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Color name
RGB 123 55 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 55 18 it is the complementary color RGB 132 200 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 55 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 55 18 shade: RGB 128 55 13, RGB 145 73 32, RGB 162 91 51, RGB 179 109 70 and RGB 196 127 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 55 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 55 18 shade: RGB 123 55 18, RGB 106 37 0, RGB 89 19 0, RGB 72 1 0 and RGB 55 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 55 18 shade: RGB 124 55 18, RGB 124 27 18 and RGB 124 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 55 18 shade: RGB 124 55 18, RGB 124 84 18, RGB 124 112 18, RGB 107 124 18 and RGB 78 124 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 55 18 shade matches the following richer shades: RGB 124 55 18 and RGB 135 52 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 55 18 shade: RGB 124 55 18, RGB 112 59 30, RGB 101 62 41, RGB 89 66 53 and RGB 78 69 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 55 18 shade: RGB 124 18 37, RGB 124 27 18, RGB 124 55 18, RGB 124 83 18 and RGB 124 111 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 55 18 shade: RGB 52 23 7, RGB 88 39 13, RGB 124 55 18, RGB 160 71 23 and RGB 196 88 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 55 18 shade: RGB 123 55 18, RGB 66 124 18 and RGB 18 23 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 55 18 shade: RGB 123 55 18, RGB 18 124 55 and RGB 55 18 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 55 18 shade: RGB 123 55 18, RGB 66 124 18, RGB 18 87 124 and RGB 76 18 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 55 18 shade: RGB 123 55 18, RGB 34 124 18, RGB 18 87 124 and RGB 108 18 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 85 / 52

HEX #7B3712

RGB 123 55 18

HSL 21.14, 0.74%, 0.28%

LAB 31.78, 27.27, 35.38

 

Complementary color

CMYK 44 / 16 / 0 / 7

HEX #84C8ED

RGB 132 200 237

HSL 201.14, 0.74%, 0.72%

LAB 77.48, -11.91, -25.01

 

CMYK 0 / 57 / 90 / 50

HEX #80370D

RGB 128 55 13

HSL 21.91, 0.82%, 0.28%

LAB 32.59, 29.25, 38.61

 

CMYK 0 / 50 / 78 / 43

HEX #914920

RGB 145 73 32

HSL 21.77, 0.64%, 0.35%

LAB 39.39, 27.29, 37.09

 

CMYK 0 / 44 / 69 / 36

HEX #A25B33

RGB 162 91 51

HSL 21.62, 0.52%, 0.42%

LAB 46.18, 25.55, 35.16

 

CMYK 0 / 39 / 61 / 30

HEX #B36D46

RGB 179 109 70

HSL 21.47, 0.44%, 0.49%

LAB 52.91, 24.04, 33.28

 

CMYK 0 / 35 / 55 / 23

HEX #C47F59

RGB 196 127 89

HSL 21.31, 0.48%, 0.56%

LAB 59.56, 22.72, 31.56

 

CMYK 0 / 55 / 85 / 52

HEX #7B3712

RGB 123 55 18

HSL 21.14, 0.74%, 0.28%

LAB 31.78, 27.27, 35.38

 

CMYK 0 / 65 / 100 / 58

HEX #6A2500

RGB 106 37 0

HSL 20.94, 1%, 0.21%

LAB 24.91, 29.22, 35.82

 

CMYK 0 / 79 / 100 / 65

HEX #591300

RGB 89 19 0

HSL 12.81, 1%, 0.17%

LAB 18.32, 30.96, 27.72

 

CMYK 0 / 99 / 100 / 72

HEX #480100

RGB 72 1 0

HSL 0.83, 1%, 0.14%

LAB 11.95, 31.76, 18.77

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 56 / 85 / 51

HEX #7C3712

RGB 124 55 18

HSL 20.94, 0.75%, 0.28%

LAB 31.95, 27.7, 35.6

 

CMYK 0 / 78 / 85 / 51

HEX #7C1B12

RGB 124 27 18

HSL 5.09, 0.75%, 0.28%

LAB 27.05, 40.74, 31.07

 

CMYK 0 / 85 / 85 / 51

HEX #7C1212

RGB 124 18 18

HSL 0, 0.75%, 0.28%

LAB 26.04, 43.57, 30.11

 

CMYK 0 / 56 / 85 / 51

HEX #7C3712

RGB 124 55 18

HSL 20.94, 0.75%, 0.28%

LAB 31.95, 27.7, 35.6

 

CMYK 0 / 32 / 85 / 51

HEX #7C5412

RGB 124 84 18

HSL 37.36, 0.75%, 0.28%

LAB 39.02, 10.81, 41.91

 

CMYK 0 / 10 / 85 / 51

HEX #7C7012

RGB 124 112 18

HSL 53.21, 0.75%, 0.28%

LAB 46.87, -5.57, 48.69

 

CMYK 14 / 0 / 85 / 51

HEX #6B7C12

RGB 107 124 18

HSL 69.62, 0.75%, 0.28%

LAB 48.99, -20.02, 49.94

 

CMYK 37 / 0 / 85 / 51

HEX #4E7C12

RGB 78 124 18

HSL 86.04, 0.75%, 0.28%

LAB 47.08, -32.29, 47.52

 

CMYK 0 / 56 / 85 / 51

HEX #7C3712

RGB 124 55 18

HSL 20.94, 0.75%, 0.28%

LAB 31.95, 27.7, 35.6

 

CMYK 0 / 61 / 95 / 47

HEX #873407

RGB 135 52 7

HSL 21.09, 0.9%, 0.28%

LAB 33.18, 33.56, 41.84

 

