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Color name
RGB 122 60 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 60 151 it is the complementary color RGB 133 195 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 60 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 60 151 shade: RGB 127 60 146, RGB 144 78 165, RGB 161 96 184, RGB 178 114 203 and RGB 195 132 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 60 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 60 151 shade: RGB 122 60 151, RGB 105 42 132, RGB 88 24 113, RGB 71 6 94 and RGB 54 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 60 151 shade: RGB 120 59 149, RGB 145 59 149, RGB 149 59 129, RGB 149 59 105 and RGB 149 59 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 60 151 shade: RGB 120 59 149, RGB 96 59 149, RGB 72 59 149 and RGB 59 59 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 60 151 shade matches the following richer shades: RGB 120 59 149, RGB 126 42 166, RGB 133 25 183 and RGB 139 8 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 60 151 shade: RGB 120 59 149, RGB 114 76 132, RGB 108 93 115, RGB 102 110 98 and RGB 96 127 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 60 151 shade: RGB 71 59 149, RGB 95 59 149, RGB 119 59 149, RGB 143 59 149 and RGB 149 59 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 60 151 shade: RGB 73 36 90, RGB 97 47 120, RGB 120 59 149, RGB 144 71 179 and RGB 162 98 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 60 151 shade: RGB 122 60 151, RGB 149 59 71 and RGB 59 149 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 60 151 shade: RGB 122 60 151, RGB 149 119 59 and RGB 59 149 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 60 151 shade: RGB 122 60 151, RGB 149 59 71, RGB 89 149 59 and RGB 59 149 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 60 151 shade: RGB 122 60 151, RGB 149 74 59, RGB 89 149 59 and RGB 59 134 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 60 / 0 / 41

HEX #7A3C97

RGB 122 60 151

HSL 280.88, 0.43%, 0.41%

LAB 37.12, 42.59, -39.03

 

Complementary color

CMYK 32 / 0 / 47 / 24

HEX #85C368

RGB 133 195 104

HSL 100.88, 0.43%, 0.59%

LAB 72.9, -36.5, 39.37

 

CMYK 13 / 59 / 0 / 43

HEX #7F3C92

RGB 127 60 146

HSL 286.74, 0.42%, 0.4%

LAB 37.52, 42.83, -35.32

 

CMYK 13 / 53 / 0 / 35

HEX #904EA5

RGB 144 78 165

HSL 285.52, 0.36%, 0.48%

LAB 44.37, 42.15, -35.75

 

CMYK 13 / 48 / 0 / 28

HEX #A160B8

RGB 161 96 184

HSL 284.32, 0.38%, 0.55%

LAB 51.16, 41.37, -36.05

 

CMYK 12 / 44 / 0 / 20

HEX #B272CB

RGB 178 114 203

HSL 283.15, 0.46%, 0.62%

LAB 57.86, 40.57, -36.29

 

CMYK 12 / 41 / 0 / 13

HEX #C384DE

RGB 195 132 222

HSL 282, 0.58%, 0.69%

LAB 64.47, 39.78, -36.5

 

CMYK 19 / 60 / 0 / 41

HEX #7A3C97

RGB 122 60 151

HSL 280.88, 0.43%, 0.41%

LAB 37.12, 42.59, -39.03

 

CMYK 20 / 68 / 0 / 48

HEX #692A84

RGB 105 42 132

HSL 282, 0.52%, 0.34%

LAB 30.22, 43.1, -38.52

 

CMYK 22 / 79 / 0 / 56

HEX #581871

RGB 88 24 113

HSL 283.15, 0.65%, 0.27%

LAB 23.41, 42.99, -37.58

 

CMYK 24 / 94 / 0 / 63

HEX #47065E

RGB 71 6 94

HSL 284.32, 0.88%, 0.2%

LAB 16.88, 41.58, -35.83

 

CMYK 28 / 100 / 0 / 71

HEX #36004B

RGB 54 0 75

HSL 283.2, 1%, 0.15%

LAB 11.22, 36.93, -32.26

 

