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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 190 120 it is the complementary color RGB 132 65 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 190 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 190 120 shade: RGB 128 190 115, RGB 145 208 134, RGB 162 226 153, RGB 179 244 172 and RGB 196 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 190 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 106 172 101, RGB 89 154 82, RGB 72 136 63 and RGB 55 118 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 142 190 120, RGB 161 190 120, RGB 180 190 120 and RGB 190 181 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 120 190 136, RGB 120 190 155, RGB 120 190 174 and RGB 120 187 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 190 120 shade matches the following richer shades: RGB 123 190 120, RGB 109 206 104, RGB 94 222 88, RGB 79 238 72 and RGB 64 254 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 138 174 136, RGB 153 158 152, RGB 167 142 169 and RGB 182 125 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 190 120 shade: RGB 161 190 120, RGB 142 190 120, RGB 124 190 120, RGB 120 190 135 and RGB 120 190 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 190 120 shade: RGB 77 154 74, RGB 96 176 92, RGB 123 190 120, RGB 150 203 148 and RGB 178 217 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 120 179 190 and RGB 190 120 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 120 124 190 and RGB 190 120 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 120 179 190, RGB 186 120 190 and RGB 190 131 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 190 120 shade: RGB 123 190 120, RGB 120 159 190, RGB 186 120 190 and RGB 190 152 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

Complementary color

CMYK 2 / 52 / 0 / 47

HEX #844187

RGB 132 65 135

HSL 297.43, 0.35%, 0.39%

LAB 38.61, 39.4, -26.83

 

CMYK 33 / 0 / 39 / 25

HEX #80BE73

RGB 128 190 115

HSL 109.6, 0.37%, 0.6%

LAB 71.32, -34.4, 31.7

 

CMYK 30 / 0 / 36 / 18

HEX #91D086

RGB 145 208 134

HSL 111.08, 0.44%, 0.67%

LAB 77.79, -34.19, 30.52

 

CMYK 28 / 0 / 32 / 11

HEX #A2E299

RGB 162 226 153

HSL 112.6, 0.56%, 0.74%

LAB 84.16, -33.98, 29.4

 

CMYK 27 / 0 / 30 / 4

HEX #B3F4AC

RGB 179 244 172

HSL 114.17, 0.77%, 0.82%

LAB 90.44, -33.76, 28.34

 

CMYK 23 / 0 / 25 / 0

HEX #C4FFBF

RGB 196 255 191

HSL 115.31, 1%, 0.87%

LAB 94.75, -30.32, 24.72

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 38 / 0 / 41 / 33

HEX #6AAC65

RGB 106 172 101

HSL 115.77, 0.3%, 0.54%

LAB 64.57, -35.51, 30.04

 

CMYK 42 / 0 / 47 / 40

HEX #599A52

RGB 89 154 82

HSL 114.17, 0.31%, 0.46%

LAB 57.89, -35.68, 31.33

 

CMYK 47 / 0 / 54 / 47

HEX #48883F

RGB 72 136 63

HSL 112.6, 0.37%, 0.39%

LAB 51.09, -35.76, 32.66

 

CMYK 53 / 0 / 63 / 54

HEX #37762C

RGB 55 118 44

HSL 111.08, 0.46%, 0.32%

LAB 44.16, -35.65, 33.93

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 25 / 0 / 37 / 25

HEX #8EBE78

RGB 142 190 120

HSL 101.14, 0.35%, 0.61%

LAB 72.18, -28.83, 30.38

 

CMYK 15 / 0 / 37 / 25

HEX #A1BE78

RGB 161 190 120

HSL 84.86, 0.35%, 0.61%

LAB 73.39, -21.86, 32.18

 

CMYK 5 / 0 / 37 / 25

HEX #B4BE78

RGB 180 190 120

HSL 68.57, 0.35%, 0.61%

LAB 74.75, -14.54, 34.21

 

CMYK 0 / 5 / 37 / 25

HEX #BEB578

RGB 190 181 120

HSL 52.29, 0.35%, 0.61%

LAB 73.12, -5.9, 32.25

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 37 / 0 / 28 / 25

HEX #78BE88

RGB 120 190 136

HSL 133.71, 0.35%, 0.61%

LAB 71.28, -33.51, 20.48

 

CMYK 37 / 0 / 18 / 25

HEX #78BE9B

RGB 120 190 155

HSL 150, 0.35%, 0.61%

LAB 71.68, -29.83, 10.79

 

CMYK 37 / 0 / 8 / 25

HEX #78BEAE

RGB 120 190 174

HSL 166.29, 0.35%, 0.61%

LAB 72.15, -25.7, 1.11

 

CMYK 37 / 2 / 0 / 25

HEX #78BBBE

RGB 120 187 190

HSL 182.57, 0.35%, 0.61%

LAB 71.73, -20.39, -8.25

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 47 / 0 / 50 / 19

HEX #6DCE68

RGB 109 206 104

HSL 117.06, 0.51%, 0.61%

LAB 75.07, -48.84, 41.82

 

CMYK 58 / 0 / 60 / 13

HEX #5EDE58

RGB 94 222 88

HSL 117.31, 0.67%, 0.61%

LAB 79.23, -60.84, 54.02

 

