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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 78 64 it is the complementary color RGB 132 177 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 78 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 78 64 shade: RGB 128 78 59, RGB 145 96 78, RGB 162 114 97, RGB 179 132 116 and RGB 196 150 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 78 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 78 64 shade: RGB 123 78 64, RGB 106 60 45, RGB 89 42 26, RGB 72 24 7 and RGB 55 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 78 64 shade: RGB 124 78 64 and RGB 124 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 78 64 shade: RGB 124 78 64, RGB 124 94 64, RGB 124 111 64, RGB 121 124 64 and RGB 105 124 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 78 64 shade matches the following richer shades: RGB 124 78 64, RGB 139 70 48, RGB 155 62 33, RGB 170 54 18 and RGB 185 46 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 78 64 shade: RGB 124 78 64, RGB 109 86 79, RGB 94 94 94, RGB 78 102 109 and RGB 63 110 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 78 64 shade: RGB 124 64 82, RGB 124 64 66, RGB 124 78 64, RGB 124 94 64 and RGB 124 110 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 78 64 shade: RGB 70 44 36, RGB 97 61 50, RGB 124 78 64, RGB 151 95 78 and RGB 173 115 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 78 64 shade: RGB 123 78 64, RGB 98 124 64 and RGB 64 74 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 78 64 shade: RGB 123 78 64, RGB 64 124 78 and RGB 78 64 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 78 64 shade: RGB 123 78 64, RGB 98 124 64, RGB 64 110 124 and RGB 90 64 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 78 64 shade: RGB 123 78 64, RGB 80 124 64, RGB 64 110 124 and RGB 108 64 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 48 / 52

HEX #7B4E40

RGB 123 78 64

HSL 14.24, 0.32%, 0.37%

LAB 37.9, 17.25, 16.13

 

Complementary color

CMYK 31 / 7 / 0 / 25

HEX #84B1BF

RGB 132 177 191

HSL 194.24, 0.32%, 0.63%

LAB 69.55, -11.59, -11.98

 

CMYK 0 / 39 / 54 / 50

HEX #804E3B

RGB 128 78 59

HSL 16.52, 0.37%, 0.37%

LAB 38.47, 18.91, 20.06

 

CMYK 0 / 34 / 46 / 43

HEX #91604E

RGB 145 96 78

HSL 16.12, 0.3%, 0.44%

LAB 45.55, 17.72, 18.41

 

CMYK 0 / 30 / 40 / 36

HEX #A27261

RGB 162 114 97

HSL 15.69, 0.26%, 0.51%

LAB 52.49, 16.72, 16.98

 

CMYK 0 / 26 / 35 / 30

HEX #B38474

RGB 179 132 116

HSL 15.24, 0.29%, 0.58%

LAB 59.29, 15.87, 15.71

 

CMYK 0 / 23 / 31 / 23

HEX #C49687

RGB 196 150 135

HSL 14.75, 0.34%, 0.65%

LAB 65.98, 15.12, 14.57

 

CMYK 0 / 37 / 48 / 52

HEX #7B4E40

RGB 123 78 64

HSL 14.24, 0.32%, 0.37%

LAB 37.9, 17.25, 16.13

 

CMYK 0 / 43 / 58 / 58

HEX #6A3C2D

RGB 106 60 45

HSL 14.75, 0.4%, 0.3%

LAB 30.61, 18.54, 17.93

 

CMYK 0 / 53 / 71 / 65

HEX #592A1A

RGB 89 42 26

HSL 15.24, 0.55%, 0.23%

LAB 23.18, 20.11, 20.15

 

CMYK 0 / 67 / 90 / 72

HEX #481807

RGB 72 24 7

HSL 15.69, 0.82%, 0.15%

LAB 15.73, 21.91, 20.88

 

CMYK 0 / 89 / 100 / 78

HEX #370600

RGB 55 6 0

HSL 6.55, 1%, 0.11%

LAB 8.5, 23.61, 13.29

 

