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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 51 244 it is the complementary color RGB 132 204 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 51 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 51 244 shade: RGB 128 51 239, RGB 145 69 255, RGB 162 87 255, RGB 179 105 255 and RGB 196 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 51 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 106 33 225, RGB 89 15 206, RGB 72 0 187 and RGB 55 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 175 51 244, RGB 227 51 244, RGB 244 51 209 and RGB 244 51 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 71 51 244 and RGB 51 51 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 51 244 shade matches the following richer shades: RGB 123 51 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 127 68 226, RGB 132 86 209, RGB 136 103 192 and RGB 141 120 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 51 244 shade: RGB 51 83 244, RGB 70 51 244, RGB 122 51 244, RGB 173 51 244 and RGB 225 51 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 51 244 shade: RGB 82 10 202, RGB 98 12 241, RGB 123 51 244, RGB 148 90 246 and RGB 174 129 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 244 51 135 and RGB 57 244 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 244 122 51 and RGB 51 244 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 244 51 135, RGB 173 244 51 and RGB 51 244 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 51 244 shade: RGB 123 51 244, RGB 244 51 77, RGB 173 244 51 and RGB 51 244 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

Complementary color

CMYK 35 / 0 / 95 / 20

HEX #84CC0B

RGB 132 204 11

HSL 82.38, 0.9%, 0.42%

LAB 74.9, -47, 73.09

 

CMYK 46 / 79 / 0 / 6

HEX #8033EF

RGB 128 51 239

HSL 264.57, 0.85%, 0.57%

LAB 43.05, 68.67, -80.79

 

CMYK 43 / 73 / 0 / 0

HEX #9145FF

RGB 145 69 255

HSL 264.52, 1%, 0.64%

LAB 48.88, 67.66, -80.12

 

CMYK 36 / 66 / 0 / 0

HEX #A257FF

RGB 162 87 255

HSL 266.79, 1%, 0.67%

LAB 53.73, 62.42, -72.15

 

CMYK 30 / 59 / 0 / 0

HEX #B369FF

RGB 179 105 255

HSL 269.6, 1%, 0.71%

LAB 58.89, 57.11, -63.72

 

CMYK 23 / 52 / 0 / 0

HEX #C47BFF

RGB 196 123 255

HSL 273.18, 1%, 0.74%

LAB 64.26, 51.94, -55.04

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 53 / 85 / 0 / 12

HEX #6A21E1

RGB 106 33 225

HSL 262.81, 0.76%, 0.51%

LAB 37.09, 68.93, -82.72

 

CMYK 57 / 93 / 0 / 19

HEX #590FCE

RGB 89 15 206

HSL 263.25, 0.86%, 0.43%

LAB 31.63, 67.47, -80.86

 

CMYK 61 / 100 / 0 / 27

HEX #4800BB

RGB 72 0 187

HSL 263.1, 1%, 0.37%

LAB 26.64, 64.54, -78.02

 

CMYK 67 / 100 / 0 / 34

HEX #3700A8

RGB 55 0 168

HSL 259.64, 1%, 0.33%

LAB 22.44, 59.15, -73.65

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 28 / 79 / 0 / 4

HEX #AF33F4

RGB 175 51 244

HSL 278.55, 0.9%, 0.58%

LAB 49.51, 76.66, -72.79

 

CMYK 7 / 79 / 0 / 4

HEX #E333F4

RGB 227 51 244

HSL 294.72, 0.9%, 0.58%

LAB 57.3, 85.5, -59.82

 

CMYK 0 / 79 / 14 / 4

HEX #F433D1

RGB 244 51 209

HSL 310.88, 0.9%, 0.58%

LAB 58.23, 83.67, -38.45

 

CMYK 0 / 79 / 36 / 4

HEX #F4339D

RGB 244 51 157

HSL 327.05, 0.9%, 0.58%

LAB 56.12, 77.6, -11.59

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 71 / 79 / 0 / 4

HEX #4733F4

RGB 71 51 244

HSL 246.22, 0.9%, 0.58%

LAB 38.27, 64.03, -91.67

 

CMYK 79 / 79 / 0 / 4

HEX #3333F4

RGB 51 51 244

HSL 240, 0.9%, 0.58%

LAB 37.12, 62.76, -93.61

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 44 / 70 / 0 / 11

HEX #7F44E2

RGB 127 68 226

HSL 262.41, 0.73%, 0.58%

LAB 44.43, 57.94, -71.17

 

