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Color name
RGB 123 112 30

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 112 30 it is the complementary color RGB 132 143 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 112 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 112 30 shade: RGB 128 112 25, RGB 145 130 44, RGB 162 148 63, RGB 179 166 82 and RGB 196 184 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 112 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 112 30 shade: RGB 123 112 30, RGB 106 94 11, RGB 89 76 0, RGB 72 58 0 and RGB 55 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 112 30 shade: RGB 123 112 29, RGB 123 86 29, RGB 123 61 29, RGB 123 36 29 and RGB 123 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 112 30 shade: RGB 123 112 29, RGB 109 123 29, RGB 83 123 29, RGB 58 123 29 and RGB 33 123 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 112 30 shade matches the following richer shades: RGB 123 112 29, RGB 135 121 17 and RGB 147 131 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 112 30 shade: RGB 123 112 29, RGB 110 102 42, RGB 98 93 54, RGB 86 83 66 and RGB 73 74 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 112 30 shade: RGB 123 60 29, RGB 123 85 29, RGB 123 110 29, RGB 110 123 29 and RGB 85 123 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 112 30 shade: RGB 56 51 13, RGB 89 81 21, RGB 123 112 29, RGB 156 142 37 and RGB 189 172 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 112 30 shade: RGB 123 112 30, RGB 29 123 36 and RGB 73 29 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 112 30 shade: RGB 123 112 30, RGB 29 123 110 and RGB 110 29 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 112 30 shade: RGB 123 112 30, RGB 29 123 36, RGB 29 42 123 and RGB 123 29 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 112 30 shade: RGB 123 112 30, RGB 29 123 64, RGB 29 42 123 and RGB 123 29 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 76 / 52

HEX #7B701E

RGB 123 112 30

HSL 52.9, 0.61%, 0.3%

LAB 46.83, -5.55, 44.46

 

Complementary color

CMYK 41 / 36 / 0 / 12

HEX #848FE1

RGB 132 143 225

HSL 232.9, 0.61%, 0.7%

LAB 61.64, 16.5, -42.99

 

CMYK 0 / 13 / 80 / 50

HEX #807019

RGB 128 112 25

HSL 50.68, 0.67%, 0.3%

LAB 47.3, -3.41, 46.95

 

CMYK 0 / 10 / 70 / 43

HEX #91822C

RGB 145 130 44

HSL 51.09, 0.53%, 0.37%

LAB 54.2, -4.64, 46.66

 

CMYK 0 / 9 / 61 / 36

HEX #A2943F

RGB 162 148 63

HSL 51.52, 0.44%, 0.44%

LAB 60.98, -5.61, 45.75

 

CMYK 0 / 7 / 54 / 30

HEX #B3A652

RGB 179 166 82

HSL 51.96, 0.39%, 0.51%

LAB 67.62, -6.39, 44.61

 

CMYK 0 / 6 / 48 / 23

HEX #C4B865

RGB 196 184 101

HSL 52.42, 0.45%, 0.58%

LAB 74.16, -7.02, 43.4

 

CMYK 0 / 9 / 76 / 52

HEX #7B701E

RGB 123 112 30

HSL 52.9, 0.61%, 0.3%

LAB 46.83, -5.55, 44.46

 

CMYK 0 / 11 / 90 / 58

HEX #6A5E0B

RGB 106 94 11

HSL 52.42, 0.81%, 0.23%

LAB 39.74, -4.15, 43.95

 

CMYK 0 / 15 / 100 / 65

HEX #594C00

RGB 89 76 0

HSL 51.24, 1%, 0.17%

LAB 32.46, -2.31, 40.93

 

CMYK 0 / 19 / 100 / 72

HEX #483A00

RGB 72 58 0

HSL 48.33, 1%, 0.14%

LAB 24.96, -0, 34.04

 

CMYK 0 / 27 / 100 / 78

HEX #372800

RGB 55 40 0

HSL 43.64, 1%, 0.11%

LAB 17.13, 2.53, 24.86

 

CMYK 0 / 9 / 76 / 52

HEX #7B701D

RGB 123 112 29

HSL 52.98, 0.62%, 0.3%

LAB 46.83, -5.59, 44.84

 

