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Color name
RGB 124 94 42

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 94 42 it is the complementary color RGB 131 161 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 94 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 94 42 shade: RGB 129 94 37, RGB 146 112 56, RGB 163 130 75, RGB 180 148 94 and RGB 197 166 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 94 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 94 42 shade: RGB 124 94 42, RGB 107 76 23, RGB 90 58 4, RGB 73 40 0 and RGB 56 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 94 42 shade: RGB 125 95 42, RGB 125 72 42, RGB 125 50 42 and RGB 125 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 94 42 shade: RGB 125 95 42, RGB 125 117 42, RGB 111 125 42, RGB 88 125 42 and RGB 66 125 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 94 42 shade matches the following richer shades: RGB 125 95 42, RGB 138 98 29, RGB 152 102 15 and RGB 166 106 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 94 42 shade: RGB 125 95 42, RGB 111 91 56, RGB 98 87 70, RGB 84 84 83 and RGB 70 80 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 94 42 shade: RGB 125 51 42, RGB 125 73 42, RGB 125 95 42, RGB 125 117 42 and RGB 111 125 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 94 42 shade: RGB 63 48 21, RGB 94 71 32, RGB 125 95 42, RGB 156 118 53 and RGB 186 141 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 94 42 shade: RGB 124 94 42, RGB 56 125 42 and RGB 62 42 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 94 42 shade: RGB 124 94 42, RGB 42 125 95 and RGB 95 42 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 94 42 shade: RGB 124 94 42, RGB 56 125 42, RGB 42 73 125 and RGB 111 42 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 94 42 shade: RGB 124 94 42, RGB 42 125 53, RGB 42 73 125 and RGB 125 42 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 66 / 51

HEX #7C5E2A

RGB 124 94 42

HSL 38.05, 0.49%, 0.33%

LAB 41.93, 6.12, 33.82

 

Complementary color

CMYK 38 / 24 / 0 / 16

HEX #83A1D5

RGB 131 161 213

HSL 218.05, 0.49%, 0.67%

LAB 65.84, 2.57, -29.79

 

CMYK 0 / 27 / 71 / 49

HEX #815E25

RGB 129 94 37

HSL 37.17, 0.55%, 0.33%

LAB 42.47, 8.14, 37.12

 

CMYK 0 / 23 / 62 / 43

HEX #927038

RGB 146 112 56

HSL 37.33, 0.45%, 0.4%

LAB 49.48, 6.81, 35.76

 

CMYK 0 / 20 / 54 / 36

HEX #A3824B

RGB 163 130 75

HSL 37.5, 0.37%, 0.47%

LAB 56.35, 5.75, 34.33

 

CMYK 0 / 18 / 48 / 29

HEX #B4945E

RGB 180 148 94

HSL 37.67, 0.36%, 0.54%

LAB 63.09, 4.88, 32.95

 

CMYK 0 / 16 / 43 / 23

HEX #C5A671

RGB 197 166 113

HSL 37.86, 0.42%, 0.61%

LAB 69.71, 4.15, 31.64

 

CMYK 0 / 24 / 66 / 51

HEX #7C5E2A

RGB 124 94 42

HSL 38.05, 0.49%, 0.33%

LAB 41.93, 6.12, 33.82

 

CMYK 0 / 29 / 79 / 58

HEX #6B4C17

RGB 107 76 23

HSL 37.86, 0.65%, 0.25%

LAB 34.71, 7.62, 35.03

 

CMYK 0 / 36 / 96 / 65

HEX #5A3A04

RGB 90 58 4

HSL 37.67, 0.91%, 0.18%

LAB 27.32, 9.57, 35.42

 

CMYK 0 / 45 / 100 / 71

HEX #492800

RGB 73 40 0

HSL 32.88, 1%, 0.14%

LAB 19.78, 12.23, 28.64

 