CMYK 0 / 37 / 48 / 51

HEX #7C4E40

RGB 124 78 64

HSL 14, 0.32%, 0.37%

LAB 38.03, 17.69, 16.33

 

CMYK 0 / 48 / 48 / 51

HEX #7C4040

RGB 124 64 64

HSL 0, 0.32%, 0.37%

LAB 34.64, 25.89, 11.75

 

CMYK 0 / 37 / 48 / 51

HEX #7C4E40

RGB 124 78 64

HSL 14, 0.32%, 0.37%

LAB 38.03, 17.69, 16.33

 

CMYK 0 / 24 / 48 / 51

HEX #7C5E40

RGB 124 94 64

HSL 30, 0.32%, 0.37%

LAB 42.25, 8.13, 21.88

 

CMYK 0 / 10 / 48 / 51

HEX #7C6F40

RGB 124 111 64

HSL 47, 0.32%, 0.37%

LAB 47.01, -1.85, 27.92

 

CMYK 2 / 0 / 48 / 51

HEX #797C40

RGB 121 124 64

HSL 63, 0.32%, 0.37%

LAB 50.51, -10.51, 32.17

 

CMYK 15 / 0 / 48 / 51

HEX #697C40

RGB 105 124 64

HSL 79, 0.32%, 0.37%

LAB 49.24, -17.4, 30.32

 

CMYK 0 / 37 / 48 / 51

HEX #7C4E40

RGB 124 78 64

HSL 14, 0.32%, 0.37%

LAB 38.03, 17.69, 16.33

 

CMYK 0 / 50 / 65 / 45

HEX #8B4630

RGB 139 70 48

HSL 14.51, 0.49%, 0.37%

LAB 37.99, 27.33, 26.39

 

CMYK 0 / 60 / 79 / 39

HEX #9B3E21

RGB 155 62 33

HSL 14.26, 0.65%, 0.37%

LAB 38.77, 37.2, 36.45

 

CMYK 0 / 68 / 89 / 33

HEX #AA3612

RGB 170 54 18

HSL 14.21, 0.81%, 0.37%

LAB 39.96, 45.95, 45.63

 

CMYK 0 / 75 / 98 / 27

HEX #B92E03

RGB 185 46 3

HSL 14.18, 0.97%, 0.37%

LAB 41.65, 53.79, 53.12

 

CMYK 0 / 37 / 48 / 51

HEX #7C4E40

RGB 124 78 64

HSL 14, 0.32%, 0.37%

LAB 38.03, 17.69, 16.33

 

CMYK 0 / 21 / 28 / 57

HEX #6D564F

RGB 109 86 79

HSL 14, 0.16%, 0.37%

LAB 38.68, 8.33, 7.68

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 28 / 6 / 0 / 57

HEX #4E666D

RGB 78 102 109

HSL 193.55, 0.17%, 0.37%

LAB 41.57, -7.09, -6.86

 

CMYK 50 / 12 / 0 / 51

HEX #3F6E7D

RGB 63 110 125

HSL 194.52, 0.33%, 0.37%

LAB 43.78, -11.63, -13.29

 

CMYK 0 / 48 / 34 / 51

HEX #7C4052

RGB 124 64 82

HSL 342, 0.32%, 0.37%

LAB 35.13, 28.14, 0.96

 

CMYK 0 / 48 / 47 / 51

HEX #7C4042

RGB 124 64 66

HSL 358, 0.32%, 0.37%

LAB 34.69, 26.11, 10.54

 

CMYK 0 / 37 / 48 / 51

HEX #7C4E40

RGB 124 78 64

HSL 14, 0.32%, 0.37%

LAB 38.03, 17.69, 16.33

 

CMYK 0 / 24 / 48 / 51

HEX #7C5E40

RGB 124 94 64

HSL 30, 0.32%, 0.37%

LAB 42.25, 8.13, 21.88

 

