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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 92 45 it is the complementary color RGB 132 163 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 92 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 92 45 shade: RGB 128 92 40, RGB 145 110 59, RGB 162 128 78, RGB 179 146 97 and RGB 196 164 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 92 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 92 45 shade: RGB 123 92 45, RGB 106 74 26, RGB 89 56 7, RGB 72 38 0 and RGB 55 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 92 45 shade: RGB 122 92 45, RGB 122 71 45, RGB 122 50 45 and RGB 122 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 92 45 shade: RGB 122 92 45, RGB 122 112 45, RGB 111 122 45, RGB 91 122 45 and RGB 70 122 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 92 45 shade matches the following richer shades: RGB 122 92 45, RGB 136 94 31, RGB 150 97 18 and RGB 163 100 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 92 45 shade: RGB 122 92 45, RGB 109 89 59, RGB 95 86 72, RGB 82 83 86 and RGB 68 80 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 92 45 shade: RGB 122 50 45, RGB 122 71 45, RGB 122 91 45, RGB 122 112 45 and RGB 112 122 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 92 45 shade: RGB 62 46 23, RGB 92 69 34, RGB 122 92 45, RGB 152 114 56 and RGB 183 137 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 92 45 shade: RGB 123 92 45, RGB 60 122 45 and RGB 60 45 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 92 45 shade: RGB 123 92 45, RGB 45 122 91 and RGB 91 45 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 92 45 shade: RGB 123 92 45, RGB 60 122 45, RGB 45 76 122 and RGB 107 45 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 92 45 shade: RGB 123 92 45, RGB 45 122 53, RGB 45 76 122 and RGB 122 45 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 63 / 52

HEX #7B5C2D

RGB 123 92 45

HSL 36.15, 0.46%, 0.33%

LAB 41.3, 7.06, 31.48

 

Complementary color

CMYK 37 / 22 / 0 / 18

HEX #84A3D2

RGB 132 163 210

HSL 216.15, 0.46%, 0.67%

LAB 66.33, 0.92, -27.37

 

CMYK 0 / 28 / 69 / 50

HEX #805C28

RGB 128 92 40

HSL 35.45, 0.52%, 0.33%

LAB 41.84, 9.05, 34.89

 

CMYK 0 / 24 / 59 / 43

HEX #916E3B

RGB 145 110 59

HSL 35.58, 0.42%, 0.4%

LAB 48.87, 7.75, 33.43

 

CMYK 0 / 21 / 52 / 36

HEX #A2804E

RGB 162 128 78

HSL 35.71, 0.35%, 0.47%

LAB 55.76, 6.71, 31.97

 

CMYK 0 / 18 / 46 / 30

HEX #B39261

RGB 179 146 97

HSL 35.85, 0.35%, 0.54%

LAB 62.51, 5.86, 30.58

 

CMYK 0 / 16 / 41 / 23

HEX #C4A474

RGB 196 164 116

HSL 36, 0.4%, 0.61%

LAB 69.15, 5.15, 29.28

 

CMYK 0 / 25 / 63 / 52

HEX #7B5C2D

RGB 123 92 45

HSL 36.15, 0.46%, 0.33%

LAB 41.3, 7.06, 31.48

 

CMYK 0 / 30 / 75 / 58

HEX #6A4A1A

RGB 106 74 26

HSL 36, 0.61%, 0.26%

LAB 34.06, 8.52, 32.88

 

CMYK 0 / 37 / 92 / 65

HEX #593807

RGB 89 56 7

HSL 35.85, 0.85%, 0.19%

LAB 26.64, 10.44, 33.55

 

CMYK 0 / 47 / 100 / 72

HEX #482600

RGB 72 38 0

HSL 31.67, 1%, 0.14%

LAB 19.07, 13.01, 27.79

 

CMYK 0 / 64 / 100 / 78

HEX #371400

RGB 55 20 0

HSL 21.82, 1%, 0.11%

LAB 11.36, 15.96, 17.34

 

CMYK 0 / 25 / 63 / 52

HEX #7A5C2D

RGB 122 92 45

HSL 36.62, 0.46%, 0.33%

LAB 41.19, 6.6, 31.31

 

