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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 145 28 it is the complementary color RGB 132 110 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 145 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 145 28 shade: RGB 128 145 23, RGB 145 163 42, RGB 162 181 61, RGB 179 199 80 and RGB 196 217 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 145 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 145 28 shade: RGB 123 145 28, RGB 106 127 9, RGB 89 109 0, RGB 72 91 0 and RGB 55 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 145 28 shade: RGB 123 145 27, RGB 145 136 27, RGB 145 104 27, RGB 145 72 27 and RGB 145 40 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 145 28 shade: RGB 123 145 27, RGB 91 145 27, RGB 59 145 27, RGB 28 145 27 and RGB 27 145 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 145 28 shade matches the following richer shades: RGB 123 145 27 and RGB 132 159 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 145 28 shade: RGB 123 145 27, RGB 114 131 41, RGB 105 117 55, RGB 97 103 69 and RGB 88 89 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 145 28 shade: RGB 145 104 27, RGB 145 135 27, RGB 124 145 27, RGB 92 145 27 and RGB 61 145 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 145 28 shade: RGB 64 76 14, RGB 94 110 21, RGB 123 145 27, RGB 152 180 34 and RGB 181 214 41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 145 28 shade: RGB 123 145 28, RGB 27 145 72 and RGB 120 27 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 145 28 shade: RGB 123 145 28, RGB 27 124 145 and RGB 145 27 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 145 28 shade: RGB 123 145 28, RGB 27 145 72, RGB 49 27 145 and RGB 145 27 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 145 28 shade: RGB 123 145 28, RGB 27 145 108, RGB 49 27 145 and RGB 145 27 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 81 / 43

HEX #7B911C

RGB 123 145 28

HSL 71.28, 0.68%, 0.34%

LAB 56.63, -23.28, 54.27

 

Complementary color

CMYK 42 / 52 / 0 / 11

HEX #846EE3

RGB 132 110 227

HSL 251.28, 0.68%, 0.66%

LAB 53.6, 36.42, -56.87

 

CMYK 12 / 0 / 84 / 43

HEX #809117

RGB 128 145 23

HSL 68.36, 0.73%, 0.33%

LAB 56.98, -21.28, 56.14

 

CMYK 11 / 0 / 74 / 36

HEX #91A32A

RGB 145 163 42

HSL 68.93, 0.59%, 0.4%

LAB 63.66, -22.17, 56.79

 

CMYK 10 / 0 / 66 / 29

HEX #A2B53D

RGB 162 181 61

HSL 69.5, 0.5%, 0.47%

LAB 70.22, -22.85, 56.54

 

CMYK 10 / 0 / 60 / 22

HEX #B3C750

RGB 179 199 80

HSL 70.08, 0.52%, 0.55%

LAB 76.68, -23.37, 55.82

 

CMYK 10 / 0 / 54 / 15

HEX #C4D963

RGB 196 217 99

HSL 70.68, 0.61%, 0.62%

LAB 83.05, -23.78, 54.87

 

CMYK 15 / 0 / 81 / 43

HEX #7B911C

RGB 123 145 28

HSL 71.28, 0.68%, 0.34%

LAB 56.63, -23.28, 54.27

 

CMYK 17 / 0 / 93 / 50

HEX #6A7F09

RGB 106 127 9

HSL 70.68, 0.87%, 0.27%

LAB 49.81, -22.27, 52.61

 

CMYK 18 / 0 / 100 / 57

HEX #596D00

RGB 89 109 0

HSL 71.01, 1%, 0.21%

LAB 42.86, -20.93, 48.57

 

CMYK 21 / 0 / 100 / 64

HEX #485B00

RGB 72 91 0

HSL 72.53, 1%, 0.18%

LAB 35.71, -19.34, 42.62

 

CMYK 25 / 0 / 100 / 71

HEX #374900

RGB 55 73 0

HSL 74.79, 1%, 0.14%

LAB 28.32, -17.73, 36.41

 

