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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 215 6 it is the complementary color RGB 131 40 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 215 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 215 6 shade: RGB 129 215 1, RGB 146 233 20, RGB 163 251 39, RGB 180 255 58 and RGB 197 255 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 215 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 215 6 shade: RGB 124 215 6, RGB 107 197 0, RGB 90 179 0, RGB 73 161 0 and RGB 56 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 215 6 shade: RGB 123 213 5, RGB 179 213 5, RGB 213 192 5, RGB 213 135 5 and RGB 213 79 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 215 6 shade: RGB 123 213 5, RGB 66 213 5, RGB 10 213 5, RGB 5 213 56 and RGB 5 213 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 215 6 shade matches the following richer shades: RGB 123 213 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 215 6 shade: RGB 123 213 5, RGB 120 196 23, RGB 118 178 40, RGB 116 160 58 and RGB 113 142 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 215 6 shade: RGB 213 192 5, RGB 179 213 5, RGB 123 213 5, RGB 67 213 5 and RGB 12 213 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 215 6 shade: RGB 76 133 3, RGB 99 173 4, RGB 123 213 5, RGB 145 248 11 and RGB 163 249 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 215 6 shade: RGB 124 215 6, RGB 5 213 137 and RGB 213 5 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 215 6 shade: RGB 124 215 6, RGB 5 123 213 and RGB 213 5 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 215 6 shade: RGB 124 215 6, RGB 5 213 137, RGB 95 5 213 and RGB 213 5 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 215 6 shade: RGB 124 215 6, RGB 5 213 199, RGB 95 5 213 and RGB 213 5 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 97 / 16

HEX #7CD706

RGB 124 215 6

HSL 86.12, 0.95%, 0.43%

LAB 77.82, -54.22, 75.73

 

Complementary color

CMYK 47 / 84 / 0 / 2

HEX #8328F9

RGB 131 40 249

HSL 266.12, 0.95%, 0.57%

LAB 43.04, 75.1, -86.42

 

CMYK 40 / 0 / 100 / 16

HEX #81D701

RGB 129 215 1

HSL 84.11, 0.99%, 0.42%

LAB 78.03, -52.63, 76.47

 

CMYK 37 / 0 / 91 / 9

HEX #92E914

RGB 146 233 20

HSL 84.51, 0.84%, 0.5%

LAB 84.19, -53.71, 79.79

 

CMYK 35 / 0 / 84 / 2

HEX #A3FB27

RGB 163 251 39

HSL 84.91, 0.96%, 0.57%

LAB 90.29, -54.6, 81.99

 

CMYK 29 / 0 / 77 / 0

HEX #B4FF3A

RGB 180 255 58

HSL 82.84, 1%, 0.61%

LAB 92.37, -49.57, 79.52

 

CMYK 23 / 0 / 70 / 0

HEX #C5FF4D

RGB 197 255 77

HSL 79.55, 1%, 0.65%

LAB 93.42, -42.41, 74.87

 

CMYK 42 / 0 / 97 / 16

HEX #7CD706

RGB 124 215 6

HSL 86.12, 0.95%, 0.43%

LAB 77.82, -54.22, 75.73

 

CMYK 46 / 0 / 100 / 23

HEX #6BC500

RGB 107 197 0

HSL 87.41, 1%, 0.39%

LAB 71.59, -52.86, 71.14

 

CMYK 50 / 0 / 100 / 30

HEX #5AB300

RGB 90 179 0

HSL 89.83, 1%, 0.35%

LAB 65.29, -51.33, 65.91

 

CMYK 55 / 0 / 100 / 37

HEX #49A100

RGB 73 161 0

HSL 92.8, 1%, 0.32%

LAB 58.89, -49.66, 60.6

 

CMYK 61 / 0 / 100 / 44

HEX #388F00

RGB 56 143 0

HSL 96.5, 1%, 0.28%

LAB 52.38, -47.79, 55.23

 

