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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 99 62 it is the complementary color RGB 131 156 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 99 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 99 62 shade: RGB 129 99 57, RGB 146 117 76, RGB 163 135 95, RGB 180 153 114 and RGB 197 171 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 99 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 99 62 shade: RGB 124 99 62, RGB 107 81 43, RGB 90 63 24, RGB 73 45 5 and RGB 56 27 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 99 62 shade: RGB 122 97 61, RGB 122 81 61, RGB 122 64 61 and RGB 122 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 99 62 shade: RGB 122 97 61, RGB 122 114 61, RGB 113 122 61, RGB 97 122 61 and RGB 81 122 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 99 62 shade matches the following richer shades: RGB 122 97 61, RGB 136 100 46, RGB 151 103 31, RGB 166 106 16 and RGB 181 109 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 99 62 shade: RGB 122 97 61, RGB 107 94 76, RGB 92 91 91, RGB 77 89 106 and RGB 62 86 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 99 62 shade: RGB 122 64 61, RGB 122 80 61, RGB 122 96 61, RGB 122 113 61 and RGB 115 122 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 99 62 shade: RGB 67 53 33, RGB 94 75 47, RGB 122 97 61, RGB 149 119 75 and RGB 173 140 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 99 62 shade: RGB 124 99 62, RGB 74 122 61 and RGB 72 61 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 99 62 shade: RGB 124 99 62, RGB 61 122 96 and RGB 96 61 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 99 62 shade: RGB 124 99 62, RGB 74 122 61, RGB 61 86 122 and RGB 108 61 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 99 62 shade: RGB 124 99 62, RGB 61 122 66, RGB 61 86 122 and RGB 122 61 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 50 / 51

HEX #7C633E

RGB 124 99 62

HSL 35.81, 0.33%, 0.36%

LAB 43.59, 4.94, 24.76

 

Complementary color

CMYK 32 / 19 / 0 / 24

HEX #839CC1

RGB 131 156 193

HSL 215.81, 0.33%, 0.64%

LAB 63.72, 0.11, -21.93

 

CMYK 0 / 23 / 56 / 49

HEX #816339

RGB 129 99 57

HSL 35, 0.39%, 0.36%

LAB 44.07, 6.72, 28.32

 

CMYK 0 / 20 / 48 / 43

HEX #92754C

RGB 146 117 76

HSL 35.14, 0.32%, 0.44%

LAB 51.1, 5.77, 26.85

 

CMYK 0 / 17 / 42 / 36

HEX #A3875F

RGB 163 135 95

HSL 35.29, 0.27%, 0.51%

LAB 57.98, 5, 25.49

 

CMYK 0 / 15 / 37 / 29

HEX #B49972

RGB 180 153 114

HSL 35.45, 0.31%, 0.58%

LAB 64.72, 4.36, 24.23

 

CMYK 0 / 13 / 32 / 23

HEX #C5AB85

RGB 197 171 133

HSL 35.63, 0.36%, 0.65%

LAB 71.34, 3.82, 23.07

 

CMYK 0 / 20 / 50 / 51

HEX #7C633E

RGB 124 99 62

HSL 35.81, 0.33%, 0.36%

LAB 43.59, 4.94, 24.76

 

CMYK 0 / 24 / 60 / 58

HEX #6B512B

RGB 107 81 43

HSL 35.63, 0.43%, 0.29%

LAB 36.34, 5.97, 26.28

 

CMYK 0 / 30 / 73 / 65

HEX #5A3F18

RGB 90 63 24

HSL 35.45, 0.58%, 0.22%

LAB 28.89, 7.34, 27.82

 

CMYK 0 / 38 / 93 / 71

HEX #492D05

RGB 73 45 5

HSL 35.29, 0.87%, 0.15%

LAB 21.22, 9.22, 28.22

 

CMYK 0 / 52 / 100 / 78

HEX #381B00

RGB 56 27 0

HSL 28.93, 1%, 0.11%

LAB 13.38, 11.93, 20.11

 

CMYK 0 / 20 / 50 / 52

HEX #7A613D

RGB 122 97 61

HSL 35.41, 0.33%, 0.36%

LAB 42.8, 5.11, 24.29

 

