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Color name
RGB 123 19 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 19 34 it is the complementary color RGB 132 236 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 19 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 19 34 shade: RGB 128 19 29, RGB 145 37 48, RGB 162 55 67, RGB 179 73 86 and RGB 196 91 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 19 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 106 1 15, RGB 89 0 0, RGB 72 0 0 and RGB 55 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 19 34 shade: RGB 123 19 34 and RGB 123 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 123 19 62, RGB 123 19 90, RGB 123 19 118 and RGB 100 19 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 19 34 shade matches the following richer shades: RGB 123 19 34 and RGB 135 7 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 111 30 42, RGB 100 42 50, RGB 88 53 58 and RGB 77 65 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 19 34 shade: RGB 123 19 90, RGB 123 19 62, RGB 123 19 34, RGB 123 31 19 and RGB 123 59 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 19 34 shade: RGB 52 8 14, RGB 87 13 24, RGB 123 19 34, RGB 159 24 44 and RGB 194 30 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 118 123 19 and RGB 19 76 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 34 123 19 and RGB 19 34 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 118 123 19, RGB 19 123 107 and RGB 24 19 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 19 34 shade: RGB 123 19 34, RGB 87 123 19, RGB 19 123 107 and RGB 55 19 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

Complementary color

CMYK 44 / 0 / 6 / 7

HEX #84ECDD

RGB 132 236 221

HSL 171.35, 0.73%, 0.72%

LAB 87.05, -33.79, -2.16

 

CMYK 0 / 85 / 77 / 50

HEX #80131D

RGB 128 19 29

HSL 354.5, 0.74%, 0.29%

LAB 27.14, 44.92, 24.77

 

CMYK 0 / 74 / 67 / 43

HEX #912530

RGB 145 37 48

HSL 353.89, 0.59%, 0.36%

LAB 33.04, 45.38, 20.5

 

CMYK 0 / 66 / 59 / 36

HEX #A23743

RGB 162 55 67

HSL 353.27, 0.49%, 0.43%

LAB 39.27, 45, 17.18

 

CMYK 0 / 59 / 52 / 30

HEX #B34956

RGB 179 73 86

HSL 352.64, 0.42%, 0.49%

LAB 45.66, 44.21, 14.57

 

CMYK 0 / 54 / 46 / 23

HEX #C45B69

RGB 196 91 105

HSL 352, 0.47%, 0.56%

LAB 52.11, 43.27, 12.46

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 99 / 86 / 58

HEX #6A010F

RGB 106 1 15

HSL 352, 0.98%, 0.21%

LAB 20.52, 42.13, 24.85

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 85 / 85 / 52

HEX #7B1313

RGB 123 19 19

HSL 0, 0.73%, 0.28%

LAB 25.93, 43.02, 29.34

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 85 / 50 / 52

HEX #7B133E

RGB 123 19 62

HSL 335.19, 0.73%, 0.28%

LAB 26.8, 45.66, 2

 

CMYK 0 / 85 / 27 / 52

HEX #7B135A

RGB 123 19 90

HSL 319.04, 0.73%, 0.28%

LAB 27.89, 48.81, -15.1

 

CMYK 0 / 85 / 4 / 52

HEX #7B1376

RGB 123 19 118

HSL 302.88, 0.73%, 0.28%

LAB 29.37, 52.94, -30.88

 

CMYK 19 / 85 / 0 / 52

HEX #64137B

RGB 100 19 123

HSL 286.73, 0.73%, 0.28%

LAB 25.58, 49.21, -40.37

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 95 / 81 / 47

HEX #87071A

RGB 135 7 26

HSL 351.09, 0.9%, 0.28%

LAB 27.78, 49.3, 27.82

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 73 / 62 / 56

HEX #6F1E2A

RGB 111 30 42

HSL 351.11, 0.57%, 0.28%

LAB 25.18, 36.35, 12.96

 

CMYK 0 / 58 / 50 / 61

HEX #642A32

RGB 100 42 50

HSL 351.72, 0.41%, 0.28%

LAB 25.55, 27.03, 7.72

 

