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Color name
RGB 123 89 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 89 199 it is the complementary color RGB 132 166 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 89 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 89 199 shade: RGB 128 89 194, RGB 145 107 213, RGB 162 125 232, RGB 179 143 251 and RGB 196 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 89 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 89 199 shade: RGB 123 89 199, RGB 106 71 180, RGB 89 53 161, RGB 72 35 142 and RGB 55 17 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 89 199 shade: RGB 121 86 198, RGB 151 86 198, RGB 181 86 198, RGB 198 86 185 and RGB 198 86 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 89 199 shade: RGB 121 86 198, RGB 91 86 198 and RGB 86 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 89 199 shade matches the following richer shades: RGB 121 86 198, RGB 114 68 217, RGB 107 50 235 and RGB 100 32 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 89 199 shade: RGB 121 86 198, RGB 128 104 180, RGB 135 123 162, RGB 142 141 144 and RGB 149 159 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 89 199 shade: RGB 86 112 198, RGB 90 86 198, RGB 120 86 198, RGB 150 86 198 and RGB 180 86 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 89 199 shade: RGB 82 50 152, RGB 98 61 183, RGB 121 86 198, RGB 145 117 209 and RGB 170 148 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 89 199 shade: RGB 123 89 199, RGB 198 86 142 and RGB 97 198 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 89 199 shade: RGB 123 89 199, RGB 198 120 86 and RGB 86 198 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 89 199 shade: RGB 123 89 199, RGB 198 86 142, RGB 165 198 86 and RGB 86 198 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 89 199 shade: RGB 123 89 199, RGB 198 86 109, RGB 165 198 86 and RGB 86 198 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 55 / 0 / 22

HEX #7B59C7

RGB 123 89 199

HSL 258.55, 0.5%, 0.56%

LAB 46.28, 38.76, -52.72

 

Complementary color

CMYK 20 / 0 / 66 / 35

HEX #84A638

RGB 132 166 56

HSL 78.55, 0.5%, 0.44%

LAB 63.72, -28.2, 51.15

 

CMYK 34 / 54 / 0 / 24

HEX #8059C2

RGB 128 89 194

HSL 262.29, 0.46%, 0.55%

LAB 46.48, 38.65, -49.48

 

CMYK 32 / 50 / 0 / 16

HEX #916BD5

RGB 145 107 213

HSL 261.51, 0.56%, 0.63%

LAB 53.32, 37.61, -49.36

 

CMYK 30 / 46 / 0 / 9

HEX #A27DE8

RGB 162 125 232

HSL 260.75, 0.7%, 0.7%

LAB 60.05, 36.64, -49.24

 

CMYK 29 / 43 / 0 / 2

HEX #B38FFB

RGB 179 143 251

HSL 260, 0.93%, 0.77%

LAB 66.67, 35.74, -49.14

 

CMYK 23 / 37 / 0 / 0

HEX #C4A1FF

RGB 196 161 255

HSL 262.34, 1%, 0.82%

LAB 72.53, 31.41, -42.01

 

CMYK 38 / 55 / 0 / 22

HEX #7B59C7

RGB 123 89 199

HSL 258.55, 0.5%, 0.56%

LAB 46.28, 38.76, -52.72

 

CMYK 41 / 61 / 0 / 29

HEX #6A47B4

RGB 106 71 180

HSL 259.27, 0.43%, 0.49%

LAB 39.35, 39.96, -52.89

 

CMYK 45 / 67 / 0 / 37

HEX #5935A1

RGB 89 53 161

HSL 260, 0.5%, 0.42%

LAB 32.35, 41.19, -52.97

 

CMYK 49 / 75 / 0 / 44

HEX #48238E

RGB 72 35 142

HSL 260.75, 0.6%, 0.35%

LAB 25.36, 42.26, -52.83

 

CMYK 55 / 86 / 0 / 52

HEX #37117B

RGB 55 17 123

HSL 261.51, 0.76%, 0.27%

LAB 18.55, 42.69, -52.12

 

