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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 165 94 it is the complementary color RGB 130 90 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 165 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 165 94 shade: RGB 130 165 89, RGB 147 183 108, RGB 164 201 127, RGB 181 219 146 and RGB 198 237 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 165 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 165 94 shade: RGB 125 165 94, RGB 108 147 75, RGB 91 129 56, RGB 74 111 37 and RGB 57 93 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 165 94 shade: RGB 125 165 95, RGB 144 165 95, RGB 163 165 95, RGB 165 147 95 and RGB 165 128 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 165 94 shade: RGB 125 165 95, RGB 106 165 95, RGB 95 165 102, RGB 95 165 121 and RGB 95 165 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 165 94 shade matches the following richer shades: RGB 125 165 95, RGB 123 185 74, RGB 120 205 54, RGB 117 225 34 and RGB 115 245 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 165 94 shade: RGB 125 165 95, RGB 128 144 115, RGB 130 124 135, RGB 133 104 155 and RGB 135 84 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 165 94 shade: RGB 163 165 95, RGB 145 165 95, RGB 126 165 95, RGB 107 165 95 and RGB 95 165 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 165 94 shade: RGB 85 113 63, RGB 105 140 78, RGB 125 165 95, RGB 146 179 121 and RGB 168 194 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 165 94 shade: RGB 125 165 94, RGB 95 165 147 and RGB 165 95 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 165 94 shade: RGB 125 165 94, RGB 95 126 165 and RGB 165 95 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 165 94 shade: RGB 125 165 94, RGB 95 165 147, RGB 133 95 165 and RGB 165 95 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 165 94 shade: RGB 125 165 94, RGB 95 161 165, RGB 133 95 165 and RGB 165 98 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 43 / 35

HEX #7DA55E

RGB 125 165 94

HSL 93.8, 0.28%, 0.51%

LAB 63.41, -26.54, 32.44

 

Complementary color

CMYK 19 / 44 / 0 / 37

HEX #825AA1

RGB 130 90 161

HSL 273.8, 0.28%, 0.49%

LAB 45.13, 30.39, -32.3

 

CMYK 21 / 0 / 46 / 35

HEX #82A559

RGB 130 165 89

HSL 87.63, 0.3%, 0.5%

LAB 63.65, -25.28, 35.41

 

CMYK 20 / 0 / 41 / 28

HEX #93B76C

RGB 147 183 108

HSL 88.8, 0.34%, 0.57%

LAB 70.28, -25.26, 34.21

 

CMYK 18 / 0 / 37 / 21

HEX #A4C97F

RGB 164 201 127

HSL 90, 0.41%, 0.64%

LAB 76.8, -25.22, 33.04

 

CMYK 17 / 0 / 33 / 14

HEX #B5DB92

RGB 181 219 146

HSL 91.23, 0.5%, 0.72%

LAB 83.21, -25.15, 31.92

 

CMYK 16 / 0 / 30 / 7

HEX #C6EDA5

RGB 198 237 165

HSL 92.5, 0.67%, 0.79%

LAB 89.53, -25.08, 30.85

 

CMYK 24 / 0 / 43 / 35

HEX #7DA55E

RGB 125 165 94

HSL 93.8, 0.28%, 0.51%

LAB 63.41, -26.54, 32.44

 

CMYK 27 / 0 / 49 / 42

HEX #6C934B

RGB 108 147 75

HSL 92.5, 0.32%, 0.44%

LAB 56.65, -26.6, 33.67

 

CMYK 29 / 0 / 57 / 49

HEX #5B8138

RGB 91 129 56

HSL 91.23, 0.39%, 0.36%

LAB 49.75, -26.6, 34.89

 

CMYK 33 / 0 / 67 / 56

HEX #4A6F25

RGB 74 111 37

HSL 90, 0.5%, 0.29%

LAB 42.7, -26.46, 35.93

 

CMYK 39 / 0 / 81 / 64

HEX #395D12

RGB 57 93 18

HSL 88.8, 0.68%, 0.22%

LAB 35.48, -26.07, 36.36

 

CMYK 24 / 0 / 42 / 35

HEX #7DA55F

RGB 125 165 95

HSL 94.29, 0.28%, 0.51%

LAB 63.42, -26.4, 31.93

 

