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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 200 131 it is the complementary color RGB 130 55 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 200 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 200 131 shade: RGB 130 200 126, RGB 147 218 145, RGB 164 236 164, RGB 181 254 183 and RGB 198 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 200 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 108 182 112, RGB 91 164 93, RGB 74 146 74 and RGB 57 128 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 139 200 125, RGB 160 200 125, RGB 180 200 125 and RGB 200 200 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 125 200 151, RGB 125 200 172, RGB 125 200 192 and RGB 125 188 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 200 131 shade matches the following richer shades: RGB 125 200 131, RGB 110 215 119, RGB 95 230 106 and RGB 81 245 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 140 185 144, RGB 155 171 156, RGB 170 156 169 and RGB 184 141 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 200 131 shade: RGB 160 200 125, RGB 140 200 125, RGB 125 200 130, RGB 125 200 150 and RGB 125 200 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 200 131 shade: RGB 71 171 79, RGB 96 188 103, RGB 125 200 131, RGB 154 213 159 and RGB 183 225 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 125 180 200 and RGB 200 125 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 130 125 200 and RGB 200 130 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 125 180 200, RGB 200 125 195 and RGB 200 145 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 200 131 shade: RGB 125 200 131, RGB 125 158 200, RGB 200 125 195 and RGB 200 168 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

Complementary color

CMYK 0 / 58 / 5 / 49

HEX #82377C

RGB 130 55 124

HSL 304.8, 0.41%, 0.36%

LAB 35.86, 41.86, -24.37

 

CMYK 35 / 0 / 37 / 22

HEX #82C87E

RGB 130 200 126

HSL 116.76, 0.4%, 0.64%

LAB 74.55, -36.66, 30.24

 

CMYK 33 / 0 / 33 / 15

HEX #93DA91

RGB 147 218 145

HSL 118.36, 0.5%, 0.71%

LAB 80.96, -36.42, 29.08

 

CMYK 31 / 0 / 31 / 7

HEX #A4ECA4

RGB 164 236 164

HSL 120, 0.65%, 0.78%

LAB 87.27, -36.19, 27.98

 

CMYK 29 / 0 / 28 / 0

HEX #B5FEB7

RGB 181 254 183

HSL 121.64, 0.97%, 0.85%

LAB 93.51, -35.95, 26.94

 

CMYK 22 / 0 / 21 / 0

HEX #C6FFCA

RGB 198 255 202

HSL 124.21, 1%, 0.89%

LAB 95.07, -27.85, 19.59

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 41 / 0 / 38 / 29

HEX #6CB670

RGB 108 182 112

HSL 123.24, 0.34%, 0.57%

LAB 67.88, -37.67, 28.59

 

CMYK 45 / 0 / 43 / 36

HEX #5BA45D

RGB 91 164 93

HSL 121.64, 0.29%, 0.5%

LAB 61.28, -37.87, 29.87

 

CMYK 49 / 0 / 49 / 43

HEX #4A924A

RGB 74 146 74

HSL 120, 0.33%, 0.43%

LAB 54.56, -37.97, 31.22

 

CMYK 55 / 0 / 57 / 50

HEX #398037

RGB 57 128 55

HSL 118.36, 0.4%, 0.36%

LAB 47.73, -37.91, 32.59

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 31 / 0 / 38 / 22

HEX #8BC87D

RGB 139 200 125

HSL 108.8, 0.41%, 0.64%

LAB 75, -33.85, 31.44

 

CMYK 20 / 0 / 38 / 22

HEX #A0C87D

RGB 160 200 125

HSL 92, 0.41%, 0.64%

LAB 76.23, -26.47, 33.28

 

CMYK 10 / 0 / 38 / 22

HEX #B4C87D

RGB 180 200 125

HSL 76, 0.41%, 0.64%

LAB 77.57, -18.97, 35.29

 

CMYK 0 / 0 / 38 / 22

HEX #C8C87D

RGB 200 200 125

HSL 60, 0.41%, 0.64%

LAB 79.08, -11.17, 37.52

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 38 / 0 / 25 / 22

HEX #7DC897

RGB 125 200 151

HSL 140.8, 0.41%, 0.64%

LAB 74.76, -33.88, 17.31

 

CMYK 38 / 0 / 14 / 22

HEX #7DC8AC

RGB 125 200 172

HSL 157.6, 0.41%, 0.64%

LAB 75.23, -29.61, 6.69

 

CMYK 38 / 0 / 4 / 22

HEX #7DC8C0

RGB 125 200 192

HSL 173.6, 0.41%, 0.64%

LAB 75.75, -25.1, -3.37

 

CMYK 38 / 6 / 0 / 22

HEX #7DBCC8

RGB 125 188 200

HSL 189.6, 0.41%, 0.64%

LAB 72.56, -17.08, -12.45

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 49 / 0 / 45 / 16

HEX #6ED777

RGB 110 215 119

HSL 125.14, 0.57%, 0.64%

LAB 78.02, -50.12, 38.13

 