CMYK 0 / 11 / 48 / 51

HEX #7C6E40

RGB 124 110 64

HSL 46, 0.32%, 0.37%

LAB 46.72, -1.27, 27.56

 

CMYK 0 / 37 / 49 / 73

HEX #462C24

RGB 70 44 36

HSL 14.12, 0.32%, 0.21%

LAB 20.95, 10.89, 10.1

 

CMYK 0 / 37 / 48 / 62

HEX #613D32

RGB 97 61 50

HSL 14.04, 0.32%, 0.29%

LAB 29.69, 14.38, 13.3

 

CMYK 0 / 37 / 48 / 51

HEX #7C4E40

RGB 124 78 64

HSL 14, 0.32%, 0.37%

LAB 38.03, 17.69, 16.33

 

CMYK 0 / 37 / 48 / 41

HEX #975F4E

RGB 151 95 78

HSL 13.97, 0.32%, 0.45%

LAB 46.06, 20.84, 19.23

 

CMYK 0 / 34 / 44 / 32

HEX #AD7361

RGB 173 115 97

HSL 14.21, 0.32%, 0.53%

LAB 54.04, 20.69, 19.3

 

CMYK 0 / 37 / 48 / 52

HEX #7B4E40

RGB 123 78 64

HSL 14.24, 0.32%, 0.37%

LAB 37.9, 17.25, 16.13

 

CMYK 21 / 0 / 48 / 51

HEX #627C40

RGB 98 124 64

HSL 86, 0.32%, 0.37%

LAB 48.74, -20.31, 29.59

 

CMYK 48 / 40 / 0 / 51

HEX #404A7C

RGB 64 74 124

HSL 230, 0.32%, 0.37%

LAB 32.79, 10.62, -29.7

 

CMYK 0 / 37 / 48 / 52

HEX #7B4E40

RGB 123 78 64

HSL 14.24, 0.32%, 0.37%

LAB 37.9, 17.25, 16.13

 

CMYK 48 / 0 / 37 / 51

HEX #407C4E

RGB 64 124 78

HSL 134, 0.32%, 0.37%

LAB 47.05, -30.35, 19.25

 

CMYK 37 / 48 / 0 / 51

HEX #4E407C

RGB 78 64 124

HSL 254, 0.32%, 0.37%

LAB 31.21, 21.09, -32.13

 

CMYK 0 / 37 / 48 / 52

HEX #7B4E40

RGB 123 78 64

HSL 14.24, 0.32%, 0.37%

LAB 37.9, 17.25, 16.13

 

CMYK 21 / 0 / 48 / 51

HEX #627C40

RGB 98 124 64

HSL 86, 0.32%, 0.37%

LAB 48.74, -20.31, 29.59

 

CMYK 48 / 11 / 0 / 51

HEX #406E7C

RGB 64 110 124

HSL 194, 0.32%, 0.37%

LAB 43.8, -11.68, -12.67

 

CMYK 27 / 48 / 0 / 51

HEX #5A407C

RGB 90 64 124

HSL 266, 0.32%, 0.37%

LAB 32.47, 24.64, -30.06

 

CMYK 0 / 37 / 48 / 52

HEX #7B4E40

RGB 123 78 64

HSL 14.24, 0.32%, 0.37%

LAB 37.9, 17.25, 16.13

 

CMYK 35 / 0 / 48 / 51

HEX #507C40

RGB 80 124 64

HSL 104, 0.32%, 0.37%

LAB 47.61, -27.31, 27.95

 

CMYK 48 / 11 / 0 / 51

HEX #406E7C

RGB 64 110 124

HSL 194, 0.32%, 0.37%

LAB 43.8, -11.68, -12.67

 

CMYK 13 / 48 / 0 / 51

HEX #6C407C

RGB 108 64 124

HSL 284, 0.32%, 0.37%

LAB 34.62, 30.22, -26.52

 

Description

Color code: RGB 123 78 64 | qconv.com Color code: RGB 123 78 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 78 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 78 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 48 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 48% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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