CMYK 0 / 61 / 100 / 78

HEX #381600

RGB 56 22 0

HSL 23.57, 1%, 0.11%

LAB 12.05, 15.2, 18.32

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2A

RGB 125 95 42

HSL 38.31, 0.5%, 0.33%

LAB 42.33, 6, 34.29

 

CMYK 0 / 42 / 66 / 51

HEX #7D482A

RGB 125 72 42

HSL 21.69, 0.5%, 0.33%

LAB 36.29, 19.67, 27.37

 

CMYK 0 / 60 / 66 / 51

HEX #7D322A

RGB 125 50 42

HSL 5.78, 0.5%, 0.33%

LAB 31.37, 32, 21.42

 

CMYK 0 / 66 / 66 / 51

HEX #7D2A2A

RGB 125 42 42

HSL 0, 0.5%, 0.33%

LAB 29.87, 35.97, 19.55

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2A

RGB 125 95 42

HSL 38.31, 0.5%, 0.33%

LAB 42.33, 6, 34.29

 

CMYK 0 / 6 / 66 / 51

HEX #7D752A

RGB 125 117 42

HSL 54.22, 0.5%, 0.33%

LAB 48.57, -6.72, 41.09

 

CMYK 11 / 0 / 66 / 51

HEX #6F7D2A

RGB 111 125 42

HSL 70.12, 0.5%, 0.33%

LAB 49.75, -17.45, 41.98

 

CMYK 30 / 0 / 66 / 51

HEX #587D2A

RGB 88 125 42

HSL 86.75, 0.5%, 0.33%

LAB 48.15, -27.23, 39.78

 

CMYK 47 / 0 / 66 / 51

HEX #427D2A

RGB 66 125 42

HSL 102.65, 0.5%, 0.33%

LAB 46.96, -35.37, 38.15

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2A

RGB 125 95 42

HSL 38.31, 0.5%, 0.33%

LAB 42.33, 6, 34.29

 

CMYK 0 / 29 / 79 / 46

HEX #8A621D

RGB 138 98 29

HSL 37.98, 0.65%, 0.33%

LAB 44.56, 9.6, 43.25

 

CMYK 0 / 33 / 90 / 40

HEX #98660F

RGB 152 102 15

HSL 38.1, 0.82%, 0.33%

LAB 47.25, 13.35, 51.14

 

CMYK 0 / 36 / 99 / 35

HEX #A66A02

RGB 166 106 2

HSL 38.05, 0.98%, 0.33%

LAB 50, 17.26, 56.86

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2A

RGB 125 95 42

HSL 38.31, 0.5%, 0.33%

LAB 42.33, 6, 34.29

 

CMYK 0 / 18 / 50 / 56

HEX #6F5B38

RGB 111 91 56

HSL 38.18, 0.33%, 0.33%

LAB 39.83, 3.1, 23.17

 

CMYK 0 / 11 / 29 / 62

HEX #625746

RGB 98 87 70

HSL 36.43, 0.17%, 0.33%

LAB 37.58, 1.5, 11.53

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 28 / 18 / 0 / 62

HEX #465061

RGB 70 80 97

HSL 217.78, 0.16%, 0.33%

LAB 33.78, 0.39, -11.21

 

CMYK 0 / 59 / 66 / 51

HEX #7D332A

RGB 125 51 42

HSL 6.51, 0.5%, 0.33%

LAB 31.57, 31.48, 21.66

 

CMYK 0 / 42 / 66 / 51

HEX #7D492A

RGB 125 73 42

HSL 22.41, 0.5%, 0.33%

LAB 36.54, 19.08, 27.67

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2A

RGB 125 95 42

HSL 38.31, 0.5%, 0.33%

LAB 42.33, 6, 34.29

 

CMYK 0 / 6 / 66 / 51

HEX #7D752A

RGB 125 117 42

HSL 54.22, 0.5%, 0.33%

LAB 48.57, -6.72, 41.09

 

CMYK 11 / 0 / 66 / 51

HEX #6F7D2A

RGB 111 125 42

HSL 70.12, 0.5%, 0.33%

LAB 49.75, -17.45, 41.98

 

