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Color name
RGB 125 190 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 190 94 it is the complementary color RGB 130 65 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 190 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 190 94 shade: RGB 130 190 89, RGB 147 208 108, RGB 164 226 127, RGB 181 244 146 and RGB 198 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 190 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 190 94 shade: RGB 125 190 94, RGB 108 172 75, RGB 91 154 56, RGB 74 136 37 and RGB 57 118 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 190 94 shade: RGB 126 189 95, RGB 151 189 95, RGB 176 189 95, RGB 189 177 95 and RGB 189 152 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 190 94 shade: RGB 126 189 95, RGB 100 189 95, RGB 95 189 116, RGB 95 189 141 and RGB 95 189 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 190 94 shade matches the following richer shades: RGB 126 189 95, RGB 119 208 77, RGB 113 226 59 and RGB 106 244 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 190 94 shade: RGB 126 189 95, RGB 132 171 113, RGB 138 153 131, RGB 145 135 150 and RGB 151 117 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 190 94 shade: RGB 177 189 95, RGB 152 189 95, RGB 127 189 95, RGB 101 189 95 and RGB 95 189 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 190 94 shade: RGB 86 144 58, RGB 103 173 70, RGB 126 189 95, RGB 149 201 124 and RGB 173 213 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 190 94 shade: RGB 125 190 94, RGB 95 189 177 and RGB 189 95 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 190 94 shade: RGB 125 190 94, RGB 95 127 189 and RGB 189 95 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 190 94 shade: RGB 125 190 94, RGB 95 189 177, RGB 158 95 189 and RGB 189 95 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 190 94 shade: RGB 125 190 94, RGB 95 174 189, RGB 158 95 189 and RGB 189 111 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 51 / 25

HEX #7DBE5E

RGB 125 190 94

HSL 100.63, 0.42%, 0.56%

LAB 70.87, -38.24, 41.71

 

Complementary color

CMYK 19 / 60 / 0 / 37

HEX #8241A1

RGB 130 65 161

HSL 280.63, 0.42%, 0.44%

LAB 39.75, 44.31, -40.8

 

CMYK 32 / 0 / 53 / 25

HEX #82BE59

RGB 130 190 89

HSL 95.64, 0.44%, 0.55%

LAB 71.07, -37.08, 44.45

 

CMYK 29 / 0 / 48 / 18

HEX #93D06C

RGB 147 208 108

HSL 96.6, 0.52%, 0.62%

LAB 77.52, -37.04, 43.29

 

CMYK 27 / 0 / 44 / 11

HEX #A4E27F

RGB 164 226 127

HSL 97.58, 0.63%, 0.69%

LAB 83.87, -36.96, 42.11

 

CMYK 26 / 0 / 40 / 4

HEX #B5F492

RGB 181 244 146

HSL 98.57, 0.82%, 0.76%

LAB 90.14, -36.84, 40.96

 

CMYK 22 / 0 / 35 / 0

HEX #C6FFA5

RGB 198 255 165

HSL 98, 1%, 0.82%

LAB 94.42, -33.52, 37.34

 

CMYK 34 / 0 / 51 / 25

HEX #7DBE5E

RGB 125 190 94

HSL 100.63, 0.42%, 0.56%

LAB 70.87, -38.24, 41.71

 

CMYK 37 / 0 / 56 / 33

HEX #6CAC4B

RGB 108 172 75

HSL 99.59, 0.39%, 0.48%

LAB 64.32, -38.27, 42.88

 

CMYK 41 / 0 / 64 / 40

HEX #5B9A38

RGB 91 154 56

HSL 98.57, 0.47%, 0.41%

LAB 57.68, -38.17, 43.92

 

CMYK 46 / 0 / 73 / 47

HEX #4A8825

RGB 74 136 37

HSL 97.58, 0.57%, 0.34%

LAB 50.92, -37.87, 44.6

 

CMYK 52 / 0 / 85 / 54

HEX #397612

RGB 57 118 18

HSL 96.6, 0.74%, 0.27%

LAB 44.05, -37.22, 44.4

 

