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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 188 6 it is the complementary color RGB 133 67 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 188 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 188 6 shade: RGB 127 188 1, RGB 144 206 20, RGB 161 224 39, RGB 178 242 58 and RGB 195 255 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 188 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 188 6 shade: RGB 122 188 6, RGB 105 170 0, RGB 88 152 0, RGB 71 134 0 and RGB 54 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 188 6 shade: RGB 121 187 5, RGB 171 187 5, RGB 187 155 5, RGB 187 106 5 and RGB 187 57 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 188 6 shade: RGB 121 187 5, RGB 72 187 5, RGB 23 187 5, RGB 5 187 37 and RGB 5 187 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 188 6 shade matches the following richer shades: RGB 121 187 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 188 6 shade: RGB 121 187 5, RGB 117 172 21, RGB 113 156 37, RGB 108 140 52 and RGB 104 125 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 188 6 shade: RGB 187 154 5, RGB 172 187 5, RGB 124 187 5, RGB 75 187 5 and RGB 27 187 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 188 6 shade: RGB 70 107 3, RGB 95 147 4, RGB 121 187 5, RGB 147 228 7 and RGB 168 247 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 188 6 shade: RGB 122 188 6, RGB 5 187 106 and RGB 178 5 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 188 6 shade: RGB 122 188 6, RGB 5 124 187 and RGB 187 5 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 188 6 shade: RGB 122 188 6, RGB 5 187 106, RGB 69 5 187 and RGB 187 5 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 188 6 shade: RGB 122 188 6, RGB 5 187 160, RGB 69 5 187 and RGB 187 5 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 97 / 26

HEX #7ABC06

RGB 122 188 6

HSL 81.76, 0.94%, 0.38%

LAB 69.55, -44.01, 69.17

 

Complementary color

CMYK 47 / 73 / 0 / 2

HEX #8543F9

RGB 133 67 249

HSL 261.76, 0.94%, 0.62%

LAB 46.76, 65.21, -80.29

 

CMYK 32 / 0 / 99 / 26

HEX #7FBC01

RGB 127 188 1

HSL 79.57, 0.99%, 0.37%

LAB 69.81, -42.24, 70.05

 

CMYK 30 / 0 / 90 / 19

HEX #90CE14

RGB 144 206 20

HSL 80, 0.82%, 0.44%

LAB 76.14, -43.29, 73.19

 

CMYK 28 / 0 / 83 / 12

HEX #A1E027

RGB 161 224 39

HSL 80.43, 0.75%, 0.52%

LAB 82.4, -44.14, 75.11

 

CMYK 26 / 0 / 76 / 5

HEX #B2F23A

RGB 178 242 58

HSL 80.87, 0.88%, 0.59%

LAB 88.58, -44.8, 75.96

 

CMYK 24 / 0 / 70 / 0

HEX #C3FF4D

RGB 195 255 77

HSL 80.22, 1%, 0.65%

LAB 93.3, -43.15, 74.71

 

CMYK 35 / 0 / 97 / 26

HEX #7ABC06

RGB 122 188 6

HSL 81.76, 0.94%, 0.38%

LAB 69.55, -44.01, 69.17

 

CMYK 38 / 0 / 100 / 33

HEX #69AA00

RGB 105 170 0

HSL 82.94, 1%, 0.33%

LAB 63.14, -42.73, 64.52

 

CMYK 42 / 0 / 100 / 40

HEX #589800

RGB 88 152 0

HSL 85.26, 1%, 0.3%

LAB 56.62, -41.29, 59.1

 

CMYK 47 / 0 / 100 / 47

HEX #478600

RGB 71 134 0

HSL 88.21, 1%, 0.26%

LAB 49.97, -39.76, 53.57

 

CMYK 53 / 0 / 100 / 55

HEX #367400

RGB 54 116 0

HSL 92.07, 1%, 0.23%

LAB 43.17, -38.09, 47.94

 