CMYK 19 / 60 / 0 / 42

HEX #783B95

RGB 120 59 149

HSL 280.67, 0.43%, 0.41%

LAB 36.54, 42.14, -38.76

 

CMYK 3 / 60 / 0 / 42

HEX #913B95

RGB 145 59 149

HSL 297.33, 0.43%, 0.41%

LAB 40.11, 48.77, -32.87

 

CMYK 0 / 60 / 13 / 42

HEX #953B81

RGB 149 59 129

HSL 313.33, 0.43%, 0.41%

LAB 39.75, 46.4, -21.18

 

CMYK 0 / 60 / 30 / 42

HEX #953B69

RGB 149 59 105

HSL 329.33, 0.43%, 0.41%

LAB 38.79, 42.81, -7.73

 

CMYK 0 / 60 / 46 / 42

HEX #953B51

RGB 149 59 81

HSL 345.33, 0.43%, 0.41%

LAB 38.04, 39.9, 6.31

 

CMYK 19 / 60 / 0 / 42

HEX #783B95

RGB 120 59 149

HSL 280.67, 0.43%, 0.41%

LAB 36.54, 42.14, -38.76

 

CMYK 36 / 60 / 0 / 42

HEX #603B95

RGB 96 59 149

HSL 264.67, 0.43%, 0.41%

LAB 33.53, 36.03, -43.74

 

CMYK 52 / 60 / 0 / 42

HEX #483B95

RGB 72 59 149

HSL 248.67, 0.43%, 0.41%

LAB 31.06, 30.52, -47.86

 

CMYK 60 / 60 / 0 / 42

HEX #3B3B95

RGB 59 59 149

HSL 240, 0.43%, 0.41%

LAB 29.98, 27.94, -49.66

 

CMYK 19 / 60 / 0 / 42

HEX #783B95

RGB 120 59 149

HSL 280.67, 0.43%, 0.41%

LAB 36.54, 42.14, -38.76

 

CMYK 24 / 75 / 0 / 35

HEX #7E2AA6

RGB 126 42 166

HSL 280.65, 0.6%, 0.41%

LAB 35.68, 55.1, -50.36

 

CMYK 27 / 86 / 0 / 28

HEX #8519B7

RGB 133 25 183

HSL 281.01, 0.76%, 0.41%

LAB 36.18, 65.22, -59.65

 

CMYK 31 / 96 / 0 / 22

HEX #8B08C8

RGB 139 8 200

HSL 280.94, 0.92%, 0.41%

LAB 37.54, 72.26, -67.38

 

CMYK 19 / 60 / 0 / 42

HEX #783B95

RGB 120 59 149

HSL 280.67, 0.43%, 0.41%

LAB 36.54, 42.14, -38.76

 

CMYK 14 / 42 / 0 / 48

HEX #724C84

RGB 114 76 132

HSL 280.71, 0.27%, 0.41%

LAB 38.57, 26.86, -25.22

 

CMYK 6 / 19 / 0 / 55

HEX #6C5D73

RGB 108 93 115

HSL 280.91, 0.11%, 0.41%

LAB 41.62, 10.53, -10.2

 

CMYK 7 / 0 / 11 / 57

HEX #666E62

RGB 102 110 98

HSL 100, 0.06%, 0.41%

LAB 45.44, -5.5, 5.65

 

CMYK 24 / 0 / 36 / 50

HEX #607F51

RGB 96 127 81

HSL 100.43, 0.22%, 0.41%

LAB 49.81, -20.24, 21.53

 

CMYK 52 / 60 / 0 / 42

HEX #473B95

RGB 71 59 149

HSL 248, 0.43%, 0.41%

LAB 30.97, 30.31, -48.01

 

CMYK 36 / 60 / 0 / 42

HEX #5F3B95

RGB 95 59 149

HSL 264, 0.43%, 0.41%

LAB 33.42, 35.78, -43.94

 

CMYK 20 / 60 / 0 / 42

HEX #773B95

RGB 119 59 149

HSL 280, 0.43%, 0.41%

LAB 36.4, 41.88, -38.98

 

CMYK 4 / 60 / 0 / 42

HEX #8F3B95

RGB 143 59 149

HSL 296, 0.43%, 0.41%

LAB 39.81, 48.24, -33.36

 

