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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 124 6 it is the complementary color RGB 130 131 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 124 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 124 6 shade: RGB 130 124 1, RGB 147 142 20, RGB 164 160 39, RGB 181 178 58 and RGB 198 196 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 124 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 124 6 shade: RGB 125 124 6, RGB 108 106 0, RGB 91 88 0, RGB 74 70 0 and RGB 57 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 124 6 shade: RGB 126 125 5, RGB 126 93 5, RGB 126 60 5, RGB 126 28 5 and RGB 126 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 124 6 shade: RGB 126 125 5, RGB 95 126 5, RGB 62 126 5, RGB 30 126 5 and RGB 5 126 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 124 6 shade matches the following richer shades: RGB 126 125 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 124 6 shade: RGB 126 125 5, RGB 115 115 16, RGB 105 104 27, RGB 94 93 38 and RGB 83 83 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 124 6 shade: RGB 126 60 5, RGB 126 92 5, RGB 126 124 5, RGB 96 126 5 and RGB 64 126 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 124 6 shade: RGB 47 47 2, RGB 87 86 4, RGB 126 125 5, RGB 166 164 7 and RGB 205 203 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 124 6 shade: RGB 125 124 6, RGB 5 126 28 and RGB 76 5 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 124 6 shade: RGB 125 124 6, RGB 5 126 124 and RGB 124 5 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 124 6 shade: RGB 125 124 6, RGB 5 126 28, RGB 5 7 126 and RGB 126 5 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 124 6 shade: RGB 125 124 6, RGB 5 126 64, RGB 5 7 126 and RGB 126 5 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 95 / 51

HEX #7D7C06

RGB 125 124 6

HSL 59.5, 0.91%, 0.26%

LAB 50.44, -12.04, 54.34

 

Complementary color

CMYK 48 / 47 / 0 / 2

HEX #8283F9

RGB 130 131 249

HSL 239.5, 0.91%, 0.74%

LAB 59.72, 30, -59.32

 

CMYK 0 / 5 / 99 / 49

HEX #827C01

RGB 130 124 1

HSL 57.21, 0.98%, 0.26%

LAB 50.88, -9.8, 55.84

 

CMYK 0 / 3 / 86 / 42

HEX #938E14

RGB 147 142 20

HSL 57.64, 0.76%, 0.33%

LAB 57.65, -11.27, 58.09

 

CMYK 0 / 2 / 76 / 36

HEX #A4A027

RGB 164 160 39

HSL 58.08, 0.62%, 0.4%

LAB 64.31, -12.48, 58.97

 

CMYK 0 / 2 / 68 / 29

HEX #B5B23A

RGB 181 178 58

HSL 58.54, 0.51%, 0.47%

LAB 70.85, -13.46, 58.85

 

CMYK 0 / 1 / 61 / 22

HEX #C6C44D

RGB 198 196 77

HSL 59.01, 0.51%, 0.54%

LAB 77.29, -14.26, 58.2

 

CMYK 0 / 1 / 95 / 51

HEX #7D7C06

RGB 125 124 6

HSL 59.5, 0.91%, 0.26%

LAB 50.44, -12.04, 54.34

 

CMYK 0 / 2 / 100 / 58

HEX #6C6A00

RGB 108 106 0

HSL 58.89, 1%, 0.21%

LAB 43.5, -10.34, 49.75

 

CMYK 0 / 3 / 100 / 64

HEX #5B5800

RGB 91 88 0

HSL 58.02, 1%, 0.18%

LAB 36.37, -8.43, 43.84

 

CMYK 0 / 5 / 100 / 71

HEX #4A4600

RGB 74 70 0

HSL 56.76, 1%, 0.15%

LAB 29, -6.42, 37.66

 

CMYK 0 / 9 / 100 / 78

HEX #393400

RGB 57 52 0

HSL 54.74, 1%, 0.11%

LAB 21.3, -4.28, 29.75

 