CMYK 42 / 0 / 98 / 16

HEX #7BD505

RGB 123 213 5

HSL 85.96, 0.95%, 0.43%

LAB 77.17, -53.78, 75.3

 

CMYK 16 / 0 / 98 / 16

HEX #B3D505

RGB 179 213 5

HSL 69.81, 0.95%, 0.43%

LAB 80.28, -32.93, 79.06

 

CMYK 0 / 10 / 98 / 16

HEX #D5C005

RGB 213 192 5

HSL 53.94, 0.95%, 0.43%

LAB 77.19, -8.24, 77.93

 

CMYK 0 / 37 / 98 / 16

HEX #D58705

RGB 213 135 5

HSL 37.5, 0.95%, 0.43%

LAB 62.91, 22.05, 67.87

 

CMYK 0 / 63 / 98 / 16

HEX #D54F05

RGB 213 79 5

HSL 21.35, 0.95%, 0.43%

LAB 51.55, 50.25, 60.7

 

CMYK 42 / 0 / 98 / 16

HEX #7BD505

RGB 123 213 5

HSL 85.96, 0.95%, 0.43%

LAB 77.17, -53.78, 75.3

 

CMYK 69 / 0 / 98 / 16

HEX #42D505

RGB 66 213 5

HSL 102.4, 0.95%, 0.43%

LAB 75.3, -68.68, 73.02

 

CMYK 95 / 0 / 98 / 16

HEX #0AD505

RGB 10 213 5

HSL 118.56, 0.95%, 0.43%

LAB 74.61, -74.78, 72.18

 

CMYK 98 / 0 / 74 / 16

HEX #05D538

RGB 5 213 56

HSL 134.71, 0.95%, 0.43%

LAB 74.77, -72.72, 61.43

 

CMYK 98 / 0 / 47 / 16

HEX #05D570

RGB 5 213 112

HSL 150.87, 0.95%, 0.43%

LAB 75.32, -65.83, 37.76

 

CMYK 42 / 0 / 98 / 16

HEX #7BD505

RGB 123 213 5

HSL 85.96, 0.95%, 0.43%

LAB 77.17, -53.78, 75.3

 

CMYK 42 / 0 / 98 / 16

HEX #7BD505

RGB 123 213 5

HSL 85.96, 0.95%, 0.43%

LAB 77.17, -53.78, 75.3

 

CMYK 39 / 0 / 88 / 23

HEX #78C417

RGB 120 196 23

HSL 86.36, 0.79%, 0.43%

LAB 71.92, -47.69, 68.67

 

CMYK 34 / 0 / 78 / 30

HEX #76B228

RGB 118 178 40

HSL 86.09, 0.63%, 0.43%

LAB 66.4, -40.14, 59.46

 

CMYK 28 / 0 / 64 / 37

HEX #74A03A

RGB 116 160 58

HSL 85.88, 0.47%, 0.43%

LAB 60.92, -31.53, 46.98

 

CMYK 20 / 0 / 46 / 44

HEX #718E4C

RGB 113 142 76

HSL 86.36, 0.3%, 0.43%

LAB 55.46, -22.02, 31.75

 

CMYK 0 / 10 / 98 / 16

HEX #D5C005

RGB 213 192 5

HSL 53.94, 0.95%, 0.43%

LAB 77.19, -8.24, 77.93

 

CMYK 16 / 0 / 98 / 16

HEX #B3D505

RGB 179 213 5

HSL 69.81, 0.95%, 0.43%

LAB 80.28, -32.93, 79.06

 

CMYK 42 / 0 / 98 / 16

HEX #7BD505

RGB 123 213 5

HSL 85.96, 0.95%, 0.43%

LAB 77.17, -53.78, 75.3

 

CMYK 69 / 0 / 98 / 16

HEX #43D505

RGB 67 213 5

HSL 102.12, 0.95%, 0.43%

LAB 75.32, -68.49, 73.05

 

