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Color name
RGB 122 111 241

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 111 241 it is the complementary color RGB 133 144 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 111 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 111 241 shade: RGB 127 111 236, RGB 144 129 255, RGB 161 147 255, RGB 178 165 255 and RGB 195 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 111 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 111 241 shade: RGB 122 111 241, RGB 105 93 222, RGB 88 75 203, RGB 71 57 184 and RGB 54 39 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 111 241 shade: RGB 122 111 240, RGB 157 111 240, RGB 192 111 240, RGB 226 111 240 and RGB 240 111 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 111 241 shade: RGB 122 111 240 and RGB 111 111 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 111 241 shade matches the following richer shades: RGB 122 111 240 and RGB 111 98 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 111 241 shade: RGB 122 111 240, RGB 132 123 227, RGB 143 136 215, RGB 153 149 202 and RGB 164 162 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 111 241 shade: RGB 111 169 240, RGB 111 134 240, RGB 121 111 240, RGB 156 111 240 and RGB 191 111 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 111 241 shade: RGB 52 36 233, RGB 87 73 237, RGB 122 111 240, RGB 156 148 244 and RGB 191 186 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 111 241 shade: RGB 122 111 241, RGB 240 111 204 and RGB 152 240 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 111 241 shade: RGB 122 111 241, RGB 240 121 111 and RGB 111 240 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 111 241 shade: RGB 122 111 241, RGB 240 111 204, RGB 229 240 111 and RGB 111 240 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 111 241 shade: RGB 122 111 241, RGB 240 111 165, RGB 229 240 111 and RGB 111 240 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 54 / 0 / 5

HEX #7A6FF1

RGB 122 111 241

HSL 245.08, 0.82%, 0.69%

LAB 53.88, 37.68, -64.31

 

Complementary color

CMYK 8 / 0 / 90 / 44

HEX #85900E

RGB 133 144 14

HSL 65.08, 0.82%, 0.31%

LAB 57.04, -18.8, 58.39

 

CMYK 46 / 53 / 0 / 7

HEX #7F6FEC

RGB 127 111 236

HSL 247.68, 0.77%, 0.68%

LAB 53.96, 37.27, -61.37

 

CMYK 44 / 49 / 0 / 0

HEX #9081FF

RGB 144 129 255

HSL 247.14, 1%, 0.75%

LAB 60.65, 36.02, -61.08

 

CMYK 37 / 42 / 0 / 0

HEX #A193FF

RGB 161 147 255

HSL 247.78, 1%, 0.79%

LAB 66.26, 29.8, -52.06

 

CMYK 30 / 35 / 0 / 0

HEX #B2A5FF

RGB 178 165 255

HSL 248.67, 1%, 0.82%

LAB 71.96, 24.14, -43.01

 

CMYK 24 / 28 / 0 / 0

HEX #C3B7FF

RGB 195 183 255

HSL 250, 1%, 0.86%

LAB 77.69, 19.01, -34

 

CMYK 49 / 54 / 0 / 5

HEX #7A6FF1

RGB 122 111 241

HSL 245.08, 0.82%, 0.69%

LAB 53.88, 37.68, -64.31

 

CMYK 53 / 58 / 0 / 13

HEX #695DDE

RGB 105 93 222

HSL 245.58, 0.66%, 0.62%

LAB 47.11, 39.2, -64.62

 

CMYK 57 / 63 / 0 / 20

HEX #584BCB

RGB 88 75 203

HSL 246.09, 0.55%, 0.55%

LAB 40.28, 40.9, -64.9

 

CMYK 61 / 69 / 0 / 28

HEX #4739B8

RGB 71 57 184

HSL 246.61, 0.53%, 0.47%

LAB 33.41, 42.75, -65.07

 

CMYK 67 / 76 / 0 / 35

HEX #3627A5

RGB 54 39 165

HSL 247.14, 0.62%, 0.4%

LAB 26.6, 44.61, -64.95

 