CMYK 33 / 0 / 50 / 26

HEX #7EBD5F

RGB 126 189 95

HSL 100.21, 0.42%, 0.56%

LAB 70.63, -37.33, 40.95

 

CMYK 20 / 0 / 50 / 26

HEX #97BD5F

RGB 151 189 95

HSL 84.26, 0.42%, 0.56%

LAB 72.1, -28.21, 43.06

 

CMYK 7 / 0 / 50 / 26

HEX #B0BD5F

RGB 176 189 95

HSL 68.3, 0.42%, 0.56%

LAB 73.84, -18.35, 45.57

 

CMYK 0 / 6 / 50 / 26

HEX #BDB15F

RGB 189 177 95

HSL 52.34, 0.42%, 0.56%

LAB 71.62, -6.83, 43.16

 

CMYK 0 / 20 / 50 / 26

HEX #BD985F

RGB 189 152 95

HSL 36.38, 0.42%, 0.56%

LAB 65.04, 6.58, 35.07

 

CMYK 33 / 0 / 50 / 26

HEX #7EBD5F

RGB 126 189 95

HSL 100.21, 0.42%, 0.56%

LAB 70.63, -37.33, 40.95

 

CMYK 47 / 0 / 50 / 26

HEX #64BD5F

RGB 100 189 95

HSL 116.81, 0.42%, 0.56%

LAB 69.42, -45.63, 39.18

 

CMYK 50 / 0 / 39 / 26

HEX #5FBD74

RGB 95 189 116

HSL 133.4, 0.42%, 0.56%

LAB 69.53, -43.81, 28.55

 

CMYK 50 / 0 / 25 / 26

HEX #5FBD8D

RGB 95 189 141

HSL 149.36, 0.42%, 0.56%

LAB 70, -39.1, 15.86

 

CMYK 50 / 0 / 12 / 26

HEX #5FBDA6

RGB 95 189 166

HSL 165.32, 0.42%, 0.56%

LAB 70.58, -33.52, 3.08

 

CMYK 33 / 0 / 50 / 26

HEX #7EBD5F

RGB 126 189 95

HSL 100.21, 0.42%, 0.56%

LAB 70.63, -37.33, 40.95

 

CMYK 43 / 0 / 63 / 18

HEX #77D04D

RGB 119 208 77

HSL 100.76, 0.58%, 0.56%

LAB 75.8, -49.68, 55.15

 

CMYK 50 / 0 / 74 / 11

HEX #71E23B

RGB 113 226 59

HSL 100.6, 0.74%, 0.56%

LAB 80.86, -59.82, 67.17

 

CMYK 57 / 0 / 83 / 4

HEX #6AF429

RGB 106 244 41

HSL 100.79, 0.9%, 0.56%

LAB 85.97, -68.95, 76.9

 

CMYK 33 / 0 / 50 / 26

HEX #7EBD5F

RGB 126 189 95

HSL 100.21, 0.42%, 0.56%

LAB 70.63, -37.33, 40.95

 

CMYK 23 / 0 / 34 / 33

HEX #84AB71

RGB 132 171 113

HSL 100.34, 0.26%, 0.56%

LAB 65.92, -24.19, 25.7

 

CMYK 10 / 0 / 14 / 40

HEX #8A9983

RGB 138 153 131

HSL 100.91, 0.1%, 0.56%

LAB 61.5, -9.62, 9.77

 

CMYK 3 / 10 / 0 / 41

HEX #918796

RGB 145 135 150

HSL 280, 0.07%, 0.56%

LAB 57.61, 6.66, -6.65

 

CMYK 10 / 30 / 0 / 34

HEX #9775A8

RGB 151 117 168

HSL 280, 0.23%, 0.56%

LAB 54.16, 22.94, -22.19

 

CMYK 6 / 0 / 50 / 26

HEX #B1BD5F

RGB 177 189 95

HSL 67.66, 0.42%, 0.56%

LAB 73.91, -17.94, 45.68

 

CMYK 20 / 0 / 50 / 26

HEX #98BD5F

RGB 152 189 95

HSL 83.62, 0.42%, 0.56%

LAB 72.16, -27.82, 43.16

 

