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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 15 178 it is the complementary color RGB 131 240 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 15 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 15 178 shade: RGB 129 15 173, RGB 146 33 192, RGB 163 51 211, RGB 180 69 230 and RGB 197 87 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 15 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 107 0 159, RGB 90 0 140, RGB 73 0 121 and RGB 56 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 168 15 178, RGB 178 15 144, RGB 178 15 100 and RGB 178 15 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 80 15 178, RGB 36 15 178 and RGB 15 15 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 15 178 shade matches the following richer shades: RGB 124 15 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 119 31 162, RGB 113 46 146, RGB 108 62 131 and RGB 103 78 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 15 178 shade: RGB 37 15 178, RGB 80 15 178, RGB 124 15 178, RGB 167 15 178 and RGB 178 15 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 15 178 shade: RGB 71 8 102, RGB 97 12 140, RGB 124 15 178, RGB 150 18 216 and RGB 171 40 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 178 15 37 and RGB 15 178 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 178 124 15 and RGB 15 178 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 178 15 37, RGB 69 178 15 and RGB 15 178 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 15 178 shade: RGB 124 15 178, RGB 178 42 15, RGB 69 178 15 and RGB 15 151 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

Complementary color

CMYK 45 / 0 / 68 / 6

HEX #83F04D

RGB 131 240 77

HSL 100.12, 0.84%, 0.62%

LAB 85.85, -58.58, 66.08

 

CMYK 25 / 91 / 0 / 32

HEX #810FAD

RGB 129 15 173

HSL 283.29, 0.84%, 0.37%

LAB 34.04, 64.74, -57.21

 

CMYK 24 / 83 / 0 / 25

HEX #9221C0

RGB 146 33 192

HSL 282.64, 0.71%, 0.44%

LAB 39.59, 66.98, -59.32

 

CMYK 23 / 76 / 0 / 17

HEX #A333D3

RGB 163 51 211

HSL 282, 0.65%, 0.51%

LAB 45.44, 68.05, -60.74

 

CMYK 22 / 70 / 0 / 10

HEX #B445E6

RGB 180 69 230

HSL 281.37, 0.76%, 0.59%

LAB 51.47, 68.38, -61.71

 

CMYK 21 / 65 / 0 / 2

HEX #C557F9

RGB 197 87 249

HSL 280.74, 0.93%, 0.66%

LAB 57.58, 68.24, -62.38

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 33 / 100 / 0 / 38

HEX #6B009F

RGB 107 0 159

HSL 280.38, 1%, 0.31%

LAB 28.46, 61.43, -58.02

 

CMYK 36 / 100 / 0 / 45

HEX #5A008C

RGB 90 0 140

HSL 278.57, 1%, 0.27%

LAB 23.89, 55.53, -53.89

 

CMYK 40 / 100 / 0 / 53

HEX #490079

RGB 73 0 121

HSL 276.2, 1%, 0.24%

LAB 19.21, 49.49, -49.67

 

CMYK 45 / 100 / 0 / 60

HEX #380066

RGB 56 0 102

HSL 272.94, 1%, 0.2%

LAB 14.4, 43.3, -45.32

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 6 / 92 / 0 / 30

HEX #A80FB2

RGB 168 15 178

HSL 296.32, 0.84%, 0.38%

LAB 41.03, 71.78, -48.56

 

CMYK 0 / 92 / 19 / 30

HEX #B20F90

RGB 178 15 144

HSL 312.52, 0.84%, 0.38%

LAB 40.93, 68.72, -28.15

 

CMYK 0 / 92 / 44 / 30

HEX #B20F64

RGB 178 15 100

HSL 328.71, 0.84%, 0.38%

LAB 39.12, 63.89, -3.53

 

CMYK 0 / 92 / 69 / 30

HEX #B20F38

RGB 178 15 56

HSL 344.91, 0.84%, 0.38%

LAB 38.01, 60.81, 23.08

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 55 / 92 / 0 / 30

HEX #500FB2

RGB 80 15 178

HSL 263.93, 0.84%, 0.38%

LAB 27.47, 60.05, -71.25

 

CMYK 80 / 92 / 0 / 30

HEX #240FB2

RGB 36 15 178

HSL 247.73, 0.84%, 0.38%

LAB 23.44, 57.33, -78.05

 

CMYK 92 / 92 / 0 / 30

HEX #0F0FB2

RGB 15 15 178

HSL 240, 0.84%, 0.38%

LAB 22.51, 56.78, -79.64

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 27 / 81 / 0 / 36

HEX #771FA2

RGB 119 31 162

HSL 280.31, 0.68%, 0.38%

LAB 32.94, 56.94, -52.44

 

