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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 103 19 it is the complementary color RGB 132 152 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 103 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 103 19 shade: RGB 128 103 14, RGB 145 121 33, RGB 162 139 52, RGB 179 157 71 and RGB 196 175 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 103 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 106 85 0, RGB 89 67 0, RGB 72 49 0 and RGB 55 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 123 75 19, RGB 123 47 19 and RGB 123 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 115 123 19, RGB 87 123 19, RGB 59 123 19 and RGB 31 123 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 103 19 shade matches the following richer shades: RGB 123 103 19 and RGB 135 110 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 111 96 30, RGB 100 89 42, RGB 88 82 53 and RGB 77 75 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 103 19 shade: RGB 123 47 19, RGB 123 74 19, RGB 123 102 19, RGB 116 123 19 and RGB 88 123 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 103 19 shade: RGB 52 43 8, RGB 87 73 13, RGB 123 103 19, RGB 159 133 24 and RGB 194 163 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 19 123 19 and RGB 60 19 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 19 123 102 and RGB 102 19 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 19 123 19, RGB 19 40 123 and RGB 123 19 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 103 19 shade: RGB 123 103 19, RGB 19 123 50, RGB 19 40 123 and RGB 123 19 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

Complementary color

CMYK 44 / 36 / 0 / 7

HEX #8498EC

RGB 132 152 236

HSL 228.46, 0.73%, 0.72%

LAB 64.5, 14.4, -44.58

 

CMYK 0 / 20 / 89 / 50

HEX #80670E

RGB 128 103 14

HSL 46.84, 0.8%, 0.28%

LAB 44.69, 1.4, 48.17

 

CMYK 0 / 17 / 77 / 43

HEX #917921

RGB 145 121 33

HSL 47.14, 0.63%, 0.35%

LAB 51.62, -0.18, 48.62

 

CMYK 0 / 14 / 68 / 36

HEX #A28B34

RGB 162 139 52

HSL 47.45, 0.51%, 0.42%

LAB 58.41, -1.43, 48.02

 

CMYK 0 / 12 / 60 / 30

HEX #B39D47

RGB 179 157 71

HSL 47.78, 0.43%, 0.49%

LAB 65.08, -2.44, 47

 

CMYK 0 / 11 / 54 / 23

HEX #C4AF5A

RGB 196 175 90

HSL 48.11, 0.47%, 0.56%

LAB 71.65, -3.28, 45.81

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 0 / 20 / 100 / 58

HEX #6A5500

RGB 106 85 0

HSL 48.11, 1%, 0.21%

LAB 37.04, 0.88, 45.04

 

CMYK 0 / 25 / 100 / 65

HEX #594300

RGB 89 67 0

HSL 45.17, 1%, 0.17%

LAB 29.76, 3.25, 38.98

 

CMYK 0 / 32 / 100 / 72

HEX #483100

RGB 72 49 0

HSL 40.83, 1%, 0.14%

LAB 22.21, 5.83, 31.27

 

CMYK 0 / 44 / 100 / 78

HEX #371F00

RGB 55 31 0

HSL 33.82, 1%, 0.11%

LAB 14.36, 8.68, 21.36

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 0 / 39 / 85 / 52

HEX #7B4B13

RGB 123 75 19

HSL 32.31, 0.73%, 0.28%

LAB 36.54, 15.74, 39.26

 

CMYK 0 / 62 / 85 / 52

HEX #7B2F13

RGB 123 47 19

HSL 16.15, 0.73%, 0.28%

LAB 30.14, 31.56, 33.37

 

CMYK 0 / 85 / 85 / 52

HEX #7B1313

RGB 123 19 19

HSL 0, 0.73%, 0.28%

LAB 25.93, 43.02, 29.34

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 7 / 0 / 85 / 52

HEX #737B13

RGB 115 123 19

HSL 64.62, 0.73%, 0.28%

LAB 49.32, -15.82, 50.2

 

CMYK 29 / 0 / 85 / 52

HEX #577B13

RGB 87 123 19

HSL 80.77, 0.73%, 0.28%

LAB 47.29, -28.16, 47.63

 

CMYK 52 / 0 / 85 / 52

HEX #3B7B13

RGB 59 123 19

HSL 96.92, 0.73%, 0.28%

LAB 45.83, -38.57, 45.77

 

CMYK 75 / 0 / 85 / 52

HEX #1F7B13

RGB 31 123 19

HSL 113.08, 0.73%, 0.28%

LAB 44.95, -45.74, 44.63

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 0 / 19 / 95 / 47

HEX #876E07

RGB 135 110 7

HSL 48.28, 0.9%, 0.28%

LAB 47.39, 0.56, 52.23

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 0 / 14 / 73 / 56

HEX #6F601E

RGB 111 96 30

HSL 48.89, 0.57%, 0.28%

LAB 40.96, -2.05, 38.24

 

