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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 255 4 it is the complementary color RGB 133 0 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 255 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 255 4 shade: RGB 127 255 0, RGB 144 255 18, RGB 161 255 37, RGB 178 255 56 and RGB 195 255 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 255 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 255 4 shade: RGB 122 255 4, RGB 105 237 0, RGB 88 219 0, RGB 71 201 0 and RGB 54 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 255 4 shade: RGB 122 255 5, RGB 189 255 5, RGB 255 252 5, RGB 255 185 5 and RGB 255 117 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 255 4 shade: RGB 122 255 5, RGB 55 255 5, RGB 5 255 22, RGB 5 255 89 and RGB 5 255 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 255 4 shade matches the following richer shades: RGB 122 255 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 255 4 shade: RGB 122 255 5, RGB 123 234 25, RGB 125 214 45, RGB 126 194 65 and RGB 127 174 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 255 4 shade: RGB 255 250 5, RGB 192 255 5, RGB 125 255 5, RGB 59 255 5 and RGB 5 255 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 255 4 shade: RGB 83 177 0, RGB 102 218 0, RGB 122 255 5, RGB 144 255 46 and RGB 166 255 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 255 4 shade: RGB 122 255 4, RGB 5 255 184 and RGB 255 5 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 255 4 shade: RGB 122 255 4, RGB 5 125 255 and RGB 255 5 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 255 4 shade: RGB 122 255 4, RGB 5 255 184, RGB 134 5 255 and RGB 255 5 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 255 4 shade: RGB 122 255 4, RGB 5 250 255, RGB 134 5 255 and RGB 255 9 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 98 / 0

HEX #7AFF04

RGB 122 255 4

HSL 91.79, 1%, 0.51%

LAB 89.7, -69.4, 85.28

 

Complementary color

CMYK 47 / 100 / 0 / 2

HEX #8500FB

RGB 133 0 251

HSL 271.79, 1%, 0.49%

LAB 41.14, 82.74, -90.66

 

CMYK 50 / 0 / 100 / 0

HEX #7FFF00

RGB 127 255 0

HSL 90.12, 1%, 0.5%

LAB 89.87, -68.07, 85.78

 

CMYK 44 / 0 / 93 / 0

HEX #90FF12

RGB 144 255 18

HSL 88.1, 1%, 0.54%

LAB 90.55, -62.83, 85.14

 

CMYK 37 / 0 / 85 / 0

HEX #A1FF25

RGB 161 255 37

HSL 85.87, 1%, 0.57%

LAB 91.34, -56.92, 83.25

 

CMYK 30 / 0 / 78 / 0

HEX #B2FF38

RGB 178 255 56

HSL 83.22, 1%, 0.61%

LAB 92.25, -50.37, 79.93

 

CMYK 24 / 0 / 71 / 0

HEX #C3FF4B

RGB 195 255 75

HSL 80, 1%, 0.65%

LAB 93.29, -43.27, 75.39

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF04

RGB 122 255 4

HSL 91.79, 1%, 0.51%

LAB 89.7, -69.4, 85.28

 

CMYK 56 / 0 / 100 / 7

HEX #69ED00

RGB 105 237 0

HSL 93.42, 1%, 0.46%

LAB 83.74, -67.79, 80.64

 

CMYK 60 / 0 / 100 / 14

HEX #58DB00

RGB 88 219 0

HSL 95.89, 1%, 0.43%

LAB 77.72, -65.99, 75.67

 

CMYK 65 / 0 / 100 / 21

HEX #47C900

RGB 71 201 0

HSL 98.81, 1%, 0.39%

LAB 71.63, -63.97, 70.65

 

CMYK 70 / 0 / 100 / 28

HEX #36B700

RGB 54 183 0

HSL 102.3, 1%, 0.36%

LAB 65.48, -61.66, 65.59

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF05

RGB 122 255 5

HSL 91.92, 1%, 0.51%

LAB 89.71, -69.38, 85.2

 

CMYK 26 / 0 / 98 / 0

HEX #BDFF05

RGB 189 255 5

HSL 75.84, 1%, 0.51%

LAB 92.73, -47.57, 88.86

 

CMYK 0 / 1 / 98 / 0

HEX #FFFC05

RGB 255 252 5

HSL 59.28, 1%, 0.51%

LAB 96.37, -20.09, 93.57

 

CMYK 0 / 27 / 98 / 0

HEX #FFB905

RGB 255 185 5

HSL 43.2, 1%, 0.51%

LAB 79.6, 13.54, 81.56

 

CMYK 0 / 54 / 98 / 0

HEX #FF7505

RGB 255 117 5

HSL 26.88, 1%, 0.51%

LAB 64.96, 48.19, 72.03

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF05

RGB 122 255 5

HSL 91.92, 1%, 0.51%

LAB 89.71, -69.38, 85.2

 

CMYK 78 / 0 / 98 / 0

HEX #37FF05

RGB 55 255 5

HSL 108, 1%, 0.51%

LAB 88.13, -82.58, 83.29

 

CMYK 98 / 0 / 91 / 0

HEX #05FF16

RGB 5 255 22

HSL 124.08, 1%, 0.51%

LAB 87.78, -85.68, 81.25

 

CMYK 98 / 0 / 65 / 0

HEX #05FF59

RGB 5 255 89

HSL 140.16, 1%, 0.51%

LAB 88.1, -81.58, 63.17

 

