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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 1 233 it is the complementary color RGB 130 254 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 1 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 1 233 shade: RGB 130 1 228, RGB 147 19 247, RGB 164 37 255, RGB 181 55 255 and RGB 198 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 1 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 108 0 214, RGB 91 0 195, RGB 74 0 176 and RGB 57 0 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 187 1 233, RGB 233 1 216, RGB 233 1 153 and RGB 233 1 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 62 1 233 and RGB 1 1 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 1 233 shade matches the following richer shades: RGB 125 1 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 124 20 214, RGB 122 39 195, RGB 121 58 176 and RGB 120 77 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 1 233 shade: RGB 1 1 233, RGB 63 1 233, RGB 125 1 233, RGB 186 1 233 and RGB 233 1 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 1 233 shade: RGB 81 0 151, RGB 103 0 192, RGB 125 1 233, RGB 145 22 253 and RGB 165 63 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 233 1 63 and RGB 1 233 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 233 125 1 and RGB 1 233 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 233 1 63, RGB 109 233 1 and RGB 1 233 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 1 233 shade: RGB 125 1 233, RGB 233 8 1, RGB 109 233 1 and RGB 1 225 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

Complementary color

CMYK 49 / 0 / 91 / 0

HEX #82FE16

RGB 130 254 22

HSL 92.07, 0.99%, 0.54%

LAB 89.71, -66.57, 83.76

 

CMYK 43 / 100 / 0 / 11

HEX #8201E4

RGB 130 1 228

HSL 274.1, 0.99%, 0.45%

LAB 38.5, 77.67, -82.02

 

CMYK 40 / 92 / 0 / 3

HEX #9313F7

RGB 147 19 247

HSL 273.68, 0.93%, 0.52%

LAB 43.34, 81.05, -84.73

 

CMYK 36 / 85 / 0 / 0

HEX #A425FF

RGB 164 37 255

HSL 274.95, 1%, 0.57%

LAB 47.54, 81.13, -82.22

 

CMYK 29 / 78 / 0 / 0

HEX #B537FF

RGB 181 55 255

HSL 277.8, 1%, 0.61%

LAB 51.58, 78.56, -75.52

 

CMYK 22 / 71 / 0 / 0

HEX #C649FF

RGB 198 73 255

HSL 281.21, 1%, 0.64%

LAB 56.08, 75.29, -68.13

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 50 / 100 / 0 / 16

HEX #6C00D6

RGB 108 0 214

HSL 270.28, 1%, 0.42%

LAB 34.07, 73, -81.38

 

CMYK 53 / 100 / 0 / 24

HEX #5B00C3

RGB 91 0 195

HSL 268, 1%, 0.38%

LAB 29.82, 67.58, -77.4

 

CMYK 58 / 100 / 0 / 31

HEX #4A00B0

RGB 74 0 176

HSL 265.23, 1%, 0.35%

LAB 25.53, 62.1, -73.28

 

CMYK 64 / 100 / 0 / 38

HEX #39009D

RGB 57 0 157

HSL 261.78, 1%, 0.31%

LAB 21.22, 56.59, -68.97

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 20 / 100 / 0 / 9

HEX #BB01E9

RGB 187 1 233

HSL 288.1, 0.99%, 0.46%

LAB 47.58, 85.03, -69.64

 

CMYK 0 / 100 / 7 / 9

HEX #E901D8

RGB 233 1 216

HSL 304.4, 0.99%, 0.46%

LAB 54.35, 89.37, -48.69

 

CMYK 0 / 100 / 34 / 9

HEX #E90199

RGB 233 1 153

HSL 320.69, 0.99%, 0.46%

LAB 51.43, 82.04, -16.5

 

CMYK 0 / 100 / 61 / 9

HEX #E9015B

RGB 233 1 91

HSL 336.72, 0.99%, 0.46%

LAB 49.62, 77.26, 18.54

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 73 / 100 / 0 / 9

HEX #3E01E9

RGB 62 1 233

HSL 255.78, 0.99%, 0.46%

LAB 31.64, 74.71, -96.46

 

CMYK 100 / 100 / 0 / 9

HEX #0101E9

RGB 1 1 233

HSL 240, 0.99%, 0.46%

LAB 29.19, 73.8, -100.63

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 42 / 91 / 0 / 16

HEX #7C14D6

RGB 124 20 214

HSL 272.16, 0.83%, 0.46%

LAB 37.19, 71.56, -76.17

 

