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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 21 166 it is the complementary color RGB 132 234 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 21 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 21 166 shade: RGB 128 21 161, RGB 145 39 180, RGB 162 57 199, RGB 179 75 218 and RGB 196 93 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 21 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 21 166 shade: RGB 123 21 166, RGB 106 3 147, RGB 89 0 128, RGB 72 0 109 and RGB 55 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 21 166 shade: RGB 124 20 167, RGB 163 20 167, RGB 167 20 132, RGB 167 20 92 and RGB 167 20 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 21 166 shade: RGB 124 20 167, RGB 84 20 167, RGB 44 20 167 and RGB 20 20 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 21 166 shade matches the following richer shades: RGB 124 20 167 and RGB 130 5 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 21 166 shade: RGB 124 20 167, RGB 118 36 152, RGB 111 51 137, RGB 105 66 122 and RGB 99 81 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 21 166 shade: RGB 45 20 167, RGB 84 20 167, RGB 123 20 167, RGB 163 20 167 and RGB 167 20 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 21 166 shade: RGB 69 11 94, RGB 97 16 131, RGB 124 20 167, RGB 151 25 204 and RGB 173 42 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 21 166 shade: RGB 123 21 166, RGB 167 20 35 and RGB 20 167 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 21 166 shade: RGB 123 21 166, RGB 167 123 20 and RGB 20 167 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 21 166 shade: RGB 123 21 166, RGB 167 20 35, RGB 64 167 20 and RGB 20 167 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 21 166 shade: RGB 123 21 166, RGB 167 50 20, RGB 64 167 20 and RGB 20 138 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 87 / 0 / 35

HEX #7B15A6

RGB 123 21 166

HSL 282.21, 0.78%, 0.37%

LAB 32.92, 61.24, -54.86

 

Complementary color

CMYK 44 / 0 / 62 / 8

HEX #84EA59

RGB 132 234 89

HSL 102.21, 0.78%, 0.63%

LAB 84.21, -54.95, 59.57

 

CMYK 20 / 87 / 0 / 37

HEX #8015A1

RGB 128 21 161

HSL 285.86, 0.77%, 0.36%

LAB 33.35, 61.07, -51.11

 

CMYK 19 / 78 / 0 / 29

HEX #9127B4

RGB 145 39 180

HSL 285.11, 0.64%, 0.43%

LAB 39.18, 62.68, -52.91

 

CMYK 19 / 71 / 0 / 22

HEX #A239C7

RGB 162 57 199

HSL 284.37, 0.56%, 0.5%

LAB 45.26, 63.28, -54.11

 

CMYK 18 / 66 / 0 / 15

HEX #B34BDA

RGB 179 75 218

HSL 283.64, 0.66%, 0.57%

LAB 51.47, 63.28, -54.92

 

CMYK 17 / 61 / 0 / 7

HEX #C45DED

RGB 196 93 237

HSL 282.92, 0.8%, 0.65%

LAB 57.73, 62.93, -55.48

 

CMYK 26 / 87 / 0 / 35

HEX #7B15A6

RGB 123 21 166

HSL 282.21, 0.78%, 0.37%

LAB 32.92, 61.24, -54.86

 

CMYK 28 / 98 / 0 / 42

HEX #6A0393

RGB 106 3 147

HSL 282.92, 0.96%, 0.29%

LAB 27.4, 58.39, -52.39

 

CMYK 30 / 100 / 0 / 50

HEX #590080

RGB 89 0 128

HSL 281.72, 1%, 0.25%

LAB 22.59, 52.92, -48.48

 

CMYK 34 / 100 / 0 / 57

HEX #48006D

RGB 72 0 109

HSL 279.63, 1%, 0.21%

LAB 17.84, 46.76, -44.17

 

CMYK 39 / 100 / 0 / 65

HEX #37005A

RGB 55 0 90

HSL 276.67, 1%, 0.18%

LAB 12.93, 40.41, -39.73

 

