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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 166 25 it is the complementary color RGB 131 89 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 166 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 166 25 shade: RGB 129 166 20, RGB 146 184 39, RGB 163 202 58, RGB 180 220 77 and RGB 197 238 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 166 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 166 25 shade: RGB 124 166 25, RGB 107 148 6, RGB 90 130 0, RGB 73 112 0 and RGB 56 94 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 166 25 shade: RGB 122 164 24, RGB 160 164 24, RGB 164 130 24, RGB 164 92 24 and RGB 164 55 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 166 25 shade: RGB 122 164 24, RGB 84 164 24, RGB 47 164 24, RGB 24 164 39 and RGB 24 164 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 166 25 shade matches the following richer shades: RGB 122 164 24 and RGB 128 179 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 166 25 shade: RGB 122 164 24, RGB 116 148 39, RGB 110 133 55, RGB 104 118 70 and RGB 97 103 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 166 25 shade: RGB 164 129 24, RGB 161 164 24, RGB 124 164 24, RGB 87 164 24 and RGB 50 164 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 166 25 shade: RGB 68 92 13, RGB 95 128 19, RGB 122 164 24, RGB 149 200 29 and RGB 171 223 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 166 25 shade: RGB 124 166 25, RGB 24 164 92 and RGB 147 24 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 166 25 shade: RGB 124 166 25, RGB 24 124 164 and RGB 164 24 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 166 25 shade: RGB 124 166 25, RGB 24 164 92, RGB 64 24 164 and RGB 164 24 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 166 25 shade: RGB 124 166 25, RGB 24 164 133, RGB 64 24 164 and RGB 164 24 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 85 / 35

HEX #7CA619

RGB 124 166 25

HSL 77.87, 0.74%, 0.37%

LAB 63.03, -33.09, 60.76

 

Complementary color

CMYK 43 / 61 / 0 / 10

HEX #8359E6

RGB 131 89 230

HSL 257.87, 0.74%, 0.63%

LAB 49.11, 48.91, -65.81

 

CMYK 22 / 0 / 88 / 35

HEX #81A614

RGB 129 166 20

HSL 75.21, 0.78%, 0.36%

LAB 63.33, -31.22, 62.26

 

CMYK 21 / 0 / 79 / 28

HEX #92B827

RGB 146 184 39

HSL 75.72, 0.65%, 0.44%

LAB 69.85, -32.05, 63.57

 

CMYK 19 / 0 / 71 / 21

HEX #A3CA3A

RGB 163 202 58

HSL 76.25, 0.58%, 0.51%

LAB 76.27, -32.68, 63.82

 

CMYK 18 / 0 / 65 / 14

HEX #B4DC4D

RGB 180 220 77

HSL 76.78, 0.67%, 0.58%

LAB 82.61, -33.16, 63.46

 

CMYK 17 / 0 / 60 / 7

HEX #C5EE60

RGB 197 238 96

HSL 77.32, 0.81%, 0.65%

LAB 88.86, -33.53, 62.75

 

CMYK 25 / 0 / 85 / 35

HEX #7CA619

RGB 124 166 25

HSL 77.87, 0.74%, 0.37%

LAB 63.03, -33.09, 60.76

 

CMYK 28 / 0 / 96 / 42

HEX #6B9406

RGB 107 148 6

HSL 77.32, 0.92%, 0.3%

LAB 56.41, -32.12, 58.42

 

CMYK 31 / 0 / 100 / 49

HEX #5A8200

RGB 90 130 0

HSL 78.46, 1%, 0.25%

LAB 49.66, -30.82, 53.77

 

CMYK 35 / 0 / 100 / 56

HEX #497000

RGB 73 112 0

HSL 80.89, 1%, 0.22%

LAB 42.77, -29.36, 48.04

 

CMYK 40 / 0 / 100 / 63

HEX #385E00

RGB 56 94 0

HSL 84.26, 1%, 0.18%

LAB 35.69, -27.84, 42.14

 

