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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 186 52 it is the complementary color RGB 132 69 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 186 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 186 52 shade: RGB 128 186 47, RGB 145 204 66, RGB 162 222 85, RGB 179 240 104 and RGB 196 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 186 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 106 168 33, RGB 89 150 14, RGB 72 132 0 and RGB 55 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 160 186 52, RGB 186 177 52, RGB 186 141 52 and RGB 186 105 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 87 186 52, RGB 52 186 54, RGB 52 186 90 and RGB 52 186 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 186 52 shade matches the following richer shades: RGB 123 186 52, RGB 125 206 33 and RGB 126 225 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 122 167 72, RGB 121 148 91, RGB 120 128 110 and RGB 119 109 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 186 52 shade: RGB 186 178 52, RGB 160 186 52, RGB 124 186 52, RGB 88 186 52 and RGB 52 186 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 186 52 shade: RGB 81 122 34, RGB 102 154 43, RGB 123 186 52, RGB 144 204 76 and RGB 164 213 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 52 186 142 and RGB 186 52 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 52 124 186 and RGB 186 52 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 52 186 142, RGB 115 52 186 and RGB 186 52 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 186 52 shade: RGB 123 186 52, RGB 52 186 182, RGB 115 52 186 and RGB 186 52 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

Complementary color

CMYK 35 / 66 / 0 / 20

HEX #8445CB

RGB 132 69 203

HSL 268.21, 0.56%, 0.53%

LAB 43.47, 52.62, -59.52

 

CMYK 31 / 0 / 75 / 27

HEX #80BA2F

RGB 128 186 47

HSL 85.04, 0.6%, 0.46%

LAB 69.41, -39.55, 60.22

 

CMYK 29 / 0 / 68 / 20

HEX #91CC42

RGB 145 204 66

HSL 85.65, 0.58%, 0.53%

LAB 75.82, -39.97, 60.03

 

CMYK 27 / 0 / 62 / 13

HEX #A2DE55

RGB 162 222 85

HSL 86.28, 0.67%, 0.6%

LAB 82.15, -40.24, 59.38

 

CMYK 25 / 0 / 57 / 6

HEX #B3F068

RGB 179 240 104

HSL 86.91, 0.82%, 0.67%

LAB 88.4, -40.42, 58.5

 

CMYK 23 / 0 / 52 / 0

HEX #C4FF7B

RGB 196 255 123

HSL 86.82, 1%, 0.74%

LAB 93.75, -39.18, 56.51

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 37 / 0 / 80 / 34

HEX #6AA821

RGB 106 168 33

HSL 87.56, 0.67%, 0.39%

LAB 62.66, -40.56, 57.89

 

CMYK 41 / 0 / 91 / 41

HEX #59960E

RGB 89 150 14

HSL 86.91, 0.83%, 0.32%

LAB 56.06, -39.75, 56.41

 

CMYK 45 / 0 / 100 / 48

HEX #488400

RGB 72 132 0

HSL 87.27, 1%, 0.26%

LAB 49.35, -38.59, 53.11

 

CMYK 52 / 0 / 100 / 55

HEX #377200

RGB 55 114 0

HSL 91.05, 1%, 0.22%

LAB 42.53, -36.95, 47.46

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 0 / 5 / 72 / 27

HEX #BAB134

RGB 186 177 52

HSL 55.97, 0.56%, 0.47%

LAB 70.96, -11.1, 61.38

 

CMYK 0 / 24 / 72 / 27

HEX #BA8D34

RGB 186 141 52

HSL 39.85, 0.56%, 0.47%

LAB 61.43, 8.18, 51.92

 

CMYK 0 / 44 / 72 / 27

HEX #BA6934

RGB 186 105 52

HSL 23.73, 0.56%, 0.47%

LAB 52.72, 28.04, 42.82

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 53 / 0 / 72 / 27

HEX #57BA34

RGB 87 186 52

HSL 104.33, 0.56%, 0.47%

LAB 67.57, -52.71, 56

 

CMYK 72 / 0 / 71 / 27

HEX #34BA36

RGB 52 186 54

HSL 120.9, 0.56%, 0.47%

LAB 66.61, -60.46, 53.95

 

CMYK 72 / 0 / 52 / 27

HEX #34BA5A

RGB 52 186 90

HSL 137.01, 0.56%, 0.47%

LAB 66.97, -56.2, 38.31

 

CMYK 72 / 0 / 32 / 27

HEX #34BA7E

RGB 52 186 126

HSL 153.13, 0.56%, 0.47%

LAB 67.54, -49.69, 20.36

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 39 / 0 / 84 / 19

HEX #7DCE21

RGB 125 206 33

HSL 88.09, 0.72%, 0.47%

LAB 75.21, -49.7, 69.5

 

