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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 158 86 it is the complementary color RGB 132 97 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 158 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 158 86 shade: RGB 128 158 81, RGB 145 176 100, RGB 162 194 119, RGB 179 212 138 and RGB 196 230 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 158 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 158 86 shade: RGB 123 158 86, RGB 106 140 67, RGB 89 122 48, RGB 72 104 29 and RGB 55 86 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 158 86 shade: RGB 123 159 85, RGB 143 159 85, RGB 159 155 85, RGB 159 135 85 and RGB 159 115 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 158 86 shade: RGB 123 159 85, RGB 103 159 85, RGB 85 159 87, RGB 85 159 107 and RGB 85 159 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 158 86 shade matches the following richer shades: RGB 123 159 85, RGB 123 178 65, RGB 124 198 46, RGB 125 218 26 and RGB 125 238 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 158 86 shade: RGB 123 159 85, RGB 122 139 105, RGB 122 119 125, RGB 121 99 145 and RGB 121 79 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 158 86 shade: RGB 159 155 85, RGB 143 159 85, RGB 123 159 85, RGB 104 159 85 and RGB 85 159 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 158 86 shade: RGB 81 105 56, RGB 102 132 71, RGB 123 159 85, RGB 143 176 109 and RGB 164 191 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 158 86 shade: RGB 123 158 86, RGB 85 159 135 and RGB 159 85 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 158 86 shade: RGB 123 158 86, RGB 85 123 159 and RGB 159 85 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 158 86 shade: RGB 123 158 86, RGB 85 159 135, RGB 121 85 159 and RGB 159 85 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 158 86 shade: RGB 123 158 86, RGB 85 159 157, RGB 121 85 159 and RGB 159 85 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 46 / 38

HEX #7B9E56

RGB 123 158 86

HSL 89.17, 0.3%, 0.48%

LAB 61.08, -24.89, 33.65

 

Complementary color

CMYK 22 / 43 / 0 / 34

HEX #8461A9

RGB 132 97 169

HSL 269.17, 0.3%, 0.52%

LAB 47.39, 28.8, -33.44

 

CMYK 19 / 0 / 49 / 38

HEX #809E51

RGB 128 158 81

HSL 83.38, 0.32%, 0.47%

LAB 61.34, -23.54, 36.63

 

CMYK 18 / 0 / 43 / 31

HEX #91B064

RGB 145 176 100

HSL 84.47, 0.32%, 0.54%

LAB 68.01, -23.59, 35.42

 

CMYK 16 / 0 / 39 / 24

HEX #A2C277

RGB 162 194 119

HSL 85.6, 0.38%, 0.61%

LAB 74.57, -23.6, 34.24

 

CMYK 16 / 0 / 35 / 17

HEX #B3D48A

RGB 179 212 138

HSL 86.76, 0.46%, 0.69%

LAB 81.02, -23.58, 33.1

 

CMYK 15 / 0 / 32 / 10

HEX #C4E69D

RGB 196 230 157

HSL 87.95, 0.59%, 0.76%

LAB 87.37, -23.55, 32.01

 

CMYK 22 / 0 / 46 / 38

HEX #7B9E56

RGB 123 158 86

HSL 89.17, 0.3%, 0.48%

LAB 61.08, -24.89, 33.65

 

CMYK 24 / 0 / 52 / 45

HEX #6A8C43

RGB 106 140 67

HSL 87.95, 0.35%, 0.41%

LAB 54.27, -24.88, 34.88

 

CMYK 27 / 0 / 61 / 52

HEX #597A30

RGB 89 122 48

HSL 86.76, 0.44%, 0.33%

LAB 47.31, -24.78, 36.03

 

CMYK 31 / 0 / 72 / 59

HEX #48681D

RGB 72 104 29

HSL 85.6, 0.56%, 0.26%

LAB 40.19, -24.51, 36.86

 