CMYK 39 / 57 / 0 / 22

HEX #7956C6

RGB 121 86 198

HSL 258.75, 0.5%, 0.56%

LAB 45.36, 39.74, -53.64

 

CMYK 24 / 57 / 0 / 22

HEX #9756C6

RGB 151 86 198

HSL 274.82, 0.5%, 0.56%

LAB 48.65, 47.08, -48.18

 

CMYK 9 / 57 / 0 / 22

HEX #B556C6

RGB 181 86 198

HSL 290.89, 0.5%, 0.56%

LAB 52.46, 54.82, -41.9

 

CMYK 0 / 57 / 7 / 22

HEX #C656B9

RGB 198 86 185

HSL 306.96, 0.5%, 0.56%

LAB 54.2, 57.06, -31.51

 

CMYK 0 / 57 / 22 / 22

HEX #C6569B

RGB 198 86 155

HSL 323.04, 0.5%, 0.56%

LAB 52.98, 52.43, -15.89

 

CMYK 39 / 57 / 0 / 22

HEX #7956C6

RGB 121 86 198

HSL 258.75, 0.5%, 0.56%

LAB 45.36, 39.74, -53.64

 

CMYK 54 / 57 / 0 / 22

HEX #5B56C6

RGB 91 86 198

HSL 242.68, 0.5%, 0.56%

LAB 42.7, 33.24, -58.06

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 39 / 57 / 0 / 22

HEX #7956C6

RGB 121 86 198

HSL 258.75, 0.5%, 0.56%

LAB 45.36, 39.74, -53.64

 

CMYK 47 / 69 / 0 / 15

HEX #7244D9

RGB 114 68 217

HSL 258.52, 0.66%, 0.56%

LAB 42.34, 53.33, -69.5

 

CMYK 54 / 79 / 0 / 8

HEX #6B32EB

RGB 107 50 235

HSL 258.49, 0.82%, 0.56%

LAB 40.25, 65.44, -83.2

 

CMYK 60 / 87 / 0 / 1

HEX #6420FD

RGB 100 32 253

HSL 258.46, 0.98%, 0.56%

LAB 39.3, 75.47, -94.95

 

CMYK 39 / 57 / 0 / 22

HEX #7956C6

RGB 121 86 198

HSL 258.75, 0.5%, 0.56%

LAB 45.36, 39.74, -53.64

 

CMYK 29 / 42 / 0 / 29

HEX #8068B4

RGB 128 104 180

HSL 258.95, 0.34%, 0.56%

LAB 49.23, 26.23, -37

 

CMYK 17 / 24 / 0 / 36

HEX #877BA2

RGB 135 123 162

HSL 258.46, 0.17%, 0.56%

LAB 53.95, 12.75, -19.18

 

CMYK 1 / 2 / 0 / 44

HEX #8E8D90

RGB 142 141 144

HSL 260, 0.01%, 0.56%

LAB 58.8, 0.96, -1.47

 

CMYK 6 / 0 / 21 / 38

HEX #959F7E

RGB 149 159 126

HSL 78.18, 0.15%, 0.56%

LAB 63.91, -9.55, 16.06

 

CMYK 57 / 43 / 0 / 22

HEX #5670C6

RGB 86 112 198

HSL 226.07, 0.5%, 0.56%

LAB 49.06, 16.09, -47.86

 

CMYK 55 / 57 / 0 / 22

HEX #5A56C6

RGB 90 86 198

HSL 242.14, 0.5%, 0.56%

LAB 42.62, 33.05, -58.19

 

CMYK 39 / 57 / 0 / 22

HEX #7856C6

RGB 120 86 198

HSL 258.21, 0.5%, 0.56%

LAB 45.26, 39.51, -53.81

 

CMYK 24 / 57 / 0 / 22

HEX #9656C6

RGB 150 86 198

HSL 274.29, 0.5%, 0.56%

LAB 48.53, 46.83, -48.38

 

