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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 12 46 it is the complementary color RGB 131 243 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 12 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 12 46 shade: RGB 129 12 41, RGB 146 30 60, RGB 163 48 79, RGB 180 66 98 and RGB 197 84 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 12 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 12 46 shade: RGB 124 12 46, RGB 107 0 27, RGB 90 0 8, RGB 73 0 0 and RGB 56 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 12 46 shade: RGB 125 12 46, RGB 125 12 16 and RGB 125 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 12 46 shade: RGB 125 12 46, RGB 125 12 77, RGB 125 12 107, RGB 112 12 125 and RGB 82 12 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 12 46 shade matches the following richer shades: RGB 125 12 46 and RGB 136 1 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 12 46 shade: RGB 125 12 46, RGB 114 23 51, RGB 103 34 55, RGB 91 45 59 and RGB 80 56 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 12 46 shade: RGB 125 12 108, RGB 125 12 78, RGB 125 12 48, RGB 125 12 18 and RGB 125 36 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 12 46 shade: RGB 50 4 18, RGB 87 8 32, RGB 125 12 46, RGB 162 16 60 and RGB 200 19 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 12 46 shade: RGB 124 12 46, RGB 125 112 12 and RGB 12 93 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 12 46 shade: RGB 124 12 46, RGB 48 125 12 and RGB 12 48 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 12 46 shade: RGB 124 12 46, RGB 125 112 12, RGB 12 125 89 and RGB 12 25 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 12 46 shade: RGB 124 12 46, RGB 104 125 12, RGB 12 125 89 and RGB 33 12 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 63 / 51

HEX #7C0C2E

RGB 124 12 46

HSL 341.79, 0.82%, 0.27%

LAB 26, 46.34, 11.8

 

Complementary color

CMYK 46 / 0 / 14 / 5

HEX #83F3D1

RGB 131 243 209

HSL 161.79, 0.82%, 0.73%

LAB 88.7, -39.96, 6.5

 

CMYK 0 / 91 / 68 / 49

HEX #810C29

RGB 129 12 41

HSL 345.13, 0.83%, 0.28%

LAB 26.99, 47.43, 16.71

 

CMYK 0 / 79 / 59 / 43

HEX #921E3C

RGB 146 30 60

HSL 344.48, 0.66%, 0.35%

LAB 32.63, 48.9, 12.2

 

CMYK 0 / 71 / 52 / 36

HEX #A3304F

RGB 163 48 79

HSL 343.83, 0.55%, 0.41%

LAB 38.66, 49.22, 8.8

 

CMYK 0 / 63 / 46 / 29

HEX #B44262

RGB 180 66 98

HSL 343.16, 0.46%, 0.48%

LAB 44.92, 48.9, 6.19

 

CMYK 0 / 57 / 41 / 23

HEX #C55475

RGB 197 84 117

HSL 342.48, 0.49%, 0.55%

LAB 51.26, 48.25, 4.12

 

CMYK 0 / 90 / 63 / 51

HEX #7C0C2E

RGB 124 12 46

HSL 341.79, 0.82%, 0.27%

LAB 26, 46.34, 11.8

 

CMYK 0 / 100 / 75 / 58

HEX #6B001B

RGB 107 0 27

HSL 344.86, 1%, 0.21%

LAB 20.85, 43.11, 17.52

 

CMYK 0 / 100 / 91 / 65

HEX #5A0008

RGB 90 0 8

HSL 354.67, 1%, 0.18%

LAB 16.46, 37.7, 22.26

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 100 / 100 / 78

HEX #380000

RGB 56 0 0

HSL 0, 1%, 0.11%

LAB 7.59, 27.26, 12

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 0 / 90 / 87 / 51

HEX #7D0C10

RGB 125 12 16

HSL 357.88, 0.82%, 0.27%

LAB 25.74, 45.25, 31.05

 

CMYK 0 / 90 / 90 / 51

HEX #7D0C0C

RGB 125 12 12

HSL 0, 0.82%, 0.27%

LAB 25.71, 45.16, 33.04

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 0 / 90 / 38 / 51

HEX #7D0C4D

RGB 125 12 77

HSL 325.49, 0.82%, 0.27%

LAB 27.18, 49.35, -7.51

 

CMYK 0 / 90 / 14 / 51

HEX #7D0C6B

RGB 125 12 107

HSL 309.56, 0.82%, 0.27%

LAB 28.6, 53.19, -25.03

 

CMYK 10 / 90 / 0 / 51

HEX #700C7D

RGB 112 12 125

HSL 293.1, 0.82%, 0.27%

LAB 27.26, 53.54, -38.81

 

CMYK 34 / 90 / 0 / 51

HEX #520C7D

RGB 82 12 125

HSL 277.17, 0.82%, 0.27%

LAB 22.08, 48.53, -47.46

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 0 / 99 / 69 / 47

HEX #88012A

RGB 136 1 42

HSL 341.78, 0.99%, 0.27%

LAB 27.91, 51.28, 17.53

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 0 / 80 / 55 / 55

HEX #721733

RGB 114 23 51

HSL 341.54, 0.66%, 0.27%

LAB 25.04, 40.78, 6.73

 

