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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 156 36 it is the complementary color RGB 132 99 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 156 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 156 36 shade: RGB 128 156 31, RGB 145 174 50, RGB 162 192 69, RGB 179 210 88 and RGB 196 228 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 156 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 156 36 shade: RGB 123 156 36, RGB 106 138 17, RGB 89 120 0, RGB 72 102 0 and RGB 55 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 156 36 shade: RGB 124 157 35, RGB 157 157 35, RGB 157 125 35, RGB 157 92 35 and RGB 157 59 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 156 36 shade: RGB 124 157 35, RGB 91 157 35, RGB 58 157 35, RGB 35 157 46 and RGB 35 157 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 156 36 shade matches the following richer shades: RGB 124 157 35, RGB 131 173 20 and RGB 138 189 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 156 36 shade: RGB 124 157 35, RGB 117 142 51, RGB 110 126 67, RGB 103 110 82 and RGB 96 95 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 156 36 shade: RGB 157 125 35, RGB 157 157 35, RGB 125 157 35, RGB 92 157 35 and RGB 60 157 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 156 36 shade: RGB 71 90 20, RGB 97 124 28, RGB 124 157 35, RGB 150 191 43 and RGB 171 211 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 156 36 shade: RGB 123 156 36, RGB 35 157 92 and RGB 141 35 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 156 36 shade: RGB 123 156 36, RGB 35 125 157 and RGB 157 35 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 156 36 shade: RGB 123 156 36, RGB 35 157 92, RGB 68 35 157 and RGB 157 35 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 156 36 shade: RGB 123 156 36, RGB 35 157 129, RGB 68 35 157 and RGB 157 35 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 77 / 39

HEX #7B9C24

RGB 123 156 36

HSL 76.5, 0.63%, 0.38%

LAB 59.99, -28.31, 54.82

 

Complementary color

CMYK 40 / 55 / 0 / 14

HEX #8463DB

RGB 132 99 219

HSL 256.5, 0.63%, 0.62%

LAB 50.62, 40.56, -57.14

 

CMYK 18 / 0 / 80 / 39

HEX #809C1F

RGB 128 156 31

HSL 73.44, 0.67%, 0.37%

LAB 60.31, -26.45, 56.83

 

CMYK 17 / 0 / 71 / 32

HEX #91AE32

RGB 145 174 50

HSL 74.03, 0.55%, 0.44%

LAB 66.92, -27.15, 57.07

 

CMYK 16 / 0 / 64 / 25

HEX #A2C045

RGB 162 192 69

HSL 74.63, 0.49%, 0.51%

LAB 73.42, -27.66, 56.62

 

CMYK 15 / 0 / 58 / 18

HEX #B3D258

RGB 179 210 88

HSL 75.25, 0.58%, 0.58%

LAB 79.83, -28.04, 55.81

 

CMYK 14 / 0 / 53 / 11

HEX #C4E46B

RGB 196 228 107

HSL 75.87, 0.69%, 0.66%

LAB 86.15, -28.33, 54.82

 

CMYK 21 / 0 / 77 / 39

HEX #7B9C24

RGB 123 156 36

HSL 76.5, 0.63%, 0.38%

LAB 59.99, -28.31, 54.82

 

CMYK 23 / 0 / 88 / 46

HEX #6A8A11

RGB 106 138 17

HSL 75.87, 0.78%, 0.3%

LAB 53.26, -27.52, 53.82

 

CMYK 26 / 0 / 100 / 53

HEX #597800

RGB 89 120 0

HSL 75.5, 1%, 0.24%

LAB 46.39, -26.46, 51.24

 

CMYK 29 / 0 / 100 / 60

HEX #486600

RGB 72 102 0

HSL 77.65, 1%, 0.2%

LAB 39.38, -24.97, 45.41

 

CMYK 35 / 0 / 100 / 67

HEX #375400

RGB 55 84 0

HSL 80.71, 1%, 0.16%

LAB 32.15, -23.44, 39.39

 

