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Color name
RGB 124 60 39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 60 39 it is the complementary color RGB 131 195 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 60 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 60 39 shade: RGB 129 60 34, RGB 146 78 53, RGB 163 96 72, RGB 180 114 91 and RGB 197 132 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 60 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 107 42 20, RGB 90 24 1, RGB 73 6 0 and RGB 56 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 60 39 shade: RGB 124 60 39 and RGB 124 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 124 83 39, RGB 124 105 39, RGB 119 124 39 and RGB 96 124 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 60 39 shade matches the following richer shades: RGB 124 60 39, RGB 137 53 25 and RGB 150 46 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 110 66 52, RGB 97 73 65, RGB 84 80 78 and RGB 71 86 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 60 39 shade: RGB 124 39 64, RGB 124 39 41, RGB 124 58 39, RGB 124 81 39 and RGB 124 104 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 60 39 shade: RGB 61 29 19, RGB 92 44 29, RGB 124 60 39, RGB 155 75 49 and RGB 186 90 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 87 124 39 and RGB 39 53 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 39 124 58 and RGB 58 39 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 87 124 39, RGB 39 104 124 and RGB 75 39 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 60 39 shade: RGB 124 60 39, RGB 61 124 39, RGB 39 104 124 and RGB 101 39 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

Complementary color

CMYK 39 / 10 / 0 / 15

HEX #83C3D8

RGB 131 195 216

HSL 194.82, 0.52%, 0.68%

LAB 75.34, -15.07, -16.94

 

CMYK 0 / 53 / 74 / 49

HEX #813C22

RGB 129 60 34

HSL 16.42, 0.58%, 0.32%

LAB 34.01, 27.78, 29.52

 

CMYK 0 / 47 / 64 / 43

HEX #924E35

RGB 146 78 53

HSL 16.13, 0.47%, 0.39%

LAB 40.92, 26.16, 27.26

 

CMYK 0 / 41 / 56 / 36

HEX #A36048

RGB 163 96 72

HSL 15.82, 0.39%, 0.46%

LAB 47.78, 24.74, 25.29

 

CMYK 0 / 37 / 49 / 29

HEX #B4725B

RGB 180 114 91

HSL 15.51, 0.37%, 0.53%

LAB 54.55, 23.5, 23.58

 

CMYK 0 / 33 / 44 / 23

HEX #C5846E

RGB 197 132 110

HSL 15.17, 0.43%, 0.6%

LAB 61.22, 22.41, 22.07

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 0 / 61 / 81 / 58

HEX #6B2A14

RGB 107 42 20

HSL 15.17, 0.69%, 0.25%

LAB 26.25, 27.64, 28.04

 

CMYK 0 / 73 / 99 / 65

HEX #5A1801

RGB 90 24 1

HSL 15.51, 0.98%, 0.18%

LAB 19.35, 29.18, 28.56

 

CMYK 0 / 92 / 100 / 71

HEX #490600

RGB 73 6 0

HSL 4.93, 1%, 0.14%

LAB 12.9, 30.08, 20.1

 

CMYK 0 / 100 / 100 / 78

HEX #380000

RGB 56 0 0

HSL 0, 1%, 0.11%

LAB 7.59, 27.26, 12

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 0 / 69 / 69 / 51

HEX #7C2727

RGB 124 39 39

HSL 0, 0.52%, 0.32%

LAB 29.11, 36.8, 20.49

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 0 / 33 / 69 / 51

HEX #7C5327

RGB 124 83 39

HSL 31.06, 0.52%, 0.32%

LAB 38.93, 12.47, 32.05

 

CMYK 0 / 15 / 69 / 51

HEX #7C6927

RGB 124 105 39

HSL 46.59, 0.52%, 0.32%

LAB 44.99, -0.54, 38.66

 

CMYK 4 / 0 / 69 / 51

HEX #777C27

RGB 119 124 39

HSL 63.53, 0.52%, 0.32%

LAB 50.08, -13.53, 43.83

 

CMYK 23 / 0 / 69 / 51

HEX #607C27

RGB 96 124 39

HSL 79.76, 0.52%, 0.32%

LAB 48.32, -23.67, 41.46

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 0 / 61 / 82 / 46

HEX #893519

RGB 137 53 25

HSL 15, 0.69%, 0.32%

LAB 33.85, 34.33, 34.7

 

CMYK 0 / 69 / 92 / 41

HEX #962E0C

RGB 150 46 12

HSL 14.78, 0.85%, 0.32%

LAB 34.93, 42.12, 42.53

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 0 / 40 / 53 / 57

HEX #6E4234

RGB 110 66 52

HSL 14.48, 0.36%, 0.32%

LAB 32.83, 17.41, 16.54

 

