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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 103 192 it is the complementary color RGB 130 152 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 103 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 103 192 shade: RGB 130 103 187, RGB 147 121 206, RGB 164 139 225, RGB 181 157 244 and RGB 198 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 103 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 103 192 shade: RGB 125 103 192, RGB 108 85 173, RGB 91 67 154, RGB 74 49 135 and RGB 57 31 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 103 192 shade: RGB 125 103 191, RGB 149 103 191, RGB 173 103 191, RGB 191 103 186 and RGB 191 103 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 103 192 shade: RGB 125 103 191 and RGB 103 103 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 103 192 shade matches the following richer shades: RGB 125 103 191, RGB 116 86 209, RGB 108 69 226 and RGB 99 52 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 103 192 shade: RGB 125 103 191, RGB 134 121 174, RGB 143 138 157, RGB 151 155 139 and RGB 160 173 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 103 192 shade: RGB 103 130 191, RGB 103 106 191, RGB 124 103 191, RGB 147 103 191 and RGB 171 103 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 103 192 shade: RGB 84 62 150, RGB 100 75 179, RGB 125 103 191, RGB 150 133 203 and RGB 175 162 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 103 192 shade: RGB 125 103 192, RGB 191 103 153 and RGB 118 191 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 103 192 shade: RGB 125 103 192, RGB 191 124 103 and RGB 103 191 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 103 192 shade: RGB 125 103 192, RGB 191 103 153, RGB 171 191 103 and RGB 103 191 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 103 192 shade: RGB 125 103 192, RGB 191 103 127, RGB 171 191 103 and RGB 103 191 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 46 / 0 / 25

HEX #7D67C0

RGB 125 103 192

HSL 254.83, 0.41%, 0.58%

LAB 49.33, 29.16, -43.8

 

Complementary color

CMYK 14 / 0 / 59 / 40

HEX #82983F

RGB 130 152 63

HSL 74.83, 0.41%, 0.42%

LAB 59.49, -21.54, 43.36

 

CMYK 30 / 45 / 0 / 27

HEX #8267BB

RGB 130 103 187

HSL 259.29, 0.38%, 0.57%

LAB 49.54, 29.2, -40.56

 

CMYK 29 / 41 / 0 / 19

HEX #9379CE

RGB 147 121 206

HSL 258.35, 0.46%, 0.64%

LAB 56.42, 28.31, -40.47

 

CMYK 27 / 38 / 0 / 12

HEX #A48BE1

RGB 164 139 225

HSL 257.44, 0.59%, 0.71%

LAB 63.17, 27.51, -40.41

 

CMYK 26 / 36 / 0 / 4

HEX #B59DF4

RGB 181 157 244

HSL 256.55, 0.8%, 0.79%

LAB 69.8, 26.79, -40.38

 

CMYK 22 / 31 / 0 / 0

HEX #C6AFFF

RGB 198 175 255

HSL 257.25, 1%, 0.84%

LAB 76, 24.28, -36.59

 

CMYK 35 / 46 / 0 / 25

HEX #7D67C0

RGB 125 103 192

HSL 254.83, 0.41%, 0.58%

LAB 49.33, 29.16, -43.8

 

CMYK 38 / 51 / 0 / 32

HEX #6C55AD

RGB 108 85 173

HSL 255.68, 0.35%, 0.51%

LAB 42.31, 30.24, -44

 

CMYK 41 / 56 / 0 / 40

HEX #5B439A

RGB 91 67 154

HSL 256.55, 0.39%, 0.43%

LAB 35.15, 31.45, -44.21

 

CMYK 45 / 64 / 0 / 47

HEX #4A3187

RGB 74 49 135

HSL 257.44, 0.47%, 0.36%

LAB 27.85, 32.78, -44.41

 

CMYK 51 / 73 / 0 / 55

HEX #391F74

RGB 57 31 116

HSL 258.35, 0.58%, 0.29%

LAB 20.48, 34.13, -44.46

 