CMYK 33 / 0 / 50 / 26

HEX #7FBD5F

RGB 127 189 95

HSL 99.57, 0.42%, 0.56%

LAB 70.69, -36.98, 41.03

 

CMYK 47 / 0 / 50 / 26

HEX #65BD5F

RGB 101 189 95

HSL 116.17, 0.42%, 0.56%

LAB 69.46, -45.34, 39.24

 

CMYK 50 / 0 / 40 / 26

HEX #5FBD72

RGB 95 189 114

HSL 132.13, 0.42%, 0.56%

LAB 69.5, -44.15, 29.56

 

CMYK 40 / 0 / 60 / 44

HEX #56903A

RGB 86 144 58

HSL 100.47, 0.43%, 0.4%

LAB 54.27, -35.27, 39.08

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 33 / 0 / 50 / 26

HEX #7EBD5F

RGB 126 189 95

HSL 100.21, 0.42%, 0.56%

LAB 70.63, -37.33, 40.95

 

CMYK 26 / 0 / 38 / 21

HEX #95C97C

RGB 149 201 124

HSL 100.52, 0.42%, 0.64%

LAB 75.83, -31.02, 33.15

 

CMYK 19 / 0 / 28 / 16

HEX #ADD59A

RGB 173 213 154

HSL 100.68, 0.41%, 0.72%

LAB 81.18, -23.9, 24.98

 

CMYK 34 / 0 / 51 / 25

HEX #7DBE5E

RGB 125 190 94

HSL 100.63, 0.42%, 0.56%

LAB 70.87, -38.24, 41.71

 

CMYK 50 / 0 / 6 / 26

HEX #5FBDB1

RGB 95 189 177

HSL 172.34, 0.42%, 0.56%

LAB 70.87, -30.82, -2.51

 

CMYK 0 / 50 / 13 / 26

HEX #BD5FA4

RGB 189 95 164

HSL 315.96, 0.42%, 0.56%

LAB 53.69, 46.65, -20.2

 

CMYK 34 / 0 / 51 / 25

HEX #7DBE5E

RGB 125 190 94

HSL 100.63, 0.42%, 0.56%

LAB 70.87, -38.24, 41.71

 

CMYK 50 / 33 / 0 / 26

HEX #5F7FBD

RGB 95 127 189

HSL 219.57, 0.42%, 0.56%

LAB 53.26, 6.09, -36.03

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 34 / 0 / 51 / 25

HEX #7DBE5E

RGB 125 190 94

HSL 100.63, 0.42%, 0.56%

LAB 70.87, -38.24, 41.71

 

CMYK 50 / 0 / 6 / 26

HEX #5FBDB1

RGB 95 189 177

HSL 172.34, 0.42%, 0.56%

LAB 70.87, -30.82, -2.51

 

CMYK 16 / 50 / 0 / 26

HEX #9E5FBD

RGB 158 95 189

HSL 280.21, 0.42%, 0.56%

LAB 50.84, 42.12, -39.47

 

CMYK 0 / 50 / 43 / 26

HEX #BD5F6C

RGB 189 95 108

HSL 351.7, 0.42%, 0.56%

LAB 51.93, 39.02, 10.29

 

CMYK 34 / 0 / 51 / 25

HEX #7DBE5E

RGB 125 190 94

HSL 100.63, 0.42%, 0.56%

LAB 70.87, -38.24, 41.71

 

CMYK 50 / 8 / 0 / 26

HEX #5FAEBD

RGB 95 174 189

HSL 189.57, 0.42%, 0.56%

LAB 66.81, -20.17, -15.18

 

CMYK 16 / 50 / 0 / 26

HEX #9E5FBD

RGB 158 95 189

HSL 280.21, 0.42%, 0.56%

LAB 50.84, 42.12, -39.47

 

CMYK 0 / 41 / 50 / 26

HEX #BD6F5F

RGB 189 111 95

HSL 10.21, 0.42%, 0.56%

LAB 55.09, 29.18, 22.21

 

Description

Color code: RGB 125 190 94 | qconv.com Color code: RGB 125 190 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 190 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 190 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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