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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 130 181 it is the complementary color RGB 132 125 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 130 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 130 181 shade: RGB 128 130 176, RGB 145 148 195, RGB 162 166 214, RGB 179 184 233 and RGB 196 202 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 130 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 130 181 shade: RGB 123 130 181, RGB 106 112 162, RGB 89 94 143, RGB 72 76 124 and RGB 55 58 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 130 181 shade: RGB 124 131 181, RGB 132 124 181, RGB 148 124 181, RGB 163 124 181 and RGB 179 124 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 130 181 shade: RGB 124 131 181 and RGB 124 124 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 130 181 shade matches the following richer shades: RGB 124 131 181, RGB 107 118 198, RGB 91 106 214, RGB 74 93 231 and RGB 58 81 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 130 181 shade: RGB 124 131 181, RGB 140 143 165, RGB 157 156 148, RGB 173 168 132 and RGB 190 181 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 130 181 shade: RGB 124 162 181, RGB 124 147 181, RGB 124 132 181, RGB 132 124 181 and RGB 147 124 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 130 181 shade: RGB 80 88 143, RGB 98 106 166, RGB 124 131 181, RGB 150 156 196 and RGB 177 181 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 130 181 shade: RGB 123 130 181, RGB 181 124 177 and RGB 154 181 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 130 181 shade: RGB 123 130 181, RGB 181 124 132 and RGB 132 181 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 130 181 shade: RGB 123 130 181, RGB 181 124 177, RGB 181 173 124 and RGB 124 181 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 130 181 shade: RGB 123 130 181, RGB 181 124 160, RGB 181 173 124 and RGB 124 181 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 28 / 0 / 29

HEX #7B82B5

RGB 123 130 181

HSL 232.76, 0.28%, 0.6%

LAB 55.6, 9.57, -27.67

 

Complementary color

CMYK 0 / 5 / 44 / 48

HEX #847D4A

RGB 132 125 74

HSL 52.76, 0.28%, 0.4%

LAB 51.91, -5.14, 28.7

 

CMYK 27 / 26 / 0 / 31

HEX #8082B0

RGB 128 130 176

HSL 237.5, 0.23%, 0.6%

LAB 55.78, 9.79, -24.5

 

CMYK 26 / 24 / 0 / 24

HEX #9194C3

RGB 145 148 195

HSL 236.4, 0.29%, 0.67%

LAB 62.63, 9.36, -24.63

 

CMYK 24 / 22 / 0 / 16

HEX #A2A6D6

RGB 162 166 214

HSL 235.38, 0.39%, 0.74%

LAB 69.33, 8.97, -24.79

 

CMYK 23 / 21 / 0 / 9

HEX #B3B8E9

RGB 179 184 233

HSL 234.44, 0.55%, 0.81%

LAB 75.91, 8.62, -24.98

 

CMYK 22 / 20 / 0 / 1

HEX #C4CAFC

RGB 196 202 252

HSL 233.57, 0.9%, 0.88%

LAB 82.38, 8.3, -25.19

 

CMYK 32 / 28 / 0 / 29

HEX #7B82B5

RGB 123 130 181

HSL 232.76, 0.28%, 0.6%

LAB 55.6, 9.57, -27.67

 

CMYK 35 / 31 / 0 / 36

HEX #6A70A2

RGB 106 112 162

HSL 233.57, 0.23%, 0.53%

LAB 48.59, 10.11, -27.64

 

CMYK 38 / 34 / 0 / 44

HEX #595E8F

RGB 89 94 143

HSL 234.44, 0.23%, 0.45%

LAB 41.39, 10.76, -27.67

 

CMYK 42 / 39 / 0 / 51

HEX #484C7C

RGB 72 76 124

HSL 235.38, 0.27%, 0.38%

LAB 33.99, 11.55, -27.78

 

CMYK 48 / 45 / 0 / 59

HEX #373A69

RGB 55 58 105

HSL 236.4, 0.31%, 0.31%

LAB 26.33, 12.56, -27.98

 

