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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 10 71 it is the complementary color RGB 133 245 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 10 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 10 71 shade: RGB 127 10 66, RGB 144 28 85, RGB 161 46 104, RGB 178 64 123 and RGB 195 82 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 10 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 10 71 shade: RGB 122 10 71, RGB 105 0 52, RGB 88 0 33, RGB 71 0 14 and RGB 54 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 10 71 shade: RGB 122 9 71, RGB 122 9 40, RGB 122 9 10 and RGB 122 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 10 71 shade: RGB 122 9 71, RGB 122 9 101, RGB 113 9 122, RGB 82 9 122 and RGB 52 9 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 10 71 shade matches the following richer shades: RGB 122 9 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 10 71 shade: RGB 122 9 71, RGB 111 20 70, RGB 101 31 69, RGB 90 42 68 and RGB 79 52 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 10 71 shade: RGB 113 9 122, RGB 122 9 101, RGB 122 9 71, RGB 122 9 41 and RGB 122 9 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 10 71 shade: RGB 46 3 26, RGB 84 6 49, RGB 122 9 71, RGB 160 13 93 and RGB 198 16 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 10 71 shade: RGB 122 10 71, RGB 122 83 9 and RGB 9 117 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 10 71 shade: RGB 122 10 71, RGB 71 122 9 and RGB 9 71 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 10 71 shade: RGB 122 10 71, RGB 122 83 9, RGB 9 122 60 and RGB 9 49 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 10 71 shade: RGB 122 10 71, RGB 122 117 9, RGB 9 122 60 and RGB 9 15 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 42 / 52

HEX #7A0A47

RGB 122 10 71

HSL 327.32, 0.85%, 0.26%

LAB 26.19, 48.34, -5.03

 

Complementary color

CMYK 46 / 0 / 25 / 4

HEX #85F5B8

RGB 133 245 184

HSL 147.32, 0.85%, 0.74%

LAB 88.81, -45.51, 19.61

 

CMYK 0 / 92 / 48 / 50

HEX #7F0A42

RGB 127 10 66

HSL 331.28, 0.85%, 0.27%

LAB 27.08, 49.12, -0.21

 

CMYK 0 / 81 / 41 / 44

HEX #901C55

RGB 144 28 85

HSL 330.52, 0.67%, 0.34%

LAB 32.74, 51.18, -4.09

 

CMYK 0 / 71 / 35 / 37

HEX #A12E68

RGB 161 46 104

HSL 329.74, 0.56%, 0.41%

LAB 38.78, 51.94, -6.91

 

CMYK 0 / 64 / 31 / 30

HEX #B2407B

RGB 178 64 123

HSL 328.95, 0.47%, 0.47%

LAB 45.03, 51.96, -9.03

 

CMYK 0 / 58 / 27 / 24

HEX #C3528E

RGB 195 82 142

HSL 328.14, 0.48%, 0.54%

LAB 51.37, 51.57, -10.68

 

CMYK 0 / 92 / 42 / 52

HEX #7A0A47

RGB 122 10 71

HSL 327.32, 0.85%, 0.26%

LAB 26.19, 48.34, -5.03

 

CMYK 0 / 100 / 50 / 59

HEX #690034

RGB 105 0 52

HSL 330.29, 1%, 0.21%

LAB 21.02, 44.31, 0.02

 

CMYK 0 / 100 / 63 / 65

HEX #580021

RGB 88 0 33

HSL 337.5, 1%, 0.17%

LAB 16.43, 38.38, 6.58

 

CMYK 0 / 100 / 80 / 72

HEX #47000E

RGB 71 0 14

HSL 348.17, 1%, 0.14%

LAB 11.77, 32.46, 12.58

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 93 / 42 / 52

HEX #7A0947

RGB 122 9 71

HSL 327.08, 0.86%, 0.26%

LAB 26.12, 48.52, -5.13

 

CMYK 0 / 93 / 67 / 52

HEX #7A0928

RGB 122 9 40

HSL 343.54, 0.86%, 0.26%

LAB 25.22, 45.99, 14.79

 

CMYK 0 / 93 / 92 / 52

HEX #7A090A

RGB 122 9 10

HSL 359.47, 0.86%, 0.26%

LAB 24.81, 44.83, 32.81

 

CMYK 0 / 93 / 93 / 52

HEX #7A0909

RGB 122 9 9

HSL 0, 0.86%, 0.26%

LAB 24.8, 44.81, 33.21

 

CMYK 0 / 93 / 42 / 52

HEX #7A0947

RGB 122 9 71

HSL 327.08, 0.86%, 0.26%

LAB 26.12, 48.52, -5.13

 

CMYK 0 / 93 / 17 / 52

HEX #7A0965

RGB 122 9 101

HSL 311.15, 0.86%, 0.26%

LAB 27.5, 52.22, -22.92

 

CMYK 7 / 93 / 0 / 52

HEX #71097A

RGB 113 9 122

HSL 295.22, 0.86%, 0.26%

LAB 27.05, 53.75, -37.24

 

CMYK 33 / 93 / 0 / 52

HEX #52097A

RGB 82 9 122

HSL 278.76, 0.86%, 0.26%

LAB 21.56, 48.59, -46.4

 

CMYK 57 / 93 / 0 / 52

HEX #34097A

RGB 52 9 122

HSL 262.83, 0.86%, 0.26%

LAB 17.13, 44.86, -53.84

 

CMYK 0 / 93 / 42 / 52

HEX #7A0947

RGB 122 9 71

HSL 327.08, 0.86%, 0.26%

LAB 26.12, 48.52, -5.13

 

CMYK 0 / 93 / 42 / 52

HEX #7A0947

RGB 122 9 71

HSL 327.08, 0.86%, 0.26%

LAB 26.12, 48.52, -5.13

 

