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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 163 129 it is the complementary color RGB 131 92 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 163 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 163 129 shade: RGB 129 163 124, RGB 146 181 143, RGB 163 199 162, RGB 180 217 181 and RGB 197 235 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 163 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 163 129 shade: RGB 124 163 129, RGB 107 145 110, RGB 90 127 91, RGB 73 109 72 and RGB 56 91 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 163 129 shade: RGB 123 161 128, RGB 129 161 123, RGB 139 161 123, RGB 149 161 123 and RGB 159 161 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 163 129 shade: RGB 123 161 128, RGB 123 161 138, RGB 123 161 149, RGB 123 161 159 and RGB 123 153 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 163 129 shade matches the following richer shades: RGB 123 161 128, RGB 105 180 115, RGB 87 198 101, RGB 69 216 88 and RGB 51 234 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 163 129 shade: RGB 123 161 128, RGB 141 143 142, RGB 160 125 155, RGB 178 107 169 and RGB 196 89 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 163 129 shade: RGB 139 161 123, RGB 129 161 123, RGB 123 161 128, RGB 123 161 138 and RGB 123 161 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 163 129 shade: RGB 84 118 88, RGB 101 142 106, RGB 123 161 128, RGB 147 178 151 and RGB 171 196 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 163 129 shade: RGB 124 163 129, RGB 123 149 161 and RGB 161 123 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 163 129 shade: RGB 124 163 129, RGB 128 123 161 and RGB 161 128 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 163 129 shade: RGB 124 163 129, RGB 123 149 161, RGB 161 123 157 and RGB 161 135 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 163 129 shade: RGB 124 163 129, RGB 123 138 161, RGB 161 123 157 and RGB 161 147 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 21 / 36

HEX #7CA381

RGB 124 163 129

HSL 127.69, 0.17%, 0.56%

LAB 63.4, -20.29, 13.42

 

Complementary color

CMYK 0 / 30 / 4 / 49

HEX #835C7E

RGB 131 92 126

HSL 307.69, 0.17%, 0.44%

LAB 44.21, 21.92, -12.73

 

CMYK 21 / 0 / 24 / 36

HEX #81A37C

RGB 129 163 124

HSL 112.31, 0.17%, 0.56%

LAB 63.6, -19.43, 16.52

 

CMYK 19 / 0 / 21 / 29

HEX #92B58F

RGB 146 181 143

HSL 115.26, 0.2%, 0.64%

LAB 70.28, -19.27, 15.54

 

CMYK 18 / 0 / 19 / 22

HEX #A3C7A2

RGB 163 199 162

HSL 118.38, 0.25%, 0.71%

LAB 76.83, -19.12, 14.62

 

CMYK 17 / 0 / 17 / 15

HEX #B4D9B5

RGB 180 217 181

HSL 121.62, 0.33%, 0.78%

LAB 83.27, -19, 13.75

 

CMYK 16 / 0 / 15 / 8

HEX #C5EBC8

RGB 197 235 200

HSL 124.74, 0.49%, 0.85%

LAB 89.61, -18.88, 12.92

 

CMYK 24 / 0 / 21 / 36

HEX #7CA381

RGB 124 163 129

HSL 127.69, 0.17%, 0.56%

LAB 63.4, -20.29, 13.42

 

CMYK 26 / 0 / 24 / 43

HEX #6B916E

RGB 107 145 110

HSL 124.74, 0.15%, 0.49%

LAB 56.59, -20.51, 14.42

 

CMYK 29 / 0 / 28 / 50

HEX #5A7F5B

RGB 90 127 91

HSL 121.62, 0.17%, 0.43%

LAB 49.63, -20.75, 15.51

 

CMYK 33 / 0 / 34 / 57

HEX #496D48

RGB 73 109 72

HSL 118.38, 0.2%, 0.35%

LAB 42.49, -21.02, 16.7

 

CMYK 38 / 0 / 42 / 64

HEX #385B35

RGB 56 91 53

HSL 115.26, 0.26%, 0.28%

LAB 35.16, -21.28, 18.02

 

CMYK 24 / 0 / 20 / 37

HEX #7BA180

RGB 123 161 128

HSL 127.89, 0.17%, 0.56%

LAB 62.73, -19.79, 13.02

 