CMYK 26 / 0 / 85 / 36

HEX #7AA418

RGB 122 164 24

HSL 78, 0.74%, 0.37%

LAB 62.3, -33.01, 60.32

 

CMYK 2 / 0 / 85 / 36

HEX #A0A418

RGB 160 164 24

HSL 61.71, 0.74%, 0.37%

LAB 65.03, -16.84, 63.73

 

CMYK 0 / 21 / 85 / 36

HEX #A48218

RGB 164 130 24

HSL 45.43, 0.74%, 0.37%

LAB 56.01, 3.24, 56.34

 

CMYK 0 / 44 / 85 / 36

HEX #A45C18

RGB 164 92 24

HSL 29.14, 0.74%, 0.37%

LAB 46.46, 24.66, 48.24

 

CMYK 0 / 66 / 85 / 36

HEX #A43718

RGB 164 55 24

HSL 13.29, 0.74%, 0.37%

LAB 39.05, 43.53, 41.8

 

CMYK 26 / 0 / 85 / 36

HEX #7AA418

RGB 122 164 24

HSL 78, 0.74%, 0.37%

LAB 62.3, -33.01, 60.32

 

CMYK 49 / 0 / 85 / 36

HEX #54A418

RGB 84 164 24

HSL 94.29, 0.74%, 0.37%

LAB 60.34, -46.8, 57.85

 

CMYK 71 / 0 / 85 / 36

HEX #2FA418

RGB 47 164 24

HSL 110.14, 0.74%, 0.37%

LAB 59.18, -56.19, 56.37

 

CMYK 85 / 0 / 76 / 36

HEX #18A427

RGB 24 164 39

HSL 126.43, 0.74%, 0.37%

LAB 58.87, -58.56, 51.45

 

CMYK 85 / 0 / 53 / 36

HEX #18A44D

RGB 24 164 77

HSL 142.71, 0.74%, 0.37%

LAB 59.23, -54.13, 35.18

 

CMYK 26 / 0 / 85 / 36

HEX #7AA418

RGB 122 164 24

HSL 78, 0.74%, 0.37%

LAB 62.3, -33.01, 60.32

 

CMYK 28 / 0 / 95 / 30

HEX #80B309

RGB 128 179 9

HSL 78, 0.9%, 0.37%

LAB 67.16, -37.8, 67.07

 

CMYK 26 / 0 / 85 / 36

HEX #7AA418

RGB 122 164 24

HSL 78, 0.74%, 0.37%

LAB 62.3, -33.01, 60.32

 

CMYK 22 / 0 / 74 / 42

HEX #749427

RGB 116 148 39

HSL 77.61, 0.58%, 0.37%

LAB 57.11, -27.17, 50.83

 

CMYK 17 / 0 / 59 / 48

HEX #6E8537

RGB 110 133 55

HSL 77.69, 0.41%, 0.37%

LAB 52.25, -20.96, 38.6

 

CMYK 12 / 0 / 41 / 54

HEX #687646

RGB 104 118 70

HSL 77.5, 0.26%, 0.37%

LAB 47.42, -13.83, 24.72

 

CMYK 6 / 0 / 17 / 60

HEX #616755

RGB 97 103 85

HSL 80, 0.1%, 0.37%

LAB 42.61, -5.9, 9.39

 

CMYK 0 / 21 / 85 / 36

HEX #A48118

RGB 164 129 24

HSL 45, 0.74%, 0.37%

LAB 55.74, 3.79, 56.11

 

CMYK 2 / 0 / 85 / 36

HEX #A1A418

RGB 161 164 24

HSL 61.29, 0.74%, 0.37%

LAB 65.12, -16.4, 63.83

 

CMYK 24 / 0 / 85 / 36

HEX #7CA418

RGB 124 164 24

HSL 77.14, 0.74%, 0.37%

LAB 62.42, -32.2, 60.48

 

CMYK 47 / 0 / 85 / 36

HEX #57A418

RGB 87 164 24

HSL 93, 0.74%, 0.37%

LAB 60.47, -45.85, 58.01

 