CMYK 37 / 59 / 0 / 18

HEX #8456D1

RGB 132 86 209

HSL 262.44, 0.57%, 0.58%

LAB 47.19, 45.2, -56.96

 

CMYK 29 / 46 / 0 / 25

HEX #8867C0

RGB 136 103 192

HSL 262.25, 0.41%, 0.58%

LAB 50.38, 32.16, -42.07

 

CMYK 19 / 31 / 0 / 32

HEX #8D78AE

RGB 141 120 174

HSL 263.33, 0.25%, 0.58%

LAB 54.19, 19.28, -25.7

 

CMYK 79 / 66 / 0 / 4

HEX #3353F4

RGB 51 83 244

HSL 230.05, 0.9%, 0.58%

LAB 43.39, 45.25, -83.25

 

CMYK 71 / 79 / 0 / 4

HEX #4633F4

RGB 70 51 244

HSL 245.91, 0.9%, 0.58%

LAB 38.2, 63.96, -91.78

 

CMYK 50 / 79 / 0 / 4

HEX #7A33F4

RGB 122 51 244

HSL 262.07, 0.9%, 0.58%

LAB 42.82, 69.12, -84

 

CMYK 29 / 79 / 0 / 4

HEX #AD33F4

RGB 173 51 244

HSL 277.93, 0.9%, 0.58%

LAB 49.23, 76.34, -73.25

 

CMYK 8 / 79 / 0 / 4

HEX #E133F4

RGB 225 51 244

HSL 294.09, 0.9%, 0.58%

LAB 56.98, 85.14, -60.34

 

CMYK 59 / 95 / 0 / 21

HEX #520ACA

RGB 82 10 202

HSL 262.5, 0.91%, 0.42%

LAB 30.1, 66.92, -81.09

 

CMYK 59 / 95 / 0 / 5

HEX #620CF1

RGB 98 12 241

HSL 262.53, 0.91%, 0.5%

LAB 36.39, 76.69, -93.03

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 40 / 63 / 0 / 4

HEX #945AF6

RGB 148 90 246

HSL 262.31, 0.9%, 0.66%

LAB 52.13, 55.98, -69.8

 

CMYK 30 / 48 / 0 / 3

HEX #AE81F8

RGB 174 129 248

HSL 262.69, 0.89%, 0.74%

LAB 62.91, 41.47, -53.48

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 0 / 79 / 45 / 4

HEX #F43387

RGB 244 51 135

HSL 333.89, 0.9%, 0.58%

LAB 55.43, 75.54, 0.41

 

CMYK 77 / 0 / 79 / 4

HEX #39F433

RGB 57 244 51

HSL 118.13, 0.9%, 0.58%

LAB 84.9, -77.78, 73

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 0 / 50 / 79 / 4

HEX #F47A33

RGB 244 122 51

HSL 22.07, 0.9%, 0.58%

LAB 64.48, 42.43, 57.83

 

CMYK 79 / 0 / 50 / 4

HEX #33F47A

RGB 51 244 122

HSL 142.07, 0.9%, 0.58%

LAB 85.41, -71.27, 45.65

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 0 / 79 / 45 / 4

HEX #F43387

RGB 244 51 135

HSL 333.89, 0.9%, 0.58%

LAB 55.43, 75.54, 0.41

 

CMYK 29 / 0 / 79 / 4

HEX #ADF433

RGB 173 244 51

HSL 82.07, 0.9%, 0.58%

LAB 88.84, -47.78, 78.07

 

CMYK 79 / 0 / 34 / 4

HEX #33F4A0

RGB 51 244 160

HSL 153.89, 0.9%, 0.58%

LAB 85.98, -64.68, 27.67

 

CMYK 50 / 79 / 0 / 4

HEX #7B33F4

RGB 123 51 244

HSL 262.38, 0.9%, 0.58%

LAB 42.93, 69.24, -83.82

 

CMYK 0 / 79 / 68 / 4

HEX #F4334D

RGB 244 51 77

HSL 351.92, 0.9%, 0.58%

LAB 54.17, 71.7, 33.24

 

CMYK 29 / 0 / 79 / 4

HEX #ADF433

RGB 173 244 51

HSL 82.07, 0.9%, 0.58%

LAB 88.84, -47.78, 78.07

 

CMYK 79 / 0 / 11 / 4

HEX #33F4DA

RGB 51 244 218

HSL 171.92, 0.9%, 0.58%

LAB 87.23, -51.32, -0.59

 

Description

Color code: RGB 123 51 244 | qconv.com Color code: RGB 123 51 244 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 51 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 51 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 79 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 79% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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