CMYK 0 / 30 / 76 / 52

HEX #7B561D

RGB 123 86 29

HSL 36.38, 0.62%, 0.3%

LAB 39.5, 9.61, 37.67

 

CMYK 0 / 50 / 76 / 52

HEX #7B3D1D

RGB 123 61 29

HSL 20.43, 0.62%, 0.3%

LAB 33.22, 24.37, 31.17

 

CMYK 0 / 71 / 76 / 52

HEX #7B241D

RGB 123 36 29

HSL 4.47, 0.62%, 0.3%

LAB 28.28, 37.22, 25.77

 

CMYK 0 / 76 / 76 / 52

HEX #7B1D1D

RGB 123 29 29

HSL 0, 0.62%, 0.3%

LAB 27.24, 40.08, 24.59

 

CMYK 0 / 9 / 76 / 52

HEX #7B701D

RGB 123 112 29

HSL 52.98, 0.62%, 0.3%

LAB 46.83, -5.59, 44.84

 

CMYK 11 / 0 / 76 / 52

HEX #6D7B1D

RGB 109 123 29

HSL 68.94, 0.62%, 0.3%

LAB 48.89, -18.11, 46.39

 

CMYK 33 / 0 / 76 / 52

HEX #537B1D

RGB 83 123 29

HSL 85.53, 0.62%, 0.3%

LAB 47.1, -29.26, 44.03

 

CMYK 53 / 0 / 76 / 52

HEX #3A7B1D

RGB 58 123 29

HSL 101.49, 0.62%, 0.3%

LAB 45.84, -38.26, 42.37

 

CMYK 73 / 0 / 76 / 52

HEX #217B1D

RGB 33 123 29

HSL 117.45, 0.62%, 0.3%

LAB 45.05, -44.65, 41.32

 

CMYK 0 / 9 / 76 / 52

HEX #7B701D

RGB 123 112 29

HSL 52.98, 0.62%, 0.3%

LAB 46.83, -5.59, 44.84

 

CMYK 0 / 10 / 87 / 47

HEX #877911

RGB 135 121 17

HSL 52.88, 0.78%, 0.3%

LAB 50.53, -5.44, 52.48

 

CMYK 0 / 11 / 97 / 42

HEX #938305

RGB 147 131 5

HSL 53.24, 0.93%, 0.3%

LAB 54.5, -5.6, 58.49

 

CMYK 0 / 9 / 76 / 52

HEX #7B701D

RGB 123 112 29

HSL 52.98, 0.62%, 0.3%

LAB 46.83, -5.59, 44.84

 

CMYK 0 / 7 / 62 / 57

HEX #6E662A

RGB 110 102 42

HSL 52.94, 0.45%, 0.3%

LAB 42.74, -5.18, 34.32

 

CMYK 0 / 5 / 45 / 62

HEX #625D36

RGB 98 93 54

HSL 53.18, 0.29%, 0.3%

LAB 39.06, -4.32, 23.08

 

CMYK 0 / 3 / 23 / 66

HEX #565342

RGB 86 83 66

HSL 51, 0.13%, 0.3%

LAB 35.12, -2, 10.42

 

CMYK 8 / 6 / 0 / 69

HEX #494A4F

RGB 73 74 79

HSL 230, 0.04%, 0.3%

LAB 31.53, 0.73, -3.12

 

CMYK 0 / 51 / 76 / 52

HEX #7B3C1D

RGB 123 60 29

HSL 19.79, 0.62%, 0.3%

LAB 32.99, 24.94, 30.92

 

CMYK 0 / 31 / 76 / 52

HEX #7B551D

RGB 123 85 29

HSL 35.74, 0.62%, 0.3%

LAB 39.24, 10.2, 37.4

 

CMYK 0 / 11 / 76 / 52

HEX #7B6E1D

RGB 123 110 29

HSL 51.7, 0.62%, 0.3%

LAB 46.25, -4.46, 44.29

 

CMYK 11 / 0 / 76 / 52

HEX #6E7B1D

RGB 110 123 29

HSL 68.3, 0.62%, 0.3%

LAB 48.97, -17.66, 46.49

 