CMYK 21 / 0 / 78 / 38

HEX #7C9D23

RGB 124 157 35

HSL 76.23, 0.64%, 0.38%

LAB 60.36, -28.43, 55.52

 

CMYK 0 / 0 / 78 / 38

HEX #9D9D23

RGB 157 157 35

HSL 60, 0.64%, 0.38%

LAB 62.85, -14.18, 58.72

 

CMYK 0 / 20 / 78 / 38

HEX #9D7D23

RGB 157 125 35

HSL 44.26, 0.64%, 0.38%

LAB 53.98, 3.21, 50.53

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 62 / 78 / 38

HEX #9D3B23

RGB 157 59 35

HSL 11.8, 0.64%, 0.38%

LAB 38.58, 39.49, 35.29

 

CMYK 21 / 0 / 78 / 38

HEX #7C9D23

RGB 124 157 35

HSL 76.23, 0.64%, 0.38%

LAB 60.36, -28.43, 55.52

 

CMYK 42 / 0 / 78 / 38

HEX #5B9D23

RGB 91 157 35

HSL 92.46, 0.64%, 0.38%

LAB 58.47, -41.09, 53.07

 

CMYK 63 / 0 / 78 / 38

HEX #3A9D23

RGB 58 157 35

HSL 108.69, 0.64%, 0.38%

LAB 57.21, -50.83, 51.41

 

CMYK 78 / 0 / 71 / 38

HEX #239D2E

RGB 35 157 46

HSL 125.41, 0.64%, 0.38%

LAB 56.75, -54.37, 46.68

 

CMYK 78 / 0 / 50 / 38

HEX #239D4F

RGB 35 157 79

HSL 141.64, 0.64%, 0.38%

LAB 57.11, -50.06, 31.56

 

CMYK 21 / 0 / 78 / 38

HEX #7C9D23

RGB 124 157 35

HSL 76.23, 0.64%, 0.38%

LAB 60.36, -28.43, 55.52

 

CMYK 24 / 0 / 88 / 32

HEX #83AD14

RGB 131 173 20

HSL 76.47, 0.79%, 0.38%

LAB 65.56, -33.66, 64.17

 

CMYK 27 / 0 / 98 / 26

HEX #8ABD04

RGB 138 189 4

HSL 76.54, 0.96%, 0.38%

LAB 70.74, -38.42, 70.7

 

CMYK 21 / 0 / 78 / 38

HEX #7C9D23

RGB 124 157 35

HSL 76.23, 0.64%, 0.38%

LAB 60.36, -28.43, 55.52

 

CMYK 18 / 0 / 64 / 44

HEX #758E33

RGB 117 142 51

HSL 76.48, 0.47%, 0.38%

LAB 55.45, -22.94, 44.17

 

CMYK 13 / 0 / 47 / 51

HEX #6E7E43

RGB 110 126 67

HSL 76.27, 0.31%, 0.38%

LAB 50.27, -16, 30.06

 

CMYK 6 / 0 / 25 / 57

HEX #676E52

RGB 103 110 82

HSL 75, 0.15%, 0.38%

LAB 45.14, -7.98, 14.76

 

CMYK 2 / 3 / 0 / 62

HEX #605F62

RGB 96 95 98

HSL 260, 0.02%, 0.38%

LAB 40.5, 1.03, -1.57

 

CMYK 0 / 20 / 78 / 38

HEX #9D7D23

RGB 157 125 35

HSL 44.26, 0.64%, 0.38%

LAB 53.98, 3.21, 50.53

 

CMYK 0 / 0 / 78 / 38

HEX #9D9D23

RGB 157 157 35

HSL 60, 0.64%, 0.38%

LAB 62.85, -14.18, 58.72

 

CMYK 20 / 0 / 78 / 38

HEX #7D9D23

RGB 125 157 35

HSL 75.74, 0.64%, 0.38%

LAB 60.42, -28.01, 55.6

 

CMYK 41 / 0 / 78 / 38

HEX #5C9D23

RGB 92 157 35

HSL 91.97, 0.64%, 0.38%

LAB 58.52, -40.74, 53.13

 