CMYK 0 / 42 / 63 / 52

HEX #7A472D

RGB 122 71 45

HSL 20.26, 0.46%, 0.33%

LAB 35.66, 19.14, 24.76

 

CMYK 0 / 59 / 63 / 52

HEX #7A322D

RGB 122 50 45

HSL 3.9, 0.46%, 0.33%

LAB 30.9, 31.03, 18.82

 

CMYK 0 / 63 / 63 / 52

HEX #7A2D2D

RGB 122 45 45

HSL 0, 0.46%, 0.33%

LAB 29.92, 33.6, 17.57

 

CMYK 0 / 25 / 63 / 52

HEX #7A5C2D

RGB 122 92 45

HSL 36.62, 0.46%, 0.33%

LAB 41.19, 6.6, 31.31

 

CMYK 0 / 8 / 63 / 52

HEX #7A702D

RGB 122 112 45

HSL 52.21, 0.46%, 0.33%

LAB 46.86, -5.07, 37.73

 

CMYK 9 / 0 / 63 / 52

HEX #6F7A2D

RGB 111 122 45

HSL 68.57, 0.46%, 0.33%

LAB 48.87, -15.62, 39.65

 

CMYK 25 / 0 / 63 / 52

HEX #5B7A2D

RGB 91 122 45

HSL 84.16, 0.46%, 0.33%

LAB 47.41, -24.25, 37.63

 

CMYK 43 / 0 / 63 / 52

HEX #467A2D

RGB 70 122 45

HSL 100.52, 0.46%, 0.33%

LAB 46.19, -32.35, 35.93

 

CMYK 0 / 25 / 63 / 52

HEX #7A5C2D

RGB 122 92 45

HSL 36.62, 0.46%, 0.33%

LAB 41.19, 6.6, 31.31

 

CMYK 0 / 31 / 77 / 47

HEX #885E1F

RGB 136 94 31

HSL 36, 0.63%, 0.33%

LAB 43.27, 11.1, 41.04

 

CMYK 0 / 35 / 88 / 41

HEX #966112

RGB 150 97 18

HSL 35.91, 0.79%, 0.33%

LAB 45.74, 15.38, 48.94

 

CMYK 0 / 39 / 98 / 36

HEX #A36404

RGB 163 100 4

HSL 36.23, 0.95%, 0.33%

LAB 48.15, 19.33, 54.98

 

CMYK 0 / 25 / 63 / 52

HEX #7A5C2D

RGB 122 92 45

HSL 36.62, 0.46%, 0.33%

LAB 41.19, 6.6, 31.31

 

CMYK 0 / 18 / 46 / 57

HEX #6D593B

RGB 109 89 59

HSL 36, 0.3%, 0.33%

LAB 39.09, 3.73, 20.42

 

CMYK 0 / 9 / 24 / 63

HEX #5F5648

RGB 95 86 72

HSL 36.52, 0.14%, 0.33%

LAB 37.03, 1.12, 9.49

 

CMYK 5 / 3 / 0 / 66

HEX #525356

RGB 82 83 86

HSL 225, 0.02%, 0.33%

LAB 35.31, 0.26, -1.89

 

CMYK 31 / 19 / 0 / 61

HEX #445063

RGB 68 80 99

HSL 216.77, 0.19%, 0.33%

LAB 33.7, 0.26, -12.6

 

CMYK 0 / 59 / 63 / 52

HEX #7A322D

RGB 122 50 45

HSL 3.9, 0.46%, 0.33%

LAB 30.9, 31.03, 18.82

 

CMYK 0 / 42 / 63 / 52

HEX #7A472D

RGB 122 71 45

HSL 20.26, 0.46%, 0.33%

LAB 35.66, 19.14, 24.76

 

CMYK 0 / 25 / 63 / 52

HEX #7A5B2D

RGB 122 91 45

HSL 35.84, 0.46%, 0.33%

LAB 40.91, 7.19, 31

 

CMYK 0 / 8 / 63 / 52

HEX #7A702D

RGB 122 112 45

HSL 52.21, 0.46%, 0.33%

LAB 46.86, -5.07, 37.73

 