CMYK 15 / 0 / 81 / 43

HEX #7B911B

RGB 123 145 27

HSL 71.19, 0.69%, 0.34%

LAB 56.63, -23.32, 54.57

 

CMYK 0 / 6 / 81 / 43

HEX #91881B

RGB 145 136 27

HSL 55.42, 0.69%, 0.34%

LAB 55.79, -8.73, 54.52

 

CMYK 0 / 28 / 81 / 43

HEX #91681B

RGB 145 104 27

HSL 39.15, 0.69%, 0.34%

LAB 46.97, 9.31, 46.61

 

CMYK 0 / 50 / 81 / 43

HEX #91481B

RGB 145 72 27

HSL 22.88, 0.69%, 0.34%

LAB 39.13, 27.64, 39.28

 

CMYK 0 / 72 / 81 / 43

HEX #91281B

RGB 145 40 27

HSL 6.61, 0.69%, 0.34%

LAB 33.17, 43.23, 33.44

 

CMYK 15 / 0 / 81 / 43

HEX #7B911B

RGB 123 145 27

HSL 71.19, 0.69%, 0.34%

LAB 56.63, -23.32, 54.57

 

CMYK 37 / 0 / 81 / 43

HEX #5B911B

RGB 91 145 27

HSL 87.46, 0.69%, 0.34%

LAB 54.61, -36.35, 51.99

 

CMYK 59 / 0 / 81 / 43

HEX #3B911B

RGB 59 145 27

HSL 103.73, 0.69%, 0.34%

LAB 53.23, -46.7, 50.21

 

CMYK 81 / 0 / 81 / 43

HEX #1C911B

RGB 28 145 27

HSL 119.49, 0.69%, 0.34%

LAB 52.48, -52.99, 49.24

 

CMYK 81 / 0 / 59 / 43

HEX #1B913B

RGB 27 145 59

HSL 136.27, 0.69%, 0.34%

LAB 52.73, -49.91, 36.32

 

CMYK 15 / 0 / 81 / 43

HEX #7B911B

RGB 123 145 27

HSL 71.19, 0.69%, 0.34%

LAB 56.63, -23.32, 54.57

 

CMYK 17 / 0 / 92 / 38

HEX #849F0D

RGB 132 159 13

HSL 71.1, 0.85%, 0.34%

LAB 61.42, -26.78, 62.05

 

CMYK 15 / 0 / 81 / 43

HEX #7B911B

RGB 123 145 27

HSL 71.19, 0.69%, 0.34%

LAB 56.63, -23.32, 54.57

 

CMYK 13 / 0 / 69 / 49

HEX #728329

RGB 114 131 41

HSL 71.33, 0.52%, 0.34%

LAB 51.8, -19.34, 44.63

 

CMYK 10 / 0 / 53 / 54

HEX #697537

RGB 105 117 55

HSL 71.61, 0.36%, 0.34%

LAB 46.98, -14.65, 32.37

 

CMYK 6 / 0 / 33 / 60

HEX #616745

RGB 97 103 69

HSL 70.59, 0.2%, 0.34%

LAB 42.26, -8.56, 18.46

 

CMYK 1 / 0 / 7 / 65

HEX #585953

RGB 88 89 83

HSL 70, 0.03%, 0.34%

LAB 37.56, -1.64, 3.33

 

CMYK 0 / 28 / 81 / 43

HEX #91681B

RGB 145 104 27

HSL 39.15, 0.69%, 0.34%

LAB 46.97, 9.31, 46.61

 

CMYK 0 / 7 / 81 / 43

HEX #91871B

RGB 145 135 27

HSL 54.92, 0.69%, 0.34%

LAB 55.51, -8.19, 54.27

 

CMYK 14 / 0 / 81 / 43

HEX #7C911B

RGB 124 145 27

HSL 70.68, 0.69%, 0.34%

LAB 56.7, -22.88, 54.66

 

CMYK 37 / 0 / 81 / 43

HEX #5C911B

RGB 92 145 27

HSL 86.95, 0.69%, 0.34%

LAB 54.66, -35.97, 52.06

 