CMYK 0 / 60 / 12 / 42

HEX #953B83

RGB 149 59 131

HSL 312, 0.43%, 0.41%

LAB 39.84, 46.73, -22.27

 

CMYK 19 / 60 / 0 / 65

HEX #49245A

RGB 73 36 90

HSL 281.11, 0.43%, 0.25%

LAB 21.64, 27.86, -25.51

 

CMYK 19 / 61 / 0 / 53

HEX #612F78

RGB 97 47 120

HSL 281.1, 0.44%, 0.33%

LAB 29.24, 35.72, -32.62

 

CMYK 19 / 60 / 0 / 42

HEX #783B95

RGB 120 59 149

HSL 280.67, 0.43%, 0.41%

LAB 36.54, 42.14, -38.76

 

CMYK 20 / 60 / 0 / 30

HEX #9047B3

RGB 144 71 179

HSL 280.56, 0.43%, 0.49%

LAB 43.79, 48.79, -44.94

 

CMYK 16 / 49 / 0 / 25

HEX #A262C0

RGB 162 98 192

HSL 280.85, 0.43%, 0.57%

LAB 52.09, 42.28, -39.19

 

CMYK 19 / 60 / 0 / 41

HEX #7A3C97

RGB 122 60 151

HSL 280.88, 0.43%, 0.41%

LAB 37.12, 42.59, -39.03

 

CMYK 0 / 60 / 52 / 42

HEX #953B47

RGB 149 59 71

HSL 352, 0.43%, 0.41%

LAB 37.79, 38.91, 12.28

 

CMYK 60 / 0 / 44 / 42

HEX #3B9553

RGB 59 149 83

HSL 136, 0.43%, 0.41%

LAB 55.12, -41.8, 27.03

 

CMYK 19 / 60 / 0 / 41

HEX #7A3C97

RGB 122 60 151

HSL 280.88, 0.43%, 0.41%

LAB 37.12, 42.59, -39.03

 

CMYK 0 / 20 / 60 / 42

HEX #95773B

RGB 149 119 59

HSL 40, 0.43%, 0.41%

LAB 51.72, 4.4, 36.89

 

CMYK 60 / 0 / 20 / 42

HEX #3B9577

RGB 59 149 119

HSL 160, 0.43%, 0.41%

LAB 55.84, -34.28, 7.95

 

CMYK 19 / 60 / 0 / 41

HEX #7A3C97

RGB 122 60 151

HSL 280.88, 0.43%, 0.41%

LAB 37.12, 42.59, -39.03

 

CMYK 0 / 60 / 52 / 42

HEX #953B47

RGB 149 59 71

HSL 352, 0.43%, 0.41%

LAB 37.79, 38.91, 12.28

 

CMYK 40 / 0 / 60 / 42

HEX #59953B

RGB 89 149 59

HSL 100, 0.43%, 0.41%

LAB 56.02, -36.35, 40.65

 

CMYK 60 / 0 / 8 / 42

HEX #3B9589

RGB 59 149 137

HSL 172, 0.43%, 0.41%

LAB 56.32, -29.64, -1.65

 

CMYK 19 / 60 / 0 / 41

HEX #7A3C97

RGB 122 60 151

HSL 280.88, 0.43%, 0.41%

LAB 37.12, 42.59, -39.03

 

CMYK 0 / 50 / 60 / 42

HEX #954A3B

RGB 149 74 59

HSL 10, 0.43%, 0.41%

LAB 40.58, 30.08, 23.38

 

CMYK 40 / 0 / 60 / 42

HEX #59953B

RGB 89 149 59

HSL 100, 0.43%, 0.41%

LAB 56.02, -36.35, 40.65

 

CMYK 60 / 10 / 0 / 42

HEX #3B8695

RGB 59 134 149

HSL 190, 0.43%, 0.41%

LAB 52.01, -18.48, -15.01

 

Description

Color code: RGB 122 60 151 | qconv.com Color code: RGB 122 60 151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 60 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 60 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 60 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 60% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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