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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 112 126 it is the complementary color RGB 132 143 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 112 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 112 126 shade: RGB 128 112 121, RGB 145 130 140, RGB 162 148 159, RGB 179 166 178 and RGB 196 184 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 112 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 112 126 shade: RGB 123 112 126, RGB 106 94 107, RGB 89 76 88, RGB 72 58 69 and RGB 55 40 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 112 126 shade: RGB 123 112 127, RGB 127 112 126, RGB 127 112 122, RGB 127 112 118 and RGB 127 112 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 112 126 shade: RGB 123 112 127, RGB 120 112 127, RGB 116 112 127 and RGB 112 112 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 112 126 shade matches the following richer shades: RGB 123 112 127, RGB 135 93 146, RGB 146 73 165, RGB 157 54 185 and RGB 168 35 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 112 126 shade: RGB 123 112 127, RGB 112 132 107, RGB 101 151 88, RGB 90 170 68 and RGB 79 190 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 112 126 shade: RGB 116 112 127, RGB 120 112 127, RGB 123 112 127, RGB 127 112 126 and RGB 127 112 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 112 126 shade: RGB 81 73 83, RGB 102 93 105, RGB 123 112 127, RGB 144 133 147 and RGB 164 155 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 112 126 shade: RGB 123 112 126, RGB 127 112 112 and RGB 112 127 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 112 126 shade: RGB 123 112 126, RGB 127 123 112 and RGB 112 127 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 112 126 shade: RGB 123 112 126, RGB 127 112 112, RGB 115 127 112 and RGB 112 127 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 112 126 shade: RGB 123 112 126, RGB 127 116 112, RGB 115 127 112 and RGB 112 122 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 11 / 0 / 51

HEX #7B707E

RGB 123 112 126

HSL 287.14, 0.06%, 0.47%

LAB 48.64, 7.05, -6.16

 

Complementary color

CMYK 8 / 0 / 10 / 44

HEX #848F81

RGB 132 143 129

HSL 107.14, 0.06%, 0.53%

LAB 58.17, -6.75, 6.08

 

CMYK 0 / 13 / 5 / 50

HEX #807079

RGB 128 112 121

HSL 326.25, 0.07%, 0.47%

LAB 48.96, 7.93, -2.68

 

CMYK 0 / 10 / 3 / 43

HEX #91828C

RGB 145 130 140

HSL 320, 0.06%, 0.54%

LAB 55.97, 7.55, -3.31

 

CMYK 0 / 9 / 2 / 36

HEX #A2949F

RGB 162 148 159

HSL 312.86, 0.07%, 0.61%

LAB 62.81, 7.21, -3.91

 

CMYK 0 / 7 / 1 / 30

HEX #B3A6B2

RGB 179 166 178

HSL 304.62, 0.08%, 0.68%

LAB 69.52, 6.89, -4.48

 

CMYK 1 / 7 / 0 / 23

HEX #C4B8C5

RGB 196 184 197

HSL 295.38, 0.1%, 0.75%

LAB 76.1, 6.61, -5.04

 

CMYK 2 / 11 / 0 / 51

HEX #7B707E

RGB 123 112 126

HSL 287.14, 0.06%, 0.47%

LAB 48.64, 7.05, -6.16

 

CMYK 1 / 12 / 0 / 58

HEX #6A5E6B

RGB 106 94 107

HSL 295.38, 0.06%, 0.39%

LAB 41.42, 7.43, -5.62

 

CMYK 0 / 15 / 1 / 65

HEX #594C58

RGB 89 76 88

HSL 304.62, 0.08%, 0.32%

LAB 33.98, 7.88, -5.05

 

CMYK 0 / 19 / 4 / 72

HEX #483A45

RGB 72 58 69

HSL 312.86, 0.11%, 0.25%

LAB 26.26, 8.4, -4.44

 

CMYK 0 / 27 / 9 / 78

HEX #372832

RGB 55 40 50

HSL 320, 0.16%, 0.19%

LAB 18.19, 9.06, -3.78

 

CMYK 3 / 12 / 0 / 50

HEX #7B707F

RGB 123 112 127

HSL 284, 0.06%, 0.47%

LAB 48.68, 7.26, -6.71

 