CMYK 13 / 0 / 42 / 35

HEX #90A55F

RGB 144 165 95

HSL 78, 0.28%, 0.51%

LAB 64.7, -19.06, 33.81

 

CMYK 1 / 0 / 42 / 35

HEX #A3A55F

RGB 163 165 95

HSL 61.71, 0.28%, 0.51%

LAB 66.15, -11.33, 35.95

 

CMYK 0 / 11 / 42 / 35

HEX #A5935F

RGB 165 147 95

HSL 44.57, 0.28%, 0.51%

LAB 61.39, -0.81, 29.95

 

CMYK 0 / 22 / 42 / 35

HEX #A5805F

RGB 165 128 95

HSL 28.29, 0.28%, 0.51%

LAB 56.35, 9.79, 23.38

 

CMYK 24 / 0 / 42 / 35

HEX #7DA55F

RGB 125 165 95

HSL 94.29, 0.28%, 0.51%

LAB 63.42, -26.4, 31.93

 

CMYK 36 / 0 / 42 / 35

HEX #6AA55F

RGB 106 165 95

HSL 110.57, 0.28%, 0.51%

LAB 62.34, -33.18, 30.32

 

CMYK 42 / 0 / 38 / 35

HEX #5FA566

RGB 95 165 102

HSL 126, 0.28%, 0.51%

LAB 61.91, -35.63, 25.94

 

CMYK 42 / 0 / 27 / 35

HEX #5FA579

RGB 95 165 121

HSL 142.29, 0.28%, 0.51%

LAB 62.27, -32.14, 16.05

 

CMYK 42 / 0 / 16 / 35

HEX #5FA58B

RGB 95 165 139

HSL 157.71, 0.28%, 0.51%

LAB 62.68, -28.32, 6.62

 

CMYK 24 / 0 / 42 / 35

HEX #7DA55F

RGB 125 165 95

HSL 94.29, 0.28%, 0.51%

LAB 63.42, -26.4, 31.93

 

CMYK 34 / 0 / 60 / 27

HEX #7BB94A

RGB 123 185 74

HSL 93.51, 0.44%, 0.51%

LAB 69.04, -38.88, 48.97

 

CMYK 41 / 0 / 74 / 20

HEX #78CD36

RGB 120 205 54

HSL 93.77, 0.6%, 0.51%

LAB 74.78, -49.93, 62.95

 

CMYK 48 / 0 / 85 / 12

HEX #75E122

RGB 117 225 34

HSL 93.93, 0.76%, 0.51%

LAB 80.6, -59.53, 73.86

 

CMYK 53 / 0 / 94 / 4

HEX #73F50E

RGB 115 245 14

HSL 93.77, 0.92%, 0.51%

LAB 86.49, -67.71, 81.82

 

CMYK 24 / 0 / 42 / 35

HEX #7DA55F

RGB 125 165 95

HSL 94.29, 0.28%, 0.51%

LAB 63.42, -26.4, 31.93

 

CMYK 11 / 0 / 20 / 44

HEX #809073

RGB 128 144 115

HSL 93.1, 0.12%, 0.51%

LAB 57.82, -11.34, 13.52

 

CMYK 4 / 8 / 0 / 47

HEX #827C87

RGB 130 124 135

HSL 272.73, 0.04%, 0.51%

LAB 52.85, 4.47, -5.15

 

CMYK 14 / 33 / 0 / 39

HEX #85689B

RGB 133 104 155

HSL 274.12, 0.2%, 0.51%

LAB 48.58, 21.69, -23.35

 

CMYK 23 / 52 / 0 / 31

HEX #8754AF

RGB 135 84 175

HSL 273.63, 0.36%, 0.51%

LAB 45.06, 38.59, -40.62

 

CMYK 1 / 0 / 42 / 35

HEX #A3A55F

RGB 163 165 95

HSL 61.71, 0.28%, 0.51%

LAB 66.15, -11.33, 35.95

 

CMYK 12 / 0 / 42 / 35

HEX #91A55F

RGB 145 165 95

HSL 77.14, 0.28%, 0.51%

LAB 64.77, -18.66, 33.92

 

CMYK 24 / 0 / 42 / 35

HEX #7EA55F

RGB 126 165 95

HSL 93.43, 0.28%, 0.51%

LAB 63.48, -26.03, 32.02

 