CMYK 36 / 0 / 88 / 66

HEX #37560A

RGB 55 86 10

HSL 84.47, 0.79%, 0.19%

LAB 32.9, -23.94, 36.67

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 10 / 0 / 47 / 38

HEX #8F9F55

RGB 143 159 85

HSL 72.97, 0.3%, 0.48%

LAB 62.75, -17.54, 36.55

 

CMYK 0 / 3 / 47 / 38

HEX #9F9B55

RGB 159 155 85

HSL 56.76, 0.3%, 0.48%

LAB 62.9, -8.76, 37.03

 

CMYK 0 / 15 / 47 / 38

HEX #9F8755

RGB 159 135 85

HSL 40.54, 0.3%, 0.48%

LAB 57.42, 2.19, 30.19

 

CMYK 0 / 28 / 47 / 38

HEX #9F7355

RGB 159 115 85

HSL 24.32, 0.3%, 0.48%

LAB 52.16, 13.51, 23.4

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 35 / 0 / 47 / 38

HEX #679F55

RGB 103 159 85

HSL 105.41, 0.3%, 0.48%

LAB 60.19, -32.85, 32.81

 

CMYK 47 / 0 / 45 / 38

HEX #559F57

RGB 85 159 87

HSL 121.62, 0.3%, 0.48%

LAB 59.36, -38.4, 30.53

 

CMYK 47 / 0 / 33 / 38

HEX #559F6B

RGB 85 159 107

HSL 137.84, 0.3%, 0.48%

LAB 59.7, -34.97, 20.18

 

CMYK 47 / 0 / 20 / 38

HEX #559F7F

RGB 85 159 127

HSL 154.05, 0.3%, 0.48%

LAB 60.12, -30.84, 9.63

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 31 / 0 / 63 / 30

HEX #7BB241

RGB 123 178 65

HSL 89.2, 0.47%, 0.48%

LAB 66.85, -36.57, 50.51

 

CMYK 37 / 0 / 77 / 22

HEX #7CC62E

RGB 124 198 46

HSL 89.21, 0.62%, 0.48%

LAB 72.81, -46.18, 63.74

 

CMYK 43 / 0 / 88 / 15

HEX #7DDA1A

RGB 125 218 26

HSL 89.06, 0.79%, 0.48%

LAB 78.8, -54.67, 74.01

 

CMYK 47 / 0 / 97 / 7

HEX #7DEE06

RGB 125 238 6

HSL 89.22, 0.95%, 0.48%

LAB 84.75, -62.52, 81.24

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 12 / 0 / 24 / 45

HEX #7A8B69

RGB 122 139 105

HSL 90, 0.14%, 0.48%

LAB 55.71, -12.64, 16.19

 

CMYK 2 / 5 / 0 / 51

HEX #7A777D

RGB 122 119 125

HSL 270, 0.02%, 0.48%

LAB 50.47, 2.35, -2.88

 

CMYK 17 / 32 / 0 / 43

HEX #796391

RGB 121 99 145

HSL 268.7, 0.19%, 0.48%

LAB 45.68, 18.36, -21.99

 

CMYK 26 / 52 / 0 / 36

HEX #794FA4

RGB 121 79 164

HSL 269.65, 0.35%, 0.48%

LAB 41.75, 34.9, -39.48

 

CMYK 0 / 3 / 47 / 38

HEX #9F9B55

RGB 159 155 85

HSL 56.76, 0.3%, 0.48%

LAB 62.9, -8.76, 37.03

 

CMYK 10 / 0 / 47 / 38

HEX #8F9F55

RGB 143 159 85

HSL 72.97, 0.3%, 0.48%

LAB 62.75, -17.54, 36.55

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 35 / 0 / 47 / 38

HEX #689F55

RGB 104 159 85

HSL 104.59, 0.3%, 0.48%

LAB 60.24, -32.5, 32.89

 