CMYK 44 / 0 / 94 / 12

HEX #7EE10D

RGB 126 225 13

HSL 88.02, 0.89%, 0.47%

LAB 80.91, -57.31, 77.58

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 27 / 0 / 57 / 35

HEX #7AA748

RGB 122 167 72

HSL 88.42, 0.4%, 0.47%

LAB 63.54, -31.22, 43.6

 

CMYK 18 / 0 / 39 / 42

HEX #79945B

RGB 121 148 91

HSL 88.42, 0.24%, 0.47%

LAB 58.04, -19.94, 27.08

 

CMYK 6 / 0 / 14 / 50

HEX #78806E

RGB 120 128 110

HSL 86.67, 0.08%, 0.47%

LAB 52.46, -6.48, 8.77

 

CMYK 8 / 16 / 0 / 49

HEX #776D82

RGB 119 109 130

HSL 268.57, 0.09%, 0.47%

LAB 47.59, 8.22, -10.16

 

CMYK 0 / 4 / 72 / 27

HEX #BAB234

RGB 186 178 52

HSL 56.42, 0.56%, 0.47%

LAB 71.23, -11.62, 61.64

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 33 / 0 / 72 / 27

HEX #7CBA34

RGB 124 186 52

HSL 87.76, 0.56%, 0.47%

LAB 69.22, -40.72, 58.21

 

CMYK 53 / 0 / 72 / 27

HEX #58BA34

RGB 88 186 52

HSL 103.88, 0.56%, 0.47%

LAB 67.61, -52.43, 56.05

 

CMYK 72 / 0 / 72 / 27

HEX #34BA34

RGB 52 186 52

HSL 120, 0.56%, 0.47%

LAB 66.59, -60.63, 54.69

 

CMYK 34 / 0 / 72 / 52

HEX #517A22

RGB 81 122 34

HSL 87.95, 0.56%, 0.31%

LAB 46.69, -29.23, 41.6

 

CMYK 34 / 0 / 72 / 40

HEX #669A2B

RGB 102 154 43

HSL 88.11, 0.56%, 0.39%

LAB 58.14, -35.28, 50.05

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 29 / 0 / 63 / 20

HEX #90CC4C

RGB 144 204 76

HSL 88.13, 0.56%, 0.55%

LAB 75.85, -39.57, 55.98

 

CMYK 23 / 0 / 49 / 16

HEX #A4D56C

RGB 164 213 108

HSL 88, 0.56%, 0.63%

LAB 79.93, -33.24, 46.46

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 72 / 0 / 24 / 27

HEX #34BA8E

RGB 52 186 142

HSL 160.3, 0.56%, 0.47%

LAB 67.87, -46.12, 12.15

 

CMYK 0 / 72 / 4 / 27

HEX #BA34B2

RGB 186 52 178

HSL 303.58, 0.56%, 0.47%

LAB 47.12, 66.52, -38.67

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 72 / 33 / 0 / 27

HEX #347CBA

RGB 52 124 186

HSL 207.76, 0.56%, 0.47%

LAB 50.32, -1.5, -39.06

 

CMYK 0 / 72 / 33 / 27

HEX #BA347C

RGB 186 52 124

HSL 327.76, 0.56%, 0.47%

LAB 44.73, 59.08, -9.95

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 72 / 0 / 24 / 27

HEX #34BA8E

RGB 52 186 142

HSL 160.3, 0.56%, 0.47%

LAB 67.87, -46.12, 12.15

 

CMYK 38 / 72 / 0 / 27

HEX #7334BA

RGB 115 52 186

HSL 268.21, 0.56%, 0.47%

LAB 37.2, 53.29, -59.87

 

CMYK 0 / 72 / 48 / 27

HEX #BA3461

RGB 186 52 97

HSL 339.85, 0.56%, 0.47%

LAB 43.88, 56.3, 5.48

 

CMYK 34 / 0 / 72 / 27

HEX #7BBA34

RGB 123 186 52

HSL 88.21, 0.56%, 0.47%

LAB 69.17, -41.09, 58.14

 

CMYK 72 / 0 / 2 / 27

HEX #34BAB6

RGB 52 186 182

HSL 178.21, 0.56%, 0.47%

LAB 68.91, -35.64, -8.29

 

CMYK 38 / 72 / 0 / 27

HEX #7334BA

RGB 115 52 186

HSL 268.21, 0.56%, 0.47%

LAB 37.2, 53.29, -59.87

 

CMYK 0 / 72 / 69 / 27

HEX #BA3439

RGB 186 52 57

HSL 357.76, 0.56%, 0.47%

LAB 43.05, 53.48, 29.03

 

Description

Color code: RGB 123 186 52 | qconv.com Color code: RGB 123 186 52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 186 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 186 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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