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Color name
RGB 123 146 202

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 146 202 it is the complementary color RGB 132 109 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 146 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 146 202 shade: RGB 128 146 197, RGB 145 164 216, RGB 162 182 235, RGB 179 200 254 and RGB 196 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 146 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 106 128 183, RGB 89 110 164, RGB 72 92 145 and RGB 55 74 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 123 125 202, RGB 143 123 202, RGB 164 123 202 and RGB 185 123 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 123 125 202 and RGB 123 123 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 146 202 shade matches the following richer shades: RGB 123 146 202, RGB 108 140 217, RGB 94 134 232 and RGB 79 128 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 138 152 187, RGB 153 159 172, RGB 168 165 158 and RGB 183 171 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 146 202 shade: RGB 123 189 202, RGB 123 168 202, RGB 123 147 202, RGB 123 126 202 and RGB 142 123 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 146 202 shade: RGB 69 100 174, RGB 94 122 190, RGB 123 146 202, RGB 153 171 214 and RGB 182 195 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 194 123 202 and RGB 178 202 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 202 123 147 and RGB 147 202 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 194 123 202, RGB 202 178 123 and RGB 131 202 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 146 202 shade: RGB 123 146 202, RGB 202 123 186, RGB 202 178 123 and RGB 123 202 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

Complementary color

CMYK 0 / 17 / 60 / 48

HEX #846D35

RGB 132 109 53

HSL 42.53, 0.43%, 0.36%

LAB 47.11, 1.91, 34.19

 

CMYK 35 / 26 / 0 / 23

HEX #8092C5

RGB 128 146 197

HSL 224.35, 0.37%, 0.64%

LAB 60.94, 5.97, -28.45

 

CMYK 33 / 24 / 0 / 15

HEX #91A4D8

RGB 145 164 216

HSL 223.94, 0.48%, 0.71%

LAB 67.67, 5.57, -28.55

 

CMYK 31 / 23 / 0 / 8

HEX #A2B6EB

RGB 162 182 235

HSL 223.56, 0.65%, 0.78%

LAB 74.28, 5.21, -28.68

 

CMYK 30 / 21 / 0 / 0

HEX #B3C8FE

RGB 179 200 254

HSL 223.2, 0.97%, 0.85%

LAB 80.77, 4.88, -28.83

 

CMYK 23 / 15 / 0 / 0

HEX #C4DAFF

RGB 196 218 255

HSL 217.63, 1%, 0.88%

LAB 86.55, 0.47, -20.45

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 42 / 30 / 0 / 28

HEX #6A80B7

RGB 106 128 183

HSL 222.86, 0.35%, 0.57%

LAB 53.94, 6.49, -31.47

 

CMYK 46 / 33 / 0 / 36

HEX #596EA4

RGB 89 110 164

HSL 223.2, 0.3%, 0.5%

LAB 46.92, 7.15, -31.51

 

CMYK 50 / 37 / 0 / 43

HEX #485C91

RGB 72 92 145

HSL 223.56, 0.34%, 0.43%

LAB 39.71, 7.96, -31.61

 

CMYK 56 / 41 / 0 / 51

HEX #374A7E

RGB 55 74 126

HSL 223.94, 0.39%, 0.35%

LAB 32.29, 9.03, -31.77

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 39 / 38 / 0 / 21

HEX #7B7DCA

RGB 123 125 202

HSL 238.48, 0.43%, 0.64%

LAB 55.22, 18.27, -40.23

 

CMYK 29 / 39 / 0 / 21

HEX #8F7BCA

RGB 143 123 202

HSL 255.19, 0.43%, 0.64%

LAB 56.36, 25, -38.33

 

CMYK 19 / 39 / 0 / 21

HEX #A47BCA

RGB 164 123 202

HSL 271.14, 0.43%, 0.64%

LAB 58.34, 31.17, -35.07

 

CMYK 8 / 39 / 0 / 21

HEX #B97BCA

RGB 185 123 202

HSL 287.09, 0.43%, 0.64%

LAB 60.56, 37.56, -31.46

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 39 / 38 / 0 / 21

HEX #7B7DCA

RGB 123 125 202

HSL 238.48, 0.43%, 0.64%

LAB 55.22, 18.27, -40.23

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 50 / 35 / 0 / 15

HEX #6C8CD9

RGB 108 140 217

HSL 222.39, 0.59%, 0.64%

LAB 58.93, 10.05, -42.9

 

CMYK 59 / 42 / 0 / 9

HEX #5E86E8

RGB 94 134 232

HSL 222.61, 0.75%, 0.64%

LAB 57.32, 15.47, -53.87

 

CMYK 68 / 48 / 0 / 3

HEX #4F80F7

RGB 79 128 247

HSL 222.5, 0.91%, 0.64%

LAB 55.9, 21.7, -64.51

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 26 / 19 / 0 / 27

HEX #8A98BB

RGB 138 152 187

HSL 222.86, 0.26%, 0.64%

LAB 62.88, 2.97, -19.79

 