CMYK 49 / 54 / 0 / 6

HEX #7A6FF0

RGB 122 111 240

HSL 245.12, 0.81%, 0.69%

LAB 53.81, 37.38, -63.86

 

CMYK 35 / 54 / 0 / 6

HEX #9D6FF0

RGB 157 111 240

HSL 261.4, 0.81%, 0.69%

LAB 56.91, 45.2, -58.72

 

CMYK 20 / 54 / 0 / 6

HEX #C06FF0

RGB 192 111 240

HSL 277.67, 0.81%, 0.69%

LAB 60.66, 53.84, -52.51

 

CMYK 6 / 54 / 0 / 6

HEX #E26FF0

RGB 226 111 240

HSL 293.49, 0.81%, 0.69%

LAB 64.83, 62.57, -45.65

 

CMYK 0 / 54 / 9 / 6

HEX #F06FDB

RGB 240 111 219

HSL 309.77, 0.81%, 0.69%

LAB 65.76, 62.76, -32.4

 

CMYK 49 / 54 / 0 / 6

HEX #7A6FF0

RGB 122 111 240

HSL 245.12, 0.81%, 0.69%

LAB 53.81, 37.38, -63.86

 

CMYK 54 / 54 / 0 / 6

HEX #6F6FF0

RGB 111 111 240

HSL 240, 0.81%, 0.69%

LAB 52.99, 35.18, -65.22

 

CMYK 49 / 54 / 0 / 6

HEX #7A6FF0

RGB 122 111 240

HSL 245.12, 0.81%, 0.69%

LAB 53.81, 37.38, -63.86

 

CMYK 56 / 61 / 0 / 1

HEX #6F62FD

RGB 111 98 253

HSL 245.03, 0.97%, 0.69%

LAB 50.93, 46.77, -75.8

 

CMYK 49 / 54 / 0 / 6

HEX #7A6FF0

RGB 122 111 240

HSL 245.12, 0.81%, 0.69%

LAB 53.81, 37.38, -63.86

 

CMYK 42 / 46 / 0 / 11

HEX #847BE3

RGB 132 123 227

HSL 245.19, 0.65%, 0.69%

LAB 56.7, 28.81, -51.92

 

CMYK 33 / 37 / 0 / 16

HEX #8F88D7

RGB 143 136 215

HSL 245.32, 0.5%, 0.69%

LAB 60.21, 20.79, -39.61

 

CMYK 24 / 26 / 0 / 21

HEX #9995CA

RGB 153 149 202

HSL 244.53, 0.33%, 0.69%

LAB 63.78, 12.94, -26.72

 

CMYK 13 / 14 / 0 / 26

HEX #A4A2BD

RGB 164 162 189

HSL 244.44, 0.17%, 0.69%

LAB 67.58, 6.18, -13.61

 

CMYK 54 / 30 / 0 / 6

HEX #6FA9F0

RGB 111 169 240

HSL 213.02, 0.81%, 0.69%

LAB 68.06, 1.03, -41.27

 

CMYK 54 / 44 / 0 / 6

HEX #6F86F0

RGB 111 134 240

HSL 229.3, 0.81%, 0.69%

LAB 58.72, 21.42, -56.03

 

CMYK 50 / 54 / 0 / 6

HEX #796FF0

RGB 121 111 240

HSL 244.65, 0.81%, 0.69%

LAB 53.73, 37.18, -63.99

 

CMYK 35 / 54 / 0 / 6

HEX #9C6FF0

RGB 156 111 240

HSL 260.93, 0.81%, 0.69%

LAB 56.81, 44.97, -58.88

 

CMYK 20 / 54 / 0 / 6

HEX #BF6FF0

RGB 191 111 240

HSL 277.21, 0.81%, 0.69%

LAB 60.55, 53.58, -52.7

 