CMYK 62 / 0 / 78 / 38

HEX #3C9D23

RGB 60 157 35

HSL 107.7, 0.64%, 0.38%

LAB 57.27, -50.34, 51.49

 

CMYK 21 / 0 / 78 / 65

HEX #475A14

RGB 71 90 20

HSL 76.29, 0.64%, 0.22%

LAB 35.4, -18.36, 35.81

 

CMYK 22 / 0 / 77 / 51

HEX #617C1C

RGB 97 124 28

HSL 76.88, 0.63%, 0.3%

LAB 48.31, -23.98, 45.89

 

CMYK 21 / 0 / 78 / 38

HEX #7C9D23

RGB 124 157 35

HSL 76.23, 0.64%, 0.38%

LAB 60.36, -28.43, 55.52

 

CMYK 21 / 0 / 77 / 25

HEX #96BF2B

RGB 150 191 43

HSL 76.62, 0.63%, 0.46%

LAB 72.18, -33.52, 64.6

 

CMYK 19 / 0 / 70 / 17

HEX #ABD340

RGB 171 211 64

HSL 76.33, 0.63%, 0.54%

LAB 79.4, -33.35, 64.93

 

CMYK 21 / 0 / 77 / 39

HEX #7B9C24

RGB 123 156 36

HSL 76.5, 0.63%, 0.38%

LAB 59.99, -28.31, 54.82

 

CMYK 78 / 0 / 41 / 38

HEX #239D5C

RGB 35 157 92

HSL 148.03, 0.64%, 0.38%

LAB 57.31, -47.72, 24.92

 

CMYK 10 / 78 / 0 / 38

HEX #8D239D

RGB 141 35 157

HSL 292.13, 0.64%, 0.38%

LAB 36.55, 58.85, -43.41

 

CMYK 21 / 0 / 77 / 39

HEX #7B9C24

RGB 123 156 36

HSL 76.5, 0.63%, 0.38%

LAB 59.99, -28.31, 54.82

 

CMYK 78 / 20 / 0 / 38

HEX #237D9D

RGB 35 125 157

HSL 195.74, 0.64%, 0.38%

LAB 48.83, -14.69, -24.6

 

CMYK 0 / 78 / 20 / 38

HEX #9D237D

RGB 157 35 125

HSL 315.74, 0.64%, 0.38%

LAB 37.57, 57.31, -21.97

 

CMYK 21 / 0 / 77 / 39

HEX #7B9C24

RGB 123 156 36

HSL 76.5, 0.63%, 0.38%

LAB 59.99, -28.31, 54.82

 

CMYK 78 / 0 / 41 / 38

HEX #239D5C

RGB 35 157 92

HSL 148.03, 0.64%, 0.38%

LAB 57.31, -47.72, 24.92

 

CMYK 57 / 78 / 0 / 38

HEX #44239D

RGB 68 35 157

HSL 256.23, 0.64%, 0.38%

LAB 26.35, 45.96, -60.45

 

CMYK 0 / 78 / 36 / 38

HEX #9D2364

RGB 157 35 100

HSL 328.03, 0.64%, 0.38%

LAB 36.54, 54.18, -7.81

 

CMYK 21 / 0 / 77 / 39

HEX #7B9C24

RGB 123 156 36

HSL 76.5, 0.63%, 0.38%

LAB 59.99, -28.31, 54.82

 

CMYK 78 / 0 / 18 / 38

HEX #239D81

RGB 35 157 129

HSL 166.23, 0.64%, 0.38%

LAB 58.09, -39.24, 5.41

 

CMYK 57 / 78 / 0 / 38

HEX #44239D

RGB 68 35 157

HSL 256.23, 0.64%, 0.38%

LAB 26.35, 45.96, -60.45

 

CMYK 0 / 78 / 59 / 38

HEX #9D2340

RGB 157 35 64

HSL 345.74, 0.64%, 0.38%

LAB 35.48, 50.87, 13.83

 

Description

Color code: RGB 123 156 36 | qconv.com Color code: RGB 123 156 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 156 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 156 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 77 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 77% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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