CMYK 0 / 12 / 1 / 50

HEX #7F707E

RGB 127 112 126

HSL 304, 0.06%, 0.47%

LAB 49.02, 8.54, -5.57

 

CMYK 0 / 12 / 4 / 50

HEX #7F707A

RGB 127 112 122

HSL 320, 0.06%, 0.47%

LAB 48.89, 7.75, -3.38

 

CMYK 0 / 12 / 7 / 50

HEX #7F7076

RGB 127 112 118

HSL 336, 0.06%, 0.47%

LAB 48.77, 6.97, -1.18

 

CMYK 0 / 12 / 10 / 50

HEX #7F7072

RGB 127 112 114

HSL 352, 0.06%, 0.47%

LAB 48.65, 6.22, 1.03

 

CMYK 3 / 12 / 0 / 50

HEX #7B707F

RGB 123 112 127

HSL 284, 0.06%, 0.47%

LAB 48.68, 7.26, -6.71

 

CMYK 6 / 12 / 0 / 50

HEX #78707F

RGB 120 112 127

HSL 272, 0.06%, 0.47%

LAB 48.4, 6.15, -7.14

 

CMYK 9 / 12 / 0 / 50

HEX #74707F

RGB 116 112 127

HSL 256, 0.06%, 0.47%

LAB 48.05, 4.68, -7.71

 

CMYK 12 / 12 / 0 / 50

HEX #70707F

RGB 112 112 127

HSL 240, 0.06%, 0.47%

LAB 47.71, 3.23, -8.25

 

CMYK 3 / 12 / 0 / 50

HEX #7B707F

RGB 123 112 127

HSL 284, 0.06%, 0.47%

LAB 48.68, 7.26, -6.71

 

CMYK 8 / 36 / 0 / 43

HEX #875D92

RGB 135 93 146

HSL 287.55, 0.22%, 0.47%

LAB 45.71, 26.85, -22.42

 

CMYK 12 / 56 / 0 / 35

HEX #9249A5

RGB 146 73 165

HSL 287.61, 0.39%, 0.47%

LAB 43.64, 45.32, -36.87

 

CMYK 15 / 71 / 0 / 27

HEX #9D36B9

RGB 157 54 185

HSL 287.18, 0.55%, 0.47%

LAB 43.23, 60.66, -49.26

 

CMYK 18 / 83 / 0 / 20

HEX #A823CC

RGB 168 35 204

HSL 287.22, 0.71%, 0.47%

LAB 44.07, 72.37, -58.88

 

CMYK 3 / 12 / 0 / 50

HEX #7B707F

RGB 123 112 127

HSL 284, 0.06%, 0.47%

LAB 48.68, 7.26, -6.71

 

CMYK 15 / 0 / 19 / 48

HEX #70846B

RGB 112 132 107

HSL 108, 0.1%, 0.47%

LAB 52.96, -12.32, 11.12

 

CMYK 33 / 0 / 42 / 41

HEX #659758

RGB 101 151 88

HSL 107.62, 0.26%, 0.47%

LAB 57.66, -29.33, 27.98

 

CMYK 47 / 0 / 60 / 33

HEX #5AAA44

RGB 90 170 68

HSL 107.06, 0.43%, 0.47%

LAB 62.79, -44.06, 44.19

 

CMYK 58 / 0 / 74 / 25

HEX #4FBE31

RGB 79 190 49

HSL 107.23, 0.59%, 0.47%

LAB 68.54, -56.52, 57.97

 

CMYK 9 / 12 / 0 / 50

HEX #74707F

RGB 116 112 127

HSL 256, 0.06%, 0.47%

LAB 48.05, 4.68, -7.71

 

CMYK 6 / 12 / 0 / 50

HEX #78707F

RGB 120 112 127

HSL 272, 0.06%, 0.47%

LAB 48.4, 6.15, -7.14

 

CMYK 3 / 12 / 0 / 50

HEX #7B707F

RGB 123 112 127

HSL 284, 0.06%, 0.47%

LAB 48.68, 7.26, -6.71

 