CMYK 37 / 80 / 0 / 24

HEX #7A27C3

RGB 122 39 195

HSL 271.92, 0.67%, 0.46%

LAB 36.98, 61.92, -65.47

 

CMYK 31 / 67 / 0 / 31

HEX #793AB0

RGB 121 58 176

HSL 272.03, 0.5%, 0.46%

LAB 38.24, 49.19, -52.22

 

CMYK 24 / 51 / 0 / 38

HEX #784D9D

RGB 120 77 157

HSL 272.25, 0.34%, 0.46%

LAB 40.79, 34.05, -36.82

 

CMYK 100 / 100 / 0 / 9

HEX #0101E9

RGB 1 1 233

HSL 240, 0.99%, 0.46%

LAB 29.19, 73.8, -100.63

 

CMYK 73 / 100 / 0 / 9

HEX #3F01E9

RGB 63 1 233

HSL 256.03, 0.99%, 0.46%

LAB 31.72, 74.74, -96.33

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 20 / 100 / 0 / 9

HEX #BA01E9

RGB 186 1 233

HSL 287.84, 0.99%, 0.46%

LAB 47.42, 84.9, -69.91

 

CMYK 0 / 100 / 7 / 9

HEX #E901D9

RGB 233 1 217

HSL 304.14, 0.99%, 0.46%

LAB 54.4, 89.5, -49.18

 

CMYK 46 / 100 / 0 / 41

HEX #510097

RGB 81 0 151

HSL 272.19, 1%, 0.3%

LAB 23.62, 56.96, -61.22

 

CMYK 46 / 100 / 0 / 25

HEX #6700C0

RGB 103 0 192

HSL 272.19, 1%, 0.38%

LAB 31.09, 67.88, -73.49

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 43 / 91 / 0 / 1

HEX #9116FD

RGB 145 22 253

HSL 271.95, 0.98%, 0.54%

LAB 43.78, 81.6, -87.37

 

CMYK 35 / 75 / 0 / 0

HEX #A53FFE

RGB 165 63 254

HSL 272.04, 0.99%, 0.62%

LAB 50.35, 73.03, -77.07

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 0 / 100 / 73 / 9

HEX #E9013F

RGB 233 1 63

HSL 343.97, 0.99%, 0.46%

LAB 49.14, 75.95, 34.94

 

CMYK 100 / 0 / 86 / 9

HEX #01E920

RGB 1 233 32

HSL 128.02, 0.99%, 0.46%

LAB 80.95, -79.71, 73.77

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 0 / 46 / 100 / 9

HEX #E97D01

RGB 233 125 1

HSL 32.07, 0.99%, 0.46%

LAB 63.34, 35.65, 70.05

 

CMYK 100 / 0 / 46 / 9

HEX #01E97D

RGB 1 233 125

HSL 152.07, 0.99%, 0.46%

LAB 81.71, -70.27, 39.48

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 0 / 100 / 73 / 9

HEX #E9013F

RGB 233 1 63

HSL 343.97, 0.99%, 0.46%

LAB 49.14, 75.95, 34.94

 

CMYK 53 / 0 / 100 / 9

HEX #6DE901

RGB 109 233 1

HSL 92.07, 0.99%, 0.46%

LAB 82.66, -65.36, 79.76

 

CMYK 100 / 0 / 27 / 9

HEX #01E9AB

RGB 1 233 171

HSL 163.97, 0.99%, 0.46%

LAB 82.5, -61.13, 17.17

 

CMYK 46 / 100 / 0 / 9

HEX #7D01E9

RGB 125 1 233

HSL 272.07, 0.99%, 0.46%

LAB 38.31, 78.26, -85.2

 

CMYK 0 / 97 / 100 / 9

HEX #E90801

RGB 233 8 1

HSL 1.81, 0.99%, 0.46%

LAB 48.88, 74.21, 62.57

 

CMYK 53 / 0 / 100 / 9

HEX #6DE901

RGB 109 233 1

HSL 92.07, 0.99%, 0.46%

LAB 82.66, -65.36, 79.76

 

CMYK 100 / 3 / 0 / 9

HEX #01E1E9

RGB 1 225 233

HSL 182.07, 0.99%, 0.46%

LAB 81.7, -41.34, -16.74

 

Description

Color code: RGB 125 1 233 | qconv.com Color code: RGB 125 1 233 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 1 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 1 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 100 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 100% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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