CMYK 20 / 0 / 24 / 37

HEX #81A17B

RGB 129 161 123

HSL 110.53, 0.17%, 0.56%

LAB 63, -18.57, 16.24

 

CMYK 14 / 0 / 24 / 37

HEX #8BA17B

RGB 139 161 123

HSL 94.74, 0.17%, 0.56%

LAB 63.68, -14.89, 17.29

 

CMYK 7 / 0 / 24 / 37

HEX #95A17B

RGB 149 161 123

HSL 78.95, 0.17%, 0.56%

LAB 64.41, -11.1, 18.41

 

CMYK 1 / 0 / 24 / 37

HEX #9FA17B

RGB 159 161 123

HSL 63.16, 0.17%, 0.56%

LAB 65.19, -7.21, 19.61

 

CMYK 24 / 0 / 20 / 37

HEX #7BA180

RGB 123 161 128

HSL 127.89, 0.17%, 0.56%

LAB 62.73, -19.79, 13.02

 

CMYK 24 / 0 / 14 / 37

HEX #7BA18A

RGB 123 161 138

HSL 143.68, 0.17%, 0.56%

LAB 62.96, -17.85, 7.77

 

CMYK 24 / 0 / 7 / 37

HEX #7BA195

RGB 123 161 149

HSL 161.05, 0.17%, 0.56%

LAB 63.24, -15.56, 2

 

CMYK 24 / 0 / 1 / 37

HEX #7BA19F

RGB 123 161 159

HSL 176.84, 0.17%, 0.56%

LAB 63.51, -13.34, -3.21

 

CMYK 24 / 5 / 0 / 37

HEX #7B99A1

RGB 123 153 161

HSL 192.63, 0.17%, 0.56%

LAB 61.28, -8.55, -7.64

 

CMYK 24 / 0 / 20 / 37

HEX #7BA180

RGB 123 161 128

HSL 127.89, 0.17%, 0.56%

LAB 62.73, -19.79, 13.02

 

CMYK 42 / 0 / 36 / 29

HEX #69B473

RGB 105 180 115

HSL 128, 0.33%, 0.56%

LAB 67.19, -37.19, 26.06

 

CMYK 56 / 0 / 49 / 22

HEX #57C665

RGB 87 198 101

HSL 127.57, 0.49%, 0.56%

LAB 71.79, -51.89, 39.05

 

CMYK 68 / 0 / 59 / 15

HEX #45D858

RGB 69 216 88

HSL 127.76, 0.65%, 0.56%

LAB 76.73, -63.97, 50.98

 

CMYK 78 / 0 / 68 / 8

HEX #33EA4A

RGB 51 234 74

HSL 127.54, 0.81%, 0.56%

LAB 81.86, -73.9, 62.36

 

CMYK 24 / 0 / 20 / 37

HEX #7BA180

RGB 123 161 128

HSL 127.89, 0.17%, 0.56%

LAB 62.73, -19.79, 13.02

 

CMYK 1 / 0 / 1 / 44

HEX #8D8F8E

RGB 141 143 142

HSL 150, 0.01%, 0.56%

LAB 59.21, -0.92, 0.27

 

CMYK 0 / 22 / 3 / 37

HEX #A07D9B

RGB 160 125 155

HSL 308.57, 0.16%, 0.56%

LAB 56.59, 18.79, -10.9

 

CMYK 0 / 40 / 5 / 30

HEX #B26BA9

RGB 178 107 169

HSL 307.61, 0.32%, 0.56%

LAB 54.91, 37.7, -21.36

 

CMYK 0 / 55 / 7 / 23

HEX #C459B6

RGB 196 89 182

HSL 307.85, 0.48%, 0.56%

LAB 54.3, 54.62, -29.64

 

CMYK 14 / 0 / 24 / 37

HEX #8BA17B

RGB 139 161 123

HSL 94.74, 0.17%, 0.56%

LAB 63.68, -14.89, 17.29

 

CMYK 20 / 0 / 24 / 37

HEX #81A17B

RGB 129 161 123

HSL 110.53, 0.17%, 0.56%

LAB 63, -18.57, 16.24

 

CMYK 24 / 0 / 20 / 37

HEX #7BA180

RGB 123 161 128

HSL 127.89, 0.17%, 0.56%

LAB 62.73, -19.79, 13.02

 

