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Color name
RGB 122 115 252

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 115 252 it is the complementary color RGB 133 140 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 115 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 115 252 shade: RGB 127 115 247, RGB 144 133 255, RGB 161 151 255, RGB 178 169 255 and RGB 195 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 115 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 105 97 233, RGB 88 79 214, RGB 71 61 195 and RGB 54 43 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 159 115 252, RGB 196 115 252, RGB 232 115 252 and RGB 252 115 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 115 252 shade: RGB 122 115 252 and RGB 115 115 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 115 252 shade matches the following richer shades: RGB 122 115 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 132 126 240, RGB 142 138 229, RGB 153 149 217 and RGB 163 161 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 115 252 shade: RGB 115 181 252, RGB 115 144 252, RGB 121 115 252, RGB 158 115 252 and RGB 195 115 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 115 252 shade: RGB 45 34 250, RGB 83 74 251, RGB 122 115 252, RGB 160 155 252 and RGB 198 195 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 252 115 217 and RGB 163 252 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 252 121 115 and RGB 115 252 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 252 115 217, RGB 245 252 115 and RGB 115 252 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 115 252 shade: RGB 122 115 252, RGB 252 115 176, RGB 245 252 115 and RGB 115 252 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

Complementary color

CMYK 5 / 0 / 98 / 45

HEX #858C03

RGB 133 140 3

HSL 63.07, 0.96%, 0.28%

LAB 55.84, -16.94, 59.28

 

CMYK 49 / 53 / 0 / 3

HEX #7F73F7

RGB 127 115 247

HSL 245.45, 0.89%, 0.71%

LAB 55.57, 38.14, -64.89

 

CMYK 44 / 48 / 0 / 0

HEX #9085FF

RGB 144 133 255

HSL 245.41, 1%, 0.76%

LAB 61.59, 33.71, -59.58

 

CMYK 37 / 41 / 0 / 0

HEX #A197FF

RGB 161 151 255

HSL 245.77, 1%, 0.8%

LAB 67.22, 27.52, -50.54

 

CMYK 30 / 34 / 0 / 0

HEX #B2A9FF

RGB 178 169 255

HSL 246.28, 1%, 0.83%

LAB 72.93, 21.9, -41.49

 

CMYK 24 / 27 / 0 / 0

HEX #C3BBFF

RGB 195 187 255

HSL 247.06, 1%, 0.87%

LAB 78.67, 16.82, -32.48

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 55 / 58 / 0 / 9

HEX #6961E9

RGB 105 97 233

HSL 243.53, 0.76%, 0.65%

LAB 48.8, 40.21, -68.1

 

CMYK 59 / 63 / 0 / 16

HEX #584FD6

RGB 88 79 214

HSL 244, 0.62%, 0.57%

LAB 42.03, 41.99, -68.38

 

CMYK 64 / 69 / 0 / 24

HEX #473DC3

RGB 71 61 195

HSL 244.48, 0.53%, 0.5%

LAB 35.24, 43.95, -68.54

 

CMYK 69 / 76 / 0 / 31

HEX #362BB0

RGB 54 43 176

HSL 244.96, 0.61%, 0.43%

LAB 28.5, 45.95, -68.43

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 37 / 54 / 0 / 1

HEX #9F73FC

RGB 159 115 252

HSL 259.27, 0.96%, 0.72%

LAB 58.66, 46.54, -62.55

 

CMYK 22 / 54 / 0 / 1

HEX #C473FC

RGB 196 115 252

HSL 275.47, 0.96%, 0.72%

LAB 62.53, 55.4, -56.14

 

CMYK 8 / 54 / 0 / 1

HEX #E873FC

RGB 232 115 252

HSL 291.24, 0.96%, 0.72%

LAB 66.86, 64.45, -49

 

CMYK 0 / 54 / 7 / 1

HEX #FC73EA

RGB 252 115 234

HSL 307.88, 0.96%, 0.72%

LAB 68.68, 66.6, -36.06

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 54 / 54 / 0 / 1

HEX #7373FC

RGB 115 115 252

HSL 240, 0.96%, 0.72%

LAB 55, 37.27, -68.62

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 45 / 48 / 0 / 6

HEX #847EF0

RGB 132 126 240

HSL 243.16, 0.79%, 0.72%

LAB 58.15, 30.76, -56.86

 

CMYK 38 / 40 / 0 / 10

HEX #8E8AE5

RGB 142 138 229

HSL 242.64, 0.64%, 0.72%

LAB 61.29, 23.11, -45.71

 