CMYK 31 / 0 / 76 / 52

HEX #557B1D

RGB 85 123 29

HSL 84.26, 0.62%, 0.3%

LAB 47.22, -28.45, 44.19

 

CMYK 0 / 9 / 77 / 78

HEX #38330D

RGB 56 51 13

HSL 53.02, 0.62%, 0.14%

LAB 20.97, -3.35, 23.95

 

CMYK 0 / 9 / 76 / 65

HEX #595115

RGB 89 81 21

HSL 52.94, 0.62%, 0.22%

LAB 34.11, -4.47, 34.65

 

CMYK 0 / 9 / 76 / 52

HEX #7B701D

RGB 123 112 29

HSL 52.98, 0.62%, 0.3%

LAB 46.83, -5.59, 44.84

 

CMYK 0 / 9 / 76 / 39

HEX #9C8E25

RGB 156 142 37

HSL 52.94, 0.62%, 0.38%

LAB 58.55, -6.57, 54.05

 

CMYK 0 / 9 / 76 / 26

HEX #BDAC2D

RGB 189 172 45

HSL 52.92, 0.62%, 0.46%

LAB 69.83, -7.5, 62.87

 

CMYK 0 / 9 / 76 / 52

HEX #7B701E

RGB 123 112 30

HSL 52.9, 0.61%, 0.3%

LAB 46.83, -5.55, 44.46

 

CMYK 76 / 0 / 71 / 52

HEX #1D7B24

RGB 29 123 36

HSL 124.47, 0.62%, 0.3%

LAB 45.02, -44.73, 38.38

 

CMYK 41 / 76 / 0 / 52

HEX #491D7B

RGB 73 29 123

HSL 268.09, 0.62%, 0.3%

LAB 22.74, 40.19, -45.17

 

CMYK 0 / 9 / 76 / 52

HEX #7B701E

RGB 123 112 30

HSL 52.9, 0.61%, 0.3%

LAB 46.83, -5.55, 44.46

 

CMYK 76 / 0 / 11 / 52

HEX #1D7B6E

RGB 29 123 110

HSL 171.7, 0.62%, 0.3%

LAB 46.38, -29.71, -0.57

 

CMYK 11 / 76 / 0 / 52

HEX #6E1D7B

RGB 110 29 123

HSL 291.7, 0.62%, 0.3%

LAB 28.44, 47.93, -35.67

 

CMYK 0 / 9 / 76 / 52

HEX #7B701E

RGB 123 112 30

HSL 52.9, 0.61%, 0.3%

LAB 46.83, -5.55, 44.46

 

CMYK 76 / 0 / 71 / 52

HEX #1D7B24

RGB 29 123 36

HSL 124.47, 0.62%, 0.3%

LAB 45.02, -44.73, 38.38

 

CMYK 76 / 66 / 0 / 52

HEX #1D2A7B

RGB 29 42 123

HSL 231.7, 0.62%, 0.3%

LAB 21.38, 25.08, -47.55

 

CMYK 0 / 76 / 6 / 52

HEX #7B1D74

RGB 123 29 116

HSL 304.47, 0.62%, 0.3%

LAB 30.28, 49.67, -28.17

 

CMYK 0 / 9 / 76 / 52

HEX #7B701E

RGB 123 112 30

HSL 52.9, 0.61%, 0.3%

LAB 46.83, -5.55, 44.46

 

CMYK 76 / 0 / 48 / 52

HEX #1D7B40

RGB 29 123 64

HSL 142.34, 0.62%, 0.3%

LAB 45.36, -40.73, 24.69

 

CMYK 76 / 66 / 0 / 52

HEX #1D2A7B

RGB 29 42 123

HSL 231.7, 0.62%, 0.3%

LAB 21.38, 25.08, -47.55

 

CMYK 0 / 76 / 28 / 52

HEX #7B1D58

RGB 123 29 88

HSL 322.34, 0.62%, 0.3%

LAB 28.89, 45.43, -12.25

 

Description

Color code: RGB 123 112 30 | qconv.com Color code: RGB 123 112 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 112 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 112 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 76 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 76% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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