CMYK 11 / 8 / 0 / 33

HEX #999FAC

RGB 153 159 172

HSL 221.05, 0.1%, 0.64%

LAB 65.39, 0.52, -7.48

 

CMYK 0 / 2 / 6 / 34

HEX #A8A59E

RGB 168 165 158

HSL 42, 0.05%, 0.64%

LAB 67.8, -0.21, 4

 

CMYK 0 / 7 / 22 / 28

HEX #B7AB8F

RGB 183 171 143

HSL 42, 0.22%, 0.64%

LAB 70.3, -0.28, 15.99

 

CMYK 39 / 6 / 0 / 21

HEX #7BBDCA

RGB 123 189 202

HSL 189.87, 0.43%, 0.64%

LAB 72.81, -17.62, -13.18

 

CMYK 39 / 17 / 0 / 21

HEX #7BA8CA

RGB 123 168 202

HSL 205.82, 0.43%, 0.64%

LAB 66.89, -6.44, -22.14

 

CMYK 39 / 27 / 0 / 21

HEX #7B93CA

RGB 123 147 202

HSL 221.77, 0.43%, 0.64%

LAB 61.08, 5.37, -31.07

 

CMYK 39 / 38 / 0 / 21

HEX #7B7ECA

RGB 123 126 202

HSL 237.72, 0.43%, 0.64%

LAB 55.48, 17.68, -39.82

 

CMYK 30 / 39 / 0 / 21

HEX #8E7BCA

RGB 142 123 202

HSL 254.43, 0.43%, 0.64%

LAB 56.27, 24.71, -38.47

 

CMYK 60 / 43 / 0 / 32

HEX #4564AE

RGB 69 100 174

HSL 222.29, 0.43%, 0.48%

LAB 43.41, 12, -43

 

CMYK 51 / 36 / 0 / 25

HEX #5E7ABE

RGB 94 122 190

HSL 222.5, 0.42%, 0.56%

LAB 51.86, 9.16, -38.81

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 29 / 20 / 0 / 16

HEX #99ABD6

RGB 153 171 214

HSL 222.3, 0.43%, 0.72%

LAB 70, 3.48, -23.83

 

CMYK 19 / 14 / 0 / 11

HEX #B6C3E2

RGB 182 195 226

HSL 222.27, 0.43%, 0.8%

LAB 78.73, 2, -16.91

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 4 / 39 / 0 / 21

HEX #C27BCA

RGB 194 123 202

HSL 293.92, 0.43%, 0.64%

LAB 61.57, 40.33, -29.81

 

CMYK 12 / 0 / 39 / 21

HEX #B2CA7B

RGB 178 202 123

HSL 78.23, 0.43%, 0.64%

LAB 77.96, -20.98, 36.77

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 0 / 39 / 27 / 21

HEX #CA7B93

RGB 202 123 147

HSL 341.77, 0.43%, 0.64%

LAB 60.63, 33.81, 0.22

 

CMYK 27 / 0 / 39 / 21

HEX #93CA7B

RGB 147 202 123

HSL 101.77, 0.43%, 0.64%

LAB 75.99, -32.33, 33.85

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 4 / 39 / 0 / 21

HEX #C27BCA

RGB 194 123 202

HSL 293.92, 0.43%, 0.64%

LAB 61.57, 40.33, -29.81

 

CMYK 0 / 12 / 39 / 21

HEX #CAB27B

RGB 202 178 123

HSL 41.77, 0.43%, 0.64%

LAB 73.43, 0.87, 31.28

 

CMYK 35 / 0 / 39 / 21

HEX #83CA7B

RGB 131 202 123

HSL 113.92, 0.43%, 0.64%

LAB 75.14, -37.7, 32.57

 

CMYK 39 / 28 / 0 / 21

HEX #7B92CA

RGB 123 146 202

HSL 222.53, 0.43%, 0.64%

LAB 60.81, 5.94, -31.49

 

CMYK 0 / 39 / 8 / 21

HEX #CA7BBA

RGB 202 123 186

HSL 312.15, 0.43%, 0.64%

LAB 61.88, 39.93, -20.19

 

CMYK 0 / 12 / 39 / 21

HEX #CAB27B

RGB 202 178 123

HSL 41.77, 0.43%, 0.64%

LAB 73.43, 0.87, 31.28

 

CMYK 39 / 0 / 31 / 21

HEX #7BCA8B

RGB 123 202 139

HSL 132.15, 0.43%, 0.64%

LAB 75.02, -37.59, 24.02

 

Description

Color code: RGB 123 146 202 | qconv.com Color code: RGB 123 146 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 146 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 146 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 28 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 28% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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