CMYK 0 / 1 / 96 / 51

HEX #7E7D05

RGB 126 125 5

HSL 59.5, 0.92%, 0.26%

LAB 50.82, -12.14, 54.86

 

CMYK 0 / 26 / 96 / 51

HEX #7E5D05

RGB 126 93 5

HSL 43.64, 0.92%, 0.26%

LAB 41.65, 6.09, 47.97

 

CMYK 0 / 52 / 96 / 51

HEX #7E3C05

RGB 126 60 5

HSL 27.27, 0.92%, 0.26%

LAB 33.3, 25.46, 41.96

 

CMYK 0 / 78 / 96 / 51

HEX #7E1C05

RGB 126 28 5

HSL 11.4, 0.92%, 0.26%

LAB 27.51, 40.75, 37.63

 

CMYK 0 / 96 / 96 / 51

HEX #7E0505

RGB 126 5 5

HSL 0, 0.92%, 0.26%

LAB 25.43, 46.65, 35.76

 

CMYK 0 / 1 / 96 / 51

HEX #7E7D05

RGB 126 125 5

HSL 59.5, 0.92%, 0.26%

LAB 50.82, -12.14, 54.86

 

CMYK 25 / 0 / 96 / 51

HEX #5F7E05

RGB 95 126 5

HSL 75.37, 0.92%, 0.26%

LAB 48.72, -26.68, 52.18

 

CMYK 51 / 0 / 96 / 51

HEX #3E7E05

RGB 62 126 5

HSL 91.74, 0.92%, 0.26%

LAB 46.92, -39.36, 49.98

 

CMYK 76 / 0 / 96 / 51

HEX #1E7E05

RGB 30 126 5

HSL 107.6, 0.92%, 0.26%

LAB 45.92, -47.55, 48.75

 

CMYK 96 / 0 / 89 / 51

HEX #057E0E

RGB 5 126 14

HSL 124.46, 0.92%, 0.26%

LAB 45.61, -50.15, 46.45

 

CMYK 0 / 1 / 96 / 51

HEX #7E7D05

RGB 126 125 5

HSL 59.5, 0.92%, 0.26%

LAB 50.82, -12.14, 54.86

 

CMYK 0 / 1 / 96 / 51

HEX #7E7D05

RGB 126 125 5

HSL 59.5, 0.92%, 0.26%

LAB 50.82, -12.14, 54.86

 

CMYK 0 / 0 / 86 / 55

HEX #737310

RGB 115 115 16

HSL 60, 0.76%, 0.26%

LAB 46.9, -11.58, 48.95

 

CMYK 0 / 1 / 74 / 59

HEX #69681B

RGB 105 104 27

HSL 59.23, 0.59%, 0.26%

LAB 42.74, -9.71, 41.1

 

CMYK 0 / 1 / 60 / 63

HEX #5E5D26

RGB 94 93 38

HSL 58.93, 0.42%, 0.26%

LAB 38.46, -7.86, 31.15

 

CMYK 0 / 0 / 42 / 67

HEX #535330

RGB 83 83 48

HSL 60, 0.27%, 0.26%

LAB 34.48, -6.07, 20.5

 

CMYK 0 / 52 / 96 / 51

HEX #7E3C05

RGB 126 60 5

HSL 27.27, 0.92%, 0.26%

LAB 33.3, 25.46, 41.96

 

CMYK 0 / 27 / 96 / 51

HEX #7E5C05

RGB 126 92 5

HSL 43.14, 0.92%, 0.26%

LAB 41.38, 6.68, 47.76

 

CMYK 0 / 2 / 96 / 51

HEX #7E7C05

RGB 126 124 5

HSL 59.01, 0.92%, 0.26%

LAB 50.53, -11.6, 54.63

 

CMYK 24 / 0 / 96 / 51

HEX #607E05

RGB 96 126 5

HSL 74.88, 0.92%, 0.26%

LAB 48.78, -26.25, 52.27

 

