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Color name
RGB 124 186 147

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 186 147 it is the complementary color RGB 131 69 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 186 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 186 147 shade: RGB 129 186 142, RGB 146 204 161, RGB 163 222 180, RGB 180 240 199 and RGB 197 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 186 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 107 168 128, RGB 90 150 109, RGB 73 132 90 and RGB 56 114 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 124 186 130, RGB 135 186 124, RGB 151 186 124 and RGB 168 186 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 124 186 164, RGB 124 186 180, RGB 124 175 186 and RGB 124 158 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 186 147 shade matches the following richer shades: RGB 124 186 147, RGB 108 202 143, RGB 92 218 139, RGB 76 234 135 and RGB 60 250 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 140 170 151, RGB 156 154 155, RGB 172 138 160 and RGB 189 122 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 186 147 shade: RGB 134 186 124, RGB 124 186 130, RGB 124 186 147, RGB 124 186 163 and RGB 124 186 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 186 147 shade: RGB 78 149 105, RGB 97 172 125, RGB 124 186 147, RGB 151 200 169 and RGB 178 214 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 124 151 186 and RGB 186 124 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 147 124 186 and RGB 186 147 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 124 151 186, RGB 186 124 163 and RGB 186 159 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 186 147 shade: RGB 124 186 147, RGB 124 132 186, RGB 186 124 163 and RGB 186 178 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

Complementary color

CMYK 0 / 47 / 18 / 49

HEX #83456C

RGB 131 69 108

HSL 322.26, 0.31%, 0.39%

LAB 38.14, 31.94, -10.87

 

CMYK 31 / 0 / 24 / 27

HEX #81BA8E

RGB 129 186 142

HSL 133.68, 0.29%, 0.62%

LAB 70.69, -27.67, 16.51

 

CMYK 28 / 0 / 21 / 20

HEX #92CCA1

RGB 146 204 161

HSL 135.52, 0.36%, 0.69%

LAB 77.2, -27.42, 15.54

 

CMYK 27 / 0 / 19 / 13

HEX #A3DEB4

RGB 163 222 180

HSL 137.29, 0.47%, 0.75%

LAB 83.61, -27.19, 14.62

 

CMYK 25 / 0 / 17 / 6

HEX #B4F0C7

RGB 180 240 199

HSL 139, 0.67%, 0.82%

LAB 89.93, -26.97, 13.76

 

CMYK 23 / 0 / 15 / 0

HEX #C5FFDA

RGB 197 255 218

HSL 141.72, 1%, 0.89%

LAB 95.35, -25.35, 11.79

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 36 / 0 / 24 / 34

HEX #6BA880

RGB 107 168 128

HSL 140.66, 0.26%, 0.54%

LAB 63.91, -28.57, 14.54

 

CMYK 40 / 0 / 27 / 41

HEX #5A966D

RGB 90 150 109

HSL 139, 0.25%, 0.47%

LAB 57.16, -28.85, 15.63

 

CMYK 45 / 0 / 32 / 48

HEX #49845A

RGB 73 132 90

HSL 137.29, 0.29%, 0.4%

LAB 50.28, -29.12, 16.83

 

CMYK 51 / 0 / 38 / 55

HEX #387247

RGB 56 114 71

HSL 135.52, 0.34%, 0.33%

LAB 43.26, -29.35, 18.15

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 33 / 0 / 30 / 27

HEX #7CBA82

RGB 124 186 130

HSL 125.81, 0.31%, 0.61%

LAB 70.19, -31.44, 22.24

 

CMYK 27 / 0 / 33 / 27

HEX #87BA7C

RGB 135 186 124

HSL 109.35, 0.31%, 0.61%

LAB 70.68, -28.75, 26.2

 

CMYK 19 / 0 / 33 / 27

HEX #97BA7C

RGB 151 186 124

HSL 93.87, 0.31%, 0.61%

LAB 71.66, -23.04, 27.68

 

CMYK 10 / 0 / 33 / 27

HEX #A8BA7C

RGB 168 186 124

HSL 77.42, 0.31%, 0.61%

LAB 72.82, -16.65, 29.44

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 33 / 0 / 12 / 27

HEX #7CBAA4

RGB 124 186 164

HSL 158.71, 0.31%, 0.61%

LAB 70.93, -24.8, 4.84

 

CMYK 33 / 0 / 3 / 27

HEX #7CBAB4

RGB 124 186 180

HSL 174.19, 0.31%, 0.61%

LAB 71.35, -21.19, -3.31

 

CMYK 33 / 6 / 0 / 27

HEX #7CAFBA

RGB 124 175 186

HSL 190.65, 0.31%, 0.61%

LAB 68.38, -14.05, -11.02

 

CMYK 33 / 15 / 0 / 27

HEX #7C9EBA

RGB 124 158 186

HSL 207.1, 0.31%, 0.61%

LAB 63.58, -4.85, -18.26

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 47 / 0 / 29 / 21

HEX #6CCA8F

RGB 108 202 143

HSL 142.34, 0.47%, 0.61%

LAB 74.45, -41.1, 21.02

 

