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Color name
RGB 122 15 67

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 15 67 it is the complementary color RGB 133 240 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 15 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 15 67 shade: RGB 127 15 62, RGB 144 33 81, RGB 161 51 100, RGB 178 69 119 and RGB 195 87 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 15 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 105 0 48, RGB 88 0 29, RGB 71 0 10 and RGB 54 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 122 15 38 and RGB 122 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 122 15 96, RGB 119 15 122, RGB 90 15 122 and RGB 61 15 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 15 67 shade matches the following richer shades: RGB 122 15 67 and RGB 133 4 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 111 26 67, RGB 100 37 67, RGB 89 48 68 and RGB 77 59 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 15 67 shade: RGB 118 15 122, RGB 122 15 97, RGB 122 15 68, RGB 122 15 40 and RGB 122 18 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 15 67 shade: RGB 49 6 26, RGB 85 10 47, RGB 122 15 67, RGB 159 19 87 and RGB 195 24 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 122 90 15 and RGB 15 111 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 68 122 15 and RGB 15 68 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 122 90 15, RGB 15 122 68 and RGB 15 47 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 15 67 shade: RGB 122 15 67, RGB 122 122 15, RGB 15 122 68 and RGB 15 15 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

Complementary color

CMYK 45 / 0 / 22 / 6

HEX #85F0BC

RGB 133 240 188

HSL 150.84, 0.78%, 0.73%

LAB 87.45, -42.54, 15.65

 

CMYK 0 / 88 / 51 / 50

HEX #7F0F3E

RGB 127 15 62

HSL 334.82, 0.79%, 0.28%

LAB 27.3, 47.76, 2.82

 

CMYK 0 / 77 / 44 / 44

HEX #902151

RGB 144 33 81

HSL 334.05, 0.63%, 0.35%

LAB 33.16, 49.18, -0.86

 

CMYK 0 / 68 / 38 / 37

HEX #A13364

RGB 161 51 100

HSL 333.27, 0.52%, 0.42%

LAB 39.35, 49.51, -3.54

 

CMYK 0 / 61 / 33 / 30

HEX #B24577

RGB 178 69 119

HSL 332.48, 0.44%, 0.48%

LAB 45.71, 49.25, -5.57

 

CMYK 0 / 55 / 29 / 24

HEX #C3578A

RGB 195 87 138

HSL 331.67, 0.47%, 0.55%

LAB 52.12, 48.69, -7.18

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 100 / 54 / 59

HEX #690030

RGB 105 0 48

HSL 332.57, 1%, 0.21%

LAB 20.89, 43.97, 2.65

 

CMYK 0 / 100 / 67 / 65

HEX #58001D

RGB 88 0 29

HSL 340.23, 1%, 0.17%

LAB 16.32, 38.1, 9.37

 

CMYK 0 / 100 / 86 / 72

HEX #47000A

RGB 71 0 10

HSL 351.55, 1%, 0.14%

LAB 11.7, 32.28, 14.3

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 88 / 69 / 52

HEX #7A0F26

RGB 122 15 38

HSL 347.1, 0.78%, 0.27%

LAB 25.62, 44.6, 16.68

 

CMYK 0 / 88 / 88 / 52

HEX #7A0F0F

RGB 122 15 15

HSL 0, 0.78%, 0.27%

LAB 25.3, 43.65, 30.94

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 88 / 21 / 52

HEX #7A0F60

RGB 122 15 96

HSL 314.58, 0.78%, 0.27%

LAB 27.64, 50.35, -19.44

 

CMYK 2 / 88 / 0 / 52

HEX #770F7A

RGB 119 15 122

HSL 298.32, 0.78%, 0.27%

LAB 28.56, 53.72, -34.76

 

CMYK 26 / 88 / 0 / 52

HEX #5A0F7A

RGB 90 15 122

HSL 282.06, 0.78%, 0.27%

LAB 23.41, 48.35, -43.33

 

CMYK 50 / 88 / 0 / 52

HEX #3D0F7A

RGB 61 15 122

HSL 265.79, 0.78%, 0.27%

LAB 18.97, 43.94, -50.78

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 97 / 50 / 48

HEX #850443

RGB 133 4 67

HSL 330.7, 0.94%, 0.27%

LAB 28.06, 51.75, 0.7

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 77 / 40 / 56

HEX #6F1A43

RGB 111 26 67

HSL 331.06, 0.62%, 0.27%

LAB 25.33, 40.4, -3.84

 