CMYK 31 / 28 / 0 / 29

HEX #7C83B5

RGB 124 131 181

HSL 232.63, 0.28%, 0.6%

LAB 55.94, 9.28, -27.13

 

CMYK 27 / 31 / 0 / 29

HEX #847CB5

RGB 132 124 181

HSL 248.42, 0.28%, 0.6%

LAB 54.72, 15.82, -28.98

 

CMYK 18 / 31 / 0 / 29

HEX #947CB5

RGB 148 124 181

HSL 265.26, 0.28%, 0.6%

LAB 56.14, 20.82, -26.67

 

CMYK 10 / 31 / 0 / 29

HEX #A37CB5

RGB 163 124 181

HSL 281.05, 0.28%, 0.6%

LAB 57.6, 25.66, -24.29

 

CMYK 1 / 31 / 0 / 29

HEX #B37CB5

RGB 179 124 181

HSL 297.89, 0.28%, 0.6%

LAB 59.28, 30.92, -21.56

 

CMYK 31 / 28 / 0 / 29

HEX #7C83B5

RGB 124 131 181

HSL 232.63, 0.28%, 0.6%

LAB 55.94, 9.28, -27.13

 

CMYK 31 / 31 / 0 / 29

HEX #7C7CB5

RGB 124 124 181

HSL 240, 0.28%, 0.6%

LAB 54.07, 13.41, -30.04

 

CMYK 31 / 28 / 0 / 29

HEX #7C83B5

RGB 124 131 181

HSL 232.63, 0.28%, 0.6%

LAB 55.94, 9.28, -27.13

 

CMYK 46 / 40 / 0 / 22

HEX #6B76C6

RGB 107 118 198

HSL 232.75, 0.44%, 0.6%

LAB 52.02, 17.2, -43.08

 

CMYK 57 / 50 / 0 / 16

HEX #5B6AD6

RGB 91 106 214

HSL 232.68, 0.6%, 0.6%

LAB 48.74, 26.08, -57.49

 

CMYK 68 / 60 / 0 / 9

HEX #4A5DE7

RGB 74 93 231

HSL 232.74, 0.77%, 0.6%

LAB 45.71, 37.06, -72.09

 

CMYK 77 / 67 / 0 / 3

HEX #3A51F7

RGB 58 81 247

HSL 232.7, 0.92%, 0.6%

LAB 43.51, 48.04, -84.73

 

CMYK 31 / 28 / 0 / 29

HEX #7C83B5

RGB 124 131 181

HSL 232.63, 0.28%, 0.6%

LAB 55.94, 9.28, -27.13

 

CMYK 15 / 13 / 0 / 35

HEX #8C8FA5

RGB 140 143 165

HSL 232.8, 0.12%, 0.6%

LAB 59.83, 3.56, -11.95

 

CMYK 0 / 1 / 6 / 38

HEX #9D9C94

RGB 157 156 148

HSL 53.33, 0.04%, 0.6%

LAB 64.23, -1.13, 4.31

 

CMYK 0 / 3 / 24 / 32

HEX #ADA884

RGB 173 168 132

HSL 52.68, 0.2%, 0.6%

LAB 68.43, -4.17, 19.29

 

CMYK 0 / 5 / 39 / 25

HEX #BEB573

RGB 190 181 115

HSL 52.8, 0.37%, 0.6%

LAB 73.04, -6.47, 34.77

 

CMYK 31 / 10 / 0 / 29

HEX #7CA2B5

RGB 124 162 181

HSL 200, 0.28%, 0.6%

LAB 64.53, -8.32, -14.01

 

CMYK 31 / 19 / 0 / 29

HEX #7C93B5

RGB 124 147 181

HSL 215.79, 0.28%, 0.6%

LAB 60.33, 0.04, -20.39

 

CMYK 31 / 27 / 0 / 29

HEX #7C84B5

RGB 124 132 181

HSL 231.58, 0.28%, 0.6%

LAB 56.21, 8.69, -26.71

 

CMYK 27 / 31 / 0 / 29

HEX #847CB5

RGB 132 124 181

HSL 248.42, 0.28%, 0.6%

LAB 54.72, 15.82, -28.98

 

