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Color name
RGB 123 173 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 173 91 it is the complementary color RGB 132 82 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 173 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 173 91 shade: RGB 128 173 86, RGB 145 191 105, RGB 162 209 124, RGB 179 227 143 and RGB 196 245 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 173 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 173 91 shade: RGB 123 173 91, RGB 106 155 72, RGB 89 137 53, RGB 72 119 34 and RGB 55 101 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 173 91 shade: RGB 123 172 92, RGB 145 172 92, RGB 167 172 92, RGB 172 156 92 and RGB 172 135 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 173 91 shade: RGB 123 172 92, RGB 101 172 92, RGB 92 172 104, RGB 92 172 126 and RGB 92 172 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 173 91 shade matches the following richer shades: RGB 123 172 92, RGB 119 192 72, RGB 115 212 52, RGB 110 232 32 and RGB 106 252 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 173 91 shade: RGB 123 172 92, RGB 128 153 112, RGB 132 133 131, RGB 136 113 151 and RGB 141 93 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 173 91 shade: RGB 167 172 92, RGB 146 172 92, RGB 124 172 92, RGB 102 172 92 and RGB 92 172 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 173 91 shade: RGB 84 121 61, RGB 103 148 75, RGB 123 172 92, RGB 145 186 119 and RGB 167 200 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 173 91 shade: RGB 123 173 91, RGB 92 172 156 and RGB 172 92 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 173 91 shade: RGB 123 173 91, RGB 92 124 172 and RGB 172 92 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 173 91 shade: RGB 123 173 91, RGB 92 172 156, RGB 140 92 172 and RGB 172 92 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 173 91 shade: RGB 123 173 91, RGB 92 164 172, RGB 140 92 172 and RGB 172 100 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 47 / 32

HEX #7BAD5B

RGB 123 173 91

HSL 96.59, 0.33%, 0.52%

LAB 65.63, -31.51, 36.75

 

Complementary color

CMYK 20 / 50 / 0 / 36

HEX #8452A4

RGB 132 82 164

HSL 276.59, 0.33%, 0.48%

LAB 43.68, 36.29, -36.33

 

CMYK 26 / 0 / 50 / 32

HEX #80AD56

RGB 128 173 86

HSL 91.03, 0.35%, 0.51%

LAB 65.86, -30.27, 39.62

 

CMYK 24 / 0 / 45 / 25

HEX #91BF69

RGB 145 191 105

HSL 92.09, 0.4%, 0.58%

LAB 72.43, -30.25, 38.43

 

CMYK 22 / 0 / 41 / 18

HEX #A2D17C

RGB 162 209 124

HSL 93.18, 0.48%, 0.65%

LAB 78.89, -30.18, 37.25

 

CMYK 21 / 0 / 37 / 11

HEX #B3E38F

RGB 179 227 143

HSL 94.29, 0.6%, 0.73%

LAB 85.25, -30.09, 36.11

 

CMYK 20 / 0 / 34 / 4

HEX #C4F5A2

RGB 196 245 162

HSL 95.42, 0.81%, 0.8%

LAB 91.53, -29.99, 35

 

CMYK 29 / 0 / 47 / 32

HEX #7BAD5B

RGB 123 173 91

HSL 96.59, 0.33%, 0.52%

LAB 65.63, -31.51, 36.75

 

CMYK 32 / 0 / 54 / 39

HEX #6A9B48

RGB 106 155 72

HSL 95.42, 0.37%, 0.45%

LAB 58.95, -31.56, 37.96

 

CMYK 35 / 0 / 61 / 46

HEX #598935

RGB 89 137 53

HSL 94.29, 0.44%, 0.37%

LAB 52.14, -31.51, 39.09

 

CMYK 39 / 0 / 71 / 53

HEX #487722

RGB 72 119 34

HSL 93.18, 0.56%, 0.3%

LAB 45.2, -31.29, 39.91

 

CMYK 46 / 0 / 85 / 60

HEX #37650F

RGB 55 101 15

HSL 92.09, 0.74%, 0.23%

LAB 38.12, -30.75, 39.85

 

CMYK 28 / 0 / 47 / 33

HEX #7BAC5C

RGB 123 172 92

HSL 96.75, 0.33%, 0.52%

LAB 65.35, -30.91, 35.89

 