CMYK 0 / 12 / 1 / 50

HEX #7F707E

RGB 127 112 126

HSL 304, 0.06%, 0.47%

LAB 49.02, 8.54, -5.57

 

CMYK 0 / 12 / 4 / 50

HEX #7F707A

RGB 127 112 122

HSL 320, 0.06%, 0.47%

LAB 48.89, 7.75, -3.38

 

CMYK 2 / 12 / 0 / 67

HEX #514953

RGB 81 73 83

HSL 288, 0.06%, 0.31%

LAB 32.12, 5.48, -4.71

 

CMYK 3 / 11 / 0 / 59

HEX #665D69

RGB 102 93 105

HSL 285, 0.06%, 0.39%

LAB 40.69, 6.08, -5.52

 

CMYK 3 / 12 / 0 / 50

HEX #7B707F

RGB 123 112 127

HSL 284, 0.06%, 0.47%

LAB 48.68, 7.26, -6.71

 

CMYK 2 / 10 / 0 / 42

HEX #908593

RGB 144 133 147

HSL 287.14, 0.06%, 0.55%

LAB 56.89, 6.84, -5.99

 

CMYK 1 / 7 / 0 / 35

HEX #A49BA6

RGB 164 155 166

HSL 289.09, 0.06%, 0.63%

LAB 65.03, 5.36, -4.56

 

CMYK 2 / 11 / 0 / 51

HEX #7B707E

RGB 123 112 126

HSL 287.14, 0.06%, 0.47%

LAB 48.64, 7.05, -6.16

 

CMYK 0 / 12 / 12 / 50

HEX #7F7070

RGB 127 112 112

HSL 0, 0.06%, 0.47%

LAB 48.6, 5.85, 2.14

 

CMYK 12 / 0 / 7 / 50

HEX #707F76

RGB 112 127 118

HSL 144, 0.06%, 0.47%

LAB 51.76, -7.39, 3.02

 

CMYK 2 / 11 / 0 / 51

HEX #7B707E

RGB 123 112 126

HSL 287.14, 0.06%, 0.47%

LAB 48.64, 7.05, -6.16

 

CMYK 0 / 3 / 12 / 50

HEX #7F7B70

RGB 127 123 112

HSL 44, 0.06%, 0.47%

LAB 51.66, -0.54, 6.55

 

CMYK 12 / 0 / 3 / 50

HEX #707F7B

RGB 112 127 123

HSL 164, 0.06%, 0.47%

LAB 51.9, -6.35, 0.3

 

CMYK 2 / 11 / 0 / 51

HEX #7B707E

RGB 123 112 126

HSL 287.14, 0.06%, 0.47%

LAB 48.64, 7.05, -6.16

 

CMYK 0 / 12 / 12 / 50

HEX #7F7070

RGB 127 112 112

HSL 0, 0.06%, 0.47%

LAB 48.6, 5.85, 2.14

 

CMYK 9 / 0 / 12 / 50

HEX #737F70

RGB 115 127 112

HSL 108, 0.06%, 0.47%

LAB 51.83, -7.47, 6.65

 

CMYK 12 / 0 / 1 / 50

HEX #707F7E

RGB 112 127 126

HSL 176, 0.06%, 0.47%

LAB 51.98, -5.7, -1.33

 

CMYK 2 / 11 / 0 / 51

HEX #7B707E

RGB 123 112 126

HSL 287.14, 0.06%, 0.47%

LAB 48.64, 7.05, -6.16

 

CMYK 0 / 9 / 12 / 50

HEX #7F7470

RGB 127 116 112

HSL 16, 0.06%, 0.47%

LAB 49.7, 3.51, 3.74

 

CMYK 9 / 0 / 12 / 50

HEX #737F70

RGB 115 127 112

HSL 108, 0.06%, 0.47%

LAB 51.83, -7.47, 6.65

 

CMYK 12 / 4 / 0 / 50

HEX #707A7F

RGB 112 122 127

HSL 200, 0.06%, 0.47%

LAB 50.57, -2.62, -4.01

 

Description

Color code: RGB 123 112 126 | qconv.com Color code: RGB 123 112 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 112 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 112 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 11 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 11% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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