CMYK 35 / 0 / 97 / 27

HEX #79BB05

RGB 121 187 5

HSL 81.76, 0.95%, 0.38%

LAB 69.2, -43.97, 68.98

 

CMYK 9 / 0 / 97 / 27

HEX #ABBB05

RGB 171 187 5

HSL 65.27, 0.95%, 0.38%

LAB 72.37, -23.91, 72.8

 

CMYK 0 / 17 / 97 / 27

HEX #BB9B05

RGB 187 155 5

HSL 49.45, 0.95%, 0.38%

LAB 64.98, -0.33, 67.95

 

CMYK 0 / 43 / 97 / 27

HEX #BB6A05

RGB 187 106 5

HSL 33.3, 0.95%, 0.38%

LAB 52.82, 26.57, 59.48

 

CMYK 0 / 70 / 97 / 27

HEX #BB3905

RGB 187 57 5

HSL 17.14, 0.95%, 0.38%

LAB 43.51, 50.41, 53.71

 

CMYK 35 / 0 / 97 / 27

HEX #79BB05

RGB 121 187 5

HSL 81.76, 0.95%, 0.38%

LAB 69.2, -43.97, 68.98

 

CMYK 61 / 0 / 97 / 27

HEX #48BB05

RGB 72 187 5

HSL 97.91, 0.95%, 0.38%

LAB 67.22, -59.02, 66.58

 

CMYK 88 / 0 / 97 / 27

HEX #17BB05

RGB 23 187 5

HSL 114.07, 0.95%, 0.38%

LAB 66.32, -66.88, 65.46

 

CMYK 97 / 0 / 80 / 27

HEX #05BB25

RGB 5 187 37

HSL 130.55, 0.95%, 0.38%

LAB 66.3, -66.7, 59.24

 

CMYK 97 / 0 / 54 / 27

HEX #05BB56

RGB 5 187 86

HSL 146.7, 0.95%, 0.38%

LAB 66.71, -61.53, 39.83

 

CMYK 35 / 0 / 97 / 27

HEX #79BB05

RGB 121 187 5

HSL 81.76, 0.95%, 0.38%

LAB 69.2, -43.97, 68.98

 

CMYK 35 / 0 / 97 / 27

HEX #79BB05

RGB 121 187 5

HSL 81.76, 0.95%, 0.38%

LAB 69.2, -43.97, 68.98

 

CMYK 32 / 0 / 88 / 33

HEX #75AC15

RGB 117 172 21

HSL 81.85, 0.78%, 0.38%

LAB 64.44, -38.67, 62.69

 

CMYK 28 / 0 / 76 / 39

HEX #719C25

RGB 113 156 37

HSL 81.68, 0.62%, 0.38%

LAB 59.36, -32.32, 53.66

 

CMYK 23 / 0 / 63 / 45

HEX #6C8C34

RGB 108 140 52

HSL 81.82, 0.46%, 0.38%

LAB 54.23, -25.6, 42.21

 

CMYK 17 / 0 / 46 / 51

HEX #687D44

RGB 104 125 68

HSL 82.11, 0.3%, 0.38%

LAB 49.53, -17.86, 28.5

 

CMYK 0 / 18 / 97 / 27

HEX #BB9A05

RGB 187 154 5

HSL 49.12, 0.95%, 0.38%

LAB 64.71, 0.21, 67.76

 

CMYK 8 / 0 / 97 / 27

HEX #ACBB05

RGB 172 187 5

HSL 64.95, 0.95%, 0.38%

LAB 72.44, -23.49, 72.89

 

CMYK 34 / 0 / 97 / 27

HEX #7CBB05

RGB 124 187 5

HSL 80.77, 0.95%, 0.38%

LAB 69.35, -42.87, 69.17

 

CMYK 60 / 0 / 97 / 27

HEX #4BBB05

RGB 75 187 5

HSL 96.92, 0.95%, 0.38%

LAB 67.31, -58.28, 66.68

 

CMYK 86 / 0 / 97 / 27

HEX #1BBB05

RGB 27 187 5

HSL 112.75, 0.95%, 0.38%

LAB 66.36, -66.53, 65.51

 