CMYK 24 / 0 / 14 / 37

HEX #7BA18A

RGB 123 161 138

HSL 143.68, 0.17%, 0.56%

LAB 62.96, -17.85, 7.77

 

CMYK 24 / 0 / 8 / 37

HEX #7BA194

RGB 123 161 148

HSL 159.47, 0.17%, 0.56%

LAB 63.21, -15.77, 2.53

 

CMYK 29 / 0 / 25 / 54

HEX #547658

RGB 84 118 88

HSL 127.06, 0.17%, 0.4%

LAB 46.37, -18.74, 12.71

 

CMYK 29 / 0 / 25 / 44

HEX #658E6A

RGB 101 142 106

HSL 127.32, 0.17%, 0.48%

LAB 55.23, -21.81, 14.75

 

CMYK 24 / 0 / 20 / 37

HEX #7BA180

RGB 123 161 128

HSL 127.89, 0.17%, 0.56%

LAB 62.73, -19.79, 13.02

 

CMYK 17 / 0 / 15 / 30

HEX #93B297

RGB 147 178 151

HSL 127.74, 0.17%, 0.64%

LAB 69.67, -15.93, 10.33

 

CMYK 13 / 0 / 11 / 23

HEX #ABC4AF

RGB 171 196 175

HSL 129.6, 0.17%, 0.72%

LAB 76.82, -12.5, 7.7

 

CMYK 24 / 0 / 21 / 36

HEX #7CA381

RGB 124 163 129

HSL 127.69, 0.17%, 0.56%

LAB 63.4, -20.29, 13.42

 

CMYK 24 / 7 / 0 / 37

HEX #7B95A1

RGB 123 149 161

HSL 198.95, 0.17%, 0.56%

LAB 60.14, -6.35, -9.34

 

CMYK 0 / 24 / 17 / 37

HEX #A17B86

RGB 161 123 134

HSL 342.63, 0.17%, 0.56%

LAB 55.55, 16.53, -0.26

 

CMYK 24 / 0 / 21 / 36

HEX #7CA381

RGB 124 163 129

HSL 127.69, 0.17%, 0.56%

LAB 63.4, -20.29, 13.42

 

CMYK 20 / 24 / 0 / 37

HEX #807BA1

RGB 128 123 161

HSL 247.89, 0.17%, 0.56%

LAB 53.31, 10.19, -19.63

 

CMYK 0 / 20 / 24 / 37

HEX #A1807B

RGB 161 128 123

HSL 7.89, 0.17%, 0.56%

LAB 56.53, 11.91, 7.54

 

CMYK 24 / 0 / 21 / 36

HEX #7CA381

RGB 124 163 129

HSL 127.69, 0.17%, 0.56%

LAB 63.4, -20.29, 13.42

 

CMYK 24 / 7 / 0 / 37

HEX #7B95A1

RGB 123 149 161

HSL 198.95, 0.17%, 0.56%

LAB 60.14, -6.35, -9.34

 

CMYK 0 / 24 / 2 / 37

HEX #A17B9D

RGB 161 123 157

HSL 306.32, 0.17%, 0.56%

LAB 56.26, 20.68, -12.53

 

CMYK 0 / 16 / 24 / 37

HEX #A1877B

RGB 161 135 123

HSL 18.95, 0.17%, 0.56%

LAB 58.35, 7.94, 10.13

 

CMYK 24 / 0 / 21 / 36

HEX #7CA381

RGB 124 163 129

HSL 127.69, 0.17%, 0.56%

LAB 63.4, -20.29, 13.42

 

CMYK 24 / 14 / 0 / 37

HEX #7B8AA1

RGB 123 138 161

HSL 216.32, 0.17%, 0.56%

LAB 57.04, -0.15, -14

 

CMYK 0 / 24 / 2 / 37

HEX #A17B9D

RGB 161 123 157

HSL 306.32, 0.17%, 0.56%

LAB 56.26, 20.68, -12.53

 

CMYK 0 / 9 / 24 / 37

HEX #A1937B

RGB 161 147 123

HSL 37.89, 0.17%, 0.56%

LAB 61.55, 1.22, 14.6

 

Description

Color code: RGB 124 163 129 | qconv.com Color code: RGB 124 163 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 163 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 163 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 21 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 21% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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