CMYK 0 / 24 / 67 / 75

HEX #3F3015

RGB 63 48 21

HSL 38.57, 0.5%, 0.16%

LAB 20.92, 3.01, 19.64

 

CMYK 0 / 24 / 66 / 63

HEX #5E4720

RGB 94 71 32

HSL 37.74, 0.49%, 0.25%

LAB 31.79, 4.9, 26.78

 

CMYK 0 / 24 / 66 / 51

HEX #7D5F2A

RGB 125 95 42

HSL 38.31, 0.5%, 0.33%

LAB 42.33, 6, 34.29

 

CMYK 0 / 24 / 66 / 39

HEX #9C7635

RGB 156 118 53

HSL 37.86, 0.49%, 0.41%

LAB 52.15, 7.69, 40.63

 

CMYK 0 / 24 / 66 / 27

HEX #BA8D3F

RGB 186 141 63

HSL 38.05, 0.49%, 0.49%

LAB 61.52, 8.81, 47.03

 

CMYK 0 / 24 / 66 / 51

HEX #7C5E2A

RGB 124 94 42

HSL 38.05, 0.49%, 0.33%

LAB 41.93, 6.12, 33.82

 

CMYK 55 / 0 / 66 / 51

HEX #387D2A

RGB 56 125 42

HSL 109.88, 0.5%, 0.33%

LAB 46.55, -38.51, 37.57

 

CMYK 50 / 66 / 0 / 51

HEX #3E2A7D

RGB 62 42 125

HSL 254.46, 0.5%, 0.33%

LAB 24.2, 31.38, -44.12

 

CMYK 0 / 24 / 66 / 51

HEX #7C5E2A

RGB 124 94 42

HSL 38.05, 0.49%, 0.33%

LAB 41.93, 6.12, 33.82

 

CMYK 66 / 0 / 24 / 51

HEX #2A7D5F

RGB 42 125 95

HSL 158.31, 0.5%, 0.33%

LAB 46.96, -32.56, 9.15

 

CMYK 24 / 66 / 0 / 51

HEX #5F2A7D

RGB 95 42 125

HSL 278.31, 0.5%, 0.33%

LAB 28.3, 39.03, -37.29

 

CMYK 0 / 24 / 66 / 51

HEX #7C5E2A

RGB 124 94 42

HSL 38.05, 0.49%, 0.33%

LAB 41.93, 6.12, 33.82

 

CMYK 55 / 0 / 66 / 51

HEX #387D2A

RGB 56 125 42

HSL 109.88, 0.5%, 0.33%

LAB 46.55, -38.51, 37.57

 

CMYK 66 / 42 / 0 / 51

HEX #2A497D

RGB 42 73 125

HSL 217.59, 0.5%, 0.33%

LAB 31.2, 6.51, -32.93

 

CMYK 11 / 66 / 0 / 51

HEX #6F2A7D

RGB 111 42 125

HSL 289.88, 0.5%, 0.33%

LAB 30.68, 43.09, -33.35

 

CMYK 0 / 24 / 66 / 51

HEX #7C5E2A

RGB 124 94 42

HSL 38.05, 0.49%, 0.33%

LAB 41.93, 6.12, 33.82

 

CMYK 66 / 0 / 58 / 51

HEX #2A7D35

RGB 42 125 53

HSL 127.95, 0.5%, 0.33%

LAB 46.2, -40.79, 31.67

 

CMYK 66 / 42 / 0 / 51

HEX #2A497D

RGB 42 73 125

HSL 217.59, 0.5%, 0.33%

LAB 31.2, 6.51, -32.93

 

CMYK 0 / 66 / 9 / 51

HEX #7D2A72

RGB 125 42 114

HSL 307.95, 0.5%, 0.33%

LAB 32.33, 44.76, -23.66

 

Description

Color code: RGB 124 94 42 | qconv.com Color code: RGB 124 94 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 94 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 94 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 66 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 66% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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