CMYK 58 / 0 / 36 / 15

HEX #5CDA8B

RGB 92 218 139

HSL 142.38, 0.63%, 0.61%

LAB 78.63, -52.43, 28.66

 

CMYK 68 / 0 / 42 / 8

HEX #4CEA87

RGB 76 234 135

HSL 142.41, 0.79%, 0.61%

LAB 82.98, -62.31, 36.35

 

CMYK 76 / 0 / 48 / 2

HEX #3CFA82

RGB 60 250 130

HSL 142.11, 0.95%, 0.61%

LAB 87.46, -71, 44.44

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 18 / 0 / 11 / 33

HEX #8CAA97

RGB 140 170 151

HSL 142, 0.15%, 0.61%

LAB 66.95, -14.18, 6.38

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9B

RGB 156 154 155

HSL 330, 0.01%, 0.61%

LAB 63.79, 0.92, -0.27

 

CMYK 0 / 20 / 7 / 33

HEX #AC8AA0

RGB 172 138 160

HSL 321.18, 0.17%, 0.61%

LAB 61.21, 16.65, -6.75

 

CMYK 0 / 35 / 13 / 26

HEX #BD7AA4

RGB 189 122 164

HSL 322.39, 0.34%, 0.61%

LAB 59.36, 32.35, -11.6

 

CMYK 28 / 0 / 33 / 27

HEX #86BA7C

RGB 134 186 124

HSL 110.32, 0.31%, 0.61%

LAB 70.62, -29.1, 26.12

 

CMYK 33 / 0 / 30 / 27

HEX #7CBA82

RGB 124 186 130

HSL 125.81, 0.31%, 0.61%

LAB 70.19, -31.44, 22.24

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 33 / 0 / 12 / 27

HEX #7CBAA3

RGB 124 186 163

HSL 157.74, 0.31%, 0.61%

LAB 70.9, -25.01, 5.35

 

CMYK 33 / 0 / 3 / 27

HEX #7CBAB4

RGB 124 186 180

HSL 174.19, 0.31%, 0.61%

LAB 71.35, -21.19, -3.31

 

CMYK 48 / 0 / 30 / 42

HEX #4E9569

RGB 78 149 105

HSL 142.82, 0.31%, 0.45%

LAB 56.22, -32.72, 16.5

 

CMYK 44 / 0 / 27 / 33

HEX #61AC7D

RGB 97 172 125

HSL 142.4, 0.31%, 0.53%

LAB 64.59, -34.05, 17.06

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 25 / 0 / 16 / 22

HEX #97C8A9

RGB 151 200 169

HSL 142.04, 0.31%, 0.69%

LAB 76.53, -22.34, 10.34

 

CMYK 17 / 0 / 10 / 16

HEX #B2D6C0

RGB 178 214 192

HSL 143.33, 0.31%, 0.77%

LAB 82.57, -16.16, 6.92

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 33 / 19 / 0 / 27

HEX #7C97BA

RGB 124 151 186

HSL 213.87, 0.31%, 0.61%

LAB 61.62, -0.93, -21.24

 

CMYK 0 / 33 / 32 / 27

HEX #BA7C7E

RGB 186 124 126

HSL 358.06, 0.31%, 0.61%

LAB 58.38, 24.4, 8.81

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 21 / 33 / 0 / 27

HEX #937CBA

RGB 147 124 186

HSL 262.26, 0.31%, 0.61%

LAB 56.25, 21.67, -29.36

 

CMYK 0 / 21 / 33 / 27

HEX #BA937C

RGB 186 147 124

HSL 22.26, 0.31%, 0.61%

LAB 63.97, 11.36, 17.77

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 33 / 19 / 0 / 27

HEX #7C97BA

RGB 124 151 186

HSL 213.87, 0.31%, 0.61%

LAB 61.62, -0.93, -21.24

 

CMYK 0 / 33 / 12 / 27

HEX #BA7CA3

RGB 186 124 163

HSL 322.26, 0.31%, 0.61%

LAB 59.43, 30.03, -10.95

 

CMYK 0 / 15 / 33 / 27

HEX #BA9F7C

RGB 186 159 124

HSL 33.87, 0.31%, 0.61%

LAB 67.04, 4.77, 21.97

 

CMYK 33 / 0 / 21 / 27

HEX #7CBA93

RGB 124 186 147

HSL 142.26, 0.31%, 0.61%

LAB 70.53, -28.3, 13.54

 

CMYK 33 / 29 / 0 / 27

HEX #7C84BA

RGB 124 132 186

HSL 232.26, 0.31%, 0.61%

LAB 56.42, 10.02, -29.24

 

CMYK 0 / 33 / 12 / 27

HEX #BA7CA3

RGB 186 124 163

HSL 322.26, 0.31%, 0.61%

LAB 59.43, 30.03, -10.95

 

CMYK 0 / 4 / 33 / 27

HEX #BAB27C

RGB 186 178 124

HSL 52.26, 0.31%, 0.61%

LAB 72.05, -5.44, 28.67

 

Description

Color code: RGB 124 186 147 | qconv.com Color code: RGB 124 186 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 186 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 186 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 21 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 21% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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