CMYK 0 / 56 / 85 / 51

HEX #7C3712

RGB 124 55 18

HSL 20.94, 0.75%, 0.28%

LAB 31.95, 27.7, 35.6

 

CMYK 0 / 47 / 73 / 56

HEX #703B1E

RGB 112 59 30

HSL 21.22, 0.58%, 0.28%

LAB 31.04, 20.69, 27.73

 

CMYK 0 / 39 / 59 / 60

HEX #653E29

RGB 101 62 41

HSL 21, 0.42%, 0.28%

LAB 30.33, 14.65, 19.93

 

CMYK 0 / 26 / 40 / 65

HEX #594235

RGB 89 66 53

HSL 21.67, 0.25%, 0.28%

LAB 30.1, 7.94, 11.77

 

CMYK 0 / 12 / 18 / 69

HEX #4E4540

RGB 78 69 64

HSL 21.43, 0.1%, 0.28%

LAB 30.03, 2.84, 4.41

 

CMYK 0 / 85 / 70 / 51

HEX #7C1225

RGB 124 18 37

HSL 349.25, 0.75%, 0.28%

LAB 26.31, 44.37, 18.31

 

CMYK 0 / 78 / 85 / 51

HEX #7C1B12

RGB 124 27 18

HSL 5.09, 0.75%, 0.28%

LAB 27.05, 40.74, 31.07

 

CMYK 0 / 56 / 85 / 51

HEX #7C3712

RGB 124 55 18

HSL 20.94, 0.75%, 0.28%

LAB 31.95, 27.7, 35.6

 

CMYK 0 / 33 / 85 / 51

HEX #7C5312

RGB 124 83 18

HSL 36.79, 0.75%, 0.28%

LAB 38.75, 11.41, 41.67

 

CMYK 0 / 10 / 85 / 51

HEX #7C6F12

RGB 124 111 18

HSL 52.64, 0.75%, 0.28%

LAB 46.58, -5, 48.45

 

CMYK 0 / 56 / 87 / 80

HEX #341707

RGB 52 23 7

HSL 21.33, 0.76%, 0.12%

LAB 11.68, 13.01, 14.83

 

CMYK 0 / 56 / 85 / 65

HEX #58270D

RGB 88 39 13

HSL 20.8, 0.74%, 0.2%

LAB 22.14, 20.7, 26.55

 

CMYK 0 / 56 / 85 / 51

HEX #7C3712

RGB 124 55 18

HSL 20.94, 0.75%, 0.28%

LAB 31.95, 27.7, 35.6

 

CMYK 0 / 56 / 86 / 37

HEX #A04717

RGB 160 71 23

HSL 21.02, 0.75%, 0.36%

LAB 41.28, 34.28, 43.93

 

CMYK 0 / 55 / 85 / 23

HEX #C4581D

RGB 196 88 29

HSL 21.2, 0.74%, 0.44%

LAB 50.46, 40.09, 51.62

 

CMYK 0 / 55 / 85 / 52

HEX #7B3712

RGB 123 55 18

HSL 21.14, 0.74%, 0.28%

LAB 31.78, 27.27, 35.38

 

CMYK 47 / 0 / 85 / 51

HEX #427C12

RGB 66 124 18

HSL 92.83, 0.75%, 0.28%

LAB 46.47, -36.7, 46.75

 

CMYK 85 / 81 / 0 / 51

HEX #12177C

RGB 18 23 124

HSL 237.17, 0.75%, 0.28%

LAB 16.49, 36.65, -56.28

 

CMYK 0 / 55 / 85 / 52

HEX #7B3712

RGB 123 55 18

HSL 21.14, 0.74%, 0.28%

LAB 31.78, 27.27, 35.38

 

CMYK 85 / 0 / 56 / 51

HEX #127C37

RGB 18 124 55

HSL 140.94, 0.75%, 0.28%

LAB 45.39, -44.14, 29.54

 

CMYK 56 / 85 / 0 / 51

HEX #37127C

RGB 55 18 124

HSL 260.94, 0.75%, 0.28%

LAB 18.8, 42.57, -52.35

 

CMYK 0 / 55 / 85 / 52

HEX #7B3712

RGB 123 55 18

HSL 21.14, 0.74%, 0.28%

LAB 31.78, 27.27, 35.38

 

CMYK 47 / 0 / 85 / 51

HEX #427C12

RGB 66 124 18

HSL 92.83, 0.75%, 0.28%

LAB 46.47, -36.7, 46.75

 

CMYK 85 / 30 / 0 / 51

HEX #12577C

RGB 18 87 124

HSL 200.94, 0.75%, 0.28%

LAB 34.8, -6.48, -26.67

 

CMYK 39 / 85 / 0 / 51

HEX #4C127C

RGB 76 18 124

HSL 272.83, 0.75%, 0.28%

LAB 21.67, 45.56, -47.54

 

CMYK 0 / 55 / 85 / 52

HEX #7B3712

RGB 123 55 18

HSL 21.14, 0.74%, 0.28%

LAB 31.78, 27.27, 35.38

 

CMYK 73 / 0 / 85 / 51

HEX #227C12

RGB 34 124 18

HSL 110.94, 0.75%, 0.28%

LAB 45.36, -45.56, 45.33

 

CMYK 85 / 30 / 0 / 51

HEX #12577C

RGB 18 87 124

HSL 200.94, 0.75%, 0.28%

LAB 34.8, -6.48, -26.67

 

CMYK 13 / 85 / 0 / 51

HEX #6C127C

RGB 108 18 124

HSL 290.94, 0.75%, 0.28%

LAB 26.95, 51.22, -38.72

 

Description

Color code: RGB 123 55 18 | qconv.com Color code: RGB 123 55 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 55 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 55 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 85 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 85% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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