CMYK 26 / 88 / 0 / 35

HEX #7C14A7

RGB 124 20 167

HSL 282.45, 0.79%, 0.37%

LAB 33.08, 61.83, -55.19

 

CMYK 2 / 88 / 0 / 35

HEX #A314A7

RGB 163 20 167

HSL 298.37, 0.79%, 0.37%

LAB 39.71, 68.39, -44.17

 

CMYK 0 / 88 / 21 / 35

HEX #A71484

RGB 167 20 132

HSL 314.29, 0.79%, 0.37%

LAB 38.52, 64.13, -24.7

 

CMYK 0 / 88 / 45 / 35

HEX #A7145C

RGB 167 20 92

HSL 330.61, 0.79%, 0.37%

LAB 36.91, 59.71, -1.93

 

CMYK 0 / 88 / 69 / 35

HEX #A71434

RGB 167 20 52

HSL 346.94, 0.79%, 0.37%

LAB 35.91, 56.87, 22.51

 

CMYK 26 / 88 / 0 / 35

HEX #7C14A7

RGB 124 20 167

HSL 282.45, 0.79%, 0.37%

LAB 33.08, 61.83, -55.19

 

CMYK 50 / 88 / 0 / 35

HEX #5414A7

RGB 84 20 167

HSL 266.12, 0.79%, 0.37%

LAB 27.23, 56.46, -65.01

 

CMYK 74 / 88 / 0 / 35

HEX #2C14A7

RGB 44 20 167

HSL 249.8, 0.79%, 0.37%

LAB 23.09, 53.03, -72

 

CMYK 88 / 88 / 0 / 35

HEX #1414A7

RGB 20 20 167

HSL 240, 0.79%, 0.37%

LAB 21.72, 51.99, -74.31

 

CMYK 26 / 88 / 0 / 35

HEX #7C14A7

RGB 124 20 167

HSL 282.45, 0.79%, 0.37%

LAB 33.08, 61.83, -55.19

 

CMYK 29 / 97 / 0 / 28

HEX #8205B7

RGB 130 5 183

HSL 282.13, 0.95%, 0.37%

LAB 34.55, 68.24, -62.33

 

CMYK 26 / 88 / 0 / 35

HEX #7C14A7

RGB 124 20 167

HSL 282.45, 0.79%, 0.37%

LAB 33.08, 61.83, -55.19

 

CMYK 22 / 76 / 0 / 40

HEX #762498

RGB 118 36 152

HSL 282.41, 0.62%, 0.37%

LAB 32.66, 52.87, -46.83

 

CMYK 19 / 63 / 0 / 46

HEX #6F3389

RGB 111 51 137

HSL 281.86, 0.46%, 0.37%

LAB 33.03, 41.24, -37.07

 

CMYK 14 / 46 / 0 / 52

HEX #69427A

RGB 105 66 122

HSL 281.79, 0.3%, 0.37%

LAB 34.61, 27.62, -25.32

 

CMYK 7 / 24 / 0 / 58

HEX #63516A

RGB 99 81 106

HSL 283.2, 0.13%, 0.37%

LAB 37.07, 12.58, -11.6

 

CMYK 73 / 88 / 0 / 35

HEX #2D14A7

RGB 45 20 167

HSL 250.2, 0.79%, 0.37%

LAB 23.16, 53.09, -71.87

 

CMYK 50 / 88 / 0 / 35

HEX #5414A7

RGB 84 20 167

HSL 266.12, 0.79%, 0.37%

LAB 27.23, 56.46, -65.01

 

CMYK 26 / 88 / 0 / 35

HEX #7B14A7

RGB 123 20 167

HSL 282.04, 0.79%, 0.37%

LAB 32.92, 61.67, -55.46

 

CMYK 2 / 88 / 0 / 35

HEX #A314A7

RGB 163 20 167

HSL 298.37, 0.79%, 0.37%

LAB 39.71, 68.39, -44.17

 