CMYK 35 / 46 / 0 / 25

HEX #7D67BF

RGB 125 103 191

HSL 255, 0.41%, 0.58%

LAB 49.28, 28.89, -43.31

 

CMYK 22 / 46 / 0 / 25

HEX #9567BF

RGB 149 103 191

HSL 271.36, 0.41%, 0.58%

LAB 51.67, 35.57, -39.38

 

CMYK 9 / 46 / 0 / 25

HEX #AD67BF

RGB 173 103 191

HSL 287.73, 0.41%, 0.58%

LAB 54.39, 42.55, -34.91

 

CMYK 0 / 46 / 3 / 25

HEX #BF67BA

RGB 191 103 186

HSL 303.41, 0.41%, 0.58%

LAB 56.41, 46.95, -28.73

 

CMYK 0 / 46 / 15 / 25

HEX #BF67A3

RGB 191 103 163

HSL 319.09, 0.41%, 0.58%

LAB 55.5, 43.03, -16.83

 

CMYK 35 / 46 / 0 / 25

HEX #7D67BF

RGB 125 103 191

HSL 255, 0.41%, 0.58%

LAB 49.28, 28.89, -43.31

 

CMYK 46 / 46 / 0 / 25

HEX #6767BF

RGB 103 103 191

HSL 240, 0.41%, 0.58%

LAB 47.42, 23.26, -46.37

 

CMYK 35 / 46 / 0 / 25

HEX #7D67BF

RGB 125 103 191

HSL 255, 0.41%, 0.58%

LAB 49.28, 28.89, -43.31

 

CMYK 44 / 59 / 0 / 18

HEX #7456D1

RGB 116 86 209

HSL 254.63, 0.57%, 0.58%

LAB 45.6, 41.68, -59.62

 

CMYK 52 / 69 / 0 / 11

HEX #6C45E2

RGB 108 69 226

HSL 254.9, 0.73%, 0.58%

LAB 42.67, 54.31, -74.13

 

CMYK 59 / 79 / 0 / 5

HEX #6334F3

RGB 99 52 243

HSL 254.76, 0.89%, 0.58%

LAB 40.54, 65.83, -87.28

 

CMYK 35 / 46 / 0 / 25

HEX #7D67BF

RGB 125 103 191

HSL 255, 0.41%, 0.58%

LAB 49.28, 28.89, -43.31

 

CMYK 23 / 30 / 0 / 32

HEX #8679AE

RGB 134 121 174

HSL 254.72, 0.25%, 0.58%

LAB 53.81, 16.46, -26.33

 

CMYK 9 / 12 / 0 / 38

HEX #8F8A9D

RGB 143 138 157

HSL 255.79, 0.09%, 0.58%

LAB 58.46, 5.69, -9.41

 

CMYK 3 / 0 / 10 / 39

HEX #979B8B

RGB 151 155 139

HSL 75, 0.07%, 0.58%

LAB 63.25, -4.43, 7.89

 

CMYK 8 / 0 / 29 / 32

HEX #A0AD7A

RGB 160 173 122

HSL 75.29, 0.24%, 0.58%

LAB 68.58, -13.32, 24.75

 

CMYK 46 / 32 / 0 / 25

HEX #6782BF

RGB 103 130 191

HSL 221.59, 0.41%, 0.58%

LAB 54.67, 6.88, -34.93

 

CMYK 46 / 45 / 0 / 25

HEX #676ABF

RGB 103 106 191

HSL 237.95, 0.41%, 0.58%

LAB 48.2, 21.42, -45.14

 

CMYK 35 / 46 / 0 / 25

HEX #7C67BF

RGB 124 103 191

HSL 254.32, 0.41%, 0.58%

LAB 49.19, 28.62, -43.46

 

CMYK 23 / 46 / 0 / 25

HEX #9367BF

RGB 147 103 191

HSL 270, 0.41%, 0.58%

LAB 51.46, 35, -39.73

 

CMYK 10 / 46 / 0 / 25

HEX #AB67BF

RGB 171 103 191

HSL 286.36, 0.41%, 0.58%

LAB 54.15, 41.97, -35.3

 