CMYK 9 / 57 / 0 / 22

HEX #B456C6

RGB 180 86 198

HSL 290.36, 0.5%, 0.56%

LAB 52.33, 54.56, -42.12

 

CMYK 46 / 67 / 0 / 40

HEX #523298

RGB 82 50 152

HSL 258.82, 0.5%, 0.4%

LAB 30.26, 38.89, -50.94

 

CMYK 46 / 67 / 0 / 28

HEX #623DB7

RGB 98 61 183

HSL 258.2, 0.5%, 0.48%

LAB 36.66, 44.75, -59.07

 

CMYK 39 / 57 / 0 / 22

HEX #7956C6

RGB 121 86 198

HSL 258.75, 0.5%, 0.56%

LAB 45.36, 39.74, -53.64

 

CMYK 31 / 44 / 0 / 18

HEX #9175D1

RGB 145 117 209

HSL 258.26, 0.5%, 0.64%

LAB 55.43, 30.84, -43.75

 

CMYK 22 / 32 / 0 / 14

HEX #AA94DB

RGB 170 148 219

HSL 258.59, 0.5%, 0.72%

LAB 65.62, 22.72, -33.22

 

CMYK 38 / 55 / 0 / 22

HEX #7B59C7

RGB 123 89 199

HSL 258.55, 0.5%, 0.56%

LAB 46.28, 38.76, -52.72

 

CMYK 0 / 57 / 28 / 22

HEX #C6568E

RGB 198 86 142

HSL 330, 0.5%, 0.56%

LAB 52.52, 50.65, -8.9

 

CMYK 51 / 0 / 57 / 22

HEX #61C656

RGB 97 198 86

HSL 114.11, 0.5%, 0.56%

LAB 71.96, -51.26, 46.54

 

CMYK 38 / 55 / 0 / 22

HEX #7B59C7

RGB 123 89 199

HSL 258.55, 0.5%, 0.56%

LAB 46.28, 38.76, -52.72

 

CMYK 0 / 39 / 57 / 22

HEX #C67856

RGB 198 120 86

HSL 18.21, 0.5%, 0.56%

LAB 58.14, 27.11, 31.48

 

CMYK 57 / 0 / 39 / 22

HEX #56C678

RGB 86 198 120

HSL 138.21, 0.5%, 0.56%

LAB 72.04, -49.11, 29.72

 

CMYK 38 / 55 / 0 / 22

HEX #7B59C7

RGB 123 89 199

HSL 258.55, 0.5%, 0.56%

LAB 46.28, 38.76, -52.72

 

CMYK 0 / 57 / 28 / 22

HEX #C6568E

RGB 198 86 142

HSL 330, 0.5%, 0.56%

LAB 52.52, 50.65, -8.9

 

CMYK 17 / 0 / 57 / 22

HEX #A5C656

RGB 165 198 86

HSL 77.68, 0.5%, 0.56%

LAB 75.49, -27.98, 51.54

 

CMYK 57 / 0 / 28 / 22

HEX #56C68E

RGB 86 198 142

HSL 150, 0.5%, 0.56%

LAB 72.44, -44.94, 18.66

 

CMYK 38 / 55 / 0 / 22

HEX #7B59C7

RGB 123 89 199

HSL 258.55, 0.5%, 0.56%

LAB 46.28, 38.76, -52.72

 

CMYK 0 / 57 / 45 / 22

HEX #C6566D

RGB 198 86 109

HSL 347.68, 0.5%, 0.56%

LAB 51.57, 46.8, 9.37

 

CMYK 17 / 0 / 57 / 22

HEX #A5C656

RGB 165 198 86

HSL 77.68, 0.5%, 0.56%

LAB 75.49, -27.98, 51.54

 

CMYK 57 / 0 / 11 / 22

HEX #56C6B0

RGB 86 198 176

HSL 168.21, 0.5%, 0.56%

LAB 73.22, -37.21, 1.43

 

Description

Color code: RGB 123 89 199 | qconv.com Color code: RGB 123 89 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 89 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 89 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 55 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 55% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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