CMYK 0 / 82 / 37 / 56

HEX #6F1446

RGB 111 20 70

HSL 327.03, 0.69%, 0.26%

LAB 24.71, 42.84, -6.8

 

CMYK 0 / 69 / 32 / 60

HEX #651F45

RGB 101 31 69

HSL 327.43, 0.53%, 0.26%

LAB 24.25, 35.42, -7.02

 

CMYK 0 / 53 / 24 / 65

HEX #5A2A44

RGB 90 42 68

HSL 327.5, 0.36%, 0.26%

LAB 24.47, 25.61, -6.19

 

CMYK 0 / 34 / 15 / 69

HEX #4F3443

RGB 79 52 67

HSL 326.67, 0.21%, 0.26%

LAB 25.33, 14.84, -4.4

 

CMYK 7 / 93 / 0 / 52

HEX #71097A

RGB 113 9 122

HSL 295.22, 0.86%, 0.26%

LAB 27.05, 53.75, -37.24

 

CMYK 0 / 93 / 17 / 52

HEX #7A0965

RGB 122 9 101

HSL 311.15, 0.86%, 0.26%

LAB 27.5, 52.22, -22.92

 

CMYK 0 / 93 / 42 / 52

HEX #7A0947

RGB 122 9 71

HSL 327.08, 0.86%, 0.26%

LAB 26.12, 48.52, -5.13

 

CMYK 0 / 93 / 66 / 52

HEX #7A0929

RGB 122 9 41

HSL 343.01, 0.86%, 0.26%

LAB 25.24, 46.05, 14.14

 

CMYK 0 / 93 / 91 / 52

HEX #7A090B

RGB 122 9 11

HSL 358.94, 0.86%, 0.26%

LAB 24.82, 44.85, 32.4

 

CMYK 0 / 93 / 43 / 82

HEX #2E031A

RGB 46 3 26

HSL 327.91, 0.88%, 0.1%

LAB 6.51, 23.94, -3.7

 

CMYK 0 / 93 / 42 / 67

HEX #540631

RGB 84 6 49

HSL 326.92, 0.87%, 0.18%

LAB 16.68, 36.95, -4.8

 

CMYK 0 / 93 / 42 / 52

HEX #7A0947

RGB 122 9 71

HSL 327.08, 0.86%, 0.26%

LAB 26.12, 48.52, -5.13

 

CMYK 0 / 92 / 42 / 37

HEX #A00D5D

RGB 160 13 93

HSL 327.35, 0.85%, 0.34%

LAB 35.11, 59.29, -5.4

 

CMYK 0 / 92 / 42 / 22

HEX #C61073

RGB 198 16 115

HSL 327.36, 0.85%, 0.42%

LAB 43.67, 69.71, -5.74

 

CMYK 0 / 92 / 42 / 52

HEX #7A0A47

RGB 122 10 71

HSL 327.32, 0.85%, 0.26%

LAB 26.19, 48.34, -5.03

 

CMYK 0 / 32 / 93 / 52

HEX #7A5309

RGB 122 83 9

HSL 39.29, 0.86%, 0.26%

LAB 38.45, 10.19, 44.23

 

CMYK 93 / 4 / 0 / 52

HEX #09757A

RGB 9 117 122

HSL 182.65, 0.86%, 0.26%

LAB 44.5, -24.83, -10.55

 

CMYK 0 / 92 / 42 / 52

HEX #7A0A47

RGB 122 10 71

HSL 327.32, 0.85%, 0.26%

LAB 26.19, 48.34, -5.03

 

CMYK 42 / 0 / 93 / 52

HEX #477A09

RGB 71 122 9

HSL 87.08, 0.86%, 0.26%

LAB 46.01, -34.39, 48.59

 

CMYK 93 / 42 / 0 / 52

HEX #09477A

RGB 9 71 122

HSL 207.08, 0.86%, 0.26%

LAB 29.34, 2.32, -34.09

 

CMYK 0 / 92 / 42 / 52

HEX #7A0A47

RGB 122 10 71

HSL 327.32, 0.85%, 0.26%

LAB 26.19, 48.34, -5.03

 

CMYK 0 / 32 / 93 / 52

HEX #7A5309

RGB 122 83 9

HSL 39.29, 0.86%, 0.26%

LAB 38.45, 10.19, 44.23

 

CMYK 93 / 0 / 51 / 52

HEX #097A3C

RGB 9 122 60

HSL 147.08, 0.86%, 0.26%

LAB 44.66, -43.39, 25.95

 

CMYK 93 / 60 / 0 / 52

HEX #09317A

RGB 9 49 122

HSL 218.76, 0.86%, 0.26%

LAB 22.51, 17.83, -45.1

 

CMYK 0 / 92 / 42 / 52

HEX #7A0A47

RGB 122 10 71

HSL 327.32, 0.85%, 0.26%

LAB 26.19, 48.34, -5.03

 

CMYK 0 / 4 / 93 / 52

HEX #7A7509

RGB 122 117 9

HSL 57.35, 0.86%, 0.26%

LAB 48.11, -9.55, 51.81

 

CMYK 93 / 0 / 51 / 52

HEX #097A3C

RGB 9 122 60

HSL 147.08, 0.86%, 0.26%

LAB 44.66, -43.39, 25.95

 

CMYK 93 / 88 / 0 / 52

HEX #090F7A

RGB 9 15 122

HSL 236.81, 0.86%, 0.26%

LAB 14.43, 39.76, -58.43

 

Description

Color code: RGB 122 10 71 | qconv.com Color code: RGB 122 10 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 10 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 10 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 42 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 42% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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