CMYK 0 / 88 / 20 / 35

HEX #A71485

RGB 167 20 133

HSL 313.88, 0.79%, 0.37%

LAB 38.57, 64.26, -25.24

 

CMYK 27 / 88 / 0 / 63

HEX #450B5E

RGB 69 11 94

HSL 281.93, 0.79%, 0.21%

LAB 17.05, 39.68, -35.58

 

CMYK 26 / 88 / 0 / 49

HEX #611083

RGB 97 16 131

HSL 282.26, 0.78%, 0.29%

LAB 25.41, 51.16, -45.72

 

CMYK 26 / 88 / 0 / 35

HEX #7C14A7

RGB 124 20 167

HSL 282.45, 0.79%, 0.37%

LAB 33.08, 61.83, -55.19

 

CMYK 26 / 88 / 0 / 20

HEX #9719CC

RGB 151 25 204

HSL 282.23, 0.78%, 0.45%

LAB 40.63, 71.98, -64.59

 

CMYK 24 / 82 / 0 / 11

HEX #AD2AE4

RGB 173 42 228

HSL 282.26, 0.78%, 0.53%

LAB 47.16, 75.83, -67.6

 

CMYK 26 / 87 / 0 / 35

HEX #7B15A6

RGB 123 21 166

HSL 282.21, 0.78%, 0.37%

LAB 32.92, 61.24, -54.86

 

CMYK 0 / 88 / 79 / 35

HEX #A71423

RGB 167 20 35

HSL 353.88, 0.79%, 0.37%

LAB 35.67, 56.16, 32.8

 

CMYK 88 / 0 / 62 / 35

HEX #14A740

RGB 20 167 64

HSL 137.96, 0.79%, 0.37%

LAB 60.03, -57.32, 42.4

 

CMYK 26 / 87 / 0 / 35

HEX #7B15A6

RGB 123 21 166

HSL 282.21, 0.78%, 0.37%

LAB 32.92, 61.24, -54.86

 

CMYK 0 / 26 / 88 / 35

HEX #A77B14

RGB 167 123 20

HSL 42.04, 0.79%, 0.37%

LAB 54.48, 8.43, 56.32

 

CMYK 88 / 0 / 26 / 35

HEX #14A77B

RGB 20 167 123

HSL 162.04, 0.79%, 0.37%

LAB 60.97, -46.34, 12.83

 

CMYK 26 / 87 / 0 / 35

HEX #7B15A6

RGB 123 21 166

HSL 282.21, 0.78%, 0.37%

LAB 32.92, 61.24, -54.86

 

CMYK 0 / 88 / 79 / 35

HEX #A71423

RGB 167 20 35

HSL 353.88, 0.79%, 0.37%

LAB 35.67, 56.16, 32.8

 

CMYK 62 / 0 / 88 / 35

HEX #40A714

RGB 64 167 20

HSL 102.04, 0.79%, 0.37%

LAB 60.59, -53.69, 58.7

 

CMYK 88 / 0 / 8 / 35

HEX #14A799

RGB 20 167 153

HSL 174.29, 0.79%, 0.37%

LAB 61.73, -38.35, -2.86

 

CMYK 26 / 87 / 0 / 35

HEX #7B15A6

RGB 123 21 166

HSL 282.21, 0.78%, 0.37%

LAB 32.92, 61.24, -54.86

 

CMYK 0 / 70 / 88 / 35

HEX #A73214

RGB 167 50 20

HSL 12.24, 0.79%, 0.37%

LAB 38.81, 46.59, 43.63

 

CMYK 62 / 0 / 88 / 35

HEX #40A714

RGB 64 167 20

HSL 102.04, 0.79%, 0.37%

LAB 60.59, -53.69, 58.7

 

CMYK 88 / 17 / 0 / 35

HEX #148AA7

RGB 20 138 167

HSL 191.84, 0.79%, 0.37%

LAB 53.08, -19.65, -23.87

 

Description

Color code: RGB 123 21 166 | qconv.com Color code: RGB 123 21 166 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 21 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 21 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 87 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 87% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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