CMYK 19 / 31 / 0 / 29

HEX #937CB5

RGB 147 124 181

HSL 264.21, 0.28%, 0.6%

LAB 56.04, 20.5, -26.82

 

CMYK 44 / 38 / 0 / 44

HEX #50588F

RGB 80 88 143

HSL 232.38, 0.28%, 0.44%

LAB 39.02, 11.98, -31.45

 

CMYK 41 / 36 / 0 / 35

HEX #626AA6

RGB 98 106 166

HSL 232.94, 0.28%, 0.52%

LAB 46.52, 12.63, -33.26

 

CMYK 31 / 28 / 0 / 29

HEX #7C83B5

RGB 124 131 181

HSL 232.63, 0.28%, 0.6%

LAB 55.94, 9.28, -27.13

 

CMYK 23 / 20 / 0 / 23

HEX #969CC4

RGB 150 156 196

HSL 232.17, 0.28%, 0.68%

LAB 65.16, 6.61, -21.28

 

CMYK 16 / 14 / 0 / 17

HEX #B1B5D3

RGB 177 181 211

HSL 232.94, 0.28%, 0.76%

LAB 74.25, 4.72, -15.57

 

CMYK 32 / 28 / 0 / 29

HEX #7B82B5

RGB 123 130 181

HSL 232.76, 0.28%, 0.6%

LAB 55.6, 9.57, -27.67

 

CMYK 0 / 31 / 2 / 29

HEX #B57CB1

RGB 181 124 177

HSL 304.21, 0.28%, 0.6%

LAB 59.36, 30.82, -19.15

 

CMYK 15 / 0 / 31 / 29

HEX #9AB57C

RGB 154 181 124

HSL 88.42, 0.28%, 0.6%

LAB 70.44, -19.42, 26.09

 

CMYK 32 / 28 / 0 / 29

HEX #7B82B5

RGB 123 130 181

HSL 232.76, 0.28%, 0.6%

LAB 55.6, 9.57, -27.67

 

CMYK 0 / 31 / 27 / 29

HEX #B57C84

RGB 181 124 132

HSL 351.58, 0.28%, 0.6%

LAB 57.95, 23.31, 4.66

 

CMYK 27 / 0 / 31 / 29

HEX #84B57C

RGB 132 181 124

HSL 111.58, 0.28%, 0.6%

LAB 69.05, -27.37, 23.98

 

CMYK 32 / 28 / 0 / 29

HEX #7B82B5

RGB 123 130 181

HSL 232.76, 0.28%, 0.6%

LAB 55.6, 9.57, -27.67

 

CMYK 0 / 31 / 2 / 29

HEX #B57CB1

RGB 181 124 177

HSL 304.21, 0.28%, 0.6%

LAB 59.36, 30.82, -19.15

 

CMYK 0 / 4 / 31 / 29

HEX #B5AD7C

RGB 181 173 124

HSL 51.58, 0.28%, 0.6%

LAB 70.29, -4.78, 26.26

 

CMYK 31 / 0 / 29 / 29

HEX #7CB580

RGB 124 181 128

HSL 124.21, 0.28%, 0.6%

LAB 68.67, -29.4, 21.25

 

CMYK 32 / 28 / 0 / 29

HEX #7B82B5

RGB 123 130 181

HSL 232.76, 0.28%, 0.6%

LAB 55.6, 9.57, -27.67

 

CMYK 0 / 31 / 12 / 29

HEX #B57CA0

RGB 181 124 160

HSL 322.11, 0.28%, 0.6%

LAB 58.77, 27.75, -10.29

 

CMYK 0 / 4 / 31 / 29

HEX #B5AD7C

RGB 181 173 124

HSL 51.58, 0.28%, 0.6%

LAB 70.29, -4.78, 26.26

 

CMYK 31 / 0 / 20 / 29

HEX #7CB591

RGB 124 181 145

HSL 142.11, 0.28%, 0.6%

LAB 69.02, -26.25, 12.51

 

Description

Color code: RGB 123 130 181 | qconv.com Color code: RGB 123 130 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 130 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 130 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 28 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 28% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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