CMYK 58 / 0 / 81 / 43

HEX #3D911B

RGB 61 145 27

HSL 102.71, 0.69%, 0.34%

LAB 53.3, -46.16, 50.3

 

CMYK 16 / 0 / 82 / 70

HEX #404C0E

RGB 64 76 14

HSL 71.61, 0.69%, 0.18%

LAB 30.13, -14.32, 32.94

 

CMYK 15 / 0 / 81 / 57

HEX #5E6E15

RGB 94 110 21

HSL 70.79, 0.68%, 0.26%

LAB 43.63, -18.45, 43.87

 

CMYK 15 / 0 / 81 / 43

HEX #7B911B

RGB 123 145 27

HSL 71.19, 0.69%, 0.34%

LAB 56.63, -23.32, 54.57

 

CMYK 16 / 0 / 81 / 29

HEX #98B422

RGB 152 180 34

HSL 71.51, 0.68%, 0.42%

LAB 69.06, -27.9, 64.44

 

CMYK 15 / 0 / 81 / 16

HEX #B5D629

RGB 181 214 41

HSL 71.45, 0.68%, 0.5%

LAB 80.78, -31.83, 73.67

 

CMYK 15 / 0 / 81 / 43

HEX #7B911C

RGB 123 145 28

HSL 71.28, 0.68%, 0.34%

LAB 56.63, -23.28, 54.27

 

CMYK 81 / 0 / 50 / 43

HEX #1B9148

RGB 27 145 72

HSL 142.88, 0.69%, 0.34%

LAB 52.9, -47.91, 29.91

 

CMYK 17 / 81 / 0 / 43

HEX #781B91

RGB 120 27 145

HSL 287.29, 0.69%, 0.34%

LAB 31.4, 54.95, -44.56

 

CMYK 15 / 0 / 81 / 43

HEX #7B911C

RGB 123 145 28

HSL 71.28, 0.68%, 0.34%

LAB 56.63, -23.28, 54.27

 

CMYK 81 / 14 / 0 / 43

HEX #1B7C91

RGB 27 124 145

HSL 190.68, 0.69%, 0.34%

LAB 47.87, -19.21, -19.05

 

CMYK 0 / 81 / 14 / 43

HEX #911B7C

RGB 145 27 124

HSL 310.68, 0.69%, 0.34%

LAB 34.52, 56.64, -26.28

 

CMYK 15 / 0 / 81 / 43

HEX #7B911C

RGB 123 145 28

HSL 71.28, 0.68%, 0.34%

LAB 56.63, -23.28, 54.27

 

CMYK 81 / 0 / 50 / 43

HEX #1B9148

RGB 27 145 72

HSL 142.88, 0.69%, 0.34%

LAB 52.9, -47.91, 29.91

 

CMYK 66 / 81 / 0 / 43

HEX #311B91

RGB 49 27 145

HSL 251.19, 0.69%, 0.34%

LAB 21.88, 44, -60.51

 

CMYK 0 / 81 / 31 / 43

HEX #911B64

RGB 145 27 100

HSL 322.88, 0.69%, 0.34%

LAB 33.4, 53.43, -12.78

 

CMYK 15 / 0 / 81 / 43

HEX #7B911C

RGB 123 145 28

HSL 71.28, 0.68%, 0.34%

LAB 56.63, -23.28, 54.27

 

CMYK 81 / 0 / 26 / 43

HEX #1B916C

RGB 27 145 108

HSL 161.19, 0.69%, 0.34%

LAB 53.56, -40.37, 10.89

 

CMYK 66 / 81 / 0 / 43

HEX #311B91

RGB 49 27 145

HSL 251.19, 0.69%, 0.34%

LAB 21.88, 44, -60.51

 

CMYK 0 / 81 / 55 / 43

HEX #911B41

RGB 145 27 65

HSL 340.68, 0.69%, 0.34%

LAB 32.22, 49.9, 8.32

 

Description

Color code: RGB 123 145 28 | qconv.com Color code: RGB 123 145 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 145 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 145 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 81 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 81% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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