CMYK 98 / 0 / 38 / 0

HEX #05FF9D

RGB 5 255 157

HSL 156.48, 1%, 0.51%

LAB 88.92, -71.66, 33.06

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF05

RGB 122 255 5

HSL 91.92, 1%, 0.51%

LAB 89.71, -69.38, 85.2

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF05

RGB 122 255 5

HSL 91.92, 1%, 0.51%

LAB 89.71, -69.38, 85.2

 

CMYK 47 / 0 / 89 / 8

HEX #7BEA19

RGB 123 234 25

HSL 91.87, 0.83%, 0.51%

LAB 83.51, -61.33, 78.1

 

CMYK 42 / 0 / 79 / 16

HEX #7DD62D

RGB 125 214 45

HSL 91.6, 0.67%, 0.51%

LAB 77.66, -52.38, 68.61

 

CMYK 35 / 0 / 66 / 24

HEX #7EC241

RGB 126 194 65

HSL 91.63, 0.51%, 0.51%

LAB 71.83, -42.54, 55.92

 

CMYK 27 / 0 / 51 / 32

HEX #7FAE55

RGB 127 174 85

HSL 91.69, 0.35%, 0.51%

LAB 66.09, -31.24, 40.37

 

CMYK 0 / 2 / 98 / 0

HEX #FFFA05

RGB 255 250 5

HSL 58.8, 1%, 0.51%

LAB 95.85, -19.14, 93.19

 

CMYK 25 / 0 / 98 / 0

HEX #C0FF05

RGB 192 255 5

HSL 75.12, 1%, 0.51%

LAB 92.9, -46.45, 89.07

 

CMYK 51 / 0 / 98 / 0

HEX #7DFF05

RGB 125 255 5

HSL 91.2, 1%, 0.51%

LAB 89.81, -68.57, 85.33

 

CMYK 77 / 0 / 98 / 0

HEX #3BFF05

RGB 59 255 5

HSL 107.04, 1%, 0.51%

LAB 88.19, -82.08, 83.35

 

CMYK 98 / 0 / 93 / 0

HEX #05FF11

RGB 5 255 17

HSL 122.88, 1%, 0.51%

LAB 87.77, -85.79, 81.83

 

CMYK 53 / 0 / 100 / 31

HEX #53B100

RGB 83 177 0

HSL 91.86, 1%, 0.35%

LAB 64.39, -52.68, 65.09

 

CMYK 53 / 0 / 100 / 15

HEX #66DA00

RGB 102 218 0

HSL 91.93, 1%, 0.43%

LAB 77.86, -62.05, 75.96

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF05

RGB 122 255 5

HSL 91.92, 1%, 0.51%

LAB 89.71, -69.38, 85.2

 

CMYK 44 / 0 / 82 / 0

HEX #90FF2E

RGB 144 255 46

HSL 91.87, 1%, 0.59%

LAB 90.62, -62.07, 80.4

 

CMYK 35 / 0 / 66 / 0

HEX #A6FF57

RGB 166 255 87

HSL 91.79, 1%, 0.67%

LAB 91.83, -52.69, 69.06

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF04

RGB 122 255 4

HSL 91.79, 1%, 0.51%

LAB 89.7, -69.4, 85.28

 

CMYK 98 / 0 / 28 / 0

HEX #05FFB8

RGB 5 255 184

HSL 162.96, 1%, 0.51%

LAB 89.4, -66.13, 20.08

 

CMYK 0 / 98 / 12 / 0

HEX #FF05E1

RGB 255 5 225

HSL 307.2, 1%, 0.51%

LAB 58.79, 93.98, -46.5

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF04

RGB 122 255 4

HSL 91.79, 1%, 0.51%

LAB 89.7, -69.4, 85.28

 

CMYK 98 / 51 / 0 / 0

HEX #057DFF

RGB 5 125 255

HSL 211.2, 1%, 0.51%

LAB 53.94, 20.78, -72.18

 

CMYK 0 / 98 / 51 / 0

HEX #FF057D

RGB 255 5 125

HSL 331.2, 1%, 0.51%

LAB 54.92, 84.01, 5.91

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF04

RGB 122 255 4

HSL 91.79, 1%, 0.51%

LAB 89.7, -69.4, 85.28

 

CMYK 98 / 0 / 28 / 0

HEX #05FFB8

RGB 5 255 184

HSL 162.96, 1%, 0.51%

LAB 89.4, -66.13, 20.08

 

CMYK 47 / 98 / 0 / 0

HEX #8605FF

RGB 134 5 255

HSL 270.96, 1%, 0.51%

LAB 41.84, 83.13, -91.74

 

CMYK 0 / 98 / 71 / 0

HEX #FF054B

RGB 255 5 75

HSL 343.2, 1%, 0.51%

LAB 53.9, 81.26, 34.58

 

CMYK 52 / 0 / 98 / 0

HEX #7AFF04

RGB 122 255 4

HSL 91.79, 1%, 0.51%

LAB 89.7, -69.4, 85.28

 

CMYK 98 / 2 / 0 / 0

HEX #05FAFF

RGB 5 250 255

HSL 181.2, 1%, 0.51%

LAB 89.68, -45.82, -16.28

 

CMYK 47 / 98 / 0 / 0

HEX #8605FF

RGB 134 5 255

HSL 270.96, 1%, 0.51%

LAB 41.84, 83.13, -91.74

 

CMYK 0 / 96 / 98 / 0

HEX #FF0905

RGB 255 9 5

HSL 0.96, 1%, 0.51%

LAB 53.46, 79.53, 66.06

 

Description

Color code: RGB 122 255 4 | qconv.com Color code: RGB 122 255 4 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 255 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 255 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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