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Color name
RGB 122 164 179

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 164 179 it is the complementary color RGB 133 91 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 164 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 164 179 shade: RGB 127 164 174, RGB 144 182 193, RGB 161 200 212, RGB 178 218 231 and RGB 195 236 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 164 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 164 179 shade: RGB 122 164 179, RGB 105 146 160, RGB 88 128 141, RGB 71 110 122 and RGB 54 92 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 164 179 shade: RGB 122 163 178, RGB 122 148 178, RGB 122 133 178, RGB 126 122 178 and RGB 141 122 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 164 179 shade: RGB 122 163 178, RGB 122 148 178, RGB 122 133 178 and RGB 122 122 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 164 179 shade matches the following richer shades: RGB 122 163 178, RGB 105 171 195, RGB 88 179 212, RGB 71 187 229 and RGB 54 195 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 164 179 shade: RGB 122 163 178, RGB 139 155 161, RGB 156 147 144, RGB 172 139 127 and RGB 189 131 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 164 179 shade: RGB 122 178 162, RGB 122 178 177, RGB 122 164 178, RGB 122 149 178 and RGB 122 134 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 164 179 shade: RGB 79 123 138, RGB 96 145 163, RGB 122 163 178, RGB 148 181 193 and RGB 174 199 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 164 179 shade: RGB 122 164 179, RGB 147 122 178 and RGB 178 170 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 164 179 shade: RGB 122 164 179, RGB 178 122 164 and RGB 164 178 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 164 179 shade: RGB 122 164 179, RGB 147 122 178, RGB 178 136 122 and RGB 153 178 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 164 179 shade: RGB 122 164 179, RGB 164 122 178, RGB 178 136 122 and RGB 136 178 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

Complementary color

CMYK 0 / 32 / 43 / 48

HEX #855B4C

RGB 133 91 76

HSL 15.79, 0.27%, 0.41%

LAB 42.75, 15.27, 15.58

 

CMYK 27 / 6 / 0 / 32

HEX #7FA4AE

RGB 127 164 174

HSL 192.77, 0.22%, 0.59%

LAB 65.06, -10.21, -9.3

 

CMYK 25 / 6 / 0 / 24

HEX #90B6C1

RGB 144 182 193

HSL 193.47, 0.28%, 0.66%

LAB 71.71, -10.21, -9.77

 

CMYK 24 / 6 / 0 / 17

HEX #A1C8D4

RGB 161 200 212

HSL 194.12, 0.37%, 0.73%

LAB 78.25, -10.21, -10.24

 

CMYK 23 / 6 / 0 / 9

HEX #B2DAE7

RGB 178 218 231

HSL 194.72, 0.52%, 0.8%

LAB 84.68, -10.21, -10.7

 

CMYK 22 / 6 / 0 / 2

HEX #C3ECFA

RGB 195 236 250

HSL 195.27, 0.85%, 0.87%

LAB 91.01, -10.22, -11.15

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 34 / 9 / 0 / 37

HEX #6992A0

RGB 105 146 160

HSL 195.27, 0.22%, 0.52%

LAB 58.13, -10.46, -11.89

 

CMYK 38 / 9 / 0 / 45

HEX #58808D

RGB 88 128 141

HSL 194.72, 0.23%, 0.45%

LAB 51.19, -10.41, -11.45

 

CMYK 42 / 10 / 0 / 52

HEX #476E7A

RGB 71 110 122

HSL 194.12, 0.26%, 0.38%

LAB 44.08, -10.35, -11

 

CMYK 48 / 11 / 0 / 60

HEX #365C67

RGB 54 92 103

HSL 193.47, 0.31%, 0.31%

LAB 36.78, -10.24, -10.52

 

CMYK 31 / 8 / 0 / 30

HEX #7AA3B2

RGB 122 163 178

HSL 196.07, 0.27%, 0.59%

LAB 64.6, -10.2, -12.25

 

CMYK 31 / 17 / 0 / 30

HEX #7A94B2

RGB 122 148 178

HSL 212.14, 0.27%, 0.59%

LAB 60.37, -1.9, -18.65

 

CMYK 31 / 25 / 0 / 30

HEX #7A85B2

RGB 122 133 178

HSL 228.21, 0.27%, 0.59%

LAB 56.21, 6.72, -25

 

CMYK 29 / 31 / 0 / 30

HEX #7E7AB2

RGB 126 122 178

HSL 244.29, 0.27%, 0.59%

LAB 53.57, 14.41, -29.08

 

CMYK 21 / 31 / 0 / 30

HEX #8D7AB2

RGB 141 122 178

HSL 260.36, 0.27%, 0.59%

LAB 54.86, 19.05, -26.97

 

CMYK 31 / 8 / 0 / 30

HEX #7AA3B2

RGB 122 163 178

HSL 196.07, 0.27%, 0.59%

LAB 64.6, -10.2, -12.25

 

CMYK 31 / 17 / 0 / 30

HEX #7A94B2

RGB 122 148 178

HSL 212.14, 0.27%, 0.59%

LAB 60.37, -1.9, -18.65

 

CMYK 31 / 25 / 0 / 30

HEX #7A85B2

RGB 122 133 178

HSL 228.21, 0.27%, 0.59%

LAB 56.21, 6.72, -25

 

CMYK 31 / 31 / 0 / 30

HEX #7A7AB2

RGB 122 122 178

HSL 240, 0.27%, 0.59%

LAB 53.24, 13.21, -29.6

 

CMYK 31 / 8 / 0 / 30

HEX #7AA3B2

RGB 122 163 178

HSL 196.07, 0.27%, 0.59%

LAB 64.6, -10.2, -12.25

 