CMYK 16 / 0 / 47 / 33

HEX #91AC5C

RGB 145 172 92

HSL 80.25, 0.33%, 0.52%

LAB 66.75, -22.55, 37.93

 

CMYK 3 / 0 / 47 / 33

HEX #A7AC5C

RGB 167 172 92

HSL 63.75, 0.33%, 0.52%

LAB 68.38, -13.65, 40.31

 

CMYK 0 / 9 / 47 / 33

HEX #AC9C5C

RGB 172 156 92

HSL 48, 0.33%, 0.52%

LAB 64.42, -3.08, 35.52

 

CMYK 0 / 22 / 47 / 33

HEX #AC875C

RGB 172 135 92

HSL 32.25, 0.33%, 0.52%

LAB 58.86, 8.49, 28.46

 

CMYK 28 / 0 / 47 / 33

HEX #7BAC5C

RGB 123 172 92

HSL 96.75, 0.33%, 0.52%

LAB 65.35, -30.91, 35.89

 

CMYK 41 / 0 / 47 / 33

HEX #65AC5C

RGB 101 172 92

HSL 113.25, 0.33%, 0.52%

LAB 64.2, -38.44, 34.2

 

CMYK 47 / 0 / 40 / 33

HEX #5CAC68

RGB 92 172 104

HSL 129, 0.33%, 0.52%

LAB 63.98, -39.32, 27.56

 

CMYK 47 / 0 / 27 / 33

HEX #5CAC7E

RGB 92 172 126

HSL 145.5, 0.33%, 0.52%

LAB 64.39, -35.25, 16.21

 

CMYK 47 / 0 / 15 / 33

HEX #5CAC93

RGB 92 172 147

HSL 161.25, 0.33%, 0.52%

LAB 64.87, -30.67, 5.29

 

CMYK 28 / 0 / 47 / 33

HEX #7BAC5C

RGB 123 172 92

HSL 96.75, 0.33%, 0.52%

LAB 65.35, -30.91, 35.89

 

CMYK 38 / 0 / 63 / 25

HEX #77C048

RGB 119 192 72

HSL 96.5, 0.49%, 0.52%

LAB 70.93, -43.5, 51.91

 

CMYK 46 / 0 / 75 / 17

HEX #73D434

RGB 115 212 52

HSL 96.38, 0.65%, 0.52%

LAB 76.67, -54.39, 65.39

 

CMYK 53 / 0 / 86 / 9

HEX #6EE820

RGB 110 232 32

HSL 96.6, 0.81%, 0.52%

LAB 82.45, -64.11, 75.77

 

CMYK 58 / 0 / 95 / 1

HEX #6AFC0C

RGB 106 252 12

HSL 96.5, 0.98%, 0.52%

LAB 88.31, -72.37, 83.34

 

CMYK 28 / 0 / 47 / 33

HEX #7BAC5C

RGB 123 172 92

HSL 96.75, 0.33%, 0.52%

LAB 65.35, -30.91, 35.89

 

CMYK 16 / 0 / 27 / 40

HEX #809970

RGB 128 153 112

HSL 96.59, 0.17%, 0.52%

LAB 60.37, -16.64, 18.73

 

CMYK 1 / 0 / 2 / 48

HEX #848583

RGB 132 133 131

HSL 90, 0.01%, 0.52%

LAB 55.4, -0.76, 0.94

 

CMYK 10 / 25 / 0 / 41

HEX #887197

RGB 136 113 151

HSL 276.32, 0.15%, 0.52%

LAB 51.01, 16.49, -17.24

 

CMYK 18 / 46 / 0 / 33

HEX #8D5DAB

RGB 141 93 171

HSL 276.92, 0.32%, 0.52%

LAB 47.54, 34.29, -34.32

 

CMYK 3 / 0 / 47 / 33

HEX #A7AC5C

RGB 167 172 92

HSL 63.75, 0.33%, 0.52%

LAB 68.38, -13.65, 40.31

 

CMYK 15 / 0 / 47 / 33

HEX #92AC5C

RGB 146 172 92

HSL 79.5, 0.33%, 0.52%

LAB 66.82, -22.15, 38.03

 

CMYK 28 / 0 / 47 / 33

HEX #7CAC5C

RGB 124 172 92

HSL 96, 0.33%, 0.52%

LAB 65.41, -30.55, 35.97

 