CMYK 0 / 34 / 50 / 52

HEX #7A513D

RGB 122 81 61

HSL 19.67, 0.33%, 0.36%

LAB 38.48, 14.68, 18.71

 

CMYK 0 / 48 / 50 / 52

HEX #7A403D

RGB 122 64 61

HSL 2.95, 0.33%, 0.36%

LAB 34.28, 24.74, 13.1

 

CMYK 0 / 50 / 50 / 52

HEX #7A3D3D

RGB 122 61 61

HSL 0, 0.33%, 0.36%

LAB 33.59, 26.45, 12.16

 

CMYK 0 / 20 / 50 / 52

HEX #7A613D

RGB 122 97 61

HSL 35.41, 0.33%, 0.36%

LAB 42.8, 5.11, 24.29

 

CMYK 0 / 7 / 50 / 52

HEX #7A723D

RGB 122 114 61

HSL 52.13, 0.33%, 0.36%

LAB 47.64, -4.78, 30.3

 

CMYK 7 / 0 / 50 / 52

HEX #717A3D

RGB 113 122 61

HSL 68.85, 0.33%, 0.36%

LAB 49.21, -13.24, 32.03

 

CMYK 20 / 0 / 50 / 52

HEX #617A3D

RGB 97 122 61

HSL 84.59, 0.33%, 0.36%

LAB 48, -20.05, 30.28

 

CMYK 34 / 0 / 50 / 52

HEX #517A3D

RGB 81 122 61

HSL 100.33, 0.33%, 0.36%

LAB 46.98, -26.38, 28.8

 

CMYK 0 / 20 / 50 / 52

HEX #7A613D

RGB 122 97 61

HSL 35.41, 0.33%, 0.36%

LAB 42.8, 5.11, 24.29

 

CMYK 0 / 26 / 66 / 47

HEX #88642E

RGB 136 100 46

HSL 36, 0.49%, 0.36%

LAB 45.01, 8.46, 35.57

 

CMYK 0 / 32 / 79 / 41

HEX #97671F

RGB 151 103 31

HSL 36, 0.66%, 0.36%

LAB 47.47, 12.82, 45.74

 

CMYK 0 / 36 / 90 / 35

HEX #A66A10

RGB 166 106 16

HSL 36, 0.82%, 0.36%

LAB 50.04, 17.49, 53.82

 

CMYK 0 / 40 / 99 / 29

HEX #B56D02

RGB 181 109 2

HSL 35.87, 0.98%, 0.36%

LAB 52.69, 22.28, 59.6

 

CMYK 0 / 20 / 50 / 52

HEX #7A613D

RGB 122 97 61

HSL 35.41, 0.33%, 0.36%

LAB 42.8, 5.11, 24.29

 

CMYK 0 / 12 / 29 / 58

HEX #6B5E4C

RGB 107 94 76

HSL 34.84, 0.17%, 0.36%

LAB 40.66, 2.15, 12.25

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 27 / 16 / 0 / 58

HEX #4D596A

RGB 77 89 106

HSL 215.17, 0.16%, 0.36%

LAB 37.41, -0.37, -11.28

 

CMYK 48 / 28 / 0 / 53

HEX #3E5678

RGB 62 86 120

HSL 215.17, 0.32%, 0.36%

LAB 36.05, 1.01, -22.12

 

CMYK 0 / 48 / 50 / 52

HEX #7A403D

RGB 122 64 61

HSL 2.95, 0.33%, 0.36%

LAB 34.28, 24.74, 13.1

 

CMYK 0 / 34 / 50 / 52

HEX #7A503D

RGB 122 80 61

HSL 18.69, 0.33%, 0.36%

LAB 38.22, 15.28, 18.37

 

CMYK 0 / 21 / 50 / 52

HEX #7A603D

RGB 122 96 61

HSL 34.43, 0.33%, 0.36%

LAB 42.52, 5.71, 23.93

 

CMYK 0 / 7 / 50 / 52

HEX #7A713D

RGB 122 113 61

HSL 51.15, 0.33%, 0.36%

LAB 47.35, -4.21, 29.95

 