CMYK 35 / 0 / 97 / 58

HEX #466B03

RGB 70 107 3

HSL 81.35, 0.95%, 0.22%

LAB 40.94, -28.13, 45.77

 

CMYK 35 / 0 / 97 / 42

HEX #5F9304

RGB 95 147 4

HSL 81.82, 0.95%, 0.3%

LAB 55.39, -36.46, 57.65

 

CMYK 35 / 0 / 97 / 27

HEX #79BB05

RGB 121 187 5

HSL 81.76, 0.95%, 0.38%

LAB 69.2, -43.97, 68.98

 

CMYK 36 / 0 / 97 / 11

HEX #93E407

RGB 147 228 7

HSL 81.99, 0.94%, 0.46%

LAB 82.76, -51.56, 80

 

CMYK 32 / 0 / 89 / 3

HEX #A8F71C

RGB 168 247 28

HSL 81.64, 0.93%, 0.54%

LAB 89.36, -51.54, 83.31

 

CMYK 35 / 0 / 97 / 26

HEX #7ABC06

RGB 122 188 6

HSL 81.76, 0.94%, 0.38%

LAB 69.55, -44.01, 69.17

 

CMYK 97 / 0 / 43 / 27

HEX #05BB6A

RGB 5 187 106

HSL 153.3, 0.95%, 0.38%

LAB 66.99, -58.17, 30.1

 

CMYK 5 / 97 / 0 / 27

HEX #B205BB

RGB 178 5 187

HSL 297.03, 0.95%, 0.38%

LAB 43.01, 75.9, -50.6

 

CMYK 35 / 0 / 97 / 26

HEX #7ABC06

RGB 122 188 6

HSL 81.76, 0.94%, 0.38%

LAB 69.55, -44.01, 69.17

 

CMYK 97 / 34 / 0 / 27

HEX #057CBB

RGB 5 124 187

HSL 200.77, 0.95%, 0.38%

LAB 49.54, -5.05, -40.93

 

CMYK 0 / 97 / 34 / 27

HEX #BB057C

RGB 187 5 124

HSL 320.77, 0.95%, 0.38%

LAB 41.42, 69.34, -14.95

 

CMYK 35 / 0 / 97 / 26

HEX #7ABC06

RGB 122 188 6

HSL 81.76, 0.94%, 0.38%

LAB 69.55, -44.01, 69.17

 

CMYK 97 / 0 / 43 / 27

HEX #05BB6A

RGB 5 187 106

HSL 153.3, 0.95%, 0.38%

LAB 66.99, -58.17, 30.1

 

CMYK 63 / 97 / 0 / 27

HEX #4505BB

RGB 69 5 187

HSL 261.1, 0.95%, 0.38%

LAB 26.63, 63.41, -78.05

 

CMYK 0 / 97 / 53 / 27

HEX #BB0557

RGB 187 5 87

HSL 332.97, 0.95%, 0.38%

LAB 40.18, 66.07, 6.52

 

CMYK 35 / 0 / 97 / 26

HEX #7ABC06

RGB 122 188 6

HSL 81.76, 0.94%, 0.38%

LAB 69.55, -44.01, 69.17

 

CMYK 97 / 0 / 14 / 27

HEX #05BBA0

RGB 5 187 160

HSL 171.1, 0.95%, 0.38%

LAB 68.1, -45.7, 2.56

 

CMYK 63 / 97 / 0 / 27

HEX #4505BB

RGB 69 5 187

HSL 261.1, 0.95%, 0.38%

LAB 26.63, 63.41, -78.05

 

CMYK 0 / 97 / 82 / 27

HEX #BB0521

RGB 187 5 33

HSL 350.77, 0.95%, 0.38%

LAB 39.21, 63.43, 38.94

 

Description

Color code: RGB 122 188 6 | qconv.com Color code: RGB 122 188 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 188 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 188 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 97 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 97% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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