CMYK 41 / 0 / 47 / 33

HEX #66AC5C

RGB 102 172 92

HSL 112.5, 0.33%, 0.52%

LAB 64.24, -38.12, 34.27

 

CMYK 47 / 0 / 41 / 33

HEX #5CAC66

RGB 92 172 102

HSL 127.5, 0.33%, 0.52%

LAB 63.95, -39.65, 28.58

 

CMYK 31 / 0 / 50 / 53

HEX #54793D

RGB 84 121 61

HSL 97, 0.33%, 0.36%

LAB 46.84, -24.74, 28.66

 

CMYK 30 / 0 / 49 / 42

HEX #67944B

RGB 103 148 75

HSL 96.99, 0.33%, 0.44%

LAB 56.66, -28.97, 33.61

 

CMYK 28 / 0 / 47 / 33

HEX #7BAC5C

RGB 123 172 92

HSL 96.75, 0.33%, 0.52%

LAB 65.35, -30.91, 35.89

 

CMYK 22 / 0 / 36 / 27

HEX #91BA77

RGB 145 186 119

HSL 96.72, 0.33%, 0.6%

LAB 71.19, -25.96, 29.63

 

CMYK 17 / 0 / 27 / 22

HEX #A7C893

RGB 167 200 147

HSL 97.36, 0.33%, 0.68%

LAB 77.06, -20.71, 22.97

 

CMYK 29 / 0 / 47 / 32

HEX #7BAD5B

RGB 123 173 91

HSL 96.59, 0.33%, 0.52%

LAB 65.63, -31.51, 36.75

 

CMYK 47 / 0 / 9 / 33

HEX #5CAC9C

RGB 92 172 156

HSL 168, 0.33%, 0.52%

LAB 65.11, -28.52, 0.62

 

CMYK 0 / 47 / 9 / 33

HEX #AC5C9C

RGB 172 92 156

HSL 312, 0.33%, 0.52%

LAB 50.48, 41.48, -20.62

 

CMYK 29 / 0 / 47 / 32

HEX #7BAD5B

RGB 123 173 91

HSL 96.59, 0.33%, 0.52%

LAB 65.63, -31.51, 36.75

 

CMYK 47 / 28 / 0 / 33

HEX #5C7CAC

RGB 92 124 172

HSL 216, 0.33%, 0.52%

LAB 51.46, 1.92, -29.07

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7C

RGB 172 92 124

HSL 336, 0.33%, 0.52%

LAB 49.35, 36.43, -3.3

 

CMYK 29 / 0 / 47 / 32

HEX #7BAD5B

RGB 123 173 91

HSL 96.59, 0.33%, 0.52%

LAB 65.63, -31.51, 36.75

 

CMYK 47 / 0 / 9 / 33

HEX #5CAC9C

RGB 92 172 156

HSL 168, 0.33%, 0.52%

LAB 65.11, -28.52, 0.62

 

CMYK 19 / 47 / 0 / 33

HEX #8C5CAC

RGB 140 92 172

HSL 276, 0.33%, 0.52%

LAB 47.25, 34.79, -35.37

 

CMYK 0 / 47 / 37 / 33

HEX #AC5C6C

RGB 172 92 108

HSL 348, 0.33%, 0.52%

LAB 48.89, 34.32, 5.63

 

CMYK 29 / 0 / 47 / 32

HEX #7BAD5B

RGB 123 173 91

HSL 96.59, 0.33%, 0.52%

LAB 65.63, -31.51, 36.75

 

CMYK 47 / 5 / 0 / 33

HEX #5CA4AC

RGB 92 164 172

HSL 186, 0.33%, 0.52%

LAB 63.18, -20.36, -11.17

 

CMYK 19 / 47 / 0 / 33

HEX #8C5CAC

RGB 140 92 172

HSL 276, 0.33%, 0.52%

LAB 47.25, 34.79, -35.37

 

CMYK 0 / 42 / 47 / 33

HEX #AC645C

RGB 172 100 92

HSL 6, 0.33%, 0.52%

LAB 50.28, 28.12, 17.11

 

Description

Color code: RGB 123 173 91 | qconv.com Color code: RGB 123 173 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 173 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 173 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 47 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 47% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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