CMYK 6 / 0 / 50 / 52

HEX #737A3D

RGB 115 122 61

HSL 66.89, 0.33%, 0.36%

LAB 49.38, -12.36, 32.27

 

CMYK 0 / 21 / 51 / 74

HEX #433521

RGB 67 53 33

HSL 35.29, 0.34%, 0.2%

LAB 23.17, 3.08, 14.95

 

CMYK 0 / 20 / 50 / 63

HEX #5E4B2F

RGB 94 75 47

HSL 35.74, 0.33%, 0.28%

LAB 33.17, 3.89, 19.67

 

CMYK 0 / 20 / 50 / 52

HEX #7A613D

RGB 122 97 61

HSL 35.41, 0.33%, 0.36%

LAB 42.8, 5.11, 24.29

 

CMYK 0 / 20 / 50 / 42

HEX #95774B

RGB 149 119 75

HSL 35.68, 0.33%, 0.44%

LAB 51.94, 5.84, 28.54

 

CMYK 0 / 19 / 47 / 32

HEX #AD8C5C

RGB 173 140 92

HSL 35.56, 0.33%, 0.52%

LAB 60.26, 6.12, 30.29

 

CMYK 0 / 20 / 50 / 51

HEX #7C633E

RGB 124 99 62

HSL 35.81, 0.33%, 0.36%

LAB 43.59, 4.94, 24.76

 

CMYK 39 / 0 / 50 / 52

HEX #4A7A3D

RGB 74 122 61

HSL 107.21, 0.33%, 0.36%

LAB 46.59, -28.93, 28.23

 

CMYK 41 / 50 / 0 / 52

HEX #483D7A

RGB 72 61 122

HSL 250.82, 0.33%, 0.36%

LAB 29.71, 20.74, -33.3

 

CMYK 0 / 20 / 50 / 51

HEX #7C633E

RGB 124 99 62

HSL 35.81, 0.33%, 0.36%

LAB 43.59, 4.94, 24.76

 

CMYK 50 / 0 / 21 / 52

HEX #3D7A60

RGB 61 122 96

HSL 154.43, 0.33%, 0.36%

LAB 46.65, -26.43, 8.22

 

CMYK 21 / 50 / 0 / 52

HEX #603D7A

RGB 96 61 122

HSL 274.43, 0.33%, 0.36%

LAB 32.32, 27.79, -28.99

 

CMYK 0 / 20 / 50 / 51

HEX #7C633E

RGB 124 99 62

HSL 35.81, 0.33%, 0.36%

LAB 43.59, 4.94, 24.76

 

CMYK 39 / 0 / 50 / 52

HEX #4A7A3D

RGB 74 122 61

HSL 107.21, 0.33%, 0.36%

LAB 46.59, -28.93, 28.23

 

CMYK 50 / 30 / 0 / 52

HEX #3D567A

RGB 61 86 122

HSL 215.41, 0.33%, 0.36%

LAB 36.09, 1.39, -23.31

 

CMYK 11 / 50 / 0 / 52

HEX #6C3D7A

RGB 108 61 122

HSL 286.23, 0.33%, 0.36%

LAB 33.84, 31.51, -26.5

 

CMYK 0 / 20 / 50 / 51

HEX #7C633E

RGB 124 99 62

HSL 35.81, 0.33%, 0.36%

LAB 43.59, 4.94, 24.76

 

CMYK 50 / 0 / 46 / 52

HEX #3D7A42

RGB 61 122 66

HSL 124.92, 0.33%, 0.36%

LAB 46.05, -32.46, 24.68

 

CMYK 50 / 30 / 0 / 52

HEX #3D567A

RGB 61 86 122

HSL 215.41, 0.33%, 0.36%

LAB 36.09, 1.39, -23.31

 

CMYK 0 / 50 / 4 / 52

HEX #7A3D75

RGB 122 61 117

HSL 304.92, 0.33%, 0.36%

LAB 35.52, 34.94, -20.62

 

Description

Color code: RGB 124 99 62 | qconv.com Color code: RGB 124 99 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 99 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 99 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 50 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 50% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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