CMYK 78 / 85 / 0 / 9

HEX #3424E9

RGB 52 36 233

HSL 244.87, 0.82%, 0.53%

LAB 33.72, 66.04, -93.02

 

CMYK 63 / 69 / 0 / 7

HEX #5749ED

RGB 87 73 237

HSL 245.12, 0.82%, 0.61%

LAB 42.62, 52.44, -80.5

 

CMYK 49 / 54 / 0 / 6

HEX #7A6FF0

RGB 122 111 240

HSL 245.12, 0.81%, 0.69%

LAB 53.81, 37.38, -63.86

 

CMYK 36 / 39 / 0 / 4

HEX #9C94F4

RGB 156 148 244

HSL 245, 0.81%, 0.77%

LAB 65.58, 25.03, -47.16

 

CMYK 23 / 25 / 0 / 3

HEX #BFBAF8

RGB 191 186 248

HSL 244.84, 0.82%, 0.85%

LAB 77.86, 14.58, -30.01

 

CMYK 49 / 54 / 0 / 5

HEX #7A6FF1

RGB 122 111 241

HSL 245.08, 0.82%, 0.69%

LAB 53.88, 37.68, -64.31

 

CMYK 0 / 54 / 15 / 6

HEX #F06FCC

RGB 240 111 204

HSL 316.74, 0.81%, 0.69%

LAB 65.16, 60.45, -24.91

 

CMYK 37 / 0 / 54 / 6

HEX #98F06F

RGB 152 240 111

HSL 100.93, 0.81%, 0.69%

LAB 87.07, -48.93, 53.46

 

CMYK 49 / 54 / 0 / 5

HEX #7A6FF1

RGB 122 111 241

HSL 245.08, 0.82%, 0.69%

LAB 53.88, 37.68, -64.31

 

CMYK 0 / 50 / 54 / 6

HEX #F0796F

RGB 240 121 111

HSL 4.65, 0.81%, 0.69%

LAB 64.44, 44.81, 26.79

 

CMYK 54 / 0 / 50 / 6

HEX #6FF079

RGB 111 240 121

HSL 124.65, 0.81%, 0.69%

LAB 85.54, -59.39, 46.59

 

CMYK 49 / 54 / 0 / 5

HEX #7A6FF1

RGB 122 111 241

HSL 245.08, 0.82%, 0.69%

LAB 53.88, 37.68, -64.31

 

CMYK 0 / 54 / 15 / 6

HEX #F06FCC

RGB 240 111 204

HSL 316.74, 0.81%, 0.69%

LAB 65.16, 60.45, -24.91

 

CMYK 5 / 0 / 54 / 6

HEX #E5F06F

RGB 229 240 111

HSL 65.12, 0.81%, 0.69%

LAB 91.74, -20.87, 60.1

 

CMYK 54 / 0 / 39 / 6

HEX #6FF093

RGB 111 240 147

HSL 136.74, 0.81%, 0.69%

LAB 85.91, -55.48, 34.37

 

CMYK 49 / 54 / 0 / 5

HEX #7A6FF1

RGB 122 111 241

HSL 245.08, 0.82%, 0.69%

LAB 53.88, 37.68, -64.31

 

CMYK 0 / 54 / 31 / 6

HEX #F06FA5

RGB 240 111 165

HSL 334.88, 0.81%, 0.69%

LAB 63.84, 55.15, -4.78

 

CMYK 5 / 0 / 54 / 6

HEX #E5F06F

RGB 229 240 111

HSL 65.12, 0.81%, 0.69%

LAB 91.74, -20.87, 60.1

 

CMYK 54 / 0 / 23 / 6

HEX #6FF0BA

RGB 111 240 186

HSL 154.88, 0.81%, 0.69%

LAB 86.63, -48.15, 15.41

 

Description

Color code: RGB 122 111 241 | qconv.com Color code: RGB 122 111 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 111 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 111 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 54 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 54% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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