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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 84 23 it is the complementary color RGB 131 171 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 84 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 84 23 shade: RGB 129 84 18, RGB 146 102 37, RGB 163 120 56, RGB 180 138 75 and RGB 197 156 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 84 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 84 23 shade: RGB 124 84 23, RGB 107 66 4, RGB 90 48 0, RGB 73 30 0 and RGB 56 12 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 84 23 shade: RGB 124 84 22, RGB 124 57 22, RGB 124 29 22 and RGB 124 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 84 23 shade: RGB 124 84 22, RGB 124 112 22, RGB 110 124 22, RGB 82 124 22 and RGB 55 124 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 84 23 shade matches the following richer shades: RGB 124 84 22 and RGB 136 87 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 84 23 shade: RGB 124 84 22, RGB 113 82 34, RGB 101 79 46, RGB 89 77 58 and RGB 77 74 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 84 23 shade: RGB 124 29 22, RGB 124 56 22, RGB 124 84 22, RGB 124 111 22 and RGB 111 124 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 84 23 shade: RGB 55 37 10, RGB 90 60 16, RGB 124 84 22, RGB 159 108 29 and RGB 194 131 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 84 23 shade: RGB 124 84 23, RGB 43 124 22 and RGB 43 22 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 84 23 shade: RGB 124 84 23, RGB 22 124 84 and RGB 84 22 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 84 23 shade: RGB 124 84 23, RGB 43 124 22, RGB 22 63 124 and RGB 104 22 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 84 23 shade: RGB 124 84 23, RGB 22 124 33, RGB 22 63 124 and RGB 124 22 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 81 / 51

HEX #7C5417

RGB 124 84 23

HSL 36.24, 0.69%, 0.29%

LAB 39.05, 11, 39.95

 

Complementary color

CMYK 44 / 26 / 0 / 9

HEX #83ABE8

RGB 131 171 232

HSL 216.24, 0.69%, 0.71%

LAB 69.31, 2.2, -34.87

 

CMYK 0 / 35 / 86 / 49

HEX #815412

RGB 129 84 18

HSL 35.68, 0.76%, 0.29%

LAB 39.67, 13.19, 42.72

 

CMYK 0 / 30 / 75 / 43

HEX #926625

RGB 146 102 37

HSL 35.78, 0.6%, 0.36%

LAB 46.64, 11.37, 42.09

 

CMYK 0 / 26 / 66 / 36

HEX #A37838

RGB 163 120 56

HSL 35.89, 0.49%, 0.43%

LAB 53.5, 9.9, 40.85

 

CMYK 0 / 23 / 58 / 29

HEX #B48A4B

RGB 180 138 75

HSL 36, 0.41%, 0.5%

LAB 60.24, 8.69, 39.45

 

CMYK 0 / 21 / 52 / 23

HEX #C59C5E

RGB 197 156 94

HSL 36.12, 0.47%, 0.57%

LAB 66.87, 7.69, 38.04

 

CMYK 0 / 32 / 81 / 51

HEX #7C5417

RGB 124 84 23

HSL 36.24, 0.69%, 0.29%

LAB 39.05, 11, 39.95

 

CMYK 0 / 38 / 96 / 58

HEX #6B4204

RGB 107 66 4

HSL 36.12, 0.93%, 0.22%

LAB 31.88, 13.06, 40

 

CMYK 0 / 47 / 100 / 65

HEX #5A3000

RGB 90 48 0

HSL 32, 1%, 0.18%

LAB 24.6, 15.7, 34.55

 

CMYK 0 / 59 / 100 / 71

HEX #491E00

RGB 73 30 0

HSL 24.66, 1%, 0.14%

LAB 17.2, 18.54, 25.61

 

CMYK 0 / 79 / 100 / 78

HEX #380C00

RGB 56 12 0

HSL 12.86, 1%, 0.11%

LAB 9.83, 21.02, 15.22

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 54 / 82 / 51

HEX #7C3916

RGB 124 57 22

HSL 20.59, 0.7%, 0.29%

LAB 32.41, 26.74, 34.08

 

CMYK 0 / 77 / 82 / 51

HEX #7C1D16

RGB 124 29 22

HSL 4.12, 0.7%, 0.29%

LAB 27.36, 40.13, 29.07

 

CMYK 0 / 82 / 82 / 51

HEX #7C1616

RGB 124 22 22

HSL 0, 0.7%, 0.29%

LAB 26.5, 42.54, 28.19

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 10 / 82 / 51

HEX #7C7016

RGB 124 112 22

HSL 52.94, 0.7%, 0.29%

LAB 46.88, -5.42, 47.46

 

CMYK 11 / 0 / 82 / 51

HEX #6E7C16

RGB 110 124 22

HSL 68.24, 0.7%, 0.29%

LAB 49.24, -18.51, 49.09

 

CMYK 34 / 0 / 82 / 51

HEX #527C16

RGB 82 124 22

HSL 84.71, 0.7%, 0.29%

LAB 47.32, -30.53, 46.65

 

