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Color name
RGB 123 204 245

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 204 245 it is the complementary color RGB 132 51 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 204 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 204 245 shade: RGB 128 204 240, RGB 145 222 255, RGB 162 240 255, RGB 179 255 255 and RGB 196 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 204 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 204 245 shade: RGB 123 204 245, RGB 106 186 226, RGB 89 168 207, RGB 72 150 188 and RGB 55 132 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 204 245 shade: RGB 122 203 245, RGB 122 170 245, RGB 122 137 245, RGB 140 122 245 and RGB 173 122 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 204 245 shade: RGB 122 203 245, RGB 122 170 245, RGB 122 137 245 and RGB 122 122 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 204 245 shade matches the following richer shades: RGB 122 203 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 204 245 shade: RGB 122 203 245, RGB 133 199 233, RGB 145 196 221, RGB 156 192 210 and RGB 168 188 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 204 245 shade: RGB 122 245 220, RGB 122 236 245, RGB 122 204 245, RGB 122 171 245 and RGB 122 138 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 204 245 shade: RGB 45 174 239, RGB 83 188 242, RGB 122 203 245, RGB 160 218 247 and RGB 198 233 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 204 245 shade: RGB 123 204 245, RGB 187 122 245 and RGB 245 236 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 204 245 shade: RGB 123 204 245, RGB 245 122 204 and RGB 204 245 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 204 245 shade: RGB 123 204 245, RGB 187 122 245, RGB 245 163 122 and RGB 179 245 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 204 245 shade: RGB 123 204 245, RGB 224 122 245, RGB 245 163 122 and RGB 142 245 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 17 / 0 / 4

HEX #7BCCF5

RGB 123 204 245

HSL 200.16, 0.86%, 0.72%

LAB 78.46, -13.88, -27.83

 

Complementary color

CMYK 0 / 61 / 92 / 48

HEX #84330A

RGB 132 51 10

HSL 20.16, 0.86%, 0.28%

LAB 32.47, 32.91, 39.96

 

CMYK 47 / 15 / 0 / 6

HEX #80CCF0

RGB 128 204 240

HSL 199.29, 0.79%, 0.72%

LAB 78.5, -14.13, -25.07

 

CMYK 43 / 13 / 0 / 0

HEX #91DEFF

RGB 145 222 255

HSL 198, 1%, 0.78%

LAB 84.73, -15.4, -23.48

 

CMYK 36 / 6 / 0 / 0

HEX #A2F0FF

RGB 162 240 255

HSL 189.68, 1%, 0.82%

LAB 90.42, -20.22, -14.81

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 50 / 17 / 0 / 4

HEX #7BCCF5

RGB 123 204 245

HSL 200.16, 0.86%, 0.72%

LAB 78.46, -13.88, -27.83

 

CMYK 53 / 18 / 0 / 11

HEX #6ABAE2

RGB 106 186 226

HSL 200, 0.67%, 0.65%

LAB 72.01, -13.51, -27.53

 

CMYK 57 / 19 / 0 / 19

HEX #59A8CF

RGB 89 168 207

HSL 199.83, 0.55%, 0.58%

LAB 65.46, -13.04, -27.23

 

CMYK 62 / 20 / 0 / 26

HEX #4896BC

RGB 72 150 188

HSL 199.66, 0.46%, 0.51%

LAB 58.81, -12.43, -26.91

 

CMYK 67 / 22 / 0 / 34

HEX #3784A9

RGB 55 132 169

HSL 199.47, 0.51%, 0.44%

LAB 52.04, -11.63, -26.57

 

CMYK 50 / 17 / 0 / 4

HEX #7ACBF5

RGB 122 203 245

HSL 200.49, 0.86%, 0.72%

LAB 78.14, -13.58, -28.33

 

CMYK 50 / 31 / 0 / 4

HEX #7AAAF5

RGB 122 170 245

HSL 216.59, 0.86%, 0.72%

LAB 69.1, 4.37, -42.33

 

CMYK 50 / 44 / 0 / 4

HEX #7A89F5

RGB 122 137 245

HSL 232.68, 0.86%, 0.72%

LAB 60.45, 23.51, -56

 

CMYK 43 / 50 / 0 / 4

HEX #8C7AF5

RGB 140 122 245

HSL 248.78, 0.86%, 0.72%

LAB 58.12, 36.34, -59.64

 

CMYK 29 / 50 / 0 / 4

HEX #AD7AF5

RGB 173 122 245

HSL 264.88, 0.86%, 0.72%

LAB 61.13, 44.33, -54.66

 

CMYK 50 / 17 / 0 / 4

HEX #7ACBF5

RGB 122 203 245

HSL 200.49, 0.86%, 0.72%

LAB 78.14, -13.58, -28.33

 

CMYK 50 / 31 / 0 / 4

HEX #7AAAF5

RGB 122 170 245

HSL 216.59, 0.86%, 0.72%

LAB 69.1, 4.37, -42.33

 

CMYK 50 / 44 / 0 / 4

HEX #7A89F5

RGB 122 137 245

HSL 232.68, 0.86%, 0.72%

LAB 60.45, 23.51, -56

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF5

RGB 122 122 245

HSL 240, 0.86%, 0.72%

LAB 56.73, 32.39, -61.94

 

CMYK 50 / 17 / 0 / 4

HEX #7ACBF5

RGB 122 203 245

HSL 200.49, 0.86%, 0.72%

LAB 78.14, -13.58, -28.33

 

CMYK 50 / 17 / 0 / 4

HEX #7ACBF5

RGB 122 203 245

HSL 200.49, 0.86%, 0.72%

LAB 78.14, -13.58, -28.33

 