CMYK 46 / 12 / 0 / 24

HEX #69ABC3

RGB 105 171 195

HSL 196, 0.43%, 0.59%

LAB 66.57, -14.58, -18.82

 

CMYK 58 / 16 / 0 / 17

HEX #58B3D4

RGB 88 179 212

HSL 195.97, 0.59%, 0.59%

LAB 68.8, -17.58, -24.86

 

CMYK 69 / 18 / 0 / 10

HEX #47BBE5

RGB 71 187 229

HSL 195.95, 0.75%, 0.59%

LAB 71.24, -19.33, -30.45

 

CMYK 78 / 21 / 0 / 4

HEX #36C3F6

RGB 54 195 246

HSL 195.94, 0.91%, 0.59%

LAB 73.85, -20, -35.64

 

CMYK 31 / 8 / 0 / 30

HEX #7AA3B2

RGB 122 163 178

HSL 196.07, 0.27%, 0.59%

LAB 64.6, -10.2, -12.25

 

CMYK 14 / 4 / 0 / 37

HEX #8B9BA1

RGB 139 155 161

HSL 196.36, 0.1%, 0.59%

LAB 62.93, -4.38, -5.07

 

CMYK 0 / 6 / 8 / 39

HEX #9C9390

RGB 156 147 144

HSL 15, 0.06%, 0.59%

LAB 61.61, 2.77, 2.77

 

CMYK 0 / 19 / 26 / 33

HEX #AC8B7F

RGB 172 139 127

HSL 16, 0.21%, 0.59%

LAB 60.58, 10.65, 11.14

 

CMYK 0 / 31 / 41 / 26

HEX #BD836F

RGB 189 131 111

HSL 15.38, 0.37%, 0.59%

LAB 60.07, 19.85, 19.79

 

CMYK 31 / 0 / 9 / 30

HEX #7AB2A2

RGB 122 178 162

HSL 162.86, 0.27%, 0.59%

LAB 68.45, -21.82, 2.34

 

CMYK 31 / 0 / 1 / 30

HEX #7AB2B1

RGB 122 178 177

HSL 178.93, 0.27%, 0.59%

LAB 68.86, -18.38, -5.34

 

CMYK 31 / 8 / 0 / 30

HEX #7AA4B2

RGB 122 164 178

HSL 195, 0.27%, 0.59%

LAB 64.89, -10.74, -11.82

 

CMYK 31 / 16 / 0 / 30

HEX #7A95B2

RGB 122 149 178

HSL 211.07, 0.27%, 0.59%

LAB 60.65, -2.46, -18.22

 

CMYK 31 / 25 / 0 / 30

HEX #7A86B2

RGB 122 134 178

HSL 227.14, 0.27%, 0.59%

LAB 56.49, 6.14, -24.58

 

CMYK 43 / 11 / 0 / 46

HEX #4F7B8A

RGB 79 123 138

HSL 195.25, 0.27%, 0.43%

LAB 49.08, -10.97, -12.92

 

CMYK 41 / 11 / 0 / 36

HEX #6091A3

RGB 96 145 163

HSL 196.12, 0.27%, 0.51%

LAB 57.45, -11.64, -14.69

 

CMYK 31 / 8 / 0 / 30

HEX #7AA3B2

RGB 122 163 178

HSL 196.07, 0.27%, 0.59%

LAB 64.6, -10.2, -12.25

 

CMYK 23 / 6 / 0 / 24

HEX #94B5C1

RGB 148 181 193

HSL 196, 0.27%, 0.67%

LAB 71.69, -8.45, -9.79

 

CMYK 16 / 4 / 0 / 18

HEX #AEC7D0

RGB 174 199 208

HSL 195.88, 0.27%, 0.75%

LAB 78.69, -6.53, -7.33

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 17 / 31 / 0 / 30

HEX #937AB2

RGB 147 122 178

HSL 266.79, 0.27%, 0.59%

LAB 55.42, 20.96, -26.06

 

CMYK 0 / 4 / 31 / 30

HEX #B2AA7A

RGB 178 170 122

HSL 51.43, 0.27%, 0.59%

LAB 69.2, -4.64, 25.83

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 0 / 31 / 8 / 30

HEX #B27AA4

RGB 178 122 164

HSL 315, 0.27%, 0.59%

LAB 58.1, 28.52, -13.63

 

CMYK 8 / 0 / 31 / 30

HEX #A4B27A

RGB 164 178 122

HSL 75, 0.27%, 0.59%

LAB 70.27, -14.36, 27.06

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 17 / 31 / 0 / 30

HEX #937AB2

RGB 147 122 178

HSL 266.79, 0.27%, 0.59%

LAB 55.42, 20.96, -26.06

 

CMYK 0 / 24 / 31 / 30

HEX #B2887A

RGB 178 136 122

HSL 15, 0.27%, 0.59%

LAB 60.32, 14.02, 13.71

 

CMYK 14 / 0 / 31 / 30

HEX #99B27A

RGB 153 178 122

HSL 86.79, 0.27%, 0.59%

LAB 69.48, -18.57, 25.87

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 8 / 31 / 0 / 30

HEX #A47AB2

RGB 164 122 178

HSL 285, 0.27%, 0.59%

LAB 57.1, 26.49, -23.33

 

CMYK 0 / 24 / 31 / 30

HEX #B2887A

RGB 178 136 122

HSL 15, 0.27%, 0.59%

LAB 60.32, 14.02, 13.71

 

CMYK 24 / 0 / 31 / 30

HEX #88B27A

RGB 136 178 122

HSL 105, 0.27%, 0.59%

LAB 68.37, -24.82, 24.19

 

Description

Color code: RGB 122 164 179 | qconv.com Color code: RGB 122 164 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 164 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 164 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 8 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 8% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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