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Color name
RGB 124 128 40

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 128 40 it is the complementary color RGB 131 127 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 128 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 128 40 shade: RGB 129 128 35, RGB 146 146 54, RGB 163 164 73, RGB 180 182 92 and RGB 197 200 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 128 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 128 40 shade: RGB 124 128 40, RGB 107 110 21, RGB 90 92 2, RGB 73 74 0 and RGB 56 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 128 40 shade: RGB 123 127 40, RGB 127 108 40, RGB 127 84 40, RGB 127 61 40 and RGB 127 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 128 40 shade: RGB 123 127 40, RGB 100 127 40, RGB 76 127 40, RGB 53 127 40 and RGB 40 127 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 128 40 shade matches the following richer shades: RGB 123 127 40, RGB 136 141 26 and RGB 148 155 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 128 40 shade: RGB 123 127 40, RGB 111 114 54, RGB 99 100 67, RGB 86 87 81 and RGB 74 73 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 128 40 shade: RGB 127 84 40, RGB 127 107 40, RGB 124 127 40, RGB 101 127 40 and RGB 78 127 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 128 40 shade: RGB 63 65 20, RGB 93 96 30, RGB 123 127 40, RGB 154 159 50 and RGB 184 190 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 128 40 shade: RGB 124 128 40, RGB 40 127 60 and RGB 95 40 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 128 40 shade: RGB 124 128 40, RGB 40 124 127 and RGB 127 40 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 128 40 shade: RGB 124 128 40, RGB 40 127 60, RGB 43 40 127 and RGB 127 40 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 128 40 shade: RGB 124 128 40, RGB 40 127 87, RGB 43 40 127 and RGB 127 40 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 69 / 50

HEX #7C8028

RGB 124 128 40

HSL 62.73, 0.52%, 0.33%

LAB 51.7, -13.36, 45.2

 

Complementary color

CMYK 39 / 41 / 0 / 16

HEX #837FD7

RGB 131 127 215

HSL 242.73, 0.52%, 0.67%

LAB 56.99, 22.83, -44.74

 

CMYK 0 / 1 / 73 / 49

HEX #818023

RGB 129 128 35

HSL 59.36, 0.57%, 0.32%

LAB 52.09, -11.37, 47.77

 

CMYK 0 / 0 / 63 / 43

HEX #929236

RGB 146 146 54

HSL 60, 0.46%, 0.39%

LAB 58.91, -12.24, 47.22

 

CMYK 1 / 0 / 55 / 36

HEX #A3A449

RGB 163 164 73

HSL 60.66, 0.38%, 0.46%

LAB 65.61, -12.91, 46.26

 

CMYK 1 / 0 / 49 / 29

HEX #B4B65C

RGB 180 182 92

HSL 61.33, 0.38%, 0.54%

LAB 72.18, -13.44, 45.13

 

CMYK 1 / 0 / 45 / 22

HEX #C5C86F

RGB 197 200 111

HSL 62.02, 0.45%, 0.61%

LAB 78.65, -13.86, 43.96

 

CMYK 3 / 0 / 69 / 50

HEX #7C8028

RGB 124 128 40

HSL 62.73, 0.52%, 0.33%

LAB 51.7, -13.36, 45.2

 

CMYK 3 / 0 / 81 / 57

HEX #6B6E15

RGB 107 110 21

HSL 62.02, 0.68%, 0.26%

LAB 44.71, -12.41, 45.25

 

CMYK 2 / 0 / 98 / 64

HEX #5A5C02

RGB 90 92 2

HSL 61.33, 0.96%, 0.18%

LAB 37.54, -11.16, 44.04

 

CMYK 1 / 0 / 100 / 71

HEX #494A00

RGB 73 74 0

HSL 60.81, 1%, 0.15%

LAB 30.19, -9.33, 38.54

 

CMYK 0 / 0 / 100 / 78

HEX #383800

RGB 56 56 0

HSL 60, 1%, 0.11%

LAB 22.55, -7.34, 31.04

 

CMYK 3 / 0 / 69 / 50

HEX #7B7F28

RGB 123 127 40

HSL 62.76, 0.52%, 0.33%

LAB 51.32, -13.27, 44.78

 