CMYK 0 / 67 / 47 / 60

HEX #672237

RGB 103 34 55

HSL 341.74, 0.5%, 0.27%

LAB 24.65, 32.91, 3.14

 

CMYK 0 / 51 / 35 / 64

HEX #5B2D3B

RGB 91 45 59

HSL 341.74, 0.34%, 0.27%

LAB 25, 22.81, 0.68

 

CMYK 0 / 30 / 20 / 69

HEX #503840

RGB 80 56 64

HSL 340, 0.18%, 0.27%

LAB 26.46, 12.1, -0.72

 

CMYK 0 / 90 / 14 / 51

HEX #7D0C6C

RGB 125 12 108

HSL 309.03, 0.82%, 0.27%

LAB 28.66, 53.34, -25.59

 

CMYK 0 / 90 / 38 / 51

HEX #7D0C4E

RGB 125 12 78

HSL 324.96, 0.82%, 0.27%

LAB 27.22, 49.46, -8.12

 

CMYK 0 / 90 / 62 / 51

HEX #7D0C30

RGB 125 12 48

HSL 340.88, 0.82%, 0.27%

LAB 26.26, 46.76, 10.83

 

CMYK 0 / 90 / 86 / 51

HEX #7D0C12

RGB 125 12 18

HSL 356.81, 0.82%, 0.27%

LAB 25.76, 45.31, 29.92

 

CMYK 0 / 71 / 90 / 51

HEX #7D240C

RGB 125 36 12

HSL 12.74, 0.82%, 0.27%

LAB 28.51, 37.35, 35.48

 

CMYK 0 / 92 / 64 / 80

HEX #320412

RGB 50 4 18

HSL 341.74, 0.85%, 0.11%

LAB 7.3, 24.07, 3.28

 

CMYK 0 / 91 / 63 / 66

HEX #570820

RGB 87 8 32

HSL 341.77, 0.83%, 0.19%

LAB 17.01, 35.58, 8.07

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 0 / 90 / 63 / 36

HEX #A2103C

RGB 162 16 60

HSL 341.92, 0.82%, 0.35%

LAB 34.76, 56.72, 15.64

 

CMYK 0 / 91 / 63 / 22

HEX #C8134A

RGB 200 19 74

HSL 341.77, 0.83%, 0.43%

LAB 43.12, 66.75, 19.22

 

CMYK 0 / 90 / 63 / 51

HEX #7C0C2E

RGB 124 12 46

HSL 341.79, 0.82%, 0.27%

LAB 26, 46.34, 11.8

 

CMYK 0 / 10 / 90 / 51

HEX #7D700C

RGB 125 112 12

HSL 53.1, 0.82%, 0.27%

LAB 46.94, -5.26, 50.37

 

CMYK 90 / 26 / 0 / 51

HEX #0C5D7D

RGB 12 93 125

HSL 196.99, 0.82%, 0.27%

LAB 36.72, -10.26, -24.3

 

CMYK 0 / 90 / 63 / 51

HEX #7C0C2E

RGB 124 12 46

HSL 341.79, 0.82%, 0.27%

LAB 26, 46.34, 11.8

 

CMYK 62 / 0 / 90 / 51

HEX #307D0C

RGB 48 125 12

HSL 100.88, 0.82%, 0.27%

LAB 46.07, -42.92, 47.63

 

CMYK 90 / 62 / 0 / 51

HEX #0C307D

RGB 12 48 125

HSL 220.88, 0.82%, 0.27%

LAB 22.56, 20.02, -46.93

 

CMYK 0 / 90 / 63 / 51

HEX #7C0C2E

RGB 124 12 46

HSL 341.79, 0.82%, 0.27%

LAB 26, 46.34, 11.8

 

CMYK 0 / 10 / 90 / 51

HEX #7D700C

RGB 125 112 12

HSL 53.1, 0.82%, 0.27%

LAB 46.94, -5.26, 50.37

 

CMYK 90 / 0 / 29 / 51

HEX #0C7D59

RGB 12 125 89

HSL 160.88, 0.82%, 0.27%

LAB 46.27, -38.09, 11.61

 

CMYK 90 / 80 / 0 / 51

HEX #0C197D

RGB 12 25 125

HSL 233.1, 0.82%, 0.27%

LAB 16.77, 35.54, -56.46

 

CMYK 0 / 90 / 63 / 51

HEX #7C0C2E

RGB 124 12 46

HSL 341.79, 0.82%, 0.27%

LAB 26, 46.34, 11.8

 

CMYK 17 / 0 / 90 / 51

HEX #687D0C

RGB 104 125 12

HSL 71.15, 0.82%, 0.27%

LAB 49.05, -22.07, 51.35

 

CMYK 90 / 0 / 29 / 51

HEX #0C7D59

RGB 12 125 89

HSL 160.88, 0.82%, 0.27%

LAB 46.27, -38.09, 11.61

 

CMYK 74 / 90 / 0 / 51

HEX #210C7D

RGB 33 12 125

HSL 251.15, 0.82%, 0.27%

LAB 15.83, 43.13, -57.97

 

Description

Color code: RGB 124 12 46 | qconv.com Color code: RGB 124 12 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 12 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 12 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 63 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 63% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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