CMYK 56 / 0 / 82 / 51

HEX #377C16

RGB 55 124 22

HSL 100.59, 0.7%, 0.29%

LAB 46.02, -40.05, 44.97

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 36 / 93 / 47

HEX #88570A

RGB 136 87 10

HSL 36.67, 0.86%, 0.29%

LAB 41.33, 14.51, 46.97

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 27 / 70 / 56

HEX #715222

RGB 113 82 34

HSL 36.46, 0.54%, 0.29%

LAB 37.23, 7.53, 32.42

 

CMYK 0 / 22 / 54 / 60

HEX #654F2E

RGB 101 79 46

HSL 36, 0.37%, 0.29%

LAB 35.11, 4.63, 22.88

 

CMYK 0 / 13 / 35 / 65

HEX #594D3A

RGB 89 77 58

HSL 36.77, 0.21%, 0.29%

LAB 33.43, 1.76, 13.13

 

CMYK 0 / 4 / 9 / 70

HEX #4D4A46

RGB 77 74 70

HSL 34.29, 0.05%, 0.29%

LAB 31.62, 0.41, 2.83

 

CMYK 0 / 77 / 82 / 51

HEX #7C1D16

RGB 124 29 22

HSL 4.12, 0.7%, 0.29%

LAB 27.36, 40.13, 29.07

 

CMYK 0 / 55 / 82 / 51

HEX #7C3816

RGB 124 56 22

HSL 20, 0.7%, 0.29%

LAB 32.19, 27.29, 33.87

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 10 / 82 / 51

HEX #7C6F16

RGB 124 111 22

HSL 52.35, 0.7%, 0.29%

LAB 46.59, -4.86, 47.2

 

CMYK 10 / 0 / 82 / 51

HEX #6F7C16

RGB 111 124 22

HSL 67.65, 0.7%, 0.29%

LAB 49.32, -18.06, 49.19

 

CMYK 0 / 33 / 82 / 78

HEX #37250A

RGB 55 37 10

HSL 36, 0.69%, 0.13%

LAB 16.29, 5.26, 19.75

 

CMYK 0 / 33 / 82 / 65

HEX #5A3C10

RGB 90 60 16

HSL 35.68, 0.7%, 0.21%

LAB 27.96, 8.78, 30.94

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 32 / 82 / 38

HEX #9F6C1D

RGB 159 108 29

HSL 36.46, 0.69%, 0.37%

LAB 49.72, 13.54, 48.97

 

CMYK 0 / 32 / 82 / 24

HEX #C28323

RGB 194 131 35

HSL 36.23, 0.69%, 0.45%

LAB 59.73, 16.52, 57.34

 

CMYK 0 / 32 / 81 / 51

HEX #7C5417

RGB 124 84 23

HSL 36.24, 0.69%, 0.29%

LAB 39.05, 11, 39.95

 

CMYK 65 / 0 / 82 / 51

HEX #2B7C16

RGB 43 124 22

HSL 107.65, 0.7%, 0.29%

LAB 45.62, -43.33, 44.44

 

CMYK 65 / 82 / 0 / 51

HEX #2B167C

RGB 43 22 124

HSL 252.35, 0.7%, 0.29%

LAB 18.11, 39.33, -53.54

 

CMYK 0 / 32 / 81 / 51

HEX #7C5417

RGB 124 84 23

HSL 36.24, 0.69%, 0.29%

LAB 39.05, 11, 39.95

 

CMYK 82 / 0 / 32 / 51

HEX #167C54

RGB 22 124 84

HSL 156.47, 0.7%, 0.29%

LAB 45.94, -37.93, 14.09

 

CMYK 32 / 82 / 0 / 51

HEX #54167C

RGB 84 22 124

HSL 276.47, 0.7%, 0.29%

LAB 23.38, 45.47, -44.68

 

CMYK 0 / 32 / 81 / 51

HEX #7C5417

RGB 124 84 23

HSL 36.24, 0.69%, 0.29%

LAB 39.05, 11, 39.95

 

CMYK 65 / 0 / 82 / 51

HEX #2B7C16

RGB 43 124 22

HSL 107.65, 0.7%, 0.29%

LAB 45.62, -43.33, 44.44

 

CMYK 82 / 49 / 0 / 51

HEX #163F7C

RGB 22 63 124

HSL 215.88, 0.7%, 0.29%

LAB 27.24, 9.85, -38.69

 

CMYK 16 / 82 / 0 / 51

HEX #68167C

RGB 104 22 124

HSL 288.24, 0.7%, 0.29%

LAB 26.66, 49.27, -39.23

 

CMYK 0 / 32 / 81 / 51

HEX #7C5417

RGB 124 84 23

HSL 36.24, 0.69%, 0.29%

LAB 39.05, 11, 39.95

 

CMYK 82 / 0 / 73 / 51

HEX #167C21

RGB 22 124 33

HSL 126.47, 0.7%, 0.29%

LAB 45.21, -46.45, 39.82

 

CMYK 82 / 49 / 0 / 51

HEX #163F7C

RGB 22 63 124

HSL 215.88, 0.7%, 0.29%

LAB 27.24, 9.85, -38.69

 

CMYK 0 / 82 / 8 / 51

HEX #7C1672

RGB 124 22 114

HSL 305.88, 0.7%, 0.29%

LAB 29.6, 51.73, -27.96

 

Description

Color code: RGB 124 84 23 | qconv.com Color code: RGB 124 84 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 84 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 84 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 81 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 81% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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