CMYK 0 / 40 / 34 / 65

HEX #58353A

RGB 88 53 58

HSL 351.43, 0.25%, 0.28%

LAB 26.52, 16.47, 3.49

 

CMYK 0 / 16 / 13 / 70

HEX #4D4143

RGB 77 65 67

HSL 350, 0.08%, 0.28%

LAB 28.81, 5.55, 0.69

 

CMYK 0 / 85 / 27 / 52

HEX #7B135A

RGB 123 19 90

HSL 319.04, 0.73%, 0.28%

LAB 27.89, 48.81, -15.1

 

CMYK 0 / 85 / 50 / 52

HEX #7B133E

RGB 123 19 62

HSL 335.19, 0.73%, 0.28%

LAB 26.8, 45.66, 2

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 75 / 85 / 52

HEX #7B1F13

RGB 123 31 19

HSL 6.92, 0.73%, 0.28%

LAB 27.4, 38.91, 30.77

 

CMYK 0 / 52 / 85 / 52

HEX #7B3B13

RGB 123 59 19

HSL 23.08, 0.73%, 0.28%

LAB 32.67, 25.07, 35.73

 

CMYK 0 / 85 / 73 / 80

HEX #34080E

RGB 52 8 14

HSL 351.82, 0.73%, 0.12%

LAB 8.44, 22.32, 7.22

 

CMYK 0 / 85 / 72 / 66

HEX #570D18

RGB 87 13 24

HSL 351.08, 0.74%, 0.2%

LAB 17.37, 33.49, 14.29

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 0 / 85 / 72 / 38

HEX #9F182C

RGB 159 24 44

HSL 351.11, 0.74%, 0.36%

LAB 34.41, 53.4, 25.37

 

CMYK 0 / 85 / 72 / 24

HEX #C21E36

RGB 194 30 54

HSL 351.22, 0.73%, 0.44%

LAB 42.25, 62.19, 30.27

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 4 / 0 / 85 / 52

HEX #767B13

RGB 118 123 19

HSL 62.88, 0.73%, 0.28%

LAB 49.57, -14.43, 50.52

 

CMYK 85 / 38 / 0 / 52

HEX #134C7B

RGB 19 76 123

HSL 207.12, 0.73%, 0.28%

LAB 31.2, 0.26, -31.74

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 72 / 0 / 85 / 52

HEX #227B13

RGB 34 123 19

HSL 111.35, 0.73%, 0.28%

LAB 45.02, -45.16, 44.72

 

CMYK 85 / 72 / 0 / 52

HEX #13227B

RGB 19 34 123

HSL 231.35, 0.73%, 0.28%

LAB 18.85, 29.51, -51.73

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 4 / 0 / 85 / 52

HEX #767B13

RGB 118 123 19

HSL 62.88, 0.73%, 0.28%

LAB 49.57, -14.43, 50.52

 

CMYK 85 / 0 / 13 / 52

HEX #137B6B

RGB 19 123 107

HSL 170.77, 0.73%, 0.28%

LAB 46.13, -31.72, 0.82

 

CMYK 80 / 85 / 0 / 52

HEX #18137B

RGB 24 19 123

HSL 242.88, 0.73%, 0.28%

LAB 15.95, 38.83, -56.52

 

CMYK 0 / 85 / 72 / 52

HEX #7B1322

RGB 123 19 34

HSL 351.35, 0.73%, 0.28%

LAB 26.13, 43.64, 20.05

 

CMYK 29 / 0 / 85 / 52

HEX #577B13

RGB 87 123 19

HSL 80.77, 0.73%, 0.28%

LAB 47.29, -28.16, 47.63

 

CMYK 85 / 0 / 13 / 52

HEX #137B6B

RGB 19 123 107

HSL 170.77, 0.73%, 0.28%

LAB 46.13, -31.72, 0.82

 

CMYK 55 / 85 / 0 / 52

HEX #37137B

RGB 55 19 123

HSL 260.77, 0.73%, 0.28%

LAB 18.83, 41.87, -51.66

 

Description

Color code: RGB 123 19 34 | qconv.com Color code: RGB 123 19 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 19 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 19 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 72 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 72% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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