FF4A

RGB 181 255 74

HSL 84.53, 1%, 0.65%

LAB 92.5, -48.39, 74.69

 

CMYK 22 / 0 / 64 / 0

HEX #C6FF5D

RGB 198 255 93

HSL 81.11, 1%, 0.68%

LAB 93.59, -41.01, 69.12

 

CMYK 42 / 0 / 90 / 15

HEX #7DD816

RGB 125 216 22

HSL 88.14, 0.82%, 0.47%

LAB 78.19, -53.99, 74.17

 

CMYK 45 / 0 / 98 / 22

HEX #6CC603

RGB 108 198 3

HSL 87.69, 0.97%, 0.39%

LAB 71.95, -52.88, 71.11

 

CMYK 49 / 0 / 100 / 29

HEX #5BB400

RGB 91 180 0

HSL 89.67, 1%, 0.35%

LAB 65.64, -51.4, 66.2

 

CMYK 54 / 0 / 100 / 36

HEX #4AA200

RGB 74 162 0

HSL 92.59, 1%, 0.32%

LAB 59.25, -49.74, 60.9

 

CMYK 60 / 0 / 100 / 44

HEX #399000

RGB 57 144 0

HSL 96.25, 1%, 0.28%

LAB 52.75, -47.88, 55.53

 

CMYK 43 / 0 / 90 / 15

HEX #7DDA15

RGB 125 218 21

HSL 88.32, 0.82%, 0.47%

LAB 78.79, -54.79, 74.82

 

CMYK 18 / 0 / 90 / 15

HEX #B2DA15

RGB 178 218 21

HSL 72.18, 0.82%, 0.47%

LAB 81.65, -35.41, 78.35

 

CMYK 0 / 6 / 90 / 15

HEX #DACC15

RGB 218 204 21

HSL 55.74, 0.82%, 0.47%

LAB 80.82, -11.98, 78.97

 

CMYK 0 / 31 / 90 / 15

HEX #DA9715

RGB 218 151 21

HSL 39.59, 0.82%, 0.47%

LAB 67.35, 15.8, 68.64

 

CMYK 0 / 55 / 90 / 15

HEX #DA6215

RGB 218 98 21

HSL 23.45, 0.82%, 0.47%

LAB 55.78, 43.49, 60.04

 

CMYK 43 / 0 / 90 / 15

HEX #7DDA15

RGB 125 218 21

HSL 88.32, 0.82%, 0.47%

LAB 78.79, -54.79, 74.82

 

CMYK 67 / 0 / 90 / 15

HEX #48DA15

RGB 72 218 21

HSL 104.47, 0.82%, 0.47%

LAB 77.03, -68.76, 72.64

 

CMYK 90 / 0 / 89 / 15

HEX #15DA17

RGB 21 218 23

HSL 120.61, 0.82%, 0.47%

LAB 76.29, -75.18, 71.41

 

CMYK 90 / 0 / 65 / 15

HEX #15DA4C

RGB 21 218 76

HSL 136.75, 0.82%, 0.47%

LAB 76.57, -71.62, 55.76

 

CMYK 90 / 0 / 41 / 15

HEX #15DA81

RGB 21 218 129

HSL 152.89, 0.82%, 0.47%

LAB 77.21, -63.85, 31.68

 

CMYK 43 / 0 / 90 / 15

HEX #7DDA15

RGB 125 218 21

HSL 88.32, 0.82%, 0.47%

LAB 78.79, -54.79, 74.82

 

CMYK 46 / 0 / 99 / 7

HEX #7FED02

RGB 127 237 2

HSL 88.09, 0.98%, 0.47%

LAB 84.53, -61.61, 81.43

 

CMYK 43 / 0 / 90 / 15

HEX #7DDA15

RGB 125 218 21

HSL 88.32, 0.82%, 0.47%

LAB 78.79, -54.79, 74.82

 

CMYK 37 / 0 / 80 / 22

HEX #7CC628

RGB 124 198 40

HSL 88.1, 0.66%, 0.47%

LAB 72.78, -46.48, 65.5

 

CMYK 31 / 0 / 66 / 30

HEX #7BB33C

RGB 123 179 60

HSL 88.24, 0.5%, 0.47%

LAB 67.11, -37.43, 52.91

 

CMYK 23 / 0 / 50 / 38

HEX #7A9F4F

RGB 122 159 79

HSL 87.75, 0.34%, 0.47%

LAB 61.22, -26.61, 37.41

 

CMYK 14 / 0 / 29 / 45

HEX #798C63

RGB 121 140 99

HSL 87.8, 0.17%, 0.47%

LAB 55.81, -14.55, 19.71

 