CMYK 43 / 15 / 0 / 9

HEX #85C7E9

RGB 133 199 233

HSL 200.4, 0.69%, 0.72%

LAB 77.11, -12.21, -23.41

 

CMYK 34 / 11 / 0 / 13

HEX #91C4DD

RGB 145 196 221

HSL 199.74, 0.53%, 0.72%

LAB 76.51, -10.59, -17.8

 

CMYK 26 / 9 / 0 / 18

HEX #9CC0D2

RGB 156 192 210

HSL 200, 0.38%, 0.72%

LAB 75.71, -7.96, -12.98

 

CMYK 15 / 5 / 0 / 22

HEX #A8BCC6

RGB 168 188 198

HSL 200, 0.21%, 0.72%

LAB 75.06, -4.75, -7.36

 

CMYK 50 / 0 / 10 / 4

HEX #7AF5DC

RGB 122 245 220

HSL 167.8, 0.86%, 0.72%

LAB 89.21, -40.41, 1.46

 

CMYK 50 / 4 / 0 / 4

HEX #7AECF5

RGB 122 236 245

HSL 184.39, 0.86%, 0.72%

LAB 87.35, -30.07, -14.36

 

CMYK 50 / 17 / 0 / 4

HEX #7ACCF5

RGB 122 204 245

HSL 200, 0.86%, 0.72%

LAB 78.41, -14.1, -27.9

 

CMYK 50 / 30 / 0 / 4

HEX #7AABF5

RGB 122 171 245

HSL 216.1, 0.86%, 0.72%

LAB 69.37, 3.81, -41.91

 

CMYK 50 / 44 / 0 / 4

HEX #7A8AF5

RGB 122 138 245

HSL 232.2, 0.86%, 0.72%

LAB 60.7, 22.92, -55.59

 

CMYK 81 / 27 / 0 / 6

HEX #2DAEEF

RGB 45 174 239

HSL 200.1, 0.86%, 0.56%

LAB 67.32, -12.05, -42.03

 

CMYK 66 / 22 / 0 / 5

HEX #53BCF2

RGB 83 188 242

HSL 200.38, 0.86%, 0.64%

LAB 72.37, -13.95, -35.72

 

CMYK 50 / 17 / 0 / 4

HEX #7ACBF5

RGB 122 203 245

HSL 200.49, 0.86%, 0.72%

LAB 78.14, -13.58, -28.33

 

CMYK 35 / 12 / 0 / 3

HEX #A0DAF7

RGB 160 218 247

HSL 200, 0.84%, 0.8%

LAB 84.14, -11.57, -20.08

 

CMYK 21 / 7 / 0 / 2

HEX #C6E9FA

RGB 198 233 250

HSL 199.62, 0.84%, 0.88%

LAB 90.41, -7.8, -12.02

 

CMYK 50 / 17 / 0 / 4

HEX #7BCCF5

RGB 123 204 245

HSL 200.16, 0.86%, 0.72%

LAB 78.46, -13.88, -27.83

 

CMYK 24 / 50 / 0 / 4

HEX #BB7AF5

RGB 187 122 245

HSL 271.71, 0.86%, 0.72%

LAB 62.57, 47.92, -52.28

 

CMYK 0 / 4 / 50 / 4

HEX #F5EC7A

RGB 245 236 122

HSL 55.61, 0.86%, 0.72%

LAB 92.05, -11.69, 55.77

 

CMYK 50 / 17 / 0 / 4

HEX #7BCCF5

RGB 123 204 245

HSL 200.16, 0.86%, 0.72%

LAB 78.46, -13.88, -27.83

 

CMYK 0 / 50 / 17 / 4

HEX #F57ACC

RGB 245 122 204

HSL 320, 0.86%, 0.72%

LAB 67.79, 56.78, -20.83

 

CMYK 17 / 0 / 50 / 4

HEX #CCF57A

RGB 204 245 122

HSL 80, 0.86%, 0.72%

LAB 91.48, -31.84, 54.38

 

CMYK 50 / 17 / 0 / 4

HEX #7BCCF5

RGB 123 204 245

HSL 200.16, 0.86%, 0.72%

LAB 78.46, -13.88, -27.83

 

CMYK 24 / 50 / 0 / 4

HEX #BB7AF5

RGB 187 122 245

HSL 271.71, 0.86%, 0.72%

LAB 62.57, 47.92, -52.28

 

CMYK 0 / 33 / 50 / 4

HEX #F5A37A

RGB 245 163 122

HSL 20, 0.86%, 0.72%

LAB 74.2, 26.01, 33.66

 

CMYK 27 / 0 / 50 / 4

HEX #B3F57A

RGB 179 245 122

HSL 92.2, 0.86%, 0.72%

LAB 90, -40.84, 52.24

 

CMYK 50 / 17 / 0 / 4

HEX #7BCCF5

RGB 123 204 245

HSL 200.16, 0.86%, 0.72%

LAB 78.46, -13.88, -27.83

 

CMYK 9 / 50 / 0 / 4

HEX #E07AF5

RGB 224 122 245

HSL 289.76, 0.86%, 0.72%

LAB 66.79, 57.71, -45.33

 

CMYK 0 / 33 / 50 / 4

HEX #F5A37A

RGB 245 163 122

HSL 20, 0.86%, 0.72%

LAB 74.2, 26.01, 33.66

 

CMYK 42 / 0 / 50 / 4

HEX #8EF57A

RGB 142 245 122

HSL 110.24, 0.86%, 0.72%

LAB 88.19, -52.81, 49.63

 

Description

Color code: RGB 123 204 245 | qconv.com Color code: RGB 123 204 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 204 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 204 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 17 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 17% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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