CMYK 0 / 63 / 33 / 61

HEX #642543

RGB 100 37 67

HSL 331.43, 0.46%, 0.27%

LAB 25.07, 31.86, -4.45

 

CMYK 0 / 46 / 24 / 65

HEX #593044

RGB 89 48 68

HSL 330.73, 0.3%, 0.27%

LAB 25.73, 21.63, -4.33

 

CMYK 0 / 23 / 12 / 70

HEX #4D3B44

RGB 77 59 68

HSL 330, 0.13%, 0.27%

LAB 27.08, 9.64, -2.49

 

CMYK 3 / 88 / 0 / 52

HEX #760F7A

RGB 118 15 122

HSL 297.76, 0.78%, 0.27%

LAB 28.38, 53.53, -35.07

 

CMYK 0 / 88 / 20 / 52

HEX #7A0F61

RGB 122 15 97

HSL 314.02, 0.78%, 0.27%

LAB 27.69, 50.49, -20.01

 

CMYK 0 / 88 / 44 / 52

HEX #7A0F44

RGB 122 15 68

HSL 330.28, 0.78%, 0.27%

LAB 26.44, 46.98, -2.63

 

CMYK 0 / 88 / 67 / 52

HEX #7A0F28

RGB 122 15 40

HSL 345.98, 0.78%, 0.27%

LAB 25.66, 44.72, 15.37

 

CMYK 0 / 85 / 88 / 52

HEX #7A120F

RGB 122 18 15

HSL 1.68, 0.78%, 0.27%

LAB 25.58, 42.87, 31.2

 

CMYK 0 / 88 / 47 / 81

HEX #31061A

RGB 49 6 26

HSL 332.09, 0.78%, 0.11%

LAB 7.75, 23.56, -1.8

 

CMYK 0 / 88 / 45 / 67

HEX #550A2F

RGB 85 10 47

HSL 330.4, 0.79%, 0.19%

LAB 17.24, 35.81, -2.5

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 88 / 45 / 38

HEX #9F1357

RGB 159 19 87

HSL 330.86, 0.79%, 0.35%

LAB 35.05, 57.46, -1.63

 

CMYK 0 / 88 / 45 / 24

HEX #C3186B

RGB 195 24 107

HSL 330.88, 0.78%, 0.43%

LAB 43.24, 67.09, -1.47

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 26 / 88 / 52

HEX #7A5A0F

RGB 122 90 15

HSL 42.06, 0.78%, 0.27%

LAB 40.38, 6.17, 44.02

 

CMYK 88 / 9 / 0 / 52

HEX #0F6F7A

RGB 15 111 122

HSL 186.17, 0.78%, 0.27%

LAB 42.58, -21.3, -13.46

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 44 / 0 / 88 / 52

HEX #447A0F

RGB 68 122 15

HSL 90.28, 0.78%, 0.27%

LAB 45.88, -35.27, 47.07

 

CMYK 88 / 44 / 0 / 52

HEX #0F447A

RGB 15 68 122

HSL 210.28, 0.78%, 0.27%

LAB 28.49, 4.83, -35.44

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 26 / 88 / 52

HEX #7A5A0F

RGB 122 90 15

HSL 42.06, 0.78%, 0.27%

LAB 40.38, 6.17, 44.02

 

CMYK 88 / 0 / 44 / 52

HEX #0F7A44

RGB 15 122 68

HSL 149.72, 0.78%, 0.27%

LAB 44.85, -41.37, 21.78

 

CMYK 88 / 61 / 0 / 52

HEX #0F2F7A

RGB 15 47 122

HSL 222.06, 0.78%, 0.27%

LAB 22.09, 19.7, -45.79

 

CMYK 0 / 88 / 45 / 52

HEX #7A0F43

RGB 122 15 67

HSL 330.84, 0.78%, 0.27%

LAB 26.4, 46.88, -2

 

CMYK 0 / 0 / 88 / 52

HEX #7A7A0F

RGB 122 122 15

HSL 60, 0.78%, 0.27%

LAB 49.61, -12.15, 51.72

 

CMYK 88 / 0 / 44 / 52

HEX #0F7A44

RGB 15 122 68

HSL 149.72, 0.78%, 0.27%

LAB 44.85, -41.37, 21.78

 

CMYK 88 / 88 / 0 / 52

HEX #0F0F7A

RGB 15 15 122

HSL 240, 0.78%, 0.27%

LAB 14.67, 39.97, -58.02

 

Description

Color code: RGB 122 15 67 | qconv.com Color code: RGB 122 15 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 15 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 15 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 45 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 45% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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