CMYK 67 / 0 / 70 / 7

HEX #4FEE48

RGB 79 238 72

HSL 117.47, 0.83%, 0.61%

LAB 83.59, -70.99, 65.07

 

CMYK 75 / 0 / 78 / 0

HEX #40FE38

RGB 64 254 56

HSL 117.58, 0.99%, 0.61%

LAB 88.09, -79.46, 74.66

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 21 / 0 / 22 / 32

HEX #8AAE88

RGB 138 174 136

HSL 116.84, 0.19%, 0.61%

LAB 67.62, -19.75, 15.58

 

CMYK 3 / 0 / 4 / 38

HEX #999E98

RGB 153 158 152

HSL 110, 0.03%, 0.61%

LAB 64.56, -2.94, 2.5

 

CMYK 1 / 16 / 0 / 34

HEX #A78EA9

RGB 167 142 169

HSL 295.56, 0.14%, 0.61%

LAB 62.02, 14.31, -10.7

 

CMYK 2 / 32 / 0 / 27

HEX #B67DB9

RGB 182 125 185

HSL 297, 0.3%, 0.61%

LAB 59.99, 32.13, -22.72

 

CMYK 15 / 0 / 37 / 25

HEX #A1BE78

RGB 161 190 120

HSL 84.86, 0.35%, 0.61%

LAB 73.39, -21.86, 32.18

 

CMYK 25 / 0 / 37 / 25

HEX #8EBE78

RGB 142 190 120

HSL 101.14, 0.35%, 0.61%

LAB 72.18, -28.83, 30.38

 

CMYK 35 / 0 / 37 / 25

HEX #7CBE78

RGB 124 190 120

HSL 116.57, 0.35%, 0.61%

LAB 71.19, -34.96, 28.89

 

CMYK 37 / 0 / 29 / 25

HEX #78BE87

RGB 120 190 135

HSL 132.86, 0.35%, 0.61%

LAB 71.26, -33.69, 20.99

 

CMYK 37 / 0 / 19 / 25

HEX #78BE9A

RGB 120 190 154

HSL 149.14, 0.35%, 0.61%

LAB 71.66, -30.03, 11.3

 

CMYK 50 / 0 / 52 / 40

HEX #4D9A4A

RGB 77 154 74

HSL 117.75, 0.35%, 0.45%

LAB 57.25, -40.52, 34.57

 

CMYK 45 / 0 / 48 / 31

HEX #60B05C

RGB 96 176 92

HSL 117.14, 0.35%, 0.53%

LAB 65.21, -41.74, 35.42

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 26 / 0 / 27 / 20

HEX #96CB94

RGB 150 203 148

HSL 117.82, 0.35%, 0.69%

LAB 76.88, -27.92, 22.03

 

CMYK 18 / 0 / 19 / 15

HEX #B2D9B0

RGB 178 217 176

HSL 117.07, 0.35%, 0.77%

LAB 83.03, -20.54, 16.04

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 37 / 6 / 0 / 25

HEX #78B3BE

RGB 120 179 190

HSL 189.43, 0.35%, 0.61%

LAB 69.43, -16.26, -11.67

 

CMYK 0 / 37 / 20 / 25

HEX #BE7898

RGB 190 120 152

HSL 332.57, 0.35%, 0.61%

LAB 58.65, 31.85, -5.75

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 37 / 35 / 0 / 25

HEX #787CBE

RGB 120 124 190

HSL 236.57, 0.35%, 0.61%

LAB 54.16, 14.7, -35.07

 

CMYK 0 / 37 / 35 / 25

HEX #BE787C

RGB 190 120 124

HSL 356.57, 0.35%, 0.61%

LAB 57.88, 27.89, 9.33

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 37 / 6 / 0 / 25

HEX #78B3BE

RGB 120 179 190

HSL 189.43, 0.35%, 0.61%

LAB 69.43, -16.26, -11.67

 

CMYK 2 / 37 / 0 / 25

HEX #BA78BE

RGB 186 120 190

HSL 296.57, 0.35%, 0.61%

LAB 59.52, 37.13, -26.26

 

CMYK 0 / 31 / 37 / 25

HEX #BE8378

RGB 190 131 120

HSL 9.43, 0.35%, 0.61%

LAB 60.37, 21.32, 15.12

 

CMYK 35 / 0 / 37 / 25

HEX #7BBE78

RGB 123 190 120

HSL 117.43, 0.35%, 0.61%

LAB 71.14, -35.28, 28.81

 

CMYK 37 / 16 / 0 / 25

HEX #789FBE

RGB 120 159 190

HSL 206.57, 0.35%, 0.61%

LAB 63.76, -5.5, -20.24

 

CMYK 2 / 37 / 0 / 25

HEX #BA78BE

RGB 186 120 190

HSL 296.57, 0.35%, 0.61%

LAB 59.52, 37.13, -26.26

 

CMYK 0 / 20 / 37 / 25

HEX #BE9878

RGB 190 152 120

HSL 27.43, 0.35%, 0.61%

LAB 65.56, 9.72, 22.23

 

Description

Color code: RGB 123 190 120 | qconv.com Color code: RGB 123 190 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 190 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 190 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 37 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 37% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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