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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 42 44 it is the complementary color RGB 133 213 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 42 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 42 44 shade: RGB 127 42 39, RGB 144 60 58, RGB 161 78 77, RGB 178 96 96 and RGB 195 114 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 42 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 42 44 shade: RGB 122 42 44, RGB 105 24 25, RGB 88 6 6, RGB 71 0 0 and RGB 54 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 42 44 shade: RGB 121 41 43 and RGB 121 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 42 44 shade: RGB 121 41 43, RGB 121 41 65, RGB 121 41 86, RGB 121 41 108 and RGB 113 41 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 42 44 shade matches the following richer shades: RGB 121 41 43, RGB 134 28 31, RGB 147 15 18 and RGB 161 2 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 42 44 shade: RGB 121 41 43, RGB 108 54 56, RGB 95 68 68, RGB 81 81 81 and RGB 68 94 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 42 44 shade: RGB 121 41 86, RGB 121 41 65, RGB 121 41 44, RGB 121 60 41 and RGB 121 81 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 42 44 shade: RGB 60 20 21, RGB 90 31 32, RGB 121 41 43, RGB 152 52 54 and RGB 183 62 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 42 44 shade: RGB 122 42 44, RGB 108 121 41 and RGB 41 76 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 42 44 shade: RGB 122 42 44, RGB 44 121 41 and RGB 41 44 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 42 44 shade: RGB 122 42 44, RGB 108 121 41, RGB 41 121 118 and RGB 54 41 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 42 44 shade: RGB 122 42 44, RGB 84 121 41, RGB 41 121 118 and RGB 78 41 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

Complementary color

CMYK 38 / 0 / 1 / 16

HEX #85D5D3

RGB 133 213 211

HSL 178.5, 0.49%, 0.68%

LAB 80.34, -24.89, -6.76

 

CMYK 0 / 67 / 69 / 50

HEX #7F2A27

RGB 127 42 39

HSL 2.05, 0.53%, 0.33%

LAB 30.19, 36.52, 21.95

 

CMYK 0 / 58 / 60 / 44

HEX #903C3A

RGB 144 60 58

HSL 1.4, 0.43%, 0.4%

LAB 36.87, 35.43, 19.06

 

CMYK 0 / 52 / 52 / 37

HEX #A14E4D

RGB 161 78 77

HSL 0.71, 0.35%, 0.47%

LAB 43.6, 34.24, 16.78

 

CMYK 0 / 46 / 46 / 30

HEX #B26060

RGB 178 96 96

HSL 0, 0.35%, 0.54%

LAB 50.31, 33.08, 14.91

 

CMYK 0 / 42 / 41 / 24

HEX #C37273

RGB 195 114 115

HSL 359.26, 0.4%, 0.61%

LAB 56.95, 31.99, 13.33

 

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

CMYK 0 / 77 / 76 / 59

HEX #691819

RGB 105 24 25

HSL 359.26, 0.63%, 0.25%

LAB 22.75, 35.64, 21.03

 

CMYK 0 / 93 / 93 / 65

HEX #580606

RGB 88 6 6

HSL 0, 0.87%, 0.18%

LAB 16.59, 35.19, 23.13

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 66 / 64 / 53

HEX #79292B

RGB 121 41 43

HSL 358.5, 0.49%, 0.32%

LAB 28.97, 35.03, 17.6

 

CMYK 0 / 66 / 66 / 53

HEX #792929

RGB 121 41 41

HSL 0, 0.49%, 0.32%

LAB 28.93, 34.89, 18.85

 

CMYK 0 / 66 / 64 / 53

HEX #79292B

RGB 121 41 43

HSL 358.5, 0.49%, 0.32%

LAB 28.97, 35.03, 17.6

 

CMYK 0 / 66 / 46 / 53

HEX #792941

RGB 121 41 65

HSL 342, 0.49%, 0.32%

LAB 29.49, 37.02, 3.81

 

CMYK 0 / 66 / 29 / 53

HEX #792956

RGB 121 41 86

HSL 326.25, 0.49%, 0.32%

LAB 30.21, 39.63, -8.96

 

CMYK 0 / 66 / 11 / 53

HEX #79296C

RGB 121 41 108

HSL 309.75, 0.49%, 0.32%

LAB 31.19, 43.06, -21.67

 

CMYK 7 / 66 / 0 / 53

HEX #712979

RGB 113 41 121

HSL 294, 0.49%, 0.32%

LAB 30.59, 43.26, -30.96

 

CMYK 0 / 66 / 64 / 53

HEX #79292B

RGB 121 41 43

HSL 358.5, 0.49%, 0.32%

LAB 28.97, 35.03, 17.6

 

CMYK 0 / 79 / 77 / 47

HEX #861C1F

RGB 134 28 31

HSL 358.3, 0.65%, 0.32%

LAB 29.41, 44.15, 26.4

 

CMYK 0 / 90 / 88 / 42

HEX #930F12

RGB 147 15 18

HSL 358.64, 0.81%, 0.32%

LAB 30.85, 51.05, 36.33

 