CMYK 94 / 0 / 98 / 16

HEX #0CD505

RGB 12 213 5

HSL 117.98, 0.95%, 0.43%

LAB 74.62, -74.7, 72.19

 

CMYK 43 / 0 / 98 / 48

HEX #4C8503

RGB 76 133 3

HSL 86.31, 0.96%, 0.27%

LAB 49.88, -37.5, 53.03

 

CMYK 43 / 0 / 98 / 32

HEX #63AD04

RGB 99 173 4

HSL 86.27, 0.95%, 0.35%

LAB 63.79, -45.99, 64.38

 

CMYK 42 / 0 / 98 / 16

HEX #7BD505

RGB 123 213 5

HSL 85.96, 0.95%, 0.43%

LAB 77.17, -53.78, 75.3

 

CMYK 42 / 0 / 96 / 3

HEX #91F80B

RGB 145 248 11

HSL 86.08, 0.94%, 0.51%

LAB 88.53, -60, 84.2

 

CMYK 35 / 0 / 79 / 2

HEX #A3F934

RGB 163 249 52

HSL 86.19, 0.94%, 0.59%

LAB 89.76, -53.31, 78.45

 

CMYK 42 / 0 / 97 / 16

HEX #7CD706

RGB 124 215 6

HSL 86.12, 0.95%, 0.43%

LAB 77.82, -54.22, 75.73

 

CMYK 98 / 0 / 36 / 16

HEX #05D589

RGB 5 213 137

HSL 158.08, 0.95%, 0.43%

LAB 75.72, -61.17, 25.56

 

CMYK 0 / 98 / 3 / 16

HEX #D505CE

RGB 213 5 206

HSL 302.02, 0.95%, 0.43%

LAB 50.35, 84.4, -49.55

 

CMYK 42 / 0 / 97 / 16

HEX #7CD706

RGB 124 215 6

HSL 86.12, 0.95%, 0.43%

LAB 77.82, -54.22, 75.73

 

CMYK 98 / 42 / 0 / 16

HEX #057BD5

RGB 5 123 213

HSL 205.96, 0.95%, 0.43%

LAB 50.69, 5.69, -53.94

 

CMYK 0 / 98 / 42 / 16

HEX #D5057B

RGB 213 5 123

HSL 325.96, 0.95%, 0.43%

LAB 46.56, 74.79, -6.07

 

CMYK 42 / 0 / 97 / 16

HEX #7CD706

RGB 124 215 6

HSL 86.12, 0.95%, 0.43%

LAB 77.82, -54.22, 75.73

 

CMYK 98 / 0 / 36 / 16

HEX #05D589

RGB 5 213 137

HSL 158.08, 0.95%, 0.43%

LAB 75.72, -61.17, 25.56

 

CMYK 55 / 98 / 0 / 16

HEX #5F05D5

RGB 95 5 213

HSL 265.96, 0.95%, 0.43%

LAB 32.58, 71.11, -83.32

 

CMYK 0 / 98 / 62 / 16

HEX #D50551

RGB 213 5 81

HSL 338.08, 0.95%, 0.43%

LAB 45.43, 71.76, 18.39

 

CMYK 42 / 0 / 97 / 16

HEX #7CD706

RGB 124 215 6

HSL 86.12, 0.95%, 0.43%

LAB 77.82, -54.22, 75.73

 

CMYK 98 / 0 / 7 / 16

HEX #05D5C7

RGB 5 213 199

HSL 175.96, 0.95%, 0.43%

LAB 77.13, -45.9, -5.4

 

CMYK 55 / 98 / 0 / 16

HEX #5F05D5

RGB 95 5 213

HSL 265.96, 0.95%, 0.43%

LAB 32.58, 71.11, -83.32

 

CMYK 0 / 98 / 91 / 16

HEX #D50513

RGB 213 5 19

HSL 355.96, 0.95%, 0.43%

LAB 44.66, 69.67, 52.52

 

Description

Color code: RGB 124 215 6 | qconv.com Color code: RGB 124 215 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 215 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 215 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 97 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 97% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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