CMYK 0 / 15 / 69 / 50

HEX #7F6C28

RGB 127 108 40

HSL 46.9, 0.52%, 0.33%

LAB 46.16, -0.8, 39.53

 

CMYK 0 / 34 / 69 / 50

HEX #7F5428

RGB 127 84 40

HSL 30.34, 0.52%, 0.33%

LAB 39.59, 13.33, 32.36

 

CMYK 0 / 52 / 69 / 50

HEX #7F3D28

RGB 127 61 40

HSL 14.48, 0.52%, 0.33%

LAB 33.99, 26.74, 25.9

 

CMYK 0 / 69 / 69 / 50

HEX #7F2828

RGB 127 40 40

HSL 0, 0.52%, 0.33%

LAB 29.87, 37.5, 20.91

 

CMYK 3 / 0 / 69 / 50

HEX #7B7F28

RGB 123 127 40

HSL 62.76, 0.52%, 0.33%

LAB 51.32, -13.27, 44.78

 

CMYK 21 / 0 / 69 / 50

HEX #647F28

RGB 100 127 40

HSL 78.62, 0.52%, 0.33%

LAB 49.55, -23.41, 42.39

 

CMYK 40 / 0 / 69 / 50

HEX #4C7F28

RGB 76 127 40

HSL 95.17, 0.52%, 0.33%

LAB 48.09, -32.95, 40.42

 

CMYK 58 / 0 / 69 / 50

HEX #357F28

RGB 53 127 40

HSL 111.03, 0.52%, 0.33%

LAB 47.09, -40.39, 39.04

 

CMYK 69 / 0 / 60 / 50

HEX #287F33

RGB 40 127 51

HSL 127.59, 0.52%, 0.33%

LAB 46.8, -42.28, 33.39

 

CMYK 3 / 0 / 69 / 50

HEX #7B7F28

RGB 123 127 40

HSL 62.76, 0.52%, 0.33%

LAB 51.32, -13.27, 44.78

 

CMYK 4 / 0 / 82 / 45

HEX #888D1A

RGB 136 141 26

HSL 62.61, 0.69%, 0.33%

LAB 56.45, -15.54, 55.09

 

CMYK 5 / 0 / 92 / 39

HEX #949B0D

RGB 148 155 13

HSL 62.96, 0.85%, 0.33%

LAB 61.45, -17.79, 62.59

 

CMYK 3 / 0 / 69 / 50

HEX #7B7F28

RGB 123 127 40

HSL 62.76, 0.52%, 0.33%

LAB 51.32, -13.27, 44.78

 

CMYK 3 / 0 / 53 / 55

HEX #6F7236

RGB 111 114 54

HSL 63, 0.36%, 0.33%

LAB 46.55, -10.44, 32.52

 

CMYK 1 / 0 / 33 / 61

HEX #636443

RGB 99 100 67

HSL 61.82, 0.2%, 0.33%

LAB 41.49, -6.25, 18.64

 

CMYK 1 / 0 / 7 / 66

HEX #565751

RGB 86 87 81

HSL 70, 0.04%, 0.33%

LAB 36.72, -1.65, 3.34

 

CMYK 21 / 22 / 0 / 63

HEX #4A495E

RGB 74 73 94

HSL 242.86, 0.13%, 0.33%

LAB 31.87, 5.48, -12.18

 

CMYK 0 / 34 / 69 / 50

HEX #7F5428

RGB 127 84 40

HSL 30.34, 0.52%, 0.33%

LAB 39.59, 13.33, 32.36

 

CMYK 0 / 16 / 69 / 50

HEX #7F6B28

RGB 127 107 40

HSL 46.21, 0.52%, 0.33%

LAB 45.88, -0.22, 39.23

 

CMYK 2 / 0 / 69 / 50

HEX #7C7F28

RGB 124 127 40

HSL 62.07, 0.52%, 0.33%

LAB 51.4, -12.82, 44.9

 

CMYK 20 / 0 / 69 / 50

HEX #657F28

RGB 101 127 40

HSL 77.93, 0.52%, 0.33%

LAB 49.62, -22.99, 42.49

 