CMYK 0 / 99 / 97 / 37

HEX #A10205

RGB 161 2 5

HSL 358.87, 0.98%, 0.32%

LAB 33.2, 56.59, 45.24

 

CMYK 0 / 66 / 64 / 53

HEX #79292B

RGB 121 41 43

HSL 358.5, 0.49%, 0.32%

LAB 28.97, 35.03, 17.6

 

CMYK 0 / 50 / 48 / 58

HEX #6C3638

RGB 108 54 56

HSL 357.78, 0.33%, 0.32%

LAB 29.69, 24.14, 9.69

 

CMYK 0 / 28 / 28 / 63

HEX #5F4444

RGB 95 68 68

HSL 0, 0.17%, 0.32%

LAB 31.77, 11.65, 4.58

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 28 / 0 / 1 / 63

HEX #445E5D

RGB 68 94 93

HSL 177.69, 0.16%, 0.32%

LAB 37.89, -9.89, -2.58

 

CMYK 0 / 66 / 29 / 53

HEX #792956

RGB 121 41 86

HSL 326.25, 0.49%, 0.32%

LAB 30.21, 39.63, -8.96

 

CMYK 0 / 66 / 46 / 53

HEX #792941

RGB 121 41 65

HSL 342, 0.49%, 0.32%

LAB 29.49, 37.02, 3.81

 

CMYK 0 / 66 / 64 / 53

HEX #79292C

RGB 121 41 44

HSL 357.75, 0.49%, 0.32%

LAB 28.99, 35.1, 16.97

 

CMYK 0 / 50 / 66 / 53

HEX #793C29

RGB 121 60 41

HSL 14.25, 0.49%, 0.32%

LAB 32.82, 24.81, 23.67

 

CMYK 0 / 33 / 66 / 53

HEX #795129

RGB 121 81 41

HSL 30, 0.49%, 0.32%

LAB 38.04, 12.41, 29.84

 

CMYK 0 / 67 / 65 / 76

HEX #3C1415

RGB 60 20 21

HSL 358.5, 0.5%, 0.16%

LAB 12.7, 19.82, 9.27

 

CMYK 0 / 66 / 64 / 65

HEX #5A1F20

RGB 90 31 32

HSL 358.98, 0.49%, 0.24%

LAB 21.05, 27.24, 13.56

 

CMYK 0 / 66 / 64 / 53

HEX #79292B

RGB 121 41 43

HSL 358.5, 0.49%, 0.32%

LAB 28.97, 35.03, 17.6

 

CMYK 0 / 66 / 64 / 40

HEX #983436

RGB 152 52 54

HSL 358.8, 0.49%, 0.4%

LAB 36.74, 41.93, 21.67

 

CMYK 0 / 66 / 64 / 28

HEX #B73E41

RGB 183 62 65

HSL 358.51, 0.49%, 0.48%

LAB 44.08, 48.98, 25.37

 

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

CMYK 11 / 0 / 66 / 53

HEX #6C7929

RGB 108 121 41

HSL 69.75, 0.49%, 0.32%

LAB 48.29, -16.73, 40.8

 

CMYK 66 / 37 / 0 / 53

HEX #294C79

RGB 41 76 121

HSL 213.75, 0.49%, 0.32%

LAB 31.85, 2.82, -29.41

 

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

CMYK 64 / 0 / 66 / 53

HEX #2C7929

RGB 44 121 41

HSL 117.75, 0.49%, 0.32%

LAB 44.76, -40.28, 35.94

 

CMYK 66 / 64 / 0 / 53

HEX #292C79

RGB 41 44 121

HSL 237.75, 0.49%, 0.32%

LAB 22.49, 24.71, -44.44

 

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

CMYK 11 / 0 / 66 / 53

HEX #6C7929

RGB 108 121 41

HSL 69.75, 0.49%, 0.32%

LAB 48.29, -16.73, 40.8

 

CMYK 66 / 0 / 2 / 53

HEX #297976

RGB 41 121 118

HSL 177.75, 0.49%, 0.32%

LAB 46.25, -24.5, -5.49

 

CMYK 55 / 66 / 0 / 53

HEX #362979

RGB 54 41 121

HSL 249.75, 0.49%, 0.32%

LAB 22.83, 29.09, -43.84

 

CMYK 0 / 66 / 64 / 52

HEX #7A2A2C

RGB 122 42 44

HSL 358.5, 0.49%, 0.32%

LAB 29.35, 35, 17.48

 

CMYK 31 / 0 / 66 / 53

HEX #547929

RGB 84 121 41

HSL 87.75, 0.49%, 0.32%

LAB 46.6, -26.97, 38.5

 

CMYK 66 / 0 / 2 / 53

HEX #297976

RGB 41 121 118

HSL 177.75, 0.49%, 0.32%

LAB 46.25, -24.5, -5.49

 

CMYK 36 / 66 / 0 / 53

HEX #4E2979

RGB 78 41 121

HSL 267.75, 0.49%, 0.32%

LAB 25.52, 34.4, -39.35

 

Description

Color code: RGB 122 42 44 | qconv.com Color code: RGB 122 42 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 42 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 42 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 64 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 64% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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