CMYK 0 / 6 / 90 / 15

HEX #DACD15

RGB 218 205 21

HSL 56.04, 0.82%, 0.47%

LAB 81.08, -12.48, 79.17

 

CMYK 18 / 0 / 90 / 15

HEX #B2DA15

RGB 178 218 21

HSL 72.18, 0.82%, 0.47%

LAB 81.65, -35.41, 78.35

 

CMYK 42 / 0 / 90 / 15

HEX #7EDA15

RGB 126 218 21

HSL 88.02, 0.82%, 0.47%

LAB 78.83, -54.47, 74.88

 

CMYK 67 / 0 / 90 / 15

HEX #49DA15

RGB 73 218 21

HSL 104.16, 0.82%, 0.47%

LAB 77.05, -68.56, 72.67

 

CMYK 90 / 0 / 90 / 15

HEX #15DA15

RGB 21 218 21

HSL 120, 0.82%, 0.47%

LAB 76.29, -75.24, 71.72

 

CMYK 43 / 0 / 90 / 44

HEX #528F0E

RGB 82 143 14

HSL 88.37, 0.82%, 0.31%

LAB 53.46, -39.29, 54.09

 

CMYK 42 / 0 / 91 / 29

HEX #68B411

RGB 104 180 17

HSL 87.98, 0.83%, 0.39%

LAB 66.23, -46.85, 64.67

 

CMYK 43 / 0 / 90 / 15

HEX #7DDA15

RGB 125 218 21

HSL 88.32, 0.82%, 0.47%

LAB 78.79, -54.79, 74.82

 

CMYK 38 / 0 / 80 / 8

HEX #92EA2E

RGB 146 234 46

HSL 88.09, 0.82%, 0.55%

LAB 84.56, -53.32, 75.01

 

CMYK 31 / 0 / 65 / 7

HEX #A5EE54

RGB 165 238 84

HSL 88.44, 0.82%, 0.63%

LAB 86.89, -46.19, 64.97

 

CMYK 42 / 0 / 90 / 15

HEX #7DD816

RGB 125 216 22

HSL 88.14, 0.82%, 0.47%

LAB 78.19, -53.99, 74.17

 

CMYK 90 / 0 / 30 / 15

HEX #15DA98

RGB 21 218 152

HSL 159.9, 0.82%, 0.47%

LAB 77.62, -59.18, 20.34

 

CMYK 0 / 90 / 6 / 15

HEX #DA15CD

RGB 218 21 205

HSL 303.96, 0.82%, 0.47%

LAB 51.67, 83.65, -46.82

 

CMYK 42 / 0 / 90 / 15

HEX #7DD816

RGB 125 216 22

HSL 88.14, 0.82%, 0.47%

LAB 78.19, -53.99, 74.17

 

CMYK 90 / 42 / 0 / 15

HEX #157EDA

RGB 21 126 218

HSL 208.02, 0.82%, 0.47%

LAB 52, 6.39, -54.67

 

CMYK 0 / 90 / 42 / 15

HEX #DA157E

RGB 218 21 126

HSL 328.02, 0.82%, 0.47%

LAB 48.19, 74.53, -5.37

 

CMYK 42 / 0 / 90 / 15

HEX #7DD816

RGB 125 216 22

HSL 88.14, 0.82%, 0.47%

LAB 78.19, -53.99, 74.17

 

CMYK 90 / 0 / 30 / 15

HEX #15DA98

RGB 21 218 152

HSL 159.9, 0.82%, 0.47%

LAB 77.62, -59.18, 20.34

 

CMYK 48 / 90 / 0 / 15

HEX #7115DA

RGB 113 21 218

HSL 268.02, 0.82%, 0.47%

LAB 36.19, 71.1, -80.16

 

CMYK 0 / 90 / 60 / 15

HEX #DA1557

RGB 218 21 87

HSL 339.9, 0.82%, 0.47%

LAB 47.14, 71.64, 17.15

 

CMYK 42 / 0 / 90 / 15

HEX #7DD816

RGB 125 216 22

HSL 88.14, 0.82%, 0.47%

LAB 78.19, -53.99, 74.17

 

CMYK 90 / 0 / 3 / 15

HEX #15DAD3

RGB 21 218 211

HSL 177.87, 0.82%, 0.47%

LAB 79.04, -44.14, -8.98

 

CMYK 48 / 90 / 0 / 15

HEX #7115DA

RGB 113 21 218

HSL 268.02, 0.82%, 0.47%

LAB 36.19, 71.1, -80.16

 

CMYK 0 / 90 / 87 / 15

HEX #DA151C

RGB 218 21 28

HSL 357.87, 0.82%, 0.47%

LAB 46.35, 69.38, 50.3

 

Description

Color code: RGB 125 216 22 | qconv.com Color code: RGB 125 216 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 216 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 216 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 90% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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