CMYK 59 / 0 / 54 / 10

HEX #5FE66A

RGB 95 230 106

HSL 124.89, 0.73%, 0.64%

LAB 81.87, -61.4, 49.03

 

CMYK 67 / 0 / 62 / 4

HEX #51F55E

RGB 81 245 94

HSL 124.76, 0.89%, 0.64%

LAB 85.94, -70.83, 58.96

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 24 / 0 / 22 / 27

HEX #8CB990

RGB 140 185 144

HSL 125.33, 0.24%, 0.64%

LAB 71.07, -23.17, 16.05

 

CMYK 9 / 0 / 9 / 33

HEX #9BAB9C

RGB 155 171 156

HSL 123.75, 0.09%, 0.64%

LAB 68.38, -8.5, 5.82

 

CMYK 0 / 8 / 1 / 33

HEX #AA9CA9

RGB 170 156 169

HSL 304.29, 0.08%, 0.64%

LAB 65.89, 7.52, -4.91

 

CMYK 0 / 23 / 2 / 28

HEX #B88DB5

RGB 184 141 181

HSL 304.19, 0.23%, 0.64%

LAB 63.82, 23.12, -14.62

 

CMYK 20 / 0 / 38 / 22

HEX #A0C87D

RGB 160 200 125

HSL 92, 0.41%, 0.64%

LAB 76.23, -26.47, 33.28

 

CMYK 30 / 0 / 38 / 22

HEX #8CC87D

RGB 140 200 125

HSL 108, 0.41%, 0.64%

LAB 75.05, -33.51, 31.52

 

CMYK 38 / 0 / 35 / 22

HEX #7DC882

RGB 125 200 130

HSL 124, 0.41%, 0.64%

LAB 74.37, -37.6, 27.87

 

CMYK 38 / 0 / 25 / 22

HEX #7DC896

RGB 125 200 150

HSL 140, 0.41%, 0.64%

LAB 74.74, -34.07, 17.81

 

CMYK 38 / 0 / 15 / 22

HEX #7DC8AA

RGB 125 200 170

HSL 156, 0.41%, 0.64%

LAB 75.18, -30.04, 7.7

 

CMYK 58 / 0 / 54 / 33

HEX #47AB4F

RGB 71 171 79

HSL 124.8, 0.41%, 0.47%

LAB 62.53, -48.36, 38.44

 

CMYK 49 / 0 / 45 / 26

HEX #60BC67

RGB 96 188 103

HSL 124.57, 0.41%, 0.56%

LAB 69.06, -45.21, 34.68

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 28 / 0 / 25 / 16

HEX #9AD59F

RGB 154 213 159

HSL 125.08, 0.41%, 0.72%

LAB 80.16, -29.51, 20.77

 

CMYK 19 / 0 / 17 / 12

HEX #B7E1BB

RGB 183 225 187

HSL 125.71, 0.41%, 0.8%

LAB 85.76, -20.89, 14.14

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 38 / 10 / 0 / 22

HEX #7DB4C8

RGB 125 180 200

HSL 196, 0.41%, 0.64%

LAB 70.3, -12.89, -15.85

 

CMYK 0 / 38 / 25 / 22

HEX #C87D96

RGB 200 125 150

HSL 340, 0.41%, 0.64%

LAB 60.91, 32.43, -1.12

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 35 / 38 / 0 / 22

HEX #827DC8

RGB 130 125 200

HSL 244, 0.41%, 0.64%

LAB 55.67, 19.63, -38.35

 

CMYK 0 / 35 / 38 / 22

HEX #C8827D

RGB 200 130 125

HSL 4, 0.41%, 0.64%

LAB 61.42, 26.4, 13.9

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 38 / 10 / 0 / 22

HEX #7DB4C8

RGB 125 180 200

HSL 196, 0.41%, 0.64%

LAB 70.3, -12.89, -15.85

 

CMYK 0 / 38 / 3 / 22

HEX #C87DC3

RGB 200 125 195

HSL 304, 0.41%, 0.64%

LAB 62.41, 39.82, -24.5

 

CMYK 0 / 28 / 38 / 22

HEX #C8917D

RGB 200 145 125

HSL 16, 0.41%, 0.64%

LAB 64.97, 18.18, 18.82

 

CMYK 38 / 0 / 35 / 22

HEX #7DC883

RGB 125 200 131

HSL 124.8, 0.41%, 0.64%

LAB 74.39, -37.43, 27.38

 

CMYK 38 / 21 / 0 / 22

HEX #7D9EC8

RGB 125 158 200

HSL 213.6, 0.41%, 0.64%

LAB 64.15, -0.89, -25.21

 

CMYK 0 / 38 / 3 / 22

HEX #C87DC3

RGB 200 125 195

HSL 304, 0.41%, 0.64%

LAB 62.41, 39.82, -24.5

 

CMYK 0 / 16 / 38 / 22

HEX #C8A87D

RGB 200 168 125

HSL 34.4, 0.41%, 0.64%

LAB 70.71, 5.65, 26.58

 

Description

Color code: RGB 125 200 131 | qconv.com Color code: RGB 125 200 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 200 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 200 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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