CMYK 39 / 0 / 69 / 50

HEX #4E7F28

RGB 78 127 40

HSL 93.79, 0.52%, 0.33%

LAB 48.2, -32.22, 40.56

 

CMYK 3 / 0 / 69 / 75

HEX #3F4114

RGB 63 65 20

HSL 62.67, 0.53%, 0.17%

LAB 26.41, -7.94, 26.37

 

CMYK 3 / 0 / 69 / 62

HEX #5D601E

RGB 93 96 30

HSL 62.73, 0.52%, 0.25%

LAB 39.22, -10.7, 35.89

 

CMYK 3 / 0 / 69 / 50

HEX #7B7F28

RGB 123 127 40

HSL 62.76, 0.52%, 0.33%

LAB 51.32, -13.27, 44.78

 

CMYK 3 / 0 / 69 / 38

HEX #9A9F32

RGB 154 159 50

HSL 62.75, 0.52%, 0.41%

LAB 63.26, -15.81, 53.63

 

CMYK 3 / 0 / 68 / 25

HEX #B8BE3C

RGB 184 190 60

HSL 62.77, 0.52%, 0.49%

LAB 74.41, -18.16, 61.73

 

CMYK 3 / 0 / 69 / 50

HEX #7C8028

RGB 124 128 40

HSL 62.73, 0.52%, 0.33%

LAB 51.7, -13.36, 45.2

 

CMYK 69 / 0 / 53 / 50

HEX #287F3C

RGB 40 127 60

HSL 133.79, 0.52%, 0.33%

LAB 46.92, -40.96, 28.87

 

CMYK 25 / 69 / 0 / 50

HEX #5F287F

RGB 95 40 127

HSL 277.93, 0.52%, 0.33%

LAB 28.07, 40.53, -38.92

 

CMYK 3 / 0 / 69 / 50

HEX #7C8028

RGB 124 128 40

HSL 62.73, 0.52%, 0.33%

LAB 51.7, -13.36, 45.2

 

CMYK 69 / 2 / 0 / 50

HEX #287C7F

RGB 40 124 127

HSL 182.07, 0.52%, 0.33%

LAB 47.49, -23.45, -8.97

 

CMYK 0 / 69 / 2 / 50

HEX #7F287C

RGB 127 40 124

HSL 302.07, 0.52%, 0.33%

LAB 32.89, 47.88, -29.06

 

CMYK 3 / 0 / 69 / 50

HEX #7C8028

RGB 124 128 40

HSL 62.73, 0.52%, 0.33%

LAB 51.7, -13.36, 45.2

 

CMYK 69 / 0 / 53 / 50

HEX #287F3C

RGB 40 127 60

HSL 133.79, 0.52%, 0.33%

LAB 46.92, -40.96, 28.87

 

CMYK 66 / 69 / 0 / 50

HEX #2B287F

RGB 43 40 127

HSL 242.07, 0.52%, 0.33%

LAB 22.17, 29.86, -48.76

 

CMYK 0 / 69 / 16 / 50

HEX #7F286B

RGB 127 40 107

HSL 313.79, 0.52%, 0.33%

LAB 32.01, 45.02, -19.67

 

CMYK 3 / 0 / 69 / 50

HEX #7C8028

RGB 124 128 40

HSL 62.73, 0.52%, 0.33%

LAB 51.7, -13.36, 45.2

 

CMYK 69 / 0 / 31 / 50

HEX #287F57

RGB 40 127 87

HSL 152.41, 0.52%, 0.33%

LAB 47.39, -35.74, 14.4

 

CMYK 66 / 69 / 0 / 50

HEX #2B287F

RGB 43 40 127

HSL 242.07, 0.52%, 0.33%

LAB 22.17, 29.86, -48.76

 

CMYK 0 / 69 / 36 / 50

HEX #7F2851

RGB 127 40 81

HSL 331.72, 0.52%, 0.33%

LAB 30.93, 41.33, -4.5

 

Description

Color code: RGB 124 128 40 | qconv.com Color code: RGB 124 128 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 128 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 128 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 69 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 69% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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