CMYK 23 / 68 / 0 / 43

HEX #712E92

RGB 113 46 146

HSL 280.2, 0.52%, 0.38%

LAB 33.01, 46.22, -42.64

 

CMYK 18 / 53 / 0 / 49

HEX #6C3E83

RGB 108 62 131

HSL 280, 0.36%, 0.38%

LAB 34.54, 33, -30.99

 

CMYK 10 / 32 / 0 / 55

HEX #674E73

RGB 103 78 115

HSL 280.54, 0.19%, 0.38%

LAB 37.06, 17.96, -17.19

 

CMYK 79 / 92 / 0 / 30

HEX #250FB2

RGB 37 15 178

HSL 248.1, 0.84%, 0.38%

LAB 23.5, 57.37, -77.95

 

CMYK 55 / 92 / 0 / 30

HEX #500FB2

RGB 80 15 178

HSL 263.93, 0.84%, 0.38%

LAB 27.47, 60.05, -71.25

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 6 / 92 / 0 / 30

HEX #A70FB2

RGB 167 15 178

HSL 295.95, 0.84%, 0.38%

LAB 40.85, 71.61, -48.85

 

CMYK 0 / 92 / 19 / 30

HEX #B20F91

RGB 178 15 145

HSL 312.15, 0.84%, 0.38%

LAB 40.98, 68.85, -28.69

 

CMYK 30 / 92 / 0 / 60

HEX #470866

RGB 71 8 102

HSL 280.21, 0.85%, 0.22%

LAB 17.79, 42.72, -39.66

 

CMYK 31 / 91 / 0 / 45

HEX #610C8C

RGB 97 12 140

HSL 279.84, 0.84%, 0.3%

LAB 25.86, 54, -50.63

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 31 / 92 / 0 / 15

HEX #9612D8

RGB 150 18 216

HSL 280, 0.85%, 0.46%

LAB 41.02, 75.4, -70.9

 

CMYK 28 / 83 / 0 / 7

HEX #AB28EC

RGB 171 40 236

HSL 280.1, 0.84%, 0.54%

LAB 47.28, 77.59, -71.95

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 0 / 92 / 79 / 30

HEX #B20F25

RGB 178 15 37

HSL 351.9, 0.84%, 0.38%

LAB 37.73, 60.04, 34.51

 

CMYK 92 / 0 / 67 / 30

HEX #0FB23A

RGB 15 178 58

HSL 135.83, 0.84%, 0.38%

LAB 63.55, -61.82, 48.95

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 0 / 30 / 92 / 30

HEX #B27C0F

RGB 178 124 15

HSL 40.12, 0.84%, 0.38%

LAB 56, 12.77, 59.27

 

CMYK 92 / 0 / 30 / 30

HEX #0FB27C

RGB 15 178 124

HSL 160.12, 0.84%, 0.38%

LAB 64.48, -50.73, 17.16

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 0 / 92 / 79 / 30

HEX #B20F25

RGB 178 15 37

HSL 351.9, 0.84%, 0.38%

LAB 37.73, 60.04, 34.51

 

CMYK 61 / 0 / 92 / 30

HEX #45B20F

RGB 69 178 15

HSL 100.12, 0.84%, 0.38%

LAB 64.27, -56.45, 62.83

 

CMYK 92 / 0 / 12 / 30

HEX #0FB29C

RGB 15 178 156

HSL 171.9, 0.84%, 0.38%

LAB 65.23, -42.6, 0.6

 

CMYK 30 / 92 / 0 / 30

HEX #7C0FB2

RGB 124 15 178

HSL 280.12, 0.84%, 0.38%

LAB 33.65, 65.02, -60.86

 

CMYK 0 / 76 / 92 / 30

HEX #B22A0F

RGB 178 42 15

HSL 9.94, 0.84%, 0.38%

LAB 39.84, 53.06, 47.4

 

CMYK 61 / 0 / 92 / 30

HEX #45B20F

RGB 69 178 15

HSL 100.12, 0.84%, 0.38%

LAB 64.27, -56.45, 62.83

 

CMYK 92 / 15 / 0 / 30

HEX #0F97B2

RGB 15 151 178

HSL 189.94, 0.84%, 0.38%

LAB 57.51, -22.97, -23.34

 

Description

Color code: RGB 124 15 178 | qconv.com Color code: RGB 124 15 178 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 15 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 15 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 92 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 92% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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