CMYK 0 / 11 / 58 / 61

HEX #64592A

RGB 100 89 42

HSL 48.62, 0.41%, 0.28%

LAB 37.88, -2.29, 28.48

 

CMYK 0 / 7 / 40 / 65

HEX #585235

RGB 88 82 53

HSL 49.71, 0.25%, 0.28%

LAB 34.73, -2.48, 17.93

 

CMYK 0 / 3 / 16 / 70

HEX #4D4B41

RGB 77 75 65

HSL 50, 0.08%, 0.28%

LAB 31.79, -1.19, 6.26

 

CMYK 0 / 62 / 85 / 52

HEX #7B2F13

RGB 123 47 19

HSL 16.15, 0.73%, 0.28%

LAB 30.14, 31.56, 33.37

 

CMYK 0 / 40 / 85 / 52

HEX #7B4A13

RGB 123 74 19

HSL 31.73, 0.73%, 0.28%

LAB 36.28, 16.33, 39.03

 

CMYK 0 / 17 / 85 / 52

HEX #7B6613

RGB 123 102 19

HSL 47.88, 0.73%, 0.28%

LAB 43.89, -0.28, 45.77

 

CMYK 6 / 0 / 85 / 52

HEX #747B13

RGB 116 123 19

HSL 64.04, 0.73%, 0.28%

LAB 49.41, -15.36, 50.31

 

CMYK 28 / 0 / 85 / 52

HEX #587B13

RGB 88 123 19

HSL 80.19, 0.73%, 0.28%

LAB 47.35, -27.75, 47.71

 

CMYK 0 / 17 / 85 / 80

HEX #342B08

RGB 52 43 8

HSL 47.73, 0.73%, 0.12%

LAB 17.81, -0.6, 22.33

 

CMYK 0 / 16 / 85 / 66

HEX #57490D

RGB 87 73 13

HSL 48.65, 0.74%, 0.2%

LAB 31.39, -1.02, 35.3

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 0 / 16 / 85 / 38

HEX #9F8518

RGB 159 133 24

HSL 48.44, 0.74%, 0.36%

LAB 56.3, -0.73, 56.37

 

CMYK 0 / 16 / 85 / 24

HEX #C2A31E

RGB 194 163 30

HSL 48.66, 0.73%, 0.44%

LAB 67.84, -1.04, 65.83

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 85 / 0 / 85 / 52

HEX #137B13

RGB 19 123 19

HSL 120, 0.73%, 0.28%

LAB 44.73, -47.62, 44.36

 

CMYK 51 / 85 / 0 / 52

HEX #3C137B

RGB 60 19 123

HSL 263.65, 0.73%, 0.28%

LAB 19.46, 42.54, -50.61

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 85 / 0 / 17 / 52

HEX #137B66

RGB 19 123 102

HSL 167.88, 0.73%, 0.28%

LAB 45.99, -33.15, 3.59

 

CMYK 17 / 85 / 0 / 52

HEX #66137B

RGB 102 19 123

HSL 287.88, 0.73%, 0.28%

LAB 25.92, 49.59, -39.79

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 85 / 0 / 85 / 52

HEX #137B13

RGB 19 123 19

HSL 120, 0.73%, 0.28%

LAB 44.73, -47.62, 44.36

 

CMYK 85 / 67 / 0 / 52

HEX #13287B

RGB 19 40 123

HSL 227.88, 0.73%, 0.28%

LAB 20.39, 25.41, -49.21

 

CMYK 0 / 85 / 0 / 52

HEX #7B137B

RGB 123 19 123

HSL 300, 0.73%, 0.28%

LAB 29.68, 53.77, -33.56

 

CMYK 0 / 16 / 85 / 52

HEX #7B6713

RGB 123 103 19

HSL 48.46, 0.73%, 0.28%

LAB 44.17, -0.86, 46.02

 

CMYK 85 / 0 / 59 / 52

HEX #137B32

RGB 19 123 50

HSL 137.88, 0.73%, 0.28%

LAB 44.99, -44.43, 31.65

 

CMYK 85 / 67 / 0 / 52

HEX #13287B

RGB 19 40 123

HSL 227.88, 0.73%, 0.28%

LAB 20.39, 25.41, -49.21

 

CMYK 0 / 85 / 25 / 52

HEX #7B135C

RGB 123 19 92

HSL 317.88, 0.73%, 0.28%

LAB 27.98, 49.07, -16.27

 

Description

Color code: RGB 123 103 19 | qconv.com Color code: RGB 123 103 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 103 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 103 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 85 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 85% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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