CMYK 35 / 0 / 42 / 35

HEX #6BA55F

RGB 107 165 95

HSL 109.71, 0.28%, 0.51%

LAB 62.39, -32.84, 30.4

 

CMYK 42 / 0 / 39 / 35

HEX #5FA564

RGB 95 165 100

HSL 124.29, 0.28%, 0.51%

LAB 61.88, -35.96, 26.97

 

CMYK 25 / 0 / 44 / 56

HEX #55713F

RGB 85 113 63

HSL 93.6, 0.28%, 0.35%

LAB 44.38, -19.96, 24.48

 

CMYK 25 / 0 / 44 / 45

HEX #698C4E

RGB 105 140 78

HSL 93.87, 0.28%, 0.43%

LAB 54.35, -23.88, 29.18

 

CMYK 24 / 0 / 42 / 35

HEX #7DA55F

RGB 125 165 95

HSL 94.29, 0.28%, 0.51%

LAB 63.42, -26.4, 31.93

 

CMYK 18 / 0 / 32 / 30

HEX #92B379

RGB 146 179 121

HSL 94.14, 0.28%, 0.59%

LAB 69.28, -21.84, 26.05

 

CMYK 13 / 0 / 24 / 24

HEX #A8C293

RGB 168 194 147

HSL 93.19, 0.28%, 0.67%

LAB 75.46, -17.34, 20.79

 

CMYK 24 / 0 / 43 / 35

HEX #7DA55E

RGB 125 165 94

HSL 93.8, 0.28%, 0.51%

LAB 63.41, -26.54, 32.44

 

CMYK 42 / 0 / 11 / 35

HEX #5FA593

RGB 95 165 147

HSL 164.57, 0.28%, 0.51%

LAB 62.89, -26.47, 2.43

 

CMYK 0 / 42 / 7 / 35

HEX #A55F9A

RGB 165 95 154

HSL 309.43, 0.28%, 0.51%

LAB 50.12, 37.25, -20.08

 

CMYK 24 / 0 / 43 / 35

HEX #7DA55E

RGB 125 165 94

HSL 93.8, 0.28%, 0.51%

LAB 63.41, -26.54, 32.44

 

CMYK 42 / 24 / 0 / 35

HEX #5F7EA5

RGB 95 126 165

HSL 213.43, 0.28%, 0.51%

LAB 51.92, -0.54, -24.29

 

CMYK 0 / 42 / 24 / 35

HEX #A55F7E

RGB 165 95 126

HSL 333.43, 0.28%, 0.51%

LAB 49.12, 32.58, -4.95

 

CMYK 24 / 0 / 43 / 35

HEX #7DA55E

RGB 125 165 94

HSL 93.8, 0.28%, 0.51%

LAB 63.41, -26.54, 32.44

 

CMYK 42 / 0 / 11 / 35

HEX #5FA593

RGB 95 165 147

HSL 164.57, 0.28%, 0.51%

LAB 62.89, -26.47, 2.43

 

CMYK 19 / 42 / 0 / 35

HEX #855FA5

RGB 133 95 165

HSL 272.57, 0.28%, 0.51%

LAB 46.83, 29.32, -31.97

 

CMYK 0 / 42 / 32 / 35

HEX #A55F70

RGB 165 95 112

HSL 345.43, 0.28%, 0.51%

LAB 48.7, 30.57, 2.83

 

CMYK 24 / 0 / 43 / 35

HEX #7DA55E

RGB 125 165 94

HSL 93.8, 0.28%, 0.51%

LAB 63.41, -26.54, 32.44

 

CMYK 42 / 2 / 0 / 35

HEX #5FA1A5

RGB 95 161 165

HSL 183.43, 0.28%, 0.51%

LAB 62.2, -19.93, -8.69

 

CMYK 19 / 42 / 0 / 35

HEX #855FA5

RGB 133 95 165

HSL 272.57, 0.28%, 0.51%

LAB 46.83, 29.32, -31.97

 

CMYK 0 / 41 / 42 / 35

HEX #A5625F

RGB 165 98 95

HSL 2.57, 0.28%, 0.51%

LAB 48.96, 26.77, 13.37

 

Description

Color code: RGB 125 165 94 | qconv.com Color code: RGB 125 165 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 165 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 165 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 43 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 43% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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