CMYK 47 / 0 / 46 / 38

HEX #559F56

RGB 85 159 86

HSL 120.81, 0.3%, 0.48%

LAB 59.34, -38.56, 31.03

 

CMYK 23 / 0 / 47 / 59

HEX #516938

RGB 81 105 56

HSL 89.39, 0.3%, 0.32%

LAB 41.43, -18.33, 24.64

 

CMYK 23 / 0 / 46 / 48

HEX #668447

RGB 102 132 71

HSL 89.51, 0.3%, 0.4%

LAB 51.59, -21.93, 29.43

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F55

RGB 123 159 85

HSL 89.19, 0.3%, 0.48%

LAB 61.36, -25.51, 34.53

 

CMYK 19 / 0 / 38 / 31

HEX #8FB06D

RGB 143 176 109

HSL 89.55, 0.3%, 0.56%

LAB 68.02, -23.18, 30.71

 

CMYK 14 / 0 / 29 / 25

HEX #A4BF88

RGB 164 191 136

HSL 89.45, 0.3%, 0.64%

LAB 74.15, -18.98, 24.81

 

CMYK 22 / 0 / 46 / 38

HEX #7B9E56

RGB 123 158 86

HSL 89.17, 0.3%, 0.48%

LAB 61.08, -24.89, 33.65

 

CMYK 47 / 0 / 15 / 38

HEX #559F87

RGB 85 159 135

HSL 160.54, 0.3%, 0.48%

LAB 60.32, -29.01, 5.41

 

CMYK 0 / 47 / 4 / 38

HEX #9F5599

RGB 159 85 153

HSL 304.86, 0.3%, 0.48%

LAB 47.19, 40.52, -24.06

 

CMYK 22 / 0 / 46 / 38

HEX #7B9E56

RGB 123 158 86

HSL 89.17, 0.3%, 0.48%

LAB 61.08, -24.89, 33.65

 

CMYK 47 / 23 / 0 / 38

HEX #557B9F

RGB 85 123 159

HSL 209.19, 0.3%, 0.48%

LAB 50.22, -3.22, -23.47

 

CMYK 0 / 47 / 23 / 38

HEX #9F557B

RGB 159 85 123

HSL 329.19, 0.3%, 0.48%

LAB 46.04, 35.44, -7.81

 

CMYK 22 / 0 / 46 / 38

HEX #7B9E56

RGB 123 158 86

HSL 89.17, 0.3%, 0.48%

LAB 61.08, -24.89, 33.65

 

CMYK 47 / 0 / 15 / 38

HEX #559F87

RGB 85 159 135

HSL 160.54, 0.3%, 0.48%

LAB 60.32, -29.01, 5.41

 

CMYK 24 / 47 / 0 / 38

HEX #79559F

RGB 121 85 159

HSL 269.19, 0.3%, 0.48%

LAB 42.86, 30.15, -34.74

 

CMYK 0 / 47 / 32 / 38

HEX #9F556C

RGB 159 85 108

HSL 341.35, 0.3%, 0.48%

LAB 45.57, 33.27, 0.6

 

CMYK 22 / 0 / 46 / 38

HEX #7B9E56

RGB 123 158 86

HSL 89.17, 0.3%, 0.48%

LAB 61.08, -24.89, 33.65

 

CMYK 47 / 0 / 1 / 38

HEX #559F9D

RGB 85 159 157

HSL 178.38, 0.3%, 0.48%

LAB 60.92, -23.51, -6.12

 

CMYK 24 / 47 / 0 / 38

HEX #79559F

RGB 121 85 159

HSL 269.19, 0.3%, 0.48%

LAB 42.86, 30.15, -34.74

 

CMYK 0 / 47 / 46 / 38

HEX #9F5556

RGB 159 85 86

HSL 359.19, 0.3%, 0.48%

LAB 45, 30.59, 13.17

 

Description

Color code: RGB 123 158 86 | qconv.com Color code: RGB 123 158 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 158 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 158 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 46 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 46% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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