CMYK 49 / 0 / 96 / 51

HEX #407E05

RGB 64 126 5

HSL 90.74, 0.92%, 0.26%

LAB 47, -38.7, 50.09

 

CMYK 0 / 0 / 96 / 82

HEX #2F2F02

RGB 47 47 2

HSL 60, 0.92%, 0.1%

LAB 18.55, -6.42, 25.52

 

CMYK 0 / 1 / 95 / 66

HEX #575604

RGB 87 86 4

HSL 59.28, 0.91%, 0.18%

LAB 35.38, -9.13, 41.64

 

CMYK 0 / 1 / 96 / 51

HEX #7E7D05

RGB 126 125 5

HSL 59.5, 0.92%, 0.26%

LAB 50.82, -12.14, 54.86

 

CMYK 0 / 1 / 96 / 35

HEX #A6A407

RGB 166 164 7

HSL 59.25, 0.92%, 0.34%

LAB 65.49, -14.5, 67.19

 

CMYK 0 / 1 / 96 / 20

HEX #CDCB09

RGB 205 203 9

HSL 59.39, 0.92%, 0.42%

LAB 79.45, -17.21, 78.9

 

CMYK 0 / 1 / 95 / 51

HEX #7D7C06

RGB 125 124 6

HSL 59.5, 0.91%, 0.26%

LAB 50.44, -12.04, 54.34

 

CMYK 96 / 0 / 78 / 51

HEX #057E1C

RGB 5 126 28

HSL 131.4, 0.92%, 0.26%

LAB 45.69, -49.23, 42.2

 

CMYK 40 / 96 / 0 / 51

HEX #4C057E

RGB 76 5 126

HSL 275.21, 0.92%, 0.26%

LAB 20.64, 49.64, -50.49

 

CMYK 0 / 1 / 95 / 51

HEX #7D7C06

RGB 125 124 6

HSL 59.5, 0.91%, 0.26%

LAB 50.44, -12.04, 54.34

 

CMYK 96 / 0 / 2 / 51

HEX #057E7C

RGB 5 126 124

HSL 179.01, 0.92%, 0.26%

LAB 47.51, -28.89, -7.24

 

CMYK 2 / 96 / 0 / 51

HEX #7C057E

RGB 124 5 126

HSL 299.01, 0.92%, 0.26%

LAB 29.16, 57.1, -36.28

 

CMYK 0 / 1 / 95 / 51

HEX #7D7C06

RGB 125 124 6

HSL 59.5, 0.91%, 0.26%

LAB 50.44, -12.04, 54.34

 

CMYK 96 / 0 / 78 / 51

HEX #057E1C

RGB 5 126 28

HSL 131.4, 0.92%, 0.26%

LAB 45.69, -49.23, 42.2

 

CMYK 96 / 94 / 0 / 51

HEX #05077E

RGB 5 7 126

HSL 239.01, 0.92%, 0.26%

LAB 13.77, 44.2, -62.09

 

CMYK 0 / 96 / 17 / 51

HEX #7E0568

RGB 126 5 104

HSL 310.91, 0.92%, 0.26%

LAB 28.23, 54.17, -23.66

 

CMYK 0 / 1 / 95 / 51

HEX #7D7C06

RGB 125 124 6

HSL 59.5, 0.91%, 0.26%

LAB 50.44, -12.04, 54.34

 

CMYK 96 / 0 / 49 / 51

HEX #057E40

RGB 5 126 64

HSL 149.26, 0.92%, 0.26%

LAB 46.07, -44.42, 25.54

 

CMYK 96 / 94 / 0 / 51

HEX #05077E

RGB 5 7 126

HSL 239.01, 0.92%, 0.26%

LAB 13.77, 44.2, -62.09

 

CMYK 0 / 96 / 46 / 51

HEX #7E0544

RGB 126 5 68

HSL 328.76, 0.92%, 0.26%

LAB 26.62, 49.95, -2.26

 

Description

Color code: RGB 125 124 6 | qconv.com Color code: RGB 125 124 6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 124 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 124 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 95 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 95% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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