CMYK 29 / 31 / 0 / 15

HEX #9995D9

RGB 153 149 217

HSL 243.53, 0.47%, 0.72%

LAB 64.38, 16.64, -34.14

 

CMYK 20 / 21 / 0 / 20

HEX #A3A1CD

RGB 163 161 205

HSL 242.73, 0.31%, 0.72%

LAB 67.79, 9.98, -22.18

 

CMYK 54 / 28 / 0 / 1

HEX #73B5FC

RGB 115 181 252

HSL 211.09, 0.96%, 0.72%

LAB 72.04, -1.19, -41.54

 

CMYK 54 / 43 / 0 / 1

HEX #7390FC

RGB 115 144 252

HSL 227.3, 0.96%, 0.72%

LAB 62.19, 20.06, -57.1

 

CMYK 52 / 54 / 0 / 1

HEX #7973FC

RGB 121 115 252

HSL 242.63, 0.96%, 0.72%

LAB 55.44, 38.42, -67.9

 

CMYK 37 / 54 / 0 / 1

HEX #9E73FC

RGB 158 115 252

HSL 258.83, 0.96%, 0.72%

LAB 58.56, 46.31, -62.71

 

CMYK 23 / 54 / 0 / 1

HEX #C373FC

RGB 195 115 252

HSL 275.04, 0.96%, 0.72%

LAB 62.42, 55.15, -56.33

 

CMYK 82 / 86 / 0 / 2

HEX #2D22FA

RGB 45 34 250

HSL 243.06, 0.96%, 0.56%

LAB 35.21, 71.15, -100.17

 

CMYK 67 / 71 / 0 / 2

HEX #534AFB

RGB 83 74 251

HSL 243.05, 0.96%, 0.64%

LAB 43.8, 55.73, -86.43

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 37 / 38 / 0 / 1

HEX #A09BFC

RGB 160 155 252

HSL 243.09, 0.94%, 0.8%

LAB 67.98, 24.19, -47.72

 

CMYK 22 / 23 / 0 / 1

HEX #C6C3FD

RGB 198 195 253

HSL 243.1, 0.94%, 0.88%

LAB 80.81, 12.9, -28.11

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 0 / 54 / 14 / 1

HEX #FC73D9

RGB 252 115 217

HSL 315.33, 0.96%, 0.72%

LAB 68, 63.99, -27.69

 

CMYK 35 / 0 / 54 / 1

HEX #A3FC73

RGB 163 252 115

HSL 98.98, 0.96%, 0.72%

LAB 91.07, -49.96, 56.52

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 0 / 52 / 54 / 1

HEX #FC7973

RGB 252 121 115

HSL 2.63, 0.96%, 0.72%

LAB 66.22, 49.44, 27.22

 

CMYK 54 / 0 / 52 / 1

HEX #73FC79

RGB 115 252 121

HSL 122.63, 0.96%, 0.72%

LAB 89.23, -62.91, 51.13

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 0 / 54 / 14 / 1

HEX #FC73D9

RGB 252 115 217

HSL 315.33, 0.96%, 0.72%

LAB 68, 63.99, -27.69

 

CMYK 3 / 0 / 54 / 1

HEX #F5FC73

RGB 245 252 115

HSL 63.07, 0.96%, 0.72%

LAB 96.11, -20.04, 63.64

 

CMYK 54 / 0 / 41 / 1

HEX #73FC95

RGB 115 252 149

HSL 134.89, 0.96%, 0.72%

LAB 89.6, -58.92, 38.23

 

CMYK 52 / 54 / 0 / 1

HEX #7A73FC

RGB 122 115 252

HSL 243.07, 0.96%, 0.72%

LAB 55.51, 38.61, -67.78

 

CMYK 0 / 54 / 30 / 1

HEX #FC73B0

RGB 252 115 176

HSL 333.28, 0.96%, 0.72%

LAB 66.59, 58.41, -6.79

 

CMYK 3 / 0 / 54 / 1

HEX #F5FC73

RGB 245 252 115

HSL 63.07, 0.96%, 0.72%

LAB 96.11, -20.04, 63.64

 

CMYK 54 / 0 / 25 / 1

HEX #73FCBE

RGB 115 252 190

HSL 152.85, 0.96%, 0.72%

LAB 90.31, -51.49, 18.54

 

Description

Color code: RGB 122 115 252 | qconv.com Color code: RGB 122 115 252 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 115 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 115 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 54 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 54% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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