CMYK 70 / 0 / 85 / 36

HEX #32A418

RGB 50 164 24

HSL 108.86, 0.74%, 0.37%

LAB 59.25, -55.61, 56.46

 

CMYK 26 / 0 / 86 / 64

HEX #445C0D

RGB 68 92 13

HSL 78.23, 0.75%, 0.21%

LAB 35.81, -21.16, 38.67

 

CMYK 26 / 0 / 85 / 50

HEX #5F8013

RGB 95 128 19

HSL 78.17, 0.74%, 0.29%

LAB 49.4, -27.23, 49.69

 

CMYK 26 / 0 / 85 / 36

HEX #7AA418

RGB 122 164 24

HSL 78, 0.74%, 0.37%

LAB 62.3, -33.01, 60.32

 

CMYK 26 / 0 / 86 / 22

HEX #95C81D

RGB 149 200 29

HSL 77.89, 0.75%, 0.45%

LAB 74.69, -38.53, 70.44

 

CMYK 23 / 0 / 79 / 13

HEX #ABDF2F

RGB 171 223 47

HSL 77.73, 0.73%, 0.53%

LAB 82.72, -39.63, 73.57

 

CMYK 25 / 0 / 85 / 35

HEX #7CA619

RGB 124 166 25

HSL 77.87, 0.74%, 0.37%

LAB 63.03, -33.09, 60.76

 

CMYK 85 / 0 / 44 / 36

HEX #18A45C

RGB 24 164 92

HSL 149.14, 0.74%, 0.37%

LAB 59.45, -51.56, 27.68

 

CMYK 10 / 85 / 0 / 36

HEX #9318A4

RGB 147 24 164

HSL 292.71, 0.74%, 0.37%

LAB 37, 64.22, -46.87

 

CMYK 25 / 0 / 85 / 35

HEX #7CA619

RGB 124 166 25

HSL 77.87, 0.74%, 0.37%

LAB 63.03, -33.09, 60.76

 

CMYK 85 / 24 / 0 / 36

HEX #187CA4

RGB 24 124 164

HSL 197.14, 0.74%, 0.37%

LAB 48.62, -12.71, -29.03

 

CMYK 0 / 85 / 24 / 36

HEX #A4187C

RGB 164 24 124

HSL 317.14, 0.74%, 0.37%

LAB 37.84, 61.67, -20.82

 

CMYK 25 / 0 / 85 / 35

HEX #7CA619

RGB 124 166 25

HSL 77.87, 0.74%, 0.37%

LAB 63.03, -33.09, 60.76

 

CMYK 85 / 0 / 44 / 36

HEX #18A45C

RGB 24 164 92

HSL 149.14, 0.74%, 0.37%

LAB 59.45, -51.56, 27.68

 

CMYK 61 / 85 / 0 / 36

HEX #4018A4

RGB 64 24 164

HSL 257.14, 0.74%, 0.37%

LAB 25.03, 52.26, -66.91

 

CMYK 0 / 85 / 41 / 36

HEX #A41860

RGB 164 24 96

HSL 329.14, 0.74%, 0.37%

LAB 36.73, 58.52, -4.83

 

CMYK 25 / 0 / 85 / 35

HEX #7CA619

RGB 124 166 25

HSL 77.87, 0.74%, 0.37%

LAB 63.03, -33.09, 60.76

 

CMYK 85 / 0 / 19 / 36

HEX #18A485

RGB 24 164 133

HSL 166.71, 0.74%, 0.37%

LAB 60.28, -42.28, 6.28

 

CMYK 61 / 85 / 0 / 36

HEX #4018A4

RGB 64 24 164

HSL 257.14, 0.74%, 0.37%

LAB 25.03, 52.26, -66.91

 

CMYK 0 / 85 / 67 / 36

HEX #A41836

RGB 164 24 54

HSL 347.14, 0.74%, 0.37%

LAB 35.62, 55.31, 20.72

 

Description

Color code: RGB 124 166 25 | qconv.com Color code: RGB 124 166 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 166 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 166 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 85 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 85% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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