CMYK 8 / 0 / 63 / 52

HEX #707A2D

RGB 112 122 45

HSL 67.79, 0.46%, 0.33%

LAB 48.95, -15.17, 39.76

 

CMYK 0 / 26 / 63 / 76

HEX #3E2E17

RGB 62 46 23

HSL 35.38, 0.46%, 0.17%

LAB 20.2, 4.02, 17.51

 

CMYK 0 / 25 / 63 / 64

HEX #5C4522

RGB 92 69 34

HSL 36.21, 0.46%, 0.25%

LAB 30.99, 5.34, 24.66

 

CMYK 0 / 25 / 63 / 52

HEX #7A5C2D

RGB 122 92 45

HSL 36.62, 0.46%, 0.33%

LAB 41.19, 6.6, 31.31

 

CMYK 0 / 25 / 63 / 40

HEX #987238

RGB 152 114 56

HSL 36.25, 0.46%, 0.41%

LAB 50.68, 8.38, 37.33

 

CMYK 0 / 25 / 63 / 28

HEX #B78943

RGB 183 137 67

HSL 36.21, 0.46%, 0.49%

LAB 60.22, 9.96, 43.55

 

CMYK 0 / 25 / 63 / 52

HEX #7B5C2D

RGB 123 92 45

HSL 36.15, 0.46%, 0.33%

LAB 41.3, 7.06, 31.48

 

CMYK 51 / 0 / 63 / 52

HEX #3C7A2D

RGB 60 122 45

HSL 108.31, 0.46%, 0.33%

LAB 45.73, -35.7, 35.28

 

CMYK 51 / 63 / 0 / 52

HEX #3C2D7A

RGB 60 45 122

HSL 251.69, 0.46%, 0.33%

LAB 24.46, 28.12, -41.81

 

CMYK 0 / 25 / 63 / 52

HEX #7B5C2D

RGB 123 92 45

HSL 36.15, 0.46%, 0.33%

LAB 41.3, 7.06, 31.48

 

CMYK 63 / 0 / 25 / 52

HEX #2D7A5B

RGB 45 122 91

HSL 155.84, 0.46%, 0.33%

LAB 45.95, -31.54, 10.09

 

CMYK 25 / 63 / 0 / 52

HEX #5B2D7A

RGB 91 45 122

HSL 275.84, 0.46%, 0.33%

LAB 28.13, 35.68, -35.7

 

CMYK 0 / 25 / 63 / 52

HEX #7B5C2D

RGB 123 92 45

HSL 36.15, 0.46%, 0.33%

LAB 41.3, 7.06, 31.48

 

CMYK 51 / 0 / 63 / 52

HEX #3C7A2D

RGB 60 122 45

HSL 108.31, 0.46%, 0.33%

LAB 45.73, -35.7, 35.28

 

CMYK 63 / 38 / 0 / 52

HEX #2D4C7A

RGB 45 76 122

HSL 215.84, 0.46%, 0.33%

LAB 32.11, 4.01, -29.62

 

CMYK 12 / 63 / 0 / 52

HEX #6B2D7A

RGB 107 45 122

HSL 288.31, 0.46%, 0.33%

LAB 30.42, 39.94, -31.92

 

CMYK 0 / 25 / 63 / 52

HEX #7B5C2D

RGB 123 92 45

HSL 36.15, 0.46%, 0.33%

LAB 41.3, 7.06, 31.48

 

CMYK 63 / 0 / 57 / 52

HEX #2D7A35

RGB 45 122 53

HSL 126.23, 0.46%, 0.33%

LAB 45.27, -38.88, 30.58

 

CMYK 63 / 38 / 0 / 52

HEX #2D4C7A

RGB 45 76 122

HSL 215.84, 0.46%, 0.33%

LAB 32.11, 4.01, -29.62

 

CMYK 0 / 63 / 6 / 52

HEX #7A2D73

RGB 122 45 115

HSL 305.45, 0.46%, 0.33%

LAB 32.37, 42.73, -24.26

 

Description

Color code: RGB 123 92 45 | qconv.com Color code: RGB 123 92 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 92 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 92 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 63 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 63% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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