CMYK 0 / 25 / 33 / 62

HEX #614941

RGB 97 73 65

HSL 15, 0.2%, 0.32%

LAB 33.32, 8.92, 8.73

 

CMYK 0 / 5 / 7 / 67

HEX #54504E

RGB 84 80 78

HSL 20, 0.04%, 0.32%

LAB 34.34, 1.23, 1.76

 

CMYK 22 / 5 / 0 / 64

HEX #47565B

RGB 71 86 91

HSL 195, 0.12%, 0.32%

LAB 35.5, -4.56, -4.85

 

CMYK 0 / 69 / 48 / 51

HEX #7C2740

RGB 124 39 64

HSL 342.35, 0.52%, 0.32%

LAB 29.68, 38.86, 4.81

 

CMYK 0 / 69 / 67 / 51

HEX #7C2729

RGB 124 39 41

HSL 358.59, 0.52%, 0.32%

LAB 29.15, 36.93, 19.25

 

CMYK 0 / 53 / 69 / 51

HEX #7C3A27

RGB 124 58 39

HSL 13.41, 0.52%, 0.32%

LAB 32.83, 27.08, 25

 

CMYK 0 / 35 / 69 / 51

HEX #7C5127

RGB 124 81 39

HSL 29.65, 0.52%, 0.32%

LAB 38.4, 13.66, 31.46

 

CMYK 0 / 16 / 69 / 51

HEX #7C6827

RGB 124 104 39

HSL 45.88, 0.52%, 0.32%

LAB 44.71, 0.04, 38.36

 

CMYK 0 / 52 / 69 / 76

HEX #3D1D13

RGB 61 29 19

HSL 14.29, 0.53%, 0.16%

LAB 15.05, 14.49, 13.71

 

CMYK 0 / 52 / 68 / 64

HEX #5C2C1D

RGB 92 44 29

HSL 14.29, 0.52%, 0.24%

LAB 24.21, 20.49, 19.59

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 0 / 52 / 68 / 39

HEX #9B4B31

RGB 155 75 49

HSL 14.72, 0.52%, 0.4%

LAB 41.57, 31.28, 30.67

 

CMYK 0 / 52 / 69 / 27

HEX #BA5A3A

RGB 186 90 58

HSL 15, 0.52%, 0.48%

LAB 49.57, 36.33, 36.15

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 30 / 0 / 69 / 51

HEX #577C27

RGB 87 124 39

HSL 86.12, 0.52%, 0.32%

LAB 47.74, -27.4, 40.67

 

CMYK 69 / 57 / 0 / 51

HEX #27357C

RGB 39 53 124

HSL 230.12, 0.52%, 0.32%

LAB 25.05, 19.3, -42.19

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 69 / 0 / 53 / 51

HEX #277C3A

RGB 39 124 58

HSL 133.41, 0.52%, 0.32%

LAB 45.84, -40.29, 28.61

 

CMYK 53 / 69 / 0 / 51

HEX #3A277C

RGB 58 39 124

HSL 253.41, 0.52%, 0.32%

LAB 23.02, 32.09, -45.42

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 30 / 0 / 69 / 51

HEX #577C27

RGB 87 124 39

HSL 86.12, 0.52%, 0.32%

LAB 47.74, -27.4, 40.67

 

CMYK 69 / 16 / 0 / 51

HEX #27687C

RGB 39 104 124

HSL 194.12, 0.52%, 0.32%

LAB 40.88, -13.72, -17.21

RGB 39 104 124

CMYK 40 / 69 / 0 / 51

HEX #4B277C

RGB 75 39 124

HSL 265.41, 0.52%, 0.32%

LAB 24.96, 35.65, -42.18

RGB 75 39 124

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 51 / 0 / 69 / 51

HEX #3D7C27

RGB 61 124 39

HSL 104.47, 0.52%, 0.32%

LAB 46.38, -36.87, 38.82

 

CMYK 69 / 16 / 0 / 51

HEX #27687C

RGB 39 104 124

HSL 194.12, 0.52%, 0.32%

LAB 40.88, -13.72, -17.21

RGB 39 104 124

CMYK 19 / 69 / 0 / 51

HEX #65277C

RGB 101 39 124

HSL 283.76, 0.52%, 0.32%

LAB 28.57, 41.78, -36.18

RGB 101 39 124

Description

Color code: RGB 124 60 39 | qconv.com Color code: RGB 124 60 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 60 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 60 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 69 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 69% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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