CMYK 44 / 59 / 0 / 41

HEX #543E96

RGB 84 62 150

HSL 255, 0.42%, 0.42%

LAB 32.99, 31.64, -45.29

 

CMYK 44 / 58 / 0 / 30

HEX #644BB3

RGB 100 75 179

HSL 254.42, 0.41%, 0.5%

LAB 39.57, 36.01, -51.97

 

CMYK 35 / 46 / 0 / 25

HEX #7D67BF

RGB 125 103 191

HSL 255, 0.41%, 0.58%

LAB 49.28, 28.89, -43.31

 

CMYK 26 / 34 / 0 / 20

HEX #9685CB

RGB 150 133 203

HSL 254.57, 0.4%, 0.66%

LAB 59.5, 21.48, -33.93

 

CMYK 19 / 25 / 0 / 15

HEX #AFA2D8

RGB 175 162 216

HSL 254.44, 0.41%, 0.74%

LAB 69.41, 15.69, -25.69

 

CMYK 35 / 46 / 0 / 25

HEX #7D67C0

RGB 125 103 192

HSL 254.83, 0.41%, 0.58%

LAB 49.33, 29.16, -43.8

 

CMYK 0 / 46 / 20 / 25

HEX #BF6799

RGB 191 103 153

HSL 325.91, 0.41%, 0.58%

LAB 55.15, 41.46, -11.53

 

CMYK 38 / 0 / 46 / 25

HEX #76BF67

RGB 118 191 103

HSL 109.77, 0.41%, 0.58%

LAB 70.93, -39.86, 37.25

 

CMYK 35 / 46 / 0 / 25

HEX #7D67C0

RGB 125 103 192

HSL 254.83, 0.41%, 0.58%

LAB 49.33, 29.16, -43.8

 

CMYK 0 / 35 / 46 / 25

HEX #BF7C67

RGB 191 124 103

HSL 14.32, 0.41%, 0.58%

LAB 58.48, 23.66, 22.22

 

CMYK 46 / 0 / 35 / 25

HEX #67BF7C

RGB 103 191 124

HSL 134.32, 0.41%, 0.58%

LAB 70.59, -41.11, 25.81

 

CMYK 35 / 46 / 0 / 25

HEX #7D67C0

RGB 125 103 192

HSL 254.83, 0.41%, 0.58%

LAB 49.33, 29.16, -43.8

 

CMYK 0 / 46 / 20 / 25

HEX #BF6799

RGB 191 103 153

HSL 325.91, 0.41%, 0.58%

LAB 55.15, 41.46, -11.53

 

CMYK 10 / 0 / 46 / 25

HEX #ABBF67

RGB 171 191 103

HSL 73.64, 0.41%, 0.58%

LAB 74.12, -20.54, 41.91

 

CMYK 46 / 0 / 26 / 25

HEX #67BF8E

RGB 103 191 142

HSL 146.59, 0.41%, 0.58%

LAB 70.94, -37.72, 16.67

 

CMYK 35 / 46 / 0 / 25

HEX #7D67C0

RGB 125 103 192

HSL 254.83, 0.41%, 0.58%

LAB 49.33, 29.16, -43.8

 

CMYK 0 / 46 / 34 / 25

HEX #BF677F

RGB 191 103 127

HSL 343.64, 0.41%, 0.58%

LAB 54.35, 37.81, 2.54

 

CMYK 10 / 0 / 46 / 25

HEX #ABBF67

RGB 171 191 103

HSL 73.64, 0.41%, 0.58%

LAB 74.12, -20.54, 41.91

 

CMYK 46 / 0 / 12 / 25

HEX #67BFA8

RGB 103 191 168

HSL 164.32, 0.41%, 0.58%

LAB 71.54, -32.06, 3.41

 

Description

Color code: RGB 125 103 192